Color Effect Styles?

Hi
How can get Color Effect Styles for Movie clips using AS3?
How can remove tint for movieclip in AS3?
Thanks
Regards
Balasubramaniyan.S

Basically Tint is coloring a movieclip. Which you can do like this:
var ct:ColorTransform = new ColorTransform();
ct.color = 0x123456;
_mc.transform.colorTransform =ct;
But if you want to specifically manipulate Tint parameters, you can customize the colorTransform properties:
var ct:ColorTransform = new ColorTransform();
ct.redMultiplier = ----something---;
ct.alhpaMultiplier = ----something---;
_mc.transform.colorTransform =ct;
You need to read more on the ColorTransform class from AS3 LangRef.

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Flash CS5 doesn't save advanced color effects on symbols

In CS4 I'm used to inverting instances of my symbols by using a color effect:
Style: Advanced
Red: -100% xR +255
Green: -100% xG +255
Blue: -100% xB +255
However, everytime I save these settings in a CS5 file, upon opening the settings have changed to:
Red: 0% xR +255
Green: 0% xG +255
Blue: 0% xB +255
Has anyone else had this problem? I'm on mac OSX with the 10.0.2 update installed.

Had a couple students encounter the same issue.
They had complex animations of graphic forms made from overlapping white and black pieces. Setting the blending mode to multiply allowed them to overlap the animation on top of imagery. Alternately some people needed to invert the black to white and blendmode:screen it onto darker textures and colors.
This is easily accomplished through advanced color effect by multiplying everything by -100% and then offsetting by 255.
Unfortunately these values aren't saved...
You can use some code to do it, but this will get in the way of any timeline tweening. Our workaround was to drop any secondary animations of the graphic animation in a container and use code to modify _that_ clip.
import flash.geom.ColorTransform;
var ct = new ColorTransform();
ct.redMultiplier = -1;
ct.greenMultiplier = -1;
ct.blueMultiplier = -1;
ct.redOffset = 255;
ct.greenOffset = 255;
ct.blueOffset = 255;
myClip.transform.colorTransform = ct;
There might be another way around this that I missed, but it's a bummer that user entered values with observable and useful results aren't saved.

Is there a way to change a button's color effect using actionscript 3?

I have an array of buttons that are just text and I would like to change the color effect to a blueish color when clicked/active. I can obviously do this in the property inspector, but I would like to change it programatically. Is there a class I can use to accomplish this? Thanks!
Jesse

You could try setting the buttons 'opaqueBackground' property. If you assign it a color in hex, like 0x00FF00, it should color the button.
myButton:Button = new Button();
myButton.opaqueBackground = 0x00FF00;

How to change color effect

hey to everybody..
i am trying to change color effect of a image in different condition such as when mouse move on image or click on image. the thing is that how to get color effects such as dim ....
bright of images...
help plz..............

import java.awt.*;
import java.awt.event.*;
import java.awt.image.*;
import java.io.*;
import javax.imageio.ImageIO;
import javax.swing.*;
public class ImageDimmer
    private BufferedImage getRGBImage(BufferedImage in)
        BufferedImage out = new BufferedImage(in.getWidth(), in.getHeight(),
                                              BufferedImage.TYPE_INT_RGB);
        Graphics2D g2 = out.createGraphics();
        g2.drawImage(in, 0, 0, null);
        g2.dispose();
        return out;
    private JPanel getContent(BufferedImage image)
        BufferedImage[] buffImages = new BufferedImage[2];
        buffImages[0] = getRGBImage(image);
        BufferedImageOp rescaleOp = new RescaleOp(0.65f, 0, null);
        buffImages[1] = rescaleOp.filter(buffImages[0], null);
        DimmerPanel left = new DimmerPanel(buffImages);
        Image[] images = new Image[2];
        images[0] = image;
        boolean brighter = true;
        int percent = 5;
        GrayFilter filter = new GrayFilter(brighter, percent);
        ImageProducer prod = new FilteredImageSource(image.getSource(), filter);
        images[1] = Toolkit.getDefaultToolkit().createImage(prod);
        DimmerPanel right = new DimmerPanel(images);
        JPanel panel = new JPanel(new GridBagLayout());
        GridBagConstraints gbc = new GridBagConstraints();
        gbc.insets = new Insets(5,5,5,5);
        gbc.weightx = 1.0;
        panel.add(left, gbc);
        panel.add(right, gbc);
        return panel;
    public static void main(String[] args) throws IOException
        String path = "images/redfox.jpg";
        File file = new File(path);
        BufferedImage bi = ImageIO.read(ImageIO.createImageInputStream(file));
        ImageDimmer imageDimmer = new ImageDimmer();
        JFrame f = new JFrame();
        f.setDefaultCloseOperation(JFrame.EXIT_ON_CLOSE);
        f.getContentPane().add(imageDimmer.getContent(bi));
        f.pack();
        f.setLocation(200,200);
        f.setVisible(true);
class DimmerPanel extends JPanel
    Image image;
    Image disabledImage;
    Rectangle frame;
    boolean isDisabled;
    public DimmerPanel(Image[] images)
        image = images[0];
        disabledImage = images[1];
        frame = new Rectangle(image.getWidth(this), image.getHeight(this));
        isDisabled = false;
        addMouseListener(scanner);
    protected void paintComponent(Graphics g)
        super.paintComponent(g);
        int w = getWidth();
        int h = getHeight();
        frame.x = (w - frame.width)/2;
        frame.y = (h - frame.height)/2;
        if(isDisabled)
            g.drawImage(disabledImage, frame.x, frame.y, this);
        else
            g.drawImage(image, frame.x, frame.y, this);
    public Dimension getPreferredSize()
        return frame.getSize();
    private MouseListener scanner = new MouseAdapter()
        public void mouseEntered(MouseEvent e)
            isDisabled = true;
            repaint();
        public void mouseExited(MouseEvent e)
            isDisabled = false;
            repaint();
}

