Best format for saving & resizing  photo with transparent background

I have some product shots where I cut out the background, so the background is now transparent. What is the best format to save these in to preserve the transparency and also resize the photo in the future? I seem to remember from long ago that Tiffs don't resize easily? but when I saved the shot as Eps I couldn't find a way to preserve the transparency. These are for a client who wants to send these shots to various publications for ads, so I need something they can resize. Thanks for your help!

Transparency is only saved in EPS files with an embedded clipping path. EPS files limit you to 1-bit transparecy, meaning you either show a portion of the image or you don't. This kind of transparency means hard edges around your subject.
If you use PSD,PDF,PDP files, you can offer a soft transition from opaque to transparent in as many as 256 steps. If you have already removed the background in your layered file, then this would be the way to go. The latest releases of QuarkXPress and all releases of InDesign support PSD.

Similar Messages

  • Photos with transparent background weird issue in album

    There is something very strange happening
    What I did
    I saved two images that had transparent background
    When I view it in my photo album the thumbnail shows the image but for the "background" it is some other random photo that isn't even in my camera roll! It just shows up only when I save these images with transparent background.  This happened for two images and the photos showing up are different (from the same night because I can see who is in it).
    When I view these images larger, the background photos do not appear , so it is very strange
    I took a screen shot of this too and would like to send to apple support

    I would not really expect AppleTv to handle transparency in an image, though maybe it does and this is some kind of bug.
    I would regard transparency handling as a non-basic feature to be honest, one that the majority of users will not expect to use or use.
    Does iPhoto handle transparency properly?
    Send feedback to:
    http://www.apple.com/feedback/appletv.html
    It may be something they can add fairly easily, but it may not either.
    Don't expect a reply from that link.
    AC

  • Best format for pics thats compatable with PE3

    I'm scannig in some photos and stuff for a project and wondering what is th best format to save the pictures as. This scanner offers several different formats, jpeg, bitmap, tiff, just to name a few. Alot of the stuff is old newspaper clippings so picture "quality" is not as important as if it were the last photo of Grandma before she past away, but some will be old photos.  Also the scanner offers a DPI setting what should this be set at? All help appreciated. Thanks.

    For this sort of work, I use TIFF at the highest bit-depth that the scanner, and its software, will allow, plus at the highest resolution. These will be big files, but that is the way that it is.
    I then take the images into Photoshop and do the necessary work on the highest rez files that I can get. I do a Save_As to .PSD with all Layers and Adjustment Layers. When done, I drop the bit-depth to 8-bit, resize to the video Frame Size, and Save_As .PSD. TIFF would work too. I am less a fan of JPEG, but others find no problem, and the files are smaller. Here is an ARTICLE on using some automation in PS to resize the images for video.
    Good luck with your Project,
    Hunt
    PS - forgot to mention the resolution. In video, this does not matter, but my Actions in PS for resizing are set to drop it to 72 ppi, but I start with the highest available, whether 1200, or 2400. I do not use any interpolation, so the ppi/dpi will be the highest physical (not software) resolution available.
    Message was edited by: Bill Hunt -  Added PS

  • Best format for importing scanned photos into FCP in HDV?

    Hi,
    I'm importing a lot of scanned photos into FCP, for an HDV project. I will be zooming into these images, panning, and so on.
    What is the consensus on the best format to use? I was thinking TIFF but then reading about PNG I am thinking this is perhaps better.
    I am dealing with large (up to 1200 dpi) image files, so size is an issue.
    Many thanks for your thoughts.

