Change for final cut pro HD from Pinnacle Studio 10

Hello,
After lots of problems with Pinnacle Studio 10 (windoooooows.....) I finally chose to change for final cut pro HD on Mac OS 10.3.9
So far so good, I did lots of tutorials to learn but there is one very remarkable thing I really miss. Maybe there is just a thing in my configuration to fix...
Is it possible to view a part of a movie without randering it after every simple change? It must be technically possible because studio does it for years now, even with overlays.
Because I just upgraded my ibook with lots of RAM just to try out final cut for the moment, everything runs fine but rendering does take a few minutes/hours.... Well it is ok just to try out maybe I would get a macbook pro if final cut would assure me.
I feel like cutting blind!
Studio renders right before exporting, this may take a few hours but I would do this during night...
As I said, maybe its all my fault and I just have to change some configurations....
thanks for help
Fabi

Make sure your RT settings (upper left menu in the timeline) is set to UNLIMITED RT. This means that the render settings will be adjusted to play back at the best resolution they can without rendering. You might get a green render bar or orange render bar. If you get a red render bar, that means that you have a filter or two that isn't RT and requires a render, or you have too many layers to allow for RT playback.
If you simply drop a raw clip into the timeline and have to render, that means something is wrong. Your clip settings and sequence settings don't match. You need to choose an Easy Setup that matches your footage, then create a new sequence.
Shane

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It'd be easier to get Toast 11 Pro and author/burn Blu Ray on your Mac.
BUT, that's extra money you may not want to spend.
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http://help.apple.com/imovie/cameras/en/index.html?lang=en_US
iMovie 9 - cameras supported:
http://support.apple.com/kb/HT3290?viewlocale=en_US
iMovie 8 Camcorders supported:
http://support.apple.com/kb/HT1014
Digital camera RAW formats supported by OS X Lion:
http://support.apple.com/kb/HT4757?viewlocale=en_US
Digital camera RAW formats supported by OS X Snow Leopard:
http://support.apple.com/kb/HT3825?viewlocale=en_US

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I purchased Final cut pro X from app store, but when I try to upgrade the software I get a message saying that it was not purchased thru app store. Can anybody help me please?

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Hi Guys,
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Sure -- go to Final Cut Pro menu on your menu bar and select System Settings.
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Canon webpage. Under Drivers & Downloads. Once you select your OS, "Mac OS X", the download should appear near the top of the "Software" list.
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<key>T2i</key>
<array>
<string>Canon EOS REBEL T2i</string>
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Cheerz.

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I'm sure you've seen this before and I've tried to search for a thread on it here and fell asleep, so sorry if this is a repeat.
I have edited projects in Premiere Pro (on my PC) and I have tried to transfer them in FCP. It worked with the exception of two things:
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Thank you again,
Crayton

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I currently own a Presonus Firepod, and it seems to work pretty well, but may sell this when I upgrade from a MacMini to a MacPro. I use my Mac for Logic Pro currently.
I anticipate running Final Cut Pro in the near future, so I'm wondering about the ability to read/generate SMPTE time code that the MOTU traveller supplies?
There will be no external mixer, so this interface will connect directly to speakers & headphones. (would be nice to be able to mute speakers and control headphone mix using just the firewire interface).
I don't anticipate needing more than 2 Mic inputs - and my current mike is a Rode NT1. (As the NT1 is not a top-of-the-line mic, unsure if I should place a lot of emphasis on worrying about the pre-ams?)
I would like decent mic preamps, and ability to graphically monitor input and output levels (is this graphic monitoring necessary, or is just the single overload indicator sufficient?).
Which interfaces in $600-$1500 range would work best with Final Cut Pro - and Logic Pro?

I saw the Traveller ads in Videography mentioning
time code, so I presumed it had an advantage over
other interfaces.
I found this in some ad copy:
"""The Travler provides on-board SMPTE time code synchronization features that allow you to slave your Traveler system to SMPTE time code without a synchronizer. The Traveler provides a DSP-driven phase-lock engine with sophisticated filtering that provides fast lockup times and sub-frame accuracy. The included MOTU SMPTE Console software provides a complete set of tools to generate SMPTE for striping, regenerating or slaving other devices to the computer."""
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For Final Cut Pro use, I'd probably shoot in HDV.
When shooting a green screen near my computer (or
maybe even on-site), I wondered if there would be an
advantage to recording the audio thru an interface
like the traveller.
The advantage is that you could capture additional mics and audio tracks with your mac while the cameras shoot. Just slate your takes and sync up later.
Do I actually need an interface that provides time
code, or is that only needed for movie work?
I have SMPTE I/O on my Unitor8, directly accessable in Logic Pro. In 8 years I've probably used it twice to capture audio from some modular digital multitracks. So, unless you have some specific need.....
Maybe it is simpler just to connect to the mic
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Thanks for any assistance.

Here it is one kindly Compiled by Zak Ray:
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Hi helpful folks,
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http://support.apple.com/downloads/ProApps_Updates_2008005
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Change for final cut pro HD from Pinnacle Studio 10

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