Best option for exporting

Could anyone tell me what the best format would be to export 3 min video commercials for 3000 lumin projectors. I am currently using winamp as my video player and sending that through s-video to a video mixer then to the projectors. None of my videos come out very crisp. My footage is clean (xl2 camera) but I notice that the videos are as crisp as they should be. I export as .avi (so that winamp will play it - won't play .mov) But even when I export to .mov I get the same results.
thanks for you time

Why not just dl QuickTime Player for Windows and use that ?
go .mov all the way.
WinAmp may be adding some of it's own pixel dust ( I don't know the app at all - but it must have some controls hidden away somewhere).
Also I can tell you from my own experience that those projectors have to be set up spot-on for focal length otherwise things can start to look fuzzy. Brightness and contrast can tweak things to appear sharper if you run out of focus adjustustment.

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Re: Best options for exporting a sequence and making a DVD

I using iPad 2.

"Re: Best options for exporting a sequence and making a DVD" and "I'm using iPad 2" and "My phone number is not verified!" don't seem to be entirely related. Can you please restate your question?

Best Practices - How to adjust light in selected areas and best options for export (only adjust ligh

Hello,
I have the cs suite, and recently downloaded the lightroom demo. I am fairly good with picking up programs but couldn't locate where or how i can select individual elements to lighten/darken? If i wanted to make a an object lighter, should i be doing this within ps or is there an easy to use tool within lightroom?
Second question, when exporting into ps, what is the best practice.. should i only adjust lighting and any other edits within ps?
cheers
Kenny from Vancouver

Kenny
Take a look at the Adjustment Brush. It's in the tool pallette, just below the histogram when you're in the Develop Module. It will not only dodge and burn, but allow you to apply lots of other kinds of local changes.
In general, I find that I can do everything in Lightroom for most images.
Hal

Best options for exporting a sequence and making a DVD

Hello,
I have a sequence that is 79 minutes long with the following properties:
Vid Rate - 29.97 fps
Frame Size - 1440 x 1080
Compressor - Apple Int. Codec
Pixel Aspect - HD (1440x1080)
This project began with the intention of being a short video, which is my background, and I can usually deal with exporting issues for short videos. However, it is no longer a small project. This was unexpected, and I frequently find myself in over my head. I am at the point where I need to give small theaters copies to view for consideration for a real screening, and would like to ask the folks here some questions:
How would you export this sequence for viewing on a DVD? Export through QuickTime Movie (not conversion)? Wouldn't that make a file too large to create a DVD with iDVD? DVD is only SD, yes? How is that (watching on a DVD) taken care of, if at a later time I would want a DVD of this sequence to be in the best quality possible?
This is a lot of questions, and I hope not too vague. Thank you for your time, and thanks in advance for any help.

Hi
My notes on this
FCE/P to iDVD
Several things
• How to go from FCE/P to iDVD
• Free space on Start-up hard disk
• Encoding
• Brand and type of DVDs used
• Burn speed set
• iDVD BUG
• Chapters
How to go from FCE/P to iDVD I do
• Disable Screen and Energy saver
• IMPORTANT --> FIRST in FinalCut - Mix Down Audio under Sequence Menu / Render Only / Mix-down
• Export out as a QuickTime .mov file
• Select with Mark - Chapter Mark
• Not as Self-Contained (not important but saves time and space)
• NO QUICKTIME CONVERSION (IMPORTANT)
This QT.mov file I import into iDVD from within iDVD.
Free space on Start-up hard disk
I set a minimum of 25GB (for Mac OS and iDVDs temp files)
Encoding
• I use Pro Quality encoding
Brand and type of DVDs used
• I use Verbatim
• I use DVD-R (plays on more even older DVD-players)
Burn speed set
• I set down this to x4 (or x1)
iDVD BUG
• One can not go back to movie-project for any alterations and then go back to
the iDVD project. It will notice and ask You to either Up-date or Cancel. Neither
of them will work.
Medicine - Start a brand new iDVD project.
Use of Chapters
• I only use a to z and 0 to 9 in naming them. NO other symbol/letter !
• NO Chapter-mark at very beginning - iDVD NEEDS TO set this by it self
• No Chapter marks in or within two seconds from a transition
(Way around this last one - Export movie as QT full quality and NO Chapter marks
Import this into a new Movie-project and now You are free to set C-Ms where You want
them except at very beginning - still)
Material used to build movie
• video - I use streamingDV (or convert all other to this e.g. .mp4, .avi, .wmv etc)
• audio - I use .aiff 16-bit 48kHz or from Audio-CD (44.1kHz) - no .mp3 or direct from iTunes
• photos - I use .jpg - no .bmp etc
If problems:
Trash iDVD pref. file and run Repair Permissions - and have a re-try.
from post ??
May not be relevant, but I had the same problem with iDVD, where burned DVDs showed a green screen. It was cured by quitting Quicksilver and Quickeys as well as disabling sleep and screen-saving
Yours Bengt W

