Best settings for quality/size trade-off when exporting to QT?

Hi All,
I've been using Keynote '09 (5.3) to record narrated slide shows (slides with me narrating by voice) for my online class "lecture" podcast series for a while - now that the beloved, but quirky and unsupported, ProfCast has fallen by the wayside. This works well - as we all know - producing clear audio and visuals that upload well to YouTube, where I am now hosting the files.
The problem I'm running into now is that my lectures often last around 50 minutes, and this produces enormous file sizes (like the original Keynote file comes in around 800MB with the slideshow saved). I've been exporting to Quicktime with full size video and mixed audio set to AAC, and this produces a QT mov of around 130MB or so. Still quite large, but at least manageable for uploading, even with DSL at home.
Ideally, though, I'd have even smaller mov files, but without much loss in quality. In my earlier experimentation, I realized that it was the audio that was eating up loads of space. However, switching to half size video cuts the same file to around 80MB as well. Once I've opened the can of worms of custom audio and video settings, I feel like there are many, many possible combinations of sizes and qualities...and it's difficult to steadily compare each and every permuationg (it takes a while for each export to run!).
So, the question I have is: are any of the other AAC settings in the menu likely to make a significant dent in mov file size? Or, are these really just small differences on the margin? Even if I stay with AAC overall, would tweaking the kHz Rate make much of a difference?
Looking forward to any wisdom from experience you all might have to pass along!

I was looking for command-line PDF conversion tools and eventually found out this:
https://www.pdf-tools.com/pdf/pdf-optimization-reduce-size-1.aspx
To me, it is way too pricey (US$ 570), but maybe it's a viable solution to you. It has  watched folder workflows, therefore it can be handy for your purposes. You can download a demo and even test it online (the resulting PDF is watermarked).
I submitted a file to their online testing page and were impressed with the results: a 1.5 Mb original PDF resulted in a 925 Kb file (while an Acrobat "optimized" file ot the same sample PDF turned out to be _bigger_ then the original). What makes it even more impressive: in the online test I deselected ALL the image downsampling settings, to force the optimized PDF to keep the original image quality and resolution. Then, in Acrobat, I exported the images from both the original PDF and the optimized one, and compare them in Photoshop. They were not identical, but the difference is pratically imperceptible. I guess that applying downsampling to the test will result in even smaller PDFs, but I didn't test this.
Anyway... I don't have any affiliation with those guys, and I don't have either the need nor the money to buy this product. I'm only sharing these thoughts because they may point you to other ways to find a solution. The above mentioned application seems to be very efficient. If you can afford it, then I think it deserves a try. If not, you can search the Web for plugins or other tools that can fit you needs and budget. Acrobat/InDesign approaches are not the only way to go.

Similar Messages

  • Best settings for Flash playback on Website

    Hello,
    1. Whats the Best Settings for Quality and Fast loading for Video playback of Flash Video??
    Website features a :30 Second TV Commercial, takes too long for website to load. any Tips to get it to load FAST but have GREAT Looking Video
    Quality.
    Thanks a lot
    Joe

    Best thing is to use the Adobe Media Encoder bundled with Flash CS4. Play with the settings until you get the optimum settings and the import the .flv to the stage. Then publish the movie "best".
    James.
    http://www.toshiedo.com.au

  • Best settings for highest quality results, Blu-Ray vs DVD

    I am shooting AVCHD 1080p 60fps with a JVC GC-PX100, using a Windows 7, i7-2600 3.40Ghz., 8Gb.RAM, 1 TB HDD with PE11 and a Pioneer Blu-Ray writer drive.
    I'm looking to find the best settings for replay on a 55" HDTV.  I have tested both BD and DVD without seeing very much difference between the two as far as video quality is concerned,
    but I want to make sure I'm using the right settings for the best quality on both drives. Can someone please offer a step by step settings procedure for both BD and DVD, also which do you
    think is the better route to take between the two?
    Also, I have noticed there is a ghosting image after letters/numbers on faster moving content (like railroad cars) on my video even before transferring it, can anyone give some insight to what that might be and if there may be a solution ??
    Many thanks for your anticipated help.

