CRAM Codec & Premiere CS3

I'm doing some simple editing in Premiere CS3. My pre-recorded videos play fine in Windows Media Player, but export jerky and vibrating after editing them.
After doing some research I found out that my pre-recorded videos us the CRAM (Microsoft Video 1) codec. The program G-spot tells me that I do not have this codec installed.
If I install this codec will my videos export properly?, or should I be converting them before editing (is this possible?). My worry is that if installing the codec solves the issue, after burning to dvd will others who play the dvd experience issues?
I'm pretty new to this so very basic instructions are best lol.
Thanks guys.

Welcome to the forum.
Have to admit that I have not heard of the CRAM CODEC.
Now, the installation of some CODEC's will allow PrPro to Import, edit and Export - though not all. The first two operations in that list are usually the "weak sisters." Installation might help you with Export.
Now, before you do that, is a DVD-Video your ultimate goal? If so, do NOT Export in any CODEC, but either DV-AVI Type II w/ 48KHz 16-bit PCM/WAV Audio (or DD AC3 for DD 5.1 SS), or fully DVD-compliant MPEG-2.
One can Export in either of these (I choose DV-AVI elemental stream, and AC3 DD 5.1 SS elemental stream), and then Import the Video into Encore as a Timeline and the Audio as an Asset. Drag the Audio to the appropriate Timeline and author to DVD-Video in Encore.
If you know what you're doing, you can use bit-budgeting to calculate your MPEG-2 compression, Export that, and then Import it into Encore. Make sure that all settings are 100% DVD-compliant.
Now, back to your quality problem:
The source files are using CRAM, but you do not have it. Installing it might improve the quality, or it might not. What are the settings that you have used on Export, where you got the bad results?
Good luck,
Hunt

Similar Messages

I have exported a file from premiere cs3 using quicktime animation codec, when i burn it the audio is not there..help!?

hello.
am having a proble with adobe premiere cs3
i have exported the file as quicktime using the animation codec, with 100per cent quality as it needs to be the highest quality
when i play the file with media player the sound is there, but when i burn it onto a dvd the audio is not there anymore... i really dont understand what i am doing wrong! can anyone help please?
i am using quicktine as im told this the best for optimum lossless quality
if i cannot burn it with audio using the quikctime animation codec, then i might try exporting it as an avi file. if so, what is the best codec to use for lossless quality?
thankyou!!!!

And when you follow Jim's suggestions, Export as elemental streams, i.e. one Video-only file and one Audio-only file. Encore will like that better.
Good luck,
Hunt

Premiere CS3, codec. NVIDIA GE force experience

When I open Premiere CS3, it tells me right away that my hardware is not compatible. Does that mean that I need to buy a new card? or do I need to contact NVIDIA for the codecs? or is their a place I can download them myself? if so, whats the name of the codec? The windows Media creator works fine.. what's the difference? Thanks in advance, Linda

What error message are you exactly getting?
These are the system requirements for CS3.
System requirements | Adobe Premiere Pro
Windows Media Creator is not Premiere Pro, not even close.

Error compiling movie: out of memory !!! Premiere CS3

Hey every1 --- desperate need of some guidance here. I've been all over the internet and these boards --- have seen this come up with a lot of people but no real solid answers that I'd seen or that have helped.
First off, my comp is an imac 3.06 Ghz Core 2 Duo, 4GB memory. (just bought the computer last year)
I'm shooting with a canon 7d in HD (1920 x 1080p) and I'm editing using Premiere CS3. I've noticed that editing has become very difficult since I started using HD; playback is very choppy and the 'quality settings' in the preview monitor are a joke and do absolutely nothing whether it's on draft or automatic.
Anyway, despite the choppiness and slow editing, I was able to get a 3 min clip completed. These are my export settings:
Export > Movie
H.264
960 x 540
23.976 fps
Square pixels,
100% quality,
recompress: unchecked.
Once exported (I was able to export smaller timelines previously--- say, 50 secs of footage or so) the files look AMAZING and from there I use them for online video via vimeo -- stuff looks really awesome.
Anyway, recently I'm getting: 'Error compiling movie. Out of Memory. Change optimization preferences to memory', etc. etc. Well, I did as it asked and that did absolutely nothing.
So, I decided to open up my activity monitor and watch what's going on with my memory while premiere is exporting. I also closed ALL unused applications. System runs at about 2.16gb free memory before I start exporting. Memory seems stable during export UNTIL around the 50% exporting mark, and then its starts climbing like crazy and my memory just gets eaten up --- finally resulting in a crash at about 70% render.
I really don't know what else to do. Does my computer not have the power to export 3 min of HD footage??? This seems surprising to me ... I don't know what else to try.
Thanks for any help !!!
-Mark