    Right, use a PSD with photos on different layers, Import the one document into FCP, each photo is on a different layer in FCP and you can zoom in as you wish by using key frames, once you set all your photos (Layers) the way you want all the same or different etc... you copy and paste them into the time line. I do this all the time and add transitions or effects. works well even with company logos off of a web site. You can zoom in all you want. dude
    from a link you provided
    PSD
    Increasingly then image editability is becoming important. The obvious way of maintaining maximum information and maximum editability is to stick with the native application-specific format. Of course it was to avoid this go-it-alone anarchy that file format standards had to be developed in the first place, but the situation with bitmap images is quite special. Currently the vast majority of designers are working on their images in Photoshop and then exporting them to TIFF to use in their DTP application. Why not just cut out the middleman and support the industry standard Photoshop’s PSD format directly?
    After all the format is well known. The core format PSD 3.0 format is built on a short header specifying the image size and colour channels and then three information sections called the Colour Mode Data Block, Image Resources Block and Layer and Mask Information Block defining features such as duotone settings, channels and paths and layer opacity and blend mode respectively. After that comes the image data. Naturally the PSD format can support all the advanced features we’ve already looked at such as duotones, clipping paths and channels but it also offers one feature that no other file format does. While every other format must be flattened on export, PSD is the only format that supports layers. Any program that supports PSDs directly can then leverage this layer information as Adobe ImageReady and Deneba Canvas show. Currently the DTP support is fairly basic but the possibility of changing image blend modes or editing layer text or tweaking adjustment layers depending on the actual spread in which the image appears is creatively mouthwatering.

  • Can't get photo with transparent background to show up that way

    I'm quite new to PSE (using ver. 6) so thanks in advance for any help you can offer!
    I have a photo, and have made the background transparent, and saved it as a GIF file.  When opened, it shows up with the checkered background.  Good so far.
    When I drag this photo from the Project Bin at the bottom (where I still see the checkerd background) into the image I'm working on, it shows up with a solid gray background once dropped into that image.  So in essence, the background is no longer transparent.
    How do I add this photo with the transparent background to the image I'm working on without a background / frame showing up?  I've combed the internet and can't find an answer, and searching this forum, still coming up empty.  I think the problem has to do with dragging it from the project bin.  How else can I get it into the image I'm working on?
    Thanks!
    Kevin

    In PSE 6, dragging up from the project bin creates a special kind of passthrough layer. Copy/paste, or drag it down from the gif's image window into the other file in the project bin instead.

  • How to fix issue with saving flattened PNG32 with transparent background?

    Using CS6 on a 15 inch MacBook Pro. When I save a layer as a flattened PNG file, the transparency is not preserved and I see a white background. Tried using the export option with the same result.
    I originally switched from CS5 to CS6 to address this issue itself. It worked the first time after fresh install. However has stopped working since then. Seems like a bug in the software.
    Can anyone help find a way to address this?
    Thanks

    I have the same issue with CS6, Can't export transparent PNG 32 or transparent PNG 8, can't go back to CS5 because then I can't use the CSS generation tool... So I need to use CS5.x to create the transparent PNG and I need to use CS6 to create the CSS... Bah this is an awful workflow. I don't know why Adobe has never been able to get transparent PNG's correct. Between photoshop and fireworks there is so much confusion with the PNG 8, PNG 24, PNG 32, what is transparent, what isn't transparent.... It's a joke. Fireworks is such a better program for web design than Photoshop yet this is the one thing that has been holding Fireworks back and it's still doing it. GIANT PITA!

  • Saving image and layer separately with transparent background

    I have a photo with a layer and I am trying to save two images (main photo and layer) with transparent background. I am able to save the  main photo with transparent background but somehow not able to save the layer with transparent background despite selecting the option while saving as PNG. Any help will be appreciated?

    OK... I'm probably not being clear.
    When I import the PDF, I get a typical architect's line drawing as shown below. So the background is displaying as white. In Corel, when you save a GIF or a PNG, you can specify that -everything- that is the 'background colour' is rendered as transparent. IOW: there's no need to erase the 'white' pixels; they are auto-magically converted to transparent.
    But in PS (CS4), no matter what I try, the rendered PNG or GIFs show as white, rather than transparent.
    Is there a way to have this same behaviour in PS? Or do I first have to use the erase or background erase tools to get rid of the white?

