Converting HD sequence to AVI output?

Oh boy...
first the specs: FCP 5.1.4, OS 10.4.11
I need to export my finished sequences (shot in HDV, footage transcoded to and edited in Apple Intermediate Codec) to an AVI file for some guys in Europe working on an Edius Broadcast system.
Of course, everyone is asking for an "uncompressed HD" file. Now we all know that the stuff was compressed in camera, and so what they really want is a file that's transcoded with as little "compression" as possible, right?
I looked around on the boards here, found a few notes about using the Quicktime Export components in Compressor to export an AVI, and of course tried to export the AVI directly from FCP using Quicktime Conversion.
No matter where I look, however, I don't see any HD settings for AVI, leading me to think that...AVI doesn't support HD files?
I did export an AVI using the "none" compressor setting...and got a 22 gig file for a 2:30 movie! It was big, but was it HD?
If you were in my situation what would you send them? I'd love to do this as a file...but for whatever reason, they say they can't open a Quicktime movie made on a Mac (this is where I go HMMMMMM.....), even though they claim to have QT for Windoze on their machines.
Does AVI support DVCPRO HD?
Is there a reason Edius doesn't support Quicktimes?
Maybe HDV tape is the answer? I'm all ears...er, eyes.

Ah, MPEG Streamclip!
I use it so often to make QTs out of MPEGs, I never even considered that "make AVI" button.
I'm transcoding my AIC reference movie to JPEG2000 100% quality as I write. AND I plan to send them an HDV tape output, as well, so they can have at it, trad vid style!
Thank you mucho. I will check out VisualHub as well. The Blackmagic codec was also suggested as a possiblity, fyi.

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Converting image sequence

Dear Sirs,
when I convert image sequence into a ProRes 4444 + Alpha using Compressor i noticed a difference in brightness with the original content.
This happens every time i elaborate in After Effect a special effect.
The images in output from AF are identical to the original, after the conversion there is this difference.
I tried to create a custom ProRes 4444 + Alpha setting changing to "none" the gamma conversion into the Quick Time settings panel, nothing changes.
Can you help me to find the right solution?
thank you
Aldo

Thanks, Nick, that already doubles or more my knowledge.
As far as final form, could be one of many. Leading candidates are QuickTime (.mov), MPEG (.mp4) or iPhone (.m4v). (Is iPhone format just a special case of MPEG-4?)
I'm generating the frames as .png files using Perl's GD library. They are very compact and in fact the primitive QuickTime movies I make from them, with all media included in the file, are still very small. (E.g. a 600-frame movie is half a meg.) Converting each frame to JPG actually increases the size dramatically (could spend more time tweaking the JPG conversion).
At first I thought .png would be good because I could play them easily in an iPhone app. But then I started thinking perhaps it would be better to turn them into a movie and then tell the iPhone app "play movie" rather than handle all the timing of rendering each frame myself. And synchronization of audio... a big can o' worms to roll your own.
I have had the experience twice of upgrading QuickTime to QuickTime Pro only to see the Pro-ness vanish in the next QT upgrade. @#$%! But you may be right that QT Pro would suffice.

I have recently bought a Seagate Goflex satellite mobile wireless hard drive. I have converted some of my AVI movies to mp4 and transferred them to the hard drive, but when I play them through my iPad 2 I can hear the sound but not see the movie. Help???

I have recently bought a Seagate Goflex satellite mobile wireless hardrive , i have converted some of my AVI movies to MP4 and loaded them onto the hard drive, when I try and play them through my I pad2 I can hear the sound of the movie but not see the film, somebody please help, what am I doing wrong as I have spent a lot of time converting these movies to be able to travel with my iPad and watch them. Thank you

Unfortunately, the drive is pretty much restricted without hacking it. That is, you can't stream its content via standardized protocols like UPnP, SMB, FTP and the like. This makes you won't be able to access its content from any third-party apps otherwise capable of playing back AVI files from UPnP / SMB / FTP / WebDAV etc. sources.
While this is certainly not a recommendation (I can in no way be held responsible if anything goes wrong): you may want to consider extending the capabilities of the drive by installing the hack: http://www.hackseagatesatellite.com/wordpress/welcome/
It'll "open" the drive for third-party, AVI-capable multimedia apps like GoodPlayer, It's Playing etc. to directly play the files over the network.