Best options for exporting true HD 1080

I want to import HD video from a Canon HV20 and edit in FCE 4 and then export the edited movie in a format which I can write to Blu Ray disc and view through a Blu Ray set top box or PS3.
What are the best settings to use in FCE4 as i'm really getting confused with all the different formats?
Thanks
Mark

I have a Canon HV30 and capture into FCP in native HDV, 8 bit Uncompressed and ProRes 422 HQ (depending on the importance of my capture). In any of those cases, I export as an MPEG 2 Program Stream or MPEG 4 H.264 to play on the PS3. You can either dump that file to the internal PS3 HDD or I have a 500gb USB 2.0 drive connected to it which holds all my home movie exports. It's MUCH cheaper than a blu-ray player and blu -ray media.....and to my eyes....it looks the same as when I experimented with burning blu-rays.
Remember folks, these cams aren't the same HD cams used on ESPN. You're only as good as your weakest link and in this case....it's a consumer grade HD cam. This is why I bought a Black Magic Intensity HDMI capture card and capture mostly in Uncompressed 8 bit or ProRes 422.
Even with HDV, you'll get a better image if you're able to export your final sequence to a high bit ate MPEG 2 and dump it on the PS3.
My 2 cents

Best Codec for exporting animations with alpha channel from FCP timeline

Whats the best codec for exporting animations (hopefully using loseless compression) that will retain alpha channel, and use the current sequence settings for fps and size?
Currently Im exporting image sequences, but I'd prefer a wrapper.. I don't know much about the 'Animation' export codec.. I did notice that set to current size had some funky value of 753x450 or something.. instead of my current project size of 1920x1080...
Anyhow.. Just seeing what others are doing..
basically Im reading out some titles that I'll end up dropping over video later.. but since they render out so slowly (**** lower 3rds is slow) Im trying to get a jump on the process..
Tx..

PNG should do it. I think PNG is lossless (that's what they say, anyway). But realistically, if you use PNG, Animation, or JPG2000 set on highest quality, I'd dare you to tell a difference.
I use PNG because it's supposedly lossless, renders twice as fast as Animation in a FCP timeline, and is usually about half the size.
If you use "Export Using Quicktime Conversion", you will need to check all of the settings manually to make sure they match your sequence settings. This is always true, no matter what codec you use.
If that sounds risky, your other option is to go into your sequence settings and change the codec to the one you want to render to (this will probably turn your whole timeline red), and then choose Export -> Quicktime movie.

Best Practices for Export

I have recently begun working with a few AIC-encoded home movie files in FCPX. My goal is to compress them using h.264 for viewing on computer screens. I had a few questions about the best practices for exporting these files, as I haven't worked with editing software in quite some time.
1) Is it always recommended that I encode my video in the same resolution as its source? For example, some of my video was shot at 1440x1080, which I can only assume is anamorphic. I originally tried to export at 1920x1080 but then changed my mind as I assumed the 1440x1080 would just stretch naturally. Does this sound right?
2) FCPX is telling me that a few of my files are in 1080i. I'd like to encode them in 1080p as it tends to look better on computer screens. In FCPX, is it as simple as dragging my interlaced footage into a progressive timline and then exporting? I've heard about checking the "de-interlace" box under clip settings and then doubling the framerate but that seemed to make my video look worse.
3) I've heard that it might be better practice to export my projects as master files and then encode h.264 in Compressor. Is there any truth to this? Might it be better for the interlaced to progressive conversion as well?
Any assistance is greatly appreciated.