  • The best format for output

    Hi All,
    working in animation project to be broadcasted on a TV channel as HD1080 50i,
    1- all the animation layers was rendered from TOONBOOM as .SWF to keep it in vector for compositing issue.
    Dose SWF lose any quality? we always use TGA sequence with alpha in our past SD projects but now we found SWF is a smaller file size and allows zooming Because it keeps all vector lines.
    2- compositing each scene in after effects cs6 and then render them.
    What is the best format for output to deal with premiere cs6 as a real time playback ( my editing pc includes gtx680 4gb., many HGST 3tb with raid controller,64g ram, aja kona 3g) so do I go with TGA sequence (I think it will destroy the raid Because of the large number of small-sized files in read and write ) or MOV uncompressed (I'm afraid of the space size and don’t know it will play in real time ) or what is the best compressed format Maintaining video image quality as its now will be my only master source?
    Many thanks,
    sherif

    Thanks Rick for your reply,
    Regarding the SWF i moved to flash pro forums and they are supporting me now,
    My system is a pc, win.64, I7-3930K, 64G RAM, EVGA GTX680 4G, Many HGST 3TB with raid controler,
    Some advised me to go with Quicktime Prores HQ or DNXHD or DPX ,
    In this year project my client's requirement for delivery is :
    DNxHD 120 Codec, wrapped with QuickTime rapper, which means a file with MOV extension and the codec used is DNxHD 120 ( 1080@50i HD)
    So do i work with dnxhd 120 from the beginning to the delivery? (and it will be my only master source) or another format encode it at the end to dnxhd 120? ( i will distribut this project to many channels after the first run exclusivity period end with different requirements).
    Thanks,
    Sherif

  • Video with Transparent background

    Hi I am trying to create a video through Adobe Premiere Elemements 10 that has a transparent background.
    I need it to be in .FLV, .SWF or .MP4 format.
    I have created the alpha etc but i think i am not exporting it correctly.
    Can anyone explain the steps for creating the video with transparent background and how to export it for those file types please?
    thanks.

    I've not used the software, as I said a quick google threw it up. From looking at their further screens (http://www.increditools.com/flash_video_studio/features.php#flash8alpha) and (http://www.increditools.com/flash_video_studio/samples.php#flash8alpha) a probable workflow would be to create an original in PRE against your green screen and export this as DV (for standard resolution) or HDV (for HiDef). Once in the Flash software it is probably then just a case of using an eyedropper to turn your green screen transparent.
    However your best option would be to install it and play around. Looking at their FAQ, similarly to the PRE trial, it installs as a trial version that will place a watermark across your finished video.
    If you do try it out please be sure to post back here about its effectiveness - it may help others.
    Cheers,
    Neale
    Insanity is hereditary, you get it from your children

  • How to insert image with transparent background?

    I have several logos saved at .GIFs with transparent backgrounds that I would like to import into my dashboard, but it seems that the image component only supports JPEG.  Is there a way to import images while maintaining their transparency?

    Well, you CAN insert GIFs or other image formats.  But I have yet to figure out a way to take a GIF with a transparent background and import it into my Xcelsius while preserving the transparency.  The transparent background always just defaults to white.
    This is a crucial feature as I have some logos I want to use that are circular.  But if I can't give them a transparent background, it drastically limits their placement options.
    I know that flash does support transparency, so am I missing something here?

  • Best Format For Front Row

    Hi what is the best format for videos in front row? Most videos I have are avis so I had been saving them as .mov files instead until recently when I discovered I could export them to Mpeg4 and in the process make them widescreen - I also noticed that when I saved these videos as .mov they took up about 5 gb but as mp4 they took up 500mb. So anyone have any opinions on what is the best way to do it?
    Cheers

    AVI and MOV are both simply "containers". The video and audio files inside them can be many formats with less or more compression. The MPEG-4 compression can be very good, of course, depending on the quality of the original file. The MOV files you saved must be using a different type of video compression that may be better quality but takes up more hard drive space. The "best" type of compression is probably a personal choice. What type of software are you using to save the files? QuickTime Pro?
    -Doug

  • What is the default file format for saving in MS Office 2013? Is it still the transitional OOXML or the ISO/IEC 29500 strict format?