Hi Mark,
Hope you are having a wonderful day.
Sorry to hear that you are having such a hard time. Although I did not specifically get the out of memory error, I can only be convinced that that is the problem.
Although I am not a computer whiz, I have learned my share of things. I have been troubleshooting a video all this week (really, a couple of months), but I had to put it aside and come back to it.
I tend to be talkative; so I will get back on topic or at least try to stay on topic, so bare with me. Smile....
Here is what I have learned and maybe it will help you with yours if you have not found a solution already.
Based on your hard drive specs and ram, I was thinking the same thing e.g. hard to believe that you are not able to render 3 minutes of video in HD. I primarily work in HD/1080p.
The place where we are similar is that I eventually could get the video to render by reducing the workspace that is rendered piece by piece until I was able to render the entire file. When I tried to encode the video, I kept getting error compiling messages. I tried different codecs, deleting xmpses, not rendering xmpses, etc. I could not figure out the keyframe trick so I just put in a black video from after effects. By the way, all of my videos intro the same and no problems with the other videos fading from black to a still photo.
Here is the problem from what I could gather.
Simply, out of memory. I was rendering and trying to encode a 45 minute video with after effects compositions and the dynamic linking kept timing out once the file reached a certain size. There were no other true fancy effects. I do alot on the green screen and just use after effects to make a white background. Smaller videos, rendering has been slow, but doable. This massive video would never compile. I won't bore you with my system specs, but know that similar to your situation, the system in theory should have been adequate.
Work around...
I ended up exporting the video as 3 separate 15 minute video clips. I could not get them to encode as .wmv files so I encoded them as .mp4 files. By the way, I still encoded in HD.
Here is the kool stuff.
After what seems like forever, I found a converter that could convert .mp4 to .wmv and rejoin the files to play as one large file with the same quality as my source file and no audio synching issues. By the way, I do not work for this company. I just found this encoder at 4 o'clock this morning after trying all of these other converters that were straight garbage or were free to try and not really free if you wanted quality. By the way, the conversion tool is not only user friendly, but free which is awesome.
The name of the software is Media Cope. Just visit www.mediacope.com.... Be sure to send the owner an e-mail to thank him and let him know that Mark sent you. I just sent him an e-mail earlier to let him know that I was going to post on Adobe what a wonderful software he created. I just needed something free, quick, easy, and user-friendly.
Whoops... got off topic....
I'll do a summary at the end for my recommendation to you.
Here are some other tidbits that I learned as well that may save you some time.
When editing this is what I do now...
1) I use CCleaner from www.piriform.com to quickly clean my system especially temporary files before I start editing and if I am switching from project to project.
2) In all of my troubleshooting this week, I found a kool little software call Smart Close. (Just google to find this one.) It closes all of your non-critical background files in order to maximize system resources. (When I am done editing, I just reboot and all of my background programs start up again. You do not have to do it that way, that's just how I do it. The nice thing is that it is a wizard interface; so you do not have to try to figure out if a process in the background is critical or non-critical.)
3) Depending on my mood and if I did not forget, smile.... I change the priority to high for the adobe products in the task manager.
More things that I learned...
1) We are not able to change the temp file for how Adobe encodes. My logic was if I could change the encoding to a hard drive that was simply empty so Adobe can render there, then I would be good. Wrong.... Adobe does not allow you to change the temp location. (Note: This is what I discovered in the different forums; so encoding to an external hard drive is not the best move. Read more to se why.)
2) It is best to have your scratch disks as your internal disk. If you have multiple internal disks, then you shoud check some other forums for the best way to set up your scratch disks. When I was just starting out, I bought an external hard drive enclosure with the thought that I would work primarily off of those external drives with the option of doing some RAID work. Bad idea... Even the simplest of tasks took forever. It was best to work off of the internal drive. By the way, I still use the enclosure hard drives for backups in order to allow me to free up some space on the primary hard drive. When rendering, it is truely a use of the RAM and the hard drive space in the editing process.
I'll leave you with this...
I take back what I said earlier, you do need a new computer with more RAM. If you can get 16 GB, great. The primary reason is that if you are editing in Premiere and if you do anything with dynamic linking into your after effects, it will cause your ram to climb as the file gets larger. Of course, be sure to get the largest hard drive possible as an internal drive, the maximum on processor speed, 64 bit operating system, etc.
I know you are like by now, Mark, what is the point of all of your gibberish... Really, it was to share with you and others on some really kool work arounds.
My recommendation for you are as follows.
1) You have already proven that you can render and encode 50 second clips and you are very happy with those clips, so create separate smaller clips for this particular project.
2) Once you have the final clips outputted, then use Media Cope to rejoin the files as one large file and you are done.
(Note: The one thing that I did notice is that there is a small break right between where the files are merged. The nice thing is that as a video editor/film maker, you will be the only person likely to notice it because you know where the breaks are. The other nice thing is that the untrained eye will not notice it and if you had to submit your work to a television station especially on DVD, the video system should recognize the file as one large file and play all the way through. Note: For the last sentence, I said 'should play all the way through' as I have not had a chance to check this one yet as I just finished this project today and still have to turn in all of my videos. I still have some more videos to merge.)
By the way, the only specs that I will share are that I work on a PC and it has 8 GB of ram.
The summary of the summary is that sometimes an error compiling message could simply be that your system does not have resources to render and the encode that large of a file. At least that is what I learned this week or at least my specific situation. The confirmation is that I just finished shooting a documentary which was one hour and some change and was able to render and encode to .wmv with no problems. Of course, I was not using after effects for this particular project.
In either case, hope all the information helps you with your project.
Have a wonderful day and happy holidays everyone.
Mark