Premiere Pro CC CUDA rendering working with avi output only

Hello All,
on my system Premiere Pro CC is only using GPU rendering with AVI output formats.
All other formats like MPEG2, Quicktime, H.264 are unfortunatly fully CPU rendered (=slow).
I just upgraded from trial to payed mode and when Premiere started the CUDA was already enabled (might have activated it during trial already).
But anyway I checked if my card was in the support txt file and also used the cuda.zip auto tool to make sure I had no typo.I did this for Premiere Pro CC and also copied the list into the Adobe Media Encoder directory.
No matter what I did - no hardware rendering.
So I started playing with input and output formats.
It turned out that CUDA is currently only working with AVI output. I installed GPU-Z to check my GPU usage vs CPU usage in the task manager.
As soon as I pick any other output format than AVI - CPU usage during rendering is up to 80-90 and GPU at 0%.
With AVI output GPU ist around 30 and CPU in the 40ties or less as it should be.
What is going wrong here?
One of my old applications Cyberlink Power Produces 11 is doing the h264 rendering in half the time.
Any suggestions?
My System is running on:
Asus P8Z77-V Deluxe with 16GB Ram
Nvidia GeForce GTX 660 Ti (with current Driver - 332.21 )
Windows 8.1 Pro 64-Bit (with Media Center) and latest updates
Current entry in CUDA*.txt file (as printed by Adobe GPUSniffer):
GeForce GTX 660 Ti
And already tried:
GeForce GTX 660Ti
GeForce GTX 660
Best regards
Moongate
P.S. I already followed the instructions on this page http://www.studio1productions.com/Articles/PremiereCS5.htm

I now understand that Premiere Pro CC is only using my GPU for accelerating complex effects during editing giving me the possibility of a live preview during editing?
From the editing in other apps I know that the final rendering can also eat up much time which is why they try to accelerate it via GPU rendering. I see that Premiere is "outsourcing" this task to the Adobe Media Encoder (AME) so that you can continue working during rendering.
But I believe what tricked me into asking this question is that in the AME there is also the option to choose between software and GPU assisted Mercury Engine. So there must be a purpose for it and it sounds resonable that it is for GPU assited rendering.
So when the encoder is not using the GPU to speed up completion of rendering - what is he doing with that option?
Would it not be clever to cut rendering drastically using the GPU - its hard to believe that Adobe is only using it for previews?

Urgent. Issue with converted .mov files to avi not working in Premiere.

I am trying to import video files that I have converted from .mov to .avi through OjoSoft Total Video Converter and anytime I try to put a file into the work area, the video goes to Video 1, and Audio goes to Audio 4. When I try to play it I get no audio, and the video jumps from frame 1 to frame 2.
Does anyone know a good converter or know the best way to convert and what filetypes to do so? They work converting them as MP4 video files, but I like avi's better.
I have tried converting the .mov to mpeg4 and H.264 (Both with audio as MP3). They will play in Windows Media Player after convert but not in premiere...
I am running Premiere CS4 on Windows7 with no direct codec packs installed. I opened a video/audio file that I worked on before with no issues...video/audio run flawlessly in Premiere.
Please help!

What are the codecs in the original MOV files and what are the codecs after conversion? Use GSpot to identify them.

Convert created idoc to an output text file

Hi,
How can i convert an idoc to an output text file? is there a standard program in SAP that does this?
Thanks,
Tots

Hi,
We can do it.
The steps are
1. Create a xml file port (we21)
2. Create a partner profile point to the file port.
3. Make sure the idocs are genereated.
4 . Run the staandard program (RSEOUT001) with the port and required details in teh selection screen.
The idocs will be generated to a xml file .
Regards

Work flow? How to link multi-cam sequences for DVD output?