    Rikko
    Thanks for the reply.
    Referring back to your post 4.
    Additional info:  When I published my test video for DVD I chose “Computer” on the Publish+Share drop-down list, then chose MPEG, Presets: HDTV 1080p 29.97 High Quality.
    Saved and burned to DVD.  I also did the same choosing AVCHD Presets: MP4 – H264 1920x1080p 30. Saved and burned to DVD
    Let us clarify. When the end result is "...burned to DVD" in either case, are saying that you take your saved file to DVD-VIDEO on DVD disc or AVCHD on DVD disc, using another Premiere Elements 11 project on Windows 7 64 bit.
    My post numbered 1, contained the step by step for taking your 1080p60 Timeline directly to DVD-VIDEO on DVD disc or Blu-ray disc format on Blu-ray disc.
    If you are going to introduce intermediates in your workflow (Timeline content saved to file and then burn to disc), then I would offer the following scheme
    a. 1080p60 project preset (project 1)
    b. 1080p60 Timeline saved to file via
    Publish+Share
    Computer
    AVCHD
    with presets = MP4 - H.264 1920 x 1080p30 (and then under the Advanced Button/Video Tab, customize the export settings for 1080p60 instead of 1080p30)
    c. Import that back into Premiere Elements 1080p60 project (project 2) and burn to disc DVD-VIDEO on DVD disc, AVCHD on DVD disc, or Blu-ray disc format on Blu-ray disc..
    This is another alternative interpretation to your saved and burned to DVD.....in one project, you are doing two different exports...one to a file saved to the hard drive and after than the burn to disc (be it DVD-VIDEO on DVD disc, AVCHD format on DVD disc, or Blu-ray disc format on Blu-ray disc). If this is the case, there is no "intermediate".
    There used to be the discussion about HDV to DVD-VIDEO format on DVD disc - whether HDV file should be imported into the project as source or whether the user should downsize the HDV to DV widescreen in the camera before import into a DV Widescreen Premiere Elements project. As we getting into this type of question with your 1080p60 to DV widescreen?
    Please review and consider. And, then please let me know if any of the above addresses your considerations.
    Thanks.
    ATR

  • Book - best settings for best photo quality

    What are the best settings for my photos in order to get the best quality book?
    Thanks
    Zasa

    zasa:
    Use the largest file, pixel wise, that you can. The books are printed at 300 dpi so the largest size the better to insure you'll get as close to that dpi for the largest page picture possible.
    Do you Twango?
    TIP: For insurance against the iPhoto database corruption that many users have experienced I recommend making a backup copy of the Library6.iPhoto database file and keep it current. If problems crop up where iPhoto suddenly can't see any photos or thinks there are no photos in the library, replacing the working Library6.iPhoto file with the backup will often get the library back. By keeping it current I mean backup after each import and/or any serious editing or work on books, slideshows, calendars, cards, etc. That insures that if a problem pops up and you do need to replace the database file, you'll retain all those efforts. It doesn't take long to make the backup and it's good insurance.
    I've written an Automator workflow application (requires Tiger), iPhoto dB File Backup, that will copy the selected Library6.iPhoto file from your iPhoto Library folder to the Pictures folder, replacing any previous version of it. You can download it at Toad's Cellar. Be sure to read the Read Me pdf file.

  • Need advise on best settings for FCP 7!

    I am looking for some advice on the best settings for FCP 7 when I am syncing sound using pluraleyes, exporting into quicktime as one file and then importing that new file into FCP 7 for editing. I have noticed that sometimes my Quicktime files are very large (20 gb) and sometimes they are much smaller (130 MB), but I never changed the settings.
    I am working on FCP 7 and shot using my Panasonic GH3 at 24 fps (which comes to 23.98). My frame size is 1920x1080. Compressor is H.264. Data rate: 8.6 MB/sec. Audio rate: 48.0 KHz.  I have heard that FCP 7 does not properly deal with H.264. So, I am wondering, what should my settings be?  Should I set to "Apple ProRes 422 (HQ) 1920x1080 24p 48 kHz"?  Is there anything I need to know when I export to Quicktime 7 Pro in order to not reduce the quality of the video? Should I be changing my video files first before I even start to work on them?
    I haven't edited in almost ten years so I am desperate need of some guidance!
    Final Cut Pro 7, Mac OS X (10.6.8)

    Hi Shane Ross,
    Thanks for your help.  So, I already synced all of my interviews in FCP 7 (using pluraleyes) before I changed the video to ProRess 422.  Can I just go into FCP (in the same project) and compress the video footage, import the new video files and throw it into the timeline? Or will this cause issues? I tried this as a test and it seems to be okay but I just want to check that there aren't any issues that I am not considering.
    Also, when I do compress, it seems to take forever (sometimes two hours). Is there any way to make this move along faster?
    Thanks so much!