Update of Premiere CS3 to CS3.2 (Mac)

Good day friends!
I'm working with MacPro 1.1 (2,66 GHz, 2 Processors, 8 Cores, 10 GB RAM). There is a small internal SSD "HD1" (7 GB free space) for system and a big internal "HD2" (900 GB free) for programs. My registrated Premiere CS3 is a part of my original Master Collection of Adobe CS3 and is installed on HD2.
Because of native codec to Sony PMW-200 cam, it is necessary to install the update "CS3.2". Therefore I loaded down "premiere_pro_3.2.0_update.dmg". Inside of this archiv there is an install programm, named RIBSWrapper. Doubleclick onto it, installing procedure runs but a few of seconds an error window goes up with a measure that the location has not been found.
In believing that the location of Premiere CS3 should not be on not-system-HD perhaps, I installed Premiere CS3 with the original DVDs of Master Collection CS3 on the system HD1. After this I tried to update to CS3.2 again - but the same procedure has been happend as before: Location has not been found.
Does anybody knows what could be the reason for the mistake and what should I do to install CS3.2?
Thanks for answering!
Toni
(Germany)

John T.,
Again, for the PC, many users have encountered issues, when installation has been to any drive, but C:\. Often, the Adobe programs will run, but similar to this case, Updating has been an issue. I do not recall any sort of fix, or workaround to that.
However, given the differences between the PC and the Mac, I have no idea if this location difference is the cause of the issue.
Hunt