1) yes. 1440 will display ax 1920.
2) put everything in a 1080p project.
3) Compressor will give you more options for control. The h264 from FCP is a very high data rate and makes large files.

Best options for uncompressed HD master?

I've just finished my first feature-length project in HDV on FCP, and I have some questions about output. In the past I've always been editing SD DV under 60 mins, so master output was always easy. But between the HDV and the 90 min. run time, things are a little more complicated.
We shot and edited in native HDV 1080/60i. We've rendered our final master sequence in HD ProRes, but I don't know where to go from here. These are my main questions:
1. My primary distribution is going to be SD DVD, but I want to keep an uncompressed HD master file backed up on multiple hard drives. What's my best output option for such a file? Can I just export a self-contained QT in sequence settings? Will that apply compression I don't want? Is there a better output option in Compressor?
2. Keep interlaced or deinterlace? Again, most people will be seeing this as an SD DVD.
3. I'd also like to get a local video outfit to make an HD tape master for more secure long-term archiving. What tape format is recommended?
4. Question I should have asked but didn't? Please, do tell.
Thanks in advance for any help.
Stu

Ken Summerall, Jr. wrote:
The absolute best quality that you are going to get is by exporting a QT movie using current settings and making it self contained. Since you shot and edited in an HDV sequence this will add no further compression (remember that HDV is already heavily compressed).
Uh-oh. That's not actually correct.
HDV is relatively unusual as shooting formats go, in that it's a GOP format, as opposed to an I-frame format. In I-frame formats, each frame of footage (or pair of fields, if you're shooting interlaced) is compressed all by itself, independently of all other frames (or field-pairs). But in a GOP format, a number of frames are compressed together — that's what "GOP" means: "group of pictures." The first frame is compressed independently, then the next frame is described in terms of what's different from the previous frame.
When you edit HDV +and then export it as HDV again,+ whether to videotape or to a Quicktime, the GOPs must be "conformed." As you edit, you make cuts that break the GOP structure, so the timeline cuts from the middle of one GOP to the middle of another without including the first frame on which that second GOP depends. So when you export or lay off, Final Cut has to go through and convert a bunch of I-frames to B- or P-frames, and convert a bunch of B- or P-frames to I-frames.
In essence, exporting or laying off HDV imposes a compression hit. You will reduce the quality of your footage.
Since the question was about the best option for mastering, HDV is +definitely not it.+ Would it be okay? That depends on the footage, and on how picky you are. But it's not the best option. The best option is to master to a (ha ha) mastering format. Uncompressed 8-bit, Uncompressed 10-bit and ProRes are good choices here.
As for tape … that's tougher. You can absolutely send an uncompressed or ProRes Quicktime file to a dubbing house and get it laid off to videotape, but the question is to what format? HDV is a poor choice, because of the aforementioned compression hit you take when conforming the GOPs. DVCPRO HD would actually be a step down for you, because it would downsample your 1440x1080 native footage (or your 1920x1080 master, if you chose to upres) to 1280x1080.
That leaves HDCAM and HDCAM SR. If you've done things like color correction or compositing in a 10-bit color space — or even long-slow dissolves to or from black, which is one of the places where 8-bit really falls apart on you — choose HDCAM SR. HDCAM is an 8-bit format only, and you'll lose color precision if you go to that format. But if you stayed 8-bit all the way through your workflow, then you can go to HDCAM without any real problems.
Note that both HDCAM and HDCAM SR +are compressed formats.+ Your only option for uncompressed HD videotape is D6, and good luck finding a Voodoo recorder nearby. But HDCAM and SR are good enough for professional mastering, so they'll surely be good enough for you as well. And they're both available in 94- and 124-minute lengths, so you can master your whole feature on a single tape.
(While you're at it, consider getting your uncompressed or ProRes master file dubbed off to a data tape format as well. You worked really hard on this project, so it makes sense to be a little paranoid about preserving the fruit of your labors.)