  • Which are the best settings for exporting comps before edditing in Premiere Pro

    Hello everyone!
    As the title says, which are the best settings for exporting comps from AE to Pr.Pro and then edit them?
    Let  me explain: I have two comps in AE (intro and outro) and want to export  them in Pr.Pro for edditing along with a fottage i shot.
    When i render them the size of the files are huge (30 sec= 7GB).
    Which  is the best method (and settings) i can export the intro and outro to a 'normal' file  size and then put them in Pr.Pro without loosing any quality??
    [Comp settings: HDTV 1080 29.97 (1920x1080)]
    AE and Premiere Pro both CS4

    If you're rendering and exporting an intermediate video file to go from After Effects to any other piece of post-production software (such as Premiere Pro), you want to make sure that you're not losing any quality.
    Most compression methods, which make movies smaller, also lose some of the image data---i.e., quality. There are a few compression methods that don't lose any image data; these are "lossless" codecs. These lossless codecs do decrease the size of a video file, but they're nowhere near as effective at decreasing size as the lossy codecs are. But file size isn't important when you're doing post-production work. Big files are a fact of life in post-production.
    Examples of lossless codecs include the PNG codec and the Animation codec at the highest quality settings, both of which can be used in a QuickTime (.mov) container. I prefer the PNG codec; it's more efficient for photorealistic images, whereas Animation is more efficient for things like cartoons. There are lots of other lossless and nearly lossless codecs. A lot of people that do video editing like the Lagarith codec, but that is something that you'd have to go and get; it's not part of a standard CS5 or QuickTime installation.
    See these FAQ entries for information about compression and why file sizes are big for losslessly encoded files:
    "FAQ: Why is my output file huge...?"
    "FAQ: What is the best format for rendering and exporting from After Effects?"
    By the way, keep in mind that you don't always need to render and export an intermediate movie to go from After Effects to Premiere Pro. There are other ways to move data back and forth between these applications, including Dynamic Link. Which is best depends on the specific circumstance. See "Working with Premiere Pro and After Effects".

  • Best settings for Panasonic DVX100B

    Hey all. I shot footage in 24pAdvanced on my Panasonic DVX100b. Now I am stuck trying to figure out the most optimal capture, sequence, and export presets. I want to get good clear 720p video out of the footage, but when I export it looks grainy and low quality.
    Can you guys post your workflows for the DVX?
    As of now I have:
    L/C: DV NTSC 48 kHz Advanced (2:3:3:2) Pulldown Removal preset wit Firewire NTSC NDF
    Sequence: NTSC DV - 48kHz 23.98
    Export: Current Settings
    ANy help?

    I have found the best settings for any user using the Panasonic DVX AG-100b shooting with 24pA
    These settings get rid of issues like Pulldown Cadence Errors, Dropped Frames, Horrible Quality, and so on.
    USER PREFERENCES
    TAB: "Timeline Options"
    Starting Timecode: "Drop Frame" Option should be unchecked
    SYSTEM SETTINGS
    TAB: "Playback Control"
    RT: Unlimited
    Video Quality: Dynamic
    Frame Rate: Full or Dynamic
    Pulldown Pattern: 2:3:3:2
    Gamma Correction: Accurate
    Frame Offset: 4
    Record: Full Quality
    (I have all options checked except "Play Base Layer Only")
    EASY SETUP (CUSTOM)
    AUDIO/VIDEO SETTINGS
    TAB: Summary
    Sequence Preset: DV NTSC 48kHz - 23.98
    Capture Preset: DV NTSC 48 kHz Advanced (2:3:3:2) Pulldown Removal
    Device Control Preset: FireWire NTSC NDF
    Tab: Sequence Presets
    Edit: DV NTSC 48kHz - 23.98
    Aspect Ratio: NTSC DV (3:2)
    Anamorphic 16:9 CHECKED (If you shot with widescreen)
    Editing Timebase: 23.98fps
    Timecode Rate: Same as Editing Timebase
    QuickTime Video Settings
    DV/DVCPRO - NTSC
    (Under Advanced)
    Compression Type: DV/DVCPRO - NTSC
    Frames Per Second: Custom 23.976
    Quality: BEST
    Scan Mode: Progressive
    Aspect Ratio 4:3
    Audio Settings: Leave alone
    TAB: Video Processing:
    I have this set to Render ALL YUV material, but you can set that to your preference.
    Now back to AV settings under tha CAPTURE PRESETS tab:
    Edit/Duplicate DV NTSC 48kHz Advanced (2:3:3:2) Pulldown
    Frame Size: NTSC DV (3:2) Anamorphic 16:9 CHECKED
    Digitizer; DV Video
    Input: AG-DVX100B
    Compressor DV/DVCPRO - NTSC
    Quality 100%
    FPS: 29.97
    QuickTime Audio Settings:
    Device: DV Audio
    Input: First 2 Channels (If that's what you used)
    Format 48.000 kHz 16-bit 2-chan
    (Don't change this unless you know for a fact another setting woks, b/c the DVX doesn't go higher than that setting)
    Capture Card Support Simultaneous Play Through and Capture (CHECKED)
    Remove Advanced Pulldown and/or Duplicate Frames from FireWire sources (CHECKED)
    High-Quality Video Play Through (UNCHECKED)
    Back to AV Settings under the Device Control Presets tab:
    Edit FireWire NTSC NDF
    Protocol: Apple FireWire
    Time Source: DV Time
    Frame Rate: 29.97
    Default Timecode: Non-Drop Frame
    I changed my Pre-roll to 2 seconds.
    And when you're done editing, EXPORT USING COMPRESSOR and find the best settings.
    Hope this helped. Wish I had this when I was figuring out how to do this.
    My advice, SAVE ALL OF THESE to an easy setup and copy this post just incase you lose the settings.