Premiere CS3 and 24p exporting

Hello,
I've been working on this problem for a long time.
I have some clips shot with a Canon XL2 in 24p mode with 2:3:3:2 pulldown. I import in Premiere CS3 in a 24p project, go in "Interpreter footage" and set "Remove 24p pulldown", and in the timeline the clips are good, 24p without interlaced frames.
Then I go exporting: I want export in 24p (23,97) DV format.
1) If I choose "Microsoft DV AVI" with "DV (24p Advanced)", the clips I get are in 29,97 with still the flagged frame that should have been removed. So I have the same output format that I get setting DV NTSC with his 29,97 framerate.
2) If I choose "Microsoft AVI" and then I go with an alternative DV codec, such as the Panasonic's one (but I've tried many and I've got the same results, so I don't think it's their fault), I get a 23,97 clip, but the frame that has been removed is not the flagged and interlaced one, is one of the progressive. Watching the clip frame to frame I see that I have 24 fps: 3 progressive, 1 interlaced, 3 progressive, 1 interlaced, and so on.
Let me know. Sorry for my bad english but I'm italian.
Thank you

My own testing shows that Premiere doesn't create 24p friendly DV files. I've had much better success creating 24p MPEG2-DVD files.

Hilights Clipping Problem with Premiere CS3 Media Encoder

I've just discovered a pretty serious problem with the way Premiere CS3 processes video to the Media Encoder.
Many of you are familiar with the term "super whites", the ability of modern cameras to capture and record levels above 100 IRE. With HDV and newer technology, recording to 109 IRE is quite common.
I was aware for some time that importing this footage into Premiere results in a hard truncation of whites above 100 IRE. However, I discovered last month that the Fast Color Corrector has a Output Levels adjustment that can rescale all the levels to fit down in the 0-100 IRE range. I verified this using the scopes in Premiere and by observing recovered details in my footage. I was even able to export frames to TIFF files and show the recovered highlights in the exported TIFFs. The difference is substantial and not subtle--it's the difference between a sky completely blown to white and one where you can see the sky is blue with clouds in it.
Last night, I discovered that the Unsharp Mask filter doesn't handle footage above 100 IRE, either. Even if I use Levels to set 0-235 RGB range, somehow, Unsharp Mask is processing the un-level-adjusted signal, regardless of stacking order of the filters.
I rendered two Blu-ray discs, one with Unsharp and the other without. To my astonishment, BOTH discs lacked any detail in the highlights--the whites were clipped at 100 IRE!
Now I turned attention to the Media Encoder. Pausing on a frame where I can see the difference between 100 IRE and 109 IRE and shades in between, I fire up the Media Encoder and note that even in ME's previews screens, the whites are already clipped. There is more highlight detail in the program monitor, whereas it's all gone in the Media Encoder's display.
It is obvious that highlight information, even scaled back to 0-235, is being treated as if it were 0-255 and clipped at 235 before passing to the encoder. This is a real disappointment, because there is another half f-stop of detail up there that I was trying to pull into the useable range of 100 IRE for the Blu-ray disc. Since it is very difficult to shoot footage and limit the peak whites in-camera to no more than 100 IRE, nearly all of us are losing valuable picture information.
Even if you can recover the highlights on the timeline through a Levels filter, it gets thrown away again on the way to the Media Encoder. Short of exporting a few hundred thousand frames as .TGA files and then loading those back in and rendering out to whatever motion CODEC, I am at a loss as to how to get Premiere to leave the whites intact.
I haven't seen this issue discussed in any detail here. Has anyone found a way around it, besides reshooting all your footage of one-time events to sub 100 IRE levels?