Leave Color effect: Can Leave More Than One Color?

Hello everyone,
could you tell me if its possible to set more than one specific color to leave in the Leave Color effect?
Thank you!
Dimitri Vorontzov

Hi Ann,
really really really appreciated this tutorial !!
I hope you do more ! , maybe sometime we will be honored with your voice also :-)
I never knew that within Premiere Pro that you could achieve an effect like this.
Please post more tutorials when you have the time, and if you feel like sharing your know-how. I appreciate somebody
who wishes to share with others, it's very kind.
David
Ann Bens wrote:
OK here it is:
http://www.youtube.com/watch?v=cXiJPUQS2bE

FEATURE REQUEST: After Effects style Placeholders and Proxies

If you feel the needs in efficient proxy workflow, welcome to the club and don't hesitate to submit feature request.
Here is the adjusted to less than 2000 symbols feature request text:
***After Effects style Placeholders and Proxies***
It would be nice if PrPro offered AE style Placeholders and Proxies workflow. There are cases, where they are extremely useful, e.g.:
1. Huge modern formats and resource hungry codecs. Not all machines can easily handle 2k or 4k footages, some can't get real time playback even with AVCHD. Not to mention that CinemaDNG importer was discontinued partly because of inability to get real time playback in PrPro. The issue can be resolved via rendering previews, but that's not always the most efficient workflow.
2. In multicam editing issues mentioned above increase dramatically. Rendering preview for every camera angle is simply impossible. Although PrPro offers offline clips workflow, an editor can't easily see if the clip is currently linked to a source footage or a proxy, and switching between sources and proxies involves several steps every time one needs to switch: selecting assets, making them offline, right-clicking again to link to other media, locating files on a disk; while in After Effects it's just one click once a proxy is set.
3. Adobe Dynamic Link. PrPro communicates with AE projects via single instance of headless AE, which creates a bottleneck and entails the need to render DI for complex comps. Although AE allows to set DIs as proxies and, hence, enjoy the best of both worlds, instantly switching between DI and dynamically linked comp and no needs to replace anything in PrPro timeline, with hundreds of dynamically linked comps PrPro timeline becomes unresponsive and takes forever to render (for my rig test 30 min sequence built out of 935 dynamically linked comps, which are just source footages in their own comps, hence, the equivalent to rendered DIs set to proxies, takes around 27 hours to render, while 30 min sequence built out of the same 935 source footages renders in real time). Meanwhile, PrPro doesn't currently allow to link offline dynamically linked comps to rendered DIs.

As the person who maintains the feature request database for After Effects, I can confirm that the number of times an item has been requested is a major factor when we consider what to work on next. So are other factors, such as how hard the feature is to implement and maintain, how much testing is involved (often the larger concern than programming time), whether the request conflicts with something else that we are already working on, and so on. It is true that we consider not just raw numbers of requests but the details of who is making the requests---e.g., whether the requests are coming from animators or compositors, beginners or experts.
I can only speak for the After Effects team, but the Premiere Pro team works much the same way (which is unsurprising, since we are in the same group and have overlapping team members).
We also try to give some visibility into the most requested items with posts like this:
http://blogs.adobe.com/aftereffects/2012/12/top-feature-requests-for-after-effects-in-2012 .html

How to make a color effect

hey,
how can I make in adobe premiere pro this color effect? (looks like x-ray)
thank you!!

It might be a tad complicated.
Because the hands stay pretty much the same, a simple invert might not work.
It might require that the highlights and shadows be inverted individually, leaving the midtones alone.
First try inverting the lightness, and try the luminance. Once of those might be sufficient.

Can we see iOS 7 color palette style / theme for Mac OS X in near future?

Can we see iOS 7 color palette style / theme for Mac OS X in near future?

Try your luck with the Magic Eight Ball. That will give you just as reliable an answer as you will get here.
Seriously, nobody that knows the answer to that question will be able to post it here without breaking a non-disclosure agreement.