  • 4K footage to DVD: what are the best settings for exporting in Premiere Pro CC v7.2.2?

    Hello everyone!
    I am editing a big bunch of short 4K clips (XAVC in MP4) which will then go onto DVDs. The idea is to get as many of those clips on a DVD as possible. Using Premiere Pro 7.2.2 on Windows 8.
    What I would like to know is whether I'm actually using the best possible settings for this case, because the video exported to MPEG2-DVD doesn't look that good. Or maybe it needs to be exported to a different format and rather converted to DVD format after?
    The sequence setting are the following:
    RED Cinema
    Frame rate: 29,97 fps
    3840x2160 (16:9)
    Square pixels
    The export settings I've been using:
    MPEG2-DVD
    Aspect  ratio: 16:9
    TV Format: PAL
    Field order: progressive
    Frame rate: 25
    Video quality: 100
    Bitrate: VBR
    1, I've tried different bitrates, also setting minimum at 9, but this blows up the file size too much (as i mentioned, the idea is to get at many clips as possible on a DVD)
    GOP: M - 3, N - 15 (haven't touched those)
    Multiplexer: none (should i put DVD?)
    I'm using maximum render quality
    Have I given all the information?
    Any help will be appreciated!@

    As Ann has advised do not expect too much, you are going down a lot in quality.
    Why are you also going from NTSC to a PAL output?
    Premiere will drop frames to get from 29.97 to  25.
    PAL DVD players read NTSC discs fine as long as they are region 0
    Why are you trying to produce a DVD anyway?
    A Bluray would be far better quality.
    Also a minimum 9 is way wrong, c9.6 is the max in the spec and hence avoided as your system is trying to push the spec limits to close.
    I used to use 6 - 7.5 - 8.8 in my VBR and they looked fine, now I am all HD.

  • Best Settings for Audigy 2 ZS Recording Out to S-VHS or DVD Recor

    I?m recording some very machine intensi've video & sound to outboard devices. I'm using these outboard devices so that the recording process itself does not impact the demonstration performance.
    Concerning the sound out, I?m using the line & 2 out of the card, and running it through a pro level audio board (Mackie) for any adjustments & monitoring before taking the line out of the board into the recording device. When returning the sound for monitoring, I?m also running from the external device directly to the board and directly from there to either headphones or control room monitors. Thus, I?m using the Audigy for initial sound generation. So far, I've not really made any ajustments at the board other than level or balance. I like to keep things pretty flat in recording.
    I?ve looked around for recommendations as to the best settings for the Audigy card from its internal software for this situation, but find no ready reference. My concern is that I have the ?hottest? signal from this device, while being very concerned with audio quality. I?m looking for both ?punch? and ?clarity? of signal.
    Is there a document or source that would give me this direction? While I can move from this SB card to other more studio based cards, I?d like to keep the demo product in line with what the actual target audience would have in their machines, and be able to replicate at their workstation.
    For example, does the card function best at 00% (0db) output, or 50% (-5db) output?
    Or some setting in between...most likely...
    Or, is there some other setting I?m not aware of?
    I have what I believe are the latest card drivers and software suite, XP Pro, with every possible OS and other machine hardware update available.
    Thanks,
    Rich