Pr cs4 (very new)
Still taking baby steps each day... please take my hand and help me!
Final output will be 2 DVD's (each DL) each about 2 hrs. Content are chamber music student groups in two recitals.
I have assets from two camera angles. I have successfully practiced on one of the groups performance (10 min.) following the steps illustrated in a multi-cam tutorial. http://www.adobe.com/designcenter/video_workshop/?id=vid0234
This leaves me with a great multi-cam sequence for that group located in the Project Panel, exactly what I want.
Now, I want to know what is the best method (workflow?) to ultimately produce a DVD containing about 10 of these type performances (one after the other) with chapter markings for each group, titles etc.?
I have yet to use Encore and I'm guessing that is where I'll send the finished edit for DVD production, though I don't know at what step I jump there?
Do I try to create one very long multi cam sequence of all the content, then send to Encore? Or can I create seperate multi-cam sequences (each performance) then link them together, adding transitions and make the DVD? This would be my preference to keep things more manageable, especially with audio synching.
With my practice multi-cam sequence on the timeline, I tried to drag the same sequence from the Project Panel to the end of the timeline to simulate how this would work, but it does not add to the timeline as a clip would.
This is probably childs play for you pro's, but we were all baby's at one time...I just happen to still be one!
Thanks for your patience and advice,
Kenny

Yes I did...now toss me a cookie please.
I am trying to quickly get up to speed in Pr CS4 to get this project completed. In the process, I'm trying to learn and understand the interface and correct terminology so as to make my questions intelligible to a community that posses vastly greater understanding than myself.
Is there anyone who can help with my main question at hand? Namely, how to go about creating a full length sequence (in the timeline) made via the nesting of synchronized multi-camera clips within a new "multi-cam sequence"?
As I said, I have completed a small test sequence in this fashion, nesting clips in a new sequence then using multi-cam monitor to record cuts. Now I need to add about 10 more of these together in a completed sequence to then send to DVD production.
Is this intelligible?
Thanks, Kenny
__0
_ \<,_
Date: Wed, 4 Nov 2009 09:11:06 -0700
From: [email protected]
To: [email protected]
Subject: Work flow? How to link multi-cam sequences for DVD output?
please take my hand and help me!
Well, at least you had the gumption to admit that up front.
>

Converting MOV files to AVI

I bought Quicktime pro 7 for windows to convert mov files to avi files so I can import them into Sony Vegas. But after converting the mov files...vegas still won't recognize the AVI file that was converted by Quicktime Pro. So after doing research on other forums it seems that there are 2 types of AVI files (divx and xvid). My question is does QT pro only convert the MOV files to one type of AVI and if so...then how do I go about getting a refund.
Thanks

I bought Quicktime pro 7 for windows to convert mov files to avi files so I can import them into Sony Vegas. But after converting the mov files...vegas still won't recognize the AVI file that was converted by Quicktime Pro.
You seem to misunderstand what MOV and AVI files are. Basically, both are just generic file containers. They may contain amy combination of audio and video compressed data that is compatible with the codec configuration of the system on which the file is created. What you should be asking yourself here is what compression formats (what data within the file container) can be edited by the Sony Vegas software. According to to Sony,
"Vegas Pro takes a no transcode, no rewrap approach with Panasonic P2 AVC-Intra and DVCPRO source material. Vegas Pro eliminates the transcode and rewrap process that other applications require, so editors can save valuable production time, minimize storage requirements, and preserve the pristine quality of the original source material. Other natively supported codecs and formats include XAVC, XAVC S, XDCAM™, XDCAM EX, NXCAM, HDCAM-SR™, AVCCAM, RED® R3D, AVCHD, and AVC-based MOV files from popular DSLR cameras. For 3D content creation, Vegas Pro also supports stereoscopic 3D MVC and MPO files from Sony camcorders."
This, of course, brings up the question of what kind of compressed data is contained in your original MOV file since your problem is most likely not the MOV file type but rather the data you have stored in the file based on the fact that, according to Sony, this editor is supposed to be compatible with "AVC-based MOV" files and MPEG-4 AVC (H.264) and MPEG-4 audio (AAC) are virtually a default QT AV compression format whether in MOV, MP4, or M4V file containers. Therefore, when asking questions regarding MOV file content, your should normally include the compression formats of the data contained in the file to better ***** various issues and workflows or provide a sample file for examination by others.
So after doing research on other forums it seems that there are 2 types of AVI files (divx and xvid).
QT can only access the DivX and XviD codecs if they are available to the QT 7 Pro app. I.e., these are proprietary codecs not included in the QT installation package. A better question here might be whether or not the Sony Vegas software can edit these compression formats since they are not listed as being supported natively by Sony. That is, you need to be importing file container/compression format combinations that are listed as being edit compatible with the software you are trying to use for your edits.
My question is does QT pro only convert the MOV files to one type of AVI and if so...then how do I go about getting a refund.
While QT 7 Pro remains compatible with the AVI file container, as varjak paw indicated, there are only a limited number of compression formats that are QT encode compatible and even fewer listed as Sony Vegas. I.e., why don't you try a DVCPRO AVI or an H.264/AAC MOV conversion as suggested above and see if it might be compatible with your editor. However, the best approach is not to transcode data if at all possible. That is why it would be important to know the workflow you are using to source your content. I.e., how is the data being placed in the MOV file container? Was it originally recorded to an MOV file container? Was it imported to a video editor on a Mac and then passed on to you? Was it copied from a different source file to the current MOV file container? Etc., etc., etc... I.e., at this point all we can do is make guesses as to things you can try because you have provided insufficient information regarding your files, workflows, and goals here.