Best practice for exporting a dps folio so a third party can work on it?

Hi All,
Keen for some thoughts on the best practice for exporting a dps folio, indd files, links and all, so a third party can carry on the work. Is their a better alternative to packaging each individual indd file and sharing the folio through adobe?
I know there have been similar questions here in the past, but the last (that i've found) was updated mid 2011 and I was wondering if their have been any improvements to this seemingly backwards workflow since then.
Thanks in advance!

Nothing better than packaging them and using Dropbox to share. I caution you
on one thing as far as packaging:
http://indesignsecrets.com/file-packaging-feature-can-cause-problems-in-dps-
workflows.php

Best practice for exporting from iMovie '08 to iDVD

I am looking to find out what is the best practice for exporting from iMovie '08 to iDVD. I have read the other postings that give the basic howto (export to Media Browser then select the video in iDVD). However, my question is a little more technical. I have 1080i HD projects. I am interested in burning them to DVD in the best possible quality. What setting should I be using when I publish to Media Browser?
I am wondering about quality loss due to more than one conversion/compression. I suspect that when I export to the Media Browser then this is occurring. If I am not mistaken iMovie is using something like H.264 for this. Then, when I run iDVD I suspect it will it do another conversion/compression, I think to get to MPEG2. Not only could this result in a loss of quality but also it will take extra time. I am interested to know what others think about this.
Finally, I am looking to create DVDs for a lot of video. I am wondering if there are any USB or firewire hardware devices out there that could speed up the compression. I use the Elgato Turbo.264 when I want to encode to H.264 but I wonder if there is something similar for DVD creation.
Thanks in advance.

the standards for videoDVD are 720x480, and usually mpeg2 encoded..
so, your HiDef project HAS to be 'downsampled' somehow..
I would Export with Qucktime/apple intermediate => which is the 'format' your project is allready, and you avoid any useless 'inbetween encoding'..
iDVD will 'swallow' this huge export file - don't mind: iDVD cares for length, not size.
iDVD will then convert into DVD-standards..
you can 'raise' quality, by using projects <60min - this sets iDVD automatically to highest technical possible bitrate
hint: judge pic quality on a DVDplayer + TV.. not on your computer (DVDs are meant for TVdelivery)

Best option for Asynchronous method invocation? JMS or Pure Java Thread

Hi,
We've a swing based Client application which is supposed to run with a server in J2EE environment. Some process like Search etc are very time consuming. So we are going for asynchronous process.
Now the question is to find a best option for this. Two possible candidates are
1. JMS
2. Java Thread.
Can anybody suggest me which one is the best option in this context?

Actually my thought was the issues with code maintainability.Maintainability is different issue, it is much related to OOAD and design pattern you might want to choose to avoid coupling (thus high reusability and maintainability - eg: for future enhancement, etc)..
public interface SearchService {
     public static class DefaultFactory {
             public SearchService getInstance() {
                      return HttpSearchService.getInstance();
     public void search (String[] keywords, Observer obs);
public class HttpSearchService implements SearchService {
     public static HttpSearchService getInstance() {
            ... bla bla bla singleton ...
     public void search(final String [] keywords, final Observer obs) {
                 (new Thread() {
                          public void run() {
                                .. do http request ...
                                List result = ... parse http response ...
                                obs.update(list);
                 }).start();
SearchService ss = SearchService.DefaultFactory.getInstance();
ss.search( new String[] { "get", "me", "my" , "dukes" }, myTableModel );
...You can, in future, replace the default factory HttpSearchService with something faster, more appropriate SearchService, without changing many codes.
rgds,
Alex

What is the best option for tethering my IPhone 4s with my iPad? (the iPad is wifi only)

What is the best option for tethering my IPhone 4s with my iPad? (the iPad is wifi only)