    I?m recording some very machine intensi've video & sound to outboard devices. I'm using these outboard devices so that the recording process itself does not impact the demonstration performance.
    Concerning the sound out, I?m using the line & 2 out of the card, and running it through a pro level audio board (Mackie) for any adjustments & monitoring before taking the line out of the board into the recording device. When returning the sound for monitoring, I?m also running from the external device directly to the board and directly from there to either headphones or control room monitors. Thus, I?m using the Audigy for initial sound generation. So far, I've not really made any ajustments at the board other than level or balance. I like to keep things pretty flat in recording.
    I?ve looked around for recommendations as to the best settings for the Audigy card from its internal software for this situation, but find no ready reference. My concern is that I have the ?hottest? signal from this device, while being very concerned with audio quality. I?m looking for both ?punch? and ?clarity? of signal.
    Is there a document or source that would give me this direction? While I can move from this SB card to other more studio based cards, I?d like to keep the demo product in line with what the actual target audience would have in their machines, and be able to replicate at their workstation.
    For example, does the card function best at 00% (0db) output, or 50% (-5db) output?
    Or some setting in between...most likely...
    Or, is there some other setting I?m not aware of?
    I have what I believe are the latest card drivers and software suite, XP Pro, with every possible OS and other machine hardware update available.
    Thanks,
    Rich

  • Best settings for PP mov's?

    Got a few videos SD 720x486 I need to export from FCP 7 (uncompressed timeline) for use in a Powerpoint - what's best settings for PP? mov, h264, audio at 44 or 48k, what? Should we keep them at full 720 size, probably?
    Thanks
    K

    ON a Mac or a PC?
    WMV for the PC but learning how to embed is a function of learning how to use Ppoerpoint, not FCP's tools.
    H.264? Dunno, what does the manual for PP say about compatible movie filetypes?
    If you are handing these movies off to an experience PP producer, they will be able to give precise specs. If your'e doing this yourself, give yourself some extra time to work out the screwups. We have two wiseguys who insist on doing their own PP instead of letting our PP wonks do the jobs. They have never been able to figure out how to embed or link to movies and they do not understand why we tell them to have the movines in the same folder as the PP files.
    bogiesan

  • Best Settings for my Dv6-6117dx

    I would like to know the best settings for my Laptop. This would be when I have my headphones in and off. I heard that the sound could be better and i would really appreciate if someone would tell me those settings so i would enjoy the music and other sounds that come out of this laptop

    My settings appear to be the same and I've not had any problems with iPlayer yet.
    1. Ditto
    2. Ditto
    3. Not sure what application you are referring to here, but within iPlayer when you click Options you do NOT get a "Settings" selection. Perhaps you can explain how you got to the "Web Access point" choice?
    My connectivity settings are similar but my default (and priority 1) is my home Wi-Fi/WLAN. So I would think that whenever iPlayer is downloading stuff, it is doing it through my home Wi-Fi.
    And, yes, I also always get the "Allow connection to network" question when I select a programme to watch on iPlayer. Not a problem: takes one click to say yes.

  • Best settings for music collection

    Best settings for keeping your Itunes music collection nice and organized?  I dont like the setting that has 2 sets of folders and 1 of them all folders are empty.

    Depending on how good your headphones are and how good your hearing is different settings will yield acceptable results. The old, years ago, MP3 setting was always 128k. This is generally a decent compromise between file size and audio quality.
    If all devices are iPods the you can get slightly better audio with same size files by using AAC format set to 160k.

  • What are the best settings for exporting video in Premiere Pro Cs5.5 in HD MP4 format?

    What are the best settings for exporting video in Premiere Pro Cs5.5 in HD MP4 format?
    Any help would be greatly appreciated! Thanks

    function(){return A.apply(null,[this].concat($A(arguments)))}
    bmiller0525 wrote:
    What are the best settings for exporting video in Premiere Pro Cs5.5 in HD MP4 format?
    Any help would be greatly appreciated! Thanks
    thats way too vague of a question... best what?  quality? size? playback?
    best quality then use high bitrate, small size use low bitrate.

  • What is the best compressor setting to use ... when exporting a 720p timeline from FCP for a project that will only be played back in a standard def monitor?