    As I have read, MS Office 2013 is able to read and write the ISO/IEC 29500 strict (standardized Office Open XML) file format. MS Office 2010 was only able to read the strict format and MS Office 2007 could neither read nor write the strict format. The
    .docx, .xlsx and .pptx saved by Office 2007 and 2010 were only complying to the OOXML transitional, as far as I understood.
    My main question is what the default file format for saving in MS Office 2013 actually is? Is it still the transitional OOXML or the ISO/IEC 29500 strict format?
    In case, MS Office still saves in the transitional standard by default, is it possible to set the strict standard in the settings? Is this recommended (I assume that OOXML strict is the future) to do this?
    Thanks.

    Yes, the Transitional is still the default file format for saving in Office 2013, and we can modify this setting in Word Options, Save:
    As Alex Brown covers in his
    blog post, "Transitional is intended to preserve the fidelity of existing binary documents being migrated to ISO/IEC 29500, and includes many legacy features for compatibility with existing documents. Strict is a subset of Transitional that does not
    include legacy features – this makes it theoretically easier for a new implementer to support (since it has a smaller technical footprint, so to speak), but also makes it less able to preserve the fidelity of existing documents."
    Max Meng
    TechNet Community Support

  • Best Format for Archiving Video Files

    I am importing old VHS and 8mm family videos for my cousin, to both burn them to DVD, and to archive the movies in case he wants to edit them later.
    I am planning on purchasing for him, a "write once," external HDD, probably firewire, (though I am open to suggestions), to put both the backup Video TS folders on, as well as the Quicktime movies themselves.
    My guess is, the best format for the QT movies would be their original DV-NTSC, but at around 13GB an hour, this can add up pretty fast.
    The h264 .mov codec looks great, takes forever to render, and it seems the file size difference to DV-NTSC is nominal at best.
    Obviously the future is some kind of HD, so these movies will never look great years from now, but I want them to be preserved for him at the best quality possible, at the smallest file size, if it will not compromise the quality too much.
    I know I can render them significantly smaller as h264 .mp4 files, or as DIVX, (which also takes a long time), but I imagine they are of significantly reduced quality that would be visible in future video editing he might do.
    If DV-NTSC is the only way to go, so be it. But if not, then any suggestions for what other format I could use to save these QT files, without visible loss of quality is greatly appreciated.

    Thanks for all the advice. And I mean everyone.
    Here is my latest dilemma.
    Though 15 years old, the original Vhs's play beautifully. Aside from some (expected) glitches in the beginning or end of some of the shots, the video has not degraded appreciably. This is great news, as my cousin wanted to make back ups before degradation begins.
    First, I captured the Vhs movies and corrected some bad color, mostly due to poor white balancing, and on the computer, they looked great in comparison. I burned DVD's and they looked terrible in comparison with the originals. Now I know I am going to lose some resolution when going to DVD, but it seemed harsh, so I ran some tests.
    I burned a DVD of the original capture, with no color correction, just the raw footage and the DVD did not look much better, so it wasn't the color correction.
    Not satisfied, I made a copy from the FCP timeline straight to Vhs, (I should note, through the ADVC-110.) This looked significantly degraded as well.
    Finally, I made a straight dub from Vhs to DVCam, figuring that had to look good, and that also looked significantly degraded, compared to the, (now looking pristine), Vhs original.
    As the original Vhs looks so good, what good would a TBC do? Or a proc amp?
    Is there some secret to capturing and exporting Vhs that I am missing? Or, will it always look significantly degraded, even straight to DVCam?
    +David Murray wrote: There is an industrial way to get good VhS copies but it is extremely expensive+
    I don't know what this is, but I am sure it is clearly out of our league, but David M., if you are still following this thread, I'm curious, would this ultra expensive method actually result in a dub that looks like the original? I am actually really shocked at how bad the straight DVCam dub looks. It really does not look much better than the color corrected, computer exported version.
    The Vhs tapes of my cousins daughter are as precious to him as anything he has.
    As they date back 15 years, he is concerned about the longevity of the tapes.
    As there are over forty hours of them, he wants them to be in an editable format, so later he or his daughter can make a highlight reel, or whatever. So thus the QT movie archive/backup on HD.
    Whether as Finalcutter said, that this drive, even if unused, and put in a cool dry safe, might not function years down the line, makes it iffy, but what other choice is there for editable versions, unless I break the QT movies up into 20 minute chunks and archive them to over a hundred DVD's instead. Perhaps that is the safest solution, though certainly time consuming.
    As failure of the HDD somewhere in the future is likely, though not certain, I am still not sure that the HDD holding all his QT movies for future editing is the wrong way to go.
    As it is a digital version, and not an analog copy, I get that a DVCam backup of the originals is the best option. I will suggest to him that we do this as well, even though he does not have DVCam himself. But again, is there something I am missing here? Why does the Vhs to DVCam copy look so degraded? Is there anything I can do to keep the original quality, or will it die with his original Vhs as it slowly degrades over time?

