Bad color in still images in a project directly opened in Sg CC from Pr CC

I'm working on a project in Pr CC mixing videos footages and still images both from the same DSLR (Nikon D800e).
In Pr no problem (still image in the source monitor, video in the program monitor):
When I send this project directly to Sg CC by the new "Direct link", I find that in Sg
Where is the problem (and the solution )?

The email I received was strictly regarding my post being deleted. I have not heard anything in reference to the RAW 2.0 problem.
Here is a comparison of the same image. One exported from Aperture and the other opened in ACR and saved as a JPG.
http://www.uberfoto.com/images/misc/temp/colorclipAP-ACR.jpg
http://www.uberfoto.com/images/misc/temp/colorclip_AP-ACRzoom.jpg
Another thing I noticed is that Aperture preview generator does not clip the color data like the raw converter does. Previews created after image adjustments retain their color in the shadows while the full composite view displays in monochrome. This is an image I took in the studio where the PW died and the flash didn't pop so it was very dark. The original image was nearly all black with no discernible details until I pulled the exposure back up. The ACR conversion looks nearly identical (discarding small differences in brand interpretation) to the "Preview" in AP2.0.
http://www.uberfoto.com/images/misc/temp/colorclipraw.jpg
http://www.uberfoto.com/images/misc/temp/colorclippreview.jpg

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Still images into a project

Hello.
I am working on an SD NTSC-Anamorphic project and want to bring some still images into the project. The images were shot with a Canon 350D (Rebel XT) in Raw format and currently are in TIFF format as converted by Aperture. When I import the images I am finding a noticable degredation in quality when comparing the images in "Preview" to the Viewer to the Canvas. Once the images are in the timeline and I look at them on the canvas they look alot fuzzier.
Should I be using a different file format? Is there a setting I've overlooked somewhere?
Thanks for any and all suggestions...

Hi,
I have read the comments above and all are valid but they do not look to me to answer your core question.
I had been asking the same question on forums for a long time and had similar responses and finally fixed the issue by purchasing a Photoshop book called WOW.
One of the earlier comments really hits the nail on the head but does not seem to offer the fix (I'm not trying to be critical here because all information does help).
First of all you need to reduce the size of the file for video - this is, in my experience best done in Photoshop not FCP (Photoshop WOW book comes with DVD and automatic actions to do this).
I call this the 'resize' step and put all my photos through this stage first (it does help to have an action for landscape and one for portrait to ensure that they are kept separate for the next step).
Then you need to 'rescale' the image to the size of your project in FCP (I assume that you are using widescreen as I do). To do this you need to create a blank document in widescreen format and then drop or drag your resized photo into the widescreen format and it will take on the same format as the blank widescreen document. Get rid of any layers and save the document in TIFF or JPEG it is up to you - you can keep the layers if you want to but you need to be aware of the issues of layers being imported into FCP.
I felt like I had found my fountain of youth when I sorted this out properly (the stress was definitely make me age).
Some comments suggest that the latest FCP does a better job of compressing the photos than the older versions but I wouldn't know as I use FCP 4.5HD and this may be so. However, it is commonly accepted, I believe, that formating the photo in photoshop is the better option.
It fixed all my headaches at least because I wanted the flexibility of FCP with photos just as you do.
Good luck and no intention to dislocate any noses out there, the willingness of people helping to provide assistance out there is fantastic.
Lee

I dropped my macbook pro 17" from about 4 feet from my shelf onto a hard floor and it dinged the corner pretty bad, but it still works OK. a year back also it fell of from 1ft height but that time there was not any dent.

I dropped my macbook pro 17" from about 4 feet from my shelf onto a hard floor and it dinged the corner pretty bad, but it still works OK. a year back also it fell of from 1ft height but that time there was not any dent. my worry is will it give any prop in future or its just a cosmetic issue but in performance it wont give any problems. it happened an hr back & i am very upset for this misshandling.