    What is the best compressor setting to use for DVD StudioPro ... when exporting a 720p 30 timeline from FCP for a project that will only be viewed in a standard def monitor?

    Update: The iBook can play any 480p video and higher if I encode them with DivX and in AVI format. But of course this is not compatible with my iPhone 4. At least I can shrink my library now and get away from the full MPEG-2s. I don't get why I can't use Apple's h264 though. There has to be a setting I am missing. The sample Apple h264 videos from the days of Tiger worked flawlessly on my iBook when it was new so the CPU must be capable of decoding it. I really can't understand this.
    Also, since I made my videos in English for my family, I had to create soft subtitles for my wife's Chinese family, and I can't get players like QT with perian or MPlayerX to sync them properly to an AVI encoded with DivX, they only sync well with the iPhone 4 m4v/mp4 formatted files I made. This is a real pickle.
    So now I may need three or four copies of each video, LOL. I need to hardcode the subtitles if I want to use AVI to playback on older machines, and keep the mp4 file for the iDevices too, while keeping higher quality h264 videos for my American relatives...
    If h264 is compatible with my iBook, what is the proper encoding settings? Must I dramatically lower the settings or frame rate? I can settle on 2 copies of each video that way. One iBook/G4/eMac compatible video that syncs correctly with my srt soft subs, and another version that works well with my iPhone 4 and iPad.
    All in all, I will end up with more than 3 or 4 version of each video. On my late G5 dual core I have the full 720-1080p uncompressed master files. On my i5 iMac I have the h264 compressed versions for distribution, and lower versions for my iDevices. Now I need to keep either full MPEG-2 files for the iBook to play, or convert to older formats like DivX AVI for our family's legacy machines. I am running out of hard disk space quick now, LOL.
    Is there an easier way?

  • Best settings for MPEG Streamclip

    Hi all,
    Being forced to work off DVD source due to lack of options and want to ensure that I get the best possible results. Am using MPEG Streamclip and did a trial run to convert it into DV, converted the audio to 48khrz.
    Picture was real time but audio needed rendering.
    Can anyone advise me on the best possible settings for quality and realtime playback?
    I'll be deliving in uncompressed quicktime and DVD.
    Also, new to FCE and want to know where the best place to store the files I convert? Is this what the Sctatch disk is for?
    Thanks in advance for your help, work on a weekend is never fun but you might just be able to help me get to the pub for a bit at least!
    Nigel

    Tom Wolsky wrote:
    You converted to the wrong format. Do not convert to DV. Convert to QuickTime using DV PAL as the compressor. The frame rate is 25fps. The quality slider makes no difference.
    You can only work in DV or Apple Intermediate Codec for HD in FCE. You cannot work in uncompressed formats so you're media has to be converted to DV.
    I'm doing the same thing, but I'll be needing NTSC. I see in the Export to Quicktime dialog that there is no simple DV NTSC listed. The most promising-looking compression formats appear to be Apple DVCPRO50 - NTSC, Apple DV/DVCPRO - NTSC, Apple Intermediate Codec, Apple FCP Uncompressed 8(or 10)-bit 4:2:2.
    Or is it better to use the Export to Other Formats dialog, and select QuickTime?
    This is the first time I've used MPEG Streamclip (and I've only recently started using FCE 4), so I'm a little confused. What are the best settings to use for video that will be imported to FCE for NTSC?
    Thanks.
    -Gordon

Maybe you are looking for

  • Flash Builder 4.7 activate issue

    I buy the flash builder 4.7 and  it keeps showing the internet error as i trying to activate the product, i have no idea where i can get the support. all the possible have been try,  such as   - https://lm.licenses.adobe.com   Done ->Congratulations!

  • Please help with creating more diverse iweb blog entries

    I have a blog about sports memorabilia that I use iweb for: http://www.hoopography.com. I have come to a road block in creating blog entries. I have two issues: 1.) I would like to include more than one image for each blog. I tried to just add images

  • Select and join

    Hi I want to know when is good to do join between 2 tables or to do select and loop and in the loop select single When it good to use for all entries Thanks have a nice day

  • HT3155 Can we have Bilingual interface.

    Some people like menus in both languages.

  • LR Cannot Find CS3

    For some unexplainable reason, LR [both 1.x & 2.0 Beta] cannot see CS3 as the primary editor. I loaded it as the "other" editor, but not the primary. I never noticed how LR found the CS3 in the first place and cannot find any tool that will let me sp