HELP! Converting MPEG4 into Mov, AVI, WMV

I made a small clip on iMovie. I need to upload to a website for my band. I clicked on Share then export movie to my desktop. The website clearly says..."For video, we accept the following formats: WMV, MOV, AVI, MPG, MP4, FLV"
Also, "SPECIAL NOTE ABOUT VIDEO:
GigMasters will automatically convert all WMV, MOV, AVI, MPG, and MP4 files to FLV. The conversion process will change the size of your video to 320 x 240 if it's not that size already. Also, the "audio sampling rate" of the video must be 11025 hz, 22050 hz, or 44,100 hz. Otherwise the audio may be garbled on playback."
Everytime I try to upload it tells me, "We do not accept the format of the file you selected. Please make sure your file format matches one of those listed above."
Somebody please help. Thank you.

If using 4:3, which would be better given the AR of the movie required by your website, using the export to movie and then choosing the mobile size should be just fine. However your website may not like the .m4v extension added to the movie, in which case simply open the movie in Quicktime and select save as from the file menu, the resulting video will now be in a .mov container which you can then try uploading to your website.

I am trying to convert a standard definition AVI file 720x576 widescreen file into a full sized Quicktime file in imovie but having cropping issues

Hi
I am trying to convert a standard definition AVI file 720x576 (16:9) file into a full sized Quicktime file in imovie 11. When importing the file I get two options either import as large 960 x540 or full original size. So I choose full original size but when I drag this imported clip to my timeline the bottom of the clip has been cut off? I tried to export it as a quicktime file thinking that perhaps it might resize to the original size but of course that was wishful thinking
Any ideas appreciated?

Hi No I have just checked its definitely a PAL 16;9 project. I am also slightly confused because when importing the video into the project it has squashed it into 4:3 format even though my file is 16:9?

Important wmv / files converted from wmv to avi into imovie - PROBLEM!

Hi there,
I feel like I'm going insane with this.
I had the same problem on '08 as I do on '09.
I make youtube videos and I am trying to open some clips that were edited on a PC by other youtube users (who have emailed them to me for a group project). They won't open in imovie. If I convert the file to .avi or .m4v or even .mp4 using Handbrake, they still won't import into imovie.
I don't know what to do and there aren't that many threads about this online.
The closest I've got is this information I found on one thread:
iMovie '08 will only allow you to to import files containing compression formats that can be edited. If your AVI file won't import, it likely means that the audio and/or video data is not editable. To import it, you will have to first convert it to any of the acceptable compression formats. For video this means DV, AIC, M-JPEG, Photo-JPEG, MPEG-4, or H.264.
Can anyone help me?
I've wasted such a lot of time on this.
I have Flip4Mac (free) and I can't export a wmv file on it unless I buy Quicktime Pro but I'm loathe to buy it on the offchance by converted file still won't open in imovie
I hope to hear from someone soon.
Many thanks,
Emily

Hi Em and welcome to the forums!
On this one issue I may be able to help:
I have Flip4Mac (free) and I can't export a wmv file on it unless I buy Quicktime Pro
Nope, QT Pro does not export to wmv, but the PAID FOR version of Flip4Mac does that conversion!