#1. Understand that if you switch carriers, you can NOT take your existing iPhone with you. It won't work. You will need to purchase a new one.
#2. Your only choices are Sprint and Verizon. Decide who has the better coverage in your area. Keep in mind that you will NOT be able to get simultaneous voice and 3G data on either of these, as their CDMA networks do not support it. The U.S. T-Mobile network is not supported and is not fully compatible with the iPhone as it operates on a rarely used frequency compared to the rest of the world.
#3. What in the world are "niners"? Do you mean you want to be able to keep your existing "phone numbers"? If so, that should be no problem. Most numbers in the US are now portable.
#4. Consider WHY you want to switch. If the issue is really price, you're not going to see much of a difference. A few dollars a month at best for comparable voice and data plans.

Publish+Share best option for fast action AVI 1920x1080 29.97?

I want to play my movie on an HDTV from my laptop or USB drive. What is the best option for Publish+Share?
I don't need to preserve layers for future re-edits and smaller file size is better but not if it's at the expense of playback quality.
Should I choose Computer or Disk? Pros and cons?
Should I choose MPEG or AVCHD? Pros and cons?
Which version of 1080? Pros and cons?
Is there a detailed listing of the Publish+Share options?

Seems like there are 4 "best options" - can anyone advise further?
SubCat
Option
File Type
Frame Size
Frame Rate
Audio Setting
MPEG
MPEG2 1920 x 1080i 30
MPEG2 Blu-ray
1920 x 1080
29.97
Dolby Digital, 192 kbps, 48 kHz
MPEG
HDTV 1080p 29.97 High Quality
MPEG2
1920 x 1080
29.97
MPEG, 384 kbps, 48 kHz, 16 bit, Stereo
AVCHD
M2T - H.264 1920 x 1080i 30
H.264 Blu-ray
1920 x 1080
29.97
Dolby Digital, 192 kbps, 48 kHz
AVCHD
MP4 - H.264 1920 x 1080p 30
H.264
1920 x 1080
29.97
AAC, 160 kbps, 48 kHz, Stereo

What is the best setting for export movie in widescreen format?

Please tell me what is the best setting for exporting movie in Widescreen format?

Like in After effect we use "NTSC D1 Widescreen Square Pixel".,
Carefully examine the codec and pixel dimensions of that output file. That's certainly easy for an experienced VFX person like yourself.
Then carefully look over the presets in FCP to find the same attibutes. You can also use the online help system for FCP and search for "D1"
However, your question remains unanswerable because we don't know how you're getting to the monitor. What are you playing back you AE sequences on that displays them on your LCD? You're assuming we know what you're doing and, I assure you, we do not.
bogiesan

Whats the best option for passing parameters between tf?

Dear All,
I have three Task Flows:
1. TF1
     - Main Taskflow that calls a web service to gather its data
2. TF2
     - Secondary taskflow which receives a parameter and depending on the value of the parameter received will display its data accordingly. Generally any data
     is feed from TF1
3. TF3
     - Same as TF2Use Case:
All three TF will be dropped to the page as Regions in a Webcenter Portal Application. Changes in TF1 should propagate into TaskFlow 2.
Question:
1. How do I configure that changes in TF1 would be propagated back into task flow 2 and 3 and whats the best option for this?
2. At runtime, user can choose to edit the page and TF2 and TF3 can be deleted but TF 1 should remain as the source of information.
Given the scenario above:
- shall I wire the taskflows via page parameters?
- contextual events?
What are the considerations that needs to be thought of. I havent done such requirements before.
Please help.
Webcenter 11.1.1.6

Contextual events seem to be the best case.
This way you can trigger whenever you want. Web services can be slow so you can trigger the event when the gathering of the data has been finished and then pass some value on the event.
An event also has a payload so it's an ideal scenario to add the data from the service on it so you can use it in the other TF's.
In order to manage the deletion of the TF1, you can use the UI events on the composer: http://docs.oracle.com/cd/E23943_01/webcenter.1111/e10148/jpsdg_page_editor_adv.htm#CHDHHFDJ

Best option for exporting

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