Elements 3.0 cannot save lighting effects styles

I am running a PIII 1 gig with 2 gig of memory Running win 2000Pro. I have Elements 3.0 installed and I have been using the lighting effects filter, but I have noticed that when the lighting effects box comes up there are no styles listed. Also I cannot save any lighting effects styles. When I try to save a Style I get the following error message:
'An error occured while trying to save the style'
I do not use any file compression on any of the drives or folder on my system.
Any tips would be greatly appreciated...
One more thing there are lighting effects styles on the hard drive. I found them in the Plugins folder under Filters/Lighing Styles.
Don

Thanks for the link to the FAQ Terri.
I checked and the proper settings were already present, but I reset them anyway. (couldn't hurt). Re-booted and cleared the preference files again. I still cannot see the lighting styles that are on the computer and I still cannot save the ones I build.
I have also tried and Un-install and re-install, but there must have been some files that were not cleared because after the re-install some of my settings came back. I will have to try again and this time I will make sure nothing is left after the Un-install.
I am very please with the help I have recieved on the Forum.. It always pays to have more than one mind looking for solutions.
Thanks again
Don

Color and style settings won't stay the same.....

I'm trying to get my type to stay the same color and style each time I start a new email to send to someone. I can set it each time I start a new message, but I want it to stay the same automatically when I open it up. Is that possible to do in mail?
1.6 GHz PowerPC G5 Mac OS X (10.3.9)

Hi,
I have had this problem.
It seems that iChat is more sensitive to small breaks in the network link. Web Browsers and Mail just don't show them as they make new connections each time they download mail or change pages.
If wireless try it wired for elimination purposes.
Check the time any DHCP server renews the leases.
8:49 PM Monday; February 26, 2007

Water color effect does not work with solid fills?

I have a solid color and apply the water color effect, though it doesn't do anything to the solid fill? I am applying the effect that is under Photoshop filters. Is this only meant to be applied to bitmaps?
Thanks.

It works bvut you relly cannot appreciate it since it has no tonal range it is fr more obvious with an image but if the image is like all one color and one tone it will not make it look like you painted it by hand.
You can definitely see it much as it is inteded to work on an image.
This is a gradient filled rectangle with a feather and drop shadow and the watercolor effect.
Here it is without being rasterized and withthe watercolor effect.
Here it is withopt the watercolor effect and without being rasterize you can see the effect does little in the way of what you might expect it is even less obvious as a solid filled closed path.
But on an image with has a larger tonal range you can see it much better.

Analog for 'Change Color' effect

Hi everyone.
All my digital photovideo gadgets incorrectly reproduce blue and relatives colors - they become lighter.
This problem is solved by 'Change Color' effect (in a Photoshop the similar filter works the same way).
But painfully slowly it works without any acceleration. I didn't find any other solution for adjustment of specific color (to make blue with shades more darkly in this case).
Perhaps somebody has any experience or any thoughts in this respect?
Perhaps the single way is the fast processor?
Thanks.

Here's another way:
Apply the effect to an adjustment layer, and create a mask on the adjustment layer to define the area that the effect should affect.
Since you're new to After Effects, I strongly recommend that you begin here and work your way through the basic learning resources first.

How to enable COLOR EFFECT, DISPLAY, etc. panels for the custom components?

POSITION AND SIZE and COMPONENT PARMETERS are the only panels available for the custom components. Is there a way to configure the custom components or the Flash Pro itself to enable other panels (COLOR EFFECT, DISPLAY, etc.) that available for the Adobe UI components?

In Flash CS6, you'll need to place your component(compiled clips) inside a Movieclip symbol to apply these settings. In Flash CC, you may do so directly from the Properties panel like for any other movieclip symbol.
Let me know if you face issues.
-Nipun

Fade to color effect on a Title

I can't get a satisfactory Fade to color effect on a title. I tried various "Midpoint" and "Hold" settings but no one can let me get a slow fade in of the title. Any suggestion? Myabe this is not the right way to obtain what I'm searching for?

So it could be just the Basic Title. Just do a slow cross dissolve, which will fade out the title to black. Put the next title adjacent to it, but not touching it and cross disssolve to fade that up from black.

I need badly to keyframe Color effect parameters. I don't see the way to do it in FCPx. Will I ever be able to do it?

A very common situation is a lighting change within a single clip. In previous versions of FCP it could be easily handled by keyframing exposition and color effects. There is no such feature in FCPx. I need it, and I need it badly! Blading the clip and adding cross-disolve, as it is advised, gives disgusting result - leave that for iMovie users. I would also appreciate if the following features will be added to color effect: 1. The possibility to edit not only using color board, but also numerical input. 2. The color pickers for neutral colors. 3. The possibility to fine-tune the automatic color balance parameters and saving them to use for other clips.

I believe we are expected to use Effects for things like your lighting change. There are several in the Effects browser under Lighting that may accomplish what you are after; Bloom, Glow, Aura, etc. I presume the theory is that these should give you greater control and a richer effect than a simple exposure control.
And if they don't do what you need, it is not difficult to whip up your own in Motion. Creating a simple exposure control should be ... simple. That is, if you are into Motion. Which with Final Cut Pro X seems to be an increasingly valuable skill.
Regarding requests 2 and 3, they do not seem approachable in Motion.

Color Effect Styles?

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