Best way to convert .mov files to .avi???

Hi, I'm getting kind of desperate here. I've been trying to export .mov files in compressor as .avi files. The video is coming out the same quality and is working fine but the audio is totally out of sync from the beginning, even though the clips are about 30sec long each.
So, whats the best method to converting .mov files to .avi? I also tried using quicktime itself, (using the export menu). The exported material looks choppy though and won't play right. This may be because the footage is HD, 1080p shot on a JVC camera that recorded straight onto a memory card as .mov files.

Okay, I have the files already in .mov as I was saying. So, I'm trying to convert them for my actress' editor (who requested them in AVI) because he uses Adobe Premiere Pro on a Windows Platform. I'm not sure which Premiere Pro version he has, nor do I know which formats it accepts as a result.
You really know how to make things difficult. This adds a whole new set of questions. According to Adobe, if using v3.2.0 or later, there is direct support for XDCAM EX content stored to an SxS card which is not dependent on the "wrapper" (MOV or AVI in this case). So the fist question is what Premier Pro version is she using. Adobe also keeps referring to this content as "Sony XDCAM EX" content which makes me wonder if they are only supporting XDCAM EX content stored on a Sony manufactured camcorder or if the support is generic for any XDCAM EX camcorder manufacturer using the format, which was of course, "developed" by Sony. If the latter, then the next question becomes can the SxS content be be "imaged" for import/capture using Premier Pro's SxS built-in camcorder/card reader routine. If it can be imaged, then, as a non-Windows user, I simply do not know the best method for doing so. If it can't be imaged, would you be willing/able to send her the SxS card itself (or a cloned copy thereof) for her use. On the other hand, if she is using an older version of Premier Pro that does not support native XDCAM EX/Linear PCM editing, you need to ask her what specific compression formats she needs to be wrapped in her requested AVI file container. Until you know more/answer these questions, you cannot proceed further.
I also tried using Mpeg Streamclip to convert the files to a AVI with a divx compression. Some worked, but most of them would get to 85% or 95% then drop off and say "compression error"... (settings were: quality 100%, frame rate 23.97 (what the video is), frame size 1280 x 720, Upper field dominance) ... I thought I put everything there right... SO what is happening is that about 85% of the clip will be there just fine, but then, all of a sudden, the video in the last few seconds will freeze on a frame and audio will be the only thing playing.
Since you did not supply complete specific settings, it is difficult to tell for sure. For instance, if your target video data rate is set too low for the HD content, then at the 85-95% point the application may determine that it is impossible to achieve the target average data rate and stop compressing changes in the video scenes and you end up with either a frozen frame or a black screen. Have had this happen to with other encodes using MPEG-4/AVC. Basically the codec is simply reducing the current instantaneous video rate in an attempt to achieve the targeted "average" data rate by the time the end of the file is reached and the current date rate is simply too low to display more than a black screen or a picture in motion.
Is it usually this difficult to convert formats like this? I thought it would be a quick fix, but it seems I'm running into a bunch of different problems.
No, but then in a normal work for you would already know what format the editor actually wants to use for editing. As I indicated previously, it is unclear at this time whether she wants to edit content in the "native" format in Premier Pro or needs to have you convert the content to a different editing compression format. iMovie '09, for instance would normally use AIC (Apple Intermediate Codec)/AIFF (Linear PCM) for editing HD content.

Converting MPEG2 video to AVI

I am using PE4 and I am trying to edit video from a DVD. Usually, I have edited video from my camcorder; this is my first time using video from a different source. My question is; should I convert this video into AVI for better quality/easier to edit? If so, can PE4 do this or do I have to download/buy a MPEG-AVI converter program? Thanks in advance for your help!