I'd rather the camera added that extra lattitide within the appropriate 0 to 100 IRE range.
That's a lot like saying you want 10 gallons of water in an 9-gallon jug.
As it is, it looks like such adjustments will need to be done on a clip by clip basis.
Or, you can do it the "Dan" way in AviSynth. I wrote a script function called SoftLimiter: It applies photoshop-style curves on the Y + U + V channels to bring the maximums within legal range… using a sort-of "soft-knee" approach to reducing extreme highlights and/or oversaturated areas.
It causes a tiny bit of posterization in the highlights, just like all 8-bit per channel color adjustments do… but it is hardly noticeable on a computer screen and even less on TVs.
SoftLimiter for AviSynth 2.5
Create a folder C:\SoftLimiterCurves\ and place the .amp curves files in that folder.
Place the other files in your AviSynth 2.5 / plugins folder.
The example below assumes DV avi files and requires a DV codec (such as Cecocida DV, MainConcept, Canopus) that can read / write in YUV formats.
Create a script like this:
AviSource("dv.avi", pixel_type="YUY2")
SoftLimiter()
Open the script in VirtualDub, use Video / Fast Recompress, Select Cedocida DV codec. File / Save as .avi
Before:
After:
And, Jim… you can place your dv2film() command at the end of this script if that's what you're trying to accomplish.

Rendering H.264 Quicktime from Premiere CS3

For a cliënt I have to make a H.264 file in Quicktime that is meant for a website www.leraar24.nl
Since people before me used to deliver using FinalCutPro they made a short tutorial of the exact settings used in FCPro. Now I have to translate those settings to my setup: Premiere CS3 on Windows. I'd like to have your opinion on what settings I should use. Here's what they give up for FCPro:
Video settings:
Compression type: H.264
Frame rate: current
Key frames: automatic, vink frame recording (I think someone misread this 'cause the only the choice in FCP is frame reordering)
Data rate: automatic
Quality: high
Compressor: best quality
Video size: 512x288. vink deinterlace source video
Sound settings:
AAC
Stereo (L R)
48.000 Hz
best quality
256kbps
Streaming moede: Hinted streaming (prepare for internet streaming)
I thought this should match the following in Premiere CS3:
Format: H.264
Range: Work Area
Preset: Custom
Basic Video Settings:
TV Standard: PAL (it's the Netherlands)
Frame Width: 512
Frame Height: 288
Frame rate: 25
Field Order: None (Progressive)
Pixel aspect ratio: Widescreen 16:9
Profile: High\
Level: 5.1
(I have a jpg attached with the settings I used execpt I chose 25 frames instead of 50 frames)
But apparantly I was wrong 'cause the reported me that they don't want .mp4 but they want .mov instead. They only othter option for me is to export it to DV 25 .mov and then export it from Quikctime Pro which gives me the exact parameters as they gave for FinalCutPro. But then it doesn't look as good as when I export direct from Premiere.
Does anyone have a better idea?

Thanks a lot Rod,
Here's what I used this weekend:
The only problem is that for audio it won't let me choose AAC like it was 'told' to do in the FCPro settings guide. do you know why the option AAC isn't available? Because when I would choose H.264 as a format then there `is the option AAC so apparantly the audio codec AAC is on my machine. Or isn't it? And should I install it separately? What I did now was chosing the Apple Losless instead:
Tomorrow I'll be hearing if they can get along with these settings.
Thanks for your feedback.
Gr. Karel

Premiere CS3 avi to Encore CS3 DVD

I have captured an avi video in Premiere CS3. I want to burn it to a DVD in Encore CS3. Do I want to create an MPEG 2 file first and then send it to Encore or do I want to send it directly as an avi file? I want the DVD without menus.

> What is the advantage of creating the MPEG2 file in Premiere CS3?
1.) If you have a 24p timeline, you can export it as 24p MPEG2 -- for some reason Encore will not encode 24p
2.) You dont need to create an intermediary AVI file.
a) A lot of folks think that DV is the ideal intermediary for DVD. It is not. The format is quite lossy; especially for graphics, photos, animation, titles, etc.
b) Alternatively, you can export as a lossless or uncompressed format, but these files are very large for long projects -- and Premiere does not output uncompressed very efficiently anyway. Better to use a lossless codec like Lagarith.
c) Jeff's approach is a fine one also, but this will only work for a single sequence (which is totally appropriate to the OPs needs, however). For multiple sequences, it is best to use lossless AVI files as I mentioned in my last point.