  • JSR 168 best practice for saving inter-portlet state

    The portlet specification doesn't yet cover inter-portlet communication. Until
    it does, what is the best practice for saveing state so that multiple portlets
    can use the same data?

    The portlet session is layered on top of the HTTP session except for
    attribute scoping. So, all portlets in a webapp share the same
    HTTP/portlet session for a given client.
    All APPLICATION_SCOPEd portlet session attributes are automatically
    available to other portlets. With PORTLET_SCOPEd attributes, portlet
    containers namespace attribute names, so it would be hard to get
    attributes by name (but still possible).
    Subbu
    Chris Jennings said the following on 10/14/2003 09:17 AM:
    If I set an attribute in a PortletSession, though, it isn't visible form another
    PortletSession... right? Please tell me that's wrong ;-) If that's right, how
    can I have portlet B get to something set by portlet A?
    Subbu Allamaraju <[email protected]> wrote:
    Chris,
    For sharing transient state, the only possible mechanism in V1.0 is to
    use sessions.
    Subbu

  • Have Pixma MG2120. What is the best paper for water resistant photos?

    I have a Pixma MG2120. What is the best paper for water resistant photos?

    Hi neuend1,
    While the ChromaLife100 inks (included with the PIXMA MG2120) in combination with our genuine Canon photo paper, will provided basic protection against humidity, we do not recommend direct moisture exposure to the image.  If the image will be displayed in an environment that demands water resistance, I recommend protecting your finished print behind glass or another airtight display.
    If you have any other questions, please feel free to Contact Us!
    Did this answer your question? Please click the Accept as Solution button so that others may find the answer as well.

Maybe you are looking for

  • The home button in the toolbar doesn't work anymore. It takes me to a search page not my homepage

    instead of opening new tabs I do a lot of surfing from one tab. Before when I wanted to get back to my homepage I would click the Home button in the toolbar and it would take me back to my homepage. A nice feature. But lately when I click the home bu

  • How to integrate the following program in a JSP page

    I have this JavaMail program that sends emails. It runs from the command prompt. But I want to use it in a jsp page to send emails. But I am very new to JSP and dont know how to do it. Can anyone help me with it?? It will be very helpful if someone g

  • BAdI - AC_DOCUMENT / data passing for nested structures

    Hi all. I need your help for this scenario:   I used this to pass value of MM field to FI field from transaction MIGO. Our company placed field in EKKN-WEMPF to BSEG-ZUONR. For this one option was:  BAdI AC_DOCUMENT Questions:  1.  Nested structures

  • RAW files, iPhoto and PS CS2

    hi i use iphoto and a raw workspace in photoshop to import and edit digital images taken with a nikon digital camera. i notice now that whenever i double-click on one of the raw file thumbnails in the library, it opens in photoshop as a very large 72

  • IPhoto crashes when Tell A Friend in Web Gallery

    When I click on Tell A Friend in my Web Gallery, Mail opens with "The Page Cannot Be Found" in the Subject line and "HTTP Error 404- File or directory not found" within the body of the text as well as other information. Also a message box pops up sta