I dropped a MBP and dented that same corner, though it wasn't one of the unibody MBPs:
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Have you tried "Working with Video" section of the manual? It's somewhere close to the end...
Logic works with audio, not images. That's why you can't import a photo, because media browser is used to locate audio files, mostly. And sometimes video.
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10.7.2: still can't replicate 10.6 Open Directory or restore from backup

I am trying to migrate my Open Directory (OD) database from an Xserve running 10.6.8 to an iMac running 10.7.2 now. As before the update to 10.7.2, I am unable to make the Lion server an OD replica of the OD database running on Snow Leopard.
This is what I do (please let me know, if anyting I do is wrong):
On the Snow Leopard Server (SLS) in the Server Admin utility, I go to the Open Directory service, the "Archive" subsection, choose a target directory for "Archive In", and click on the Archive button. I am then asked to name my archived database and provide a password. Let's say, it is "OD Archive," the file generated will be "OD Archive.sparseimage".
I copy this Sparseimage to the deskop of my Leopard Server (LS).
I then open the same place in the Server Admin utility on the LS. In the "Restore from" section I browse to the LS desktop and "Choose" the saved Sparseimage. I click on "Restore," at which point I am asked for the password of the archived OD database. When I supply it, it appears that my OD archive is being imported.
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Historically you have not been able to mix versions between an Open Directory Master and Replica, that is both would either have to be Snow Leopard, or both would have to be Lion.
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As you already appear to have done, in Snow Leopard Server make an Archive of your Open Directory setup
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Setup the hostname, IP address and DNS records (which might mean setting up a DNS server) for the new Lion Server
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sudo changeip -checkhostname
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On the Snow Leopard Server in Workgroup Manager export all the user accounts except the Admin and DirAdmin accounts
Optionally export all the Groups
Optionally export all the Computer Groups
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Color shift between image viewed in ACR and open in PS

Today I updated Photoshop CC and now I have a slight color shift problem between the same image open in ACR and then opened in Photoshop. It appears to be slightly more saturated in ACR.
I have tried the same thing on another computer and it does NOT have the same problem so it must have been something that happened in the update (ACR was one of the items updated). I have also compared the preferences between the two computers and they are identical.
I guess the next thing to do is to deinstall PS and reinstall????
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Any difference between ACR and Photoshop is most likely due to a monitor profile problem. They both use the same monitor profile, but there are differences in the actual conversion so a problem can show up differently between them.
Is your monitor calibrated/profiled, and if so how, using what calibrator? Or are you using the Windows default (sRGB), or perhaps you got a bad manufacturer profile through Windows Update? (yes, that happens frequently).
To find out if the monitor profile is indeed the problem, go to Control Panel > Color Management > Devices. Set sRGB IEC61966-2.1 as default profile (if it isn't already), then relaunch Photoshop/Bridge and see if the difference is still there. If your monitor is wide gamut, use Adobe RGB instead.
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If you do have and use a calibrator, make sure it is set to make v2 profiles, not v4, and matrix rather than LUT profiles.

Can anyone help me figure why there is a popping sound when I move from an iphoto still image to a new video clip? The sound has been removed from the video clips and there is another soundtrack underneath it all. Help?

My current project is like many I have created in the past. I have removed the sound from my video clips and laid another soundtrack under the entire project. Now, when I add an iphoto still image to the project, when it goes back into video there is a popping sound. I've never had this happen in the past and have made many projects in the past just like this one. Any way to troubleshoot this issue? Thanks so much for your help.
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What audio output are you using? What mac and version iMovie

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See this iMovie Help topic:
http://help.apple.com/imovie/#mov3a883915
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John
Message was edited by: John Cogdell - added Note

Change duration of multiple still images in one operation

Hello Folks.
I am trying to change the duration of each image in a sequence of still images.
Program: Adobe Premiere Elements 7
Mode: Standard Definition 4/3 ratio
File types in use: MOD, AVI, PNG
Problem: The product manual states: "To apply the new default length to all still images in your project, delete them from Project view and reimport them into your project."
Question: Is there a way to select a group of still images and then apply a new duration value to all of them in one operation? An Adobe salesperson told me that this is possble before I purchased the program, but I cannot figure out how this is done. I switched to Adobe from another product in order to get this feature. Now that I need it, I cannot figure a way to get it to work. Time Stretch is not available when I select multiple images.
Thank you,
Brian

Brian,
Unfortunately not. PrPro CS4.2 has just added a way to change the Duration of previously Imported stills, but so far PrE does not allow for this, unless it is new to PrE 8, but I have not read of this.
As noted, the method is to set the Edit>Preferences>General>Default Stills, and choose the Duration in Frames. Then Import the stills. If they are in the Project, that setting has already been applied, so one must delete them from the Project Panel and re-Import them with the new Duration.
Now, one can obviously change the Duration on a one-by-one basis in the Timeline, but that can be tedious, if there are many stills. If I were doing this, I would make sure to have the Info Panel open and nearby, Window>Info.
Good luck,
Hunt
PS - if PrE 8 HAS added the post-Import Duration change, I hope someone steps up with that info.