Well, as they say, your mileage may vary. Particularly with non-DV-AVI files.
But, with DV-AVIs, you can practically guarantee success.
So it's up to you which option you choose.

*** Dropping an HDV sequence into a DV sequence for DVD output

I would like to output my HDV project to DVD but don't have an HDV camera or deck. I've dropped a few clips into an SD (anamorphic) sequence and rendered it out, but when the playback is viewed on a tv, it is jittery and not smooth as it needs to be.
I've had success sending my HDV project directly from FCP to compressor, but in this case, I can't do this because my next problem is having a glitch where it causes FCP to crash during the outputting to Compressor process.
This is the next workaround I've though of.........but it is having difficulty working.......is there another option or a setting I can change on this one?

All of the HDV footage I've worked with has been Lower Field First. If you want to de-interlace, use Apple's de-interlacer that can "interpolate" instead of duplicate or blend. This maintains the images edges. this can be found in Compressor, Shake, and even Motion. Also, Sending a sequence out to Compressor straight from Final Cut may seem like a good idea, but remember that HDV uses MPEG 2 Interframe encoding, and a lot of your cuts take place between complete frames. I've heard of a lot of problems, and experienced them myself by going this rout. I'd recommend exporting your entire sequence to a self-contained movie, which will render it completely, then taking that in to Compressor to convert to DVD or any other format. I like using the Apple Intermediate Codec or DVC PRO HD because it converts it to an Intraframe encoded format, aka, every frame stands on its own. It takes up more drive space, but its far less CPU intensive. While you're in compressor, you'll have to go into the "Frame Control" tab and set up your de-interlacing, which I believe lets you choose something like "motion estimation" or "best" which will interpolate the fields and produce sharper results. In Motion, it's just a filter. In Shake, its a node, or you can use the FileIn node to convert the format which can do the same.

CS4: Converting AVCHD to DV-AVI Type II - what's your tool / approach?

My machine lacks the horsepower to handle native AVCHD without a lot of jerky playback issues, and in a previous thread I got a lot of good advice on solving this problem. Short of buying faster ponies, the best solution as I understand it is to first convert to the native DV-AVI Type II format that Premeire uses.
I thought that finding the appropriate conversion tool would be a short Google and / or Adobe Forum search away, but half a day of searching both and I've still not found a suitable solution. I'm attempting to convert .mts files from a Panasonic AG-HMC70P camera. Here are the results thus far for PC based programs:
Koyote
It may get the job done, but it installs malware so it's a non starter.
Super8
Perhaps it's able to accomplish the AVCHD - DV-AVI Type II conversion. However, I've not yet been able to flip the right switches to succeed. Perhaps if I had more education in world of video formats its user interface would be more intuitive, but I'm not seeing an obvious path to the correct conversion. Anyone successfully converted and imported the results into Premiere from this one? If so, what settings did you use?
VoltaicHD
Seems like a nice program, but the output files didn't seem to play nice with Premiere. Audio & video out of sync.
I've looked at many others but these are the only ones I've downloaded and given a try. I'm sure I'm not the only one here who needs to do this conversion. If you have a tool that you're using that supports batches of files, I'd be grateful if you'd share the info on it.
If I can't find a good conversion program (wouldn't have thought it would be so hard to find one), I'm wondering if Adobe Media Encoder would generate the same results. In other words, if I dropped an .mts file on a timeline in Premiere and then exported it to AVI / NTSC DV Widescreen (or some other such setting), would this give me the same results, i.e. a native DV-AVI Type II file?
Would appreciate any suggestions you might have on converting AVCHD footage.
Thanks,
Chris

Hi, Rod.
Good stuff, appreciate the link.
While it would be nice if I could find a suitable program to just batch convert the files, I don't seem to be having much luck on that front. It's a bit more of a workflow hassle to step it through Premiere -> Media Encoder in order to get the initial raw SD footage that I want to edit, but on the bright side it does seem to be the path of maximum control in terms of the quality of files I end up with for editing. So maybe that's the way to go.
Thanks, man.
Chris

Converting HD sequence to AVI output?

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