How to extend audio from a video clip over an adjacent still image

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When I try detatching video C from its audio, I just end up with a big mess because later the audio and video don't synch up.
What am I doing wrong?

I am having the same challenge... any tips here would help me out in a big way. I recorded my boss tdoing a training session and now I would like to have the powerpoint slides change as necessary - but I want the audio to remain. I would love to just get the slides to change rather than back to full before bringing up the next slide. Jim, if you come up with anything, let me know. I have VC2 pro.

Still images snap into focus

I'm using a number of still images in my project. Upon export to QuickTime, the images look fuzzy until they've been on screen for a few seconds, at which point they snap into perfect focus.
Searching the forums, I couldn't find an answer, though I did find a number of questions about still images. So before you suggest that I've created the images at too high a resolution...
I've created the stills at approximately the correct size to import them without problems. I still haven't quite figured out the right dimensions (I don't know why this is so hard), but I'm close -- these are definitely not too large. I have scaled them a little within FCP, but again, I don't think that's the problem because the image does sharpen into perfect focus eventually -- if the image is on screen long enough.
I've also exported using many different codecs (including none), so that doesn't appear to be the issue either.
I've had this exact problem using iMovie -- I was hoping it would go away when I moved up to FCP.
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Please detail your workflow...
-Exactly what versions of FCP/QT
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When rendered, still images appear in low quality

Hello everyone.
I'm facing an interesting dilemna with Adobe Premiere Elements 8. It usually works fine for me, and with time I have learned to fix most of the details that usually bother unexperienced users such as me.
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Hi everybody,
It is a bit late to join this discussion but for vacation reasons I didn't follow the PE-Forum for a while.
I think I have a comparable problem like fmrees: Since a couple of days the resolution of the Preview in PE8 is rather poor. Unfortunately I can't say exactly when it startet. Maybe it begun after I rendered the project.
After having read this issue I deleted the rendered files, looked at the preview: still the same. Re-rendering didn't improve the result.
The difference between the problem of fmrees and mine is: I do not use at all still images. The only video sources are AVI-Files from MiniDV.
I looked at other PE-projects I didn't touch for several week: I have the same problem! So probably it is something in the PE- or project-settings, but I have no idea what it could be (I am rather a newbee in PE).
My Hard-/Software:
Intel(R) Core(TM) i7 CPU 860 @ 2.80GHz 2.80 Hz
RAM 8.00 GB
OS
Windows 7 Home Premium
Video:
NVIDIA GeForce GTX 260
Philips 244E
Audio:
AVerMedia H789 PCI-E DVB-T
Realtek High Definition Audio
Premiere Elements V8.0

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I'm working on a stop motion project, and I have at least a thousand still images to work with.
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Brightness
Cropping
Scale
Position
I now want to apply these exact settings to hundreds of still images at a time that make up one scene in the project (but not all still images in the entire project).. Is there a way to paste or easily transfer them?
Also, there are scenes I'm working on in which I want to change the image duration of hundreds of photos at once, but not change to duration of all images in the project, is this possible?
I've looked at several different web-links, but none of them have what I'm looking for. If you can please help me, I'd be willing to send you $10 through paypal. Knowledge is power; the solution to these problems would save me hours of time. If you don't fully understand my questions I can send you a pictures or a video, pointing out my needs.

Stan,
Thanks again for your input.
When the project is created, I don't recall seeing the preference settings until after the project opens the first time. In that case if certain media was imported into the project panel but not in the sequence, after the duration was changed, it would be necessary to remove the media from the project panel then re-import again. If there is a workaround to this please let me know. It also doesn't appear that creating a new sequence would prevent the re-importing. Could you confirm?
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I actually thought that I had seen someone select the remainder of the images in the sequence then apply the paste command but I was never able to make that work. Have you heard of such a short-cut?
Much thanks again!!

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Bad color in still images in a project directly opened in Sg CC from Pr CC

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