Premiere CS3 and HD Camcorder

I am working with a school that wants to purchase an HD Camcorder. They want to create DVD's and BluRay disks. What would be the minimum configuration of the computer that they are also going to purchase?

there's a hardware forum here
http://forums.adobe.com/community/premiere/hardware_forum
thats good for your question. try to search using specifics...like what hd camera you will get, what you have to do to deal with that specific wrapper and codec with cs3 in terms of hardware and OS and so on. CS3 is 32 bit program, so you're limited to that in terms of ram usage etc.
Some ( like me and I use cs3 ) people use something called neoscene (cineform) to try to make cs3 work okay with hd source stuff...it converts to avi using cineform codec ). Then the creation of blue ray or dvd is another story...
it sounds to me like youll have to do some homework , get more specific about what hd camera you will use ( wrapper and codec ) and then move on from there. A word of warning...premiere pro ( even cs3 which is the older version ..it is now cs6 and 64 bit ) does require a lot of the user in terms of getting the most out of the program. It isn't a program for those who want to avoid knowing about how things work and what has to be done etc...like just press a button and stuff magically happens. Good luck !

Premiere CS3 AVI Problems!! (plz help)

I'm using Adobe Premiere CS3 on my Computer and I'm trying to import this AVI footage-- Now the footage imports smoothly BUT when I put it on the timeline it shows grey/pixelated image. I can hear audio, but the video doesnt play properly. I've tried Downloading numerous codecs to fix it, but I'm not sure that's the issue...
I can preview the AVI outside of Premiere using any media player and I can edit the same footage in After Effects..
ALSO I have Adobe Premiere CS3 on my iMac and I can preview the SAME AVI file without having that pixelated problem like I do on my computer..
I'm not sure what's up with my PC's version of Adobe Premiere CS3 or what.. **This particular AVI is a Panasonic DV Codec (i think) which I have.**
This/These video(s) with that type of AVI just doesnt work with the timeline's preview whereas all the other video types work fine... (For example, I can take the footage into After Effects and export it as an AVI and THEN it plays with Premiere with slightly altered quality..)
If anyone has some idea, let me know--
Thanks,
Ari

DV Type 2 AVI
Also-- I'm messing around with it trying to figure out the issue.. I think that it could be after effects. I think the intro to the video was made with AE or motion and Premiere isnt recognizing the colors or something..
I made a little animation in After Effects and exported it and Premiere wouldnt play it-- It imported it, but it wouldnt play on the preview window..
I just put that animation into GSpot and it showed me that it's a DV Type 2 AVI ( AVI v1.0 )
So there must be something going on with the AVI v1.0 and my Premiere doesnt want to play it.. I still cant figure out the solution though.

Premiere Cs3 Importing mp4 at incorrect framerates, how do I fix this?

I'm using Open Broadcast Software to record mp4 videos. I'm using Premiere Cs3 to edit those videos.
I had made a few changes to the settings in OBS to make streaming to twitch better, but after reverting my settings to record rather than stream I'm running into a problem. When I import mp4 videos I made after this point, Premiere interprets the footage as if it was shot at 1,000 fps instead of the 60fps I shot it at. I know I can reinterpret the footage at 60 fps but this causes problems, like dropping the audio and looping/distorting random frames.
I wasn't having this problem before. I'm a bit of a novice, and this is all way over my head.

MP4 is a wrapper, what is inside YOUR wrapper - Exactly what is INSIDE the video you are editing?
Codec & Format information, with 2 links inside for you to read http://forums.adobe.com/thread/1270588
Report back with the codec details of your file, use the programs below... A screen shot works well to SHOW people what you are doing
https://forums.adobe.com/thread/1070933 for screen shot instructions
Free programs to get file information for PC/Mac http://mediaarea.net/en/MediaInfo/Download
Does your video use a VARIABLE Frame Rate or a Constant Frame Rate?

Premiere CS3 and Aspect Conflict

I recently bought an XtremeLaptop computer and want to add Aspect HD to Premiere CS3, however I get a conflict between the two that I can not solve. Using a JVC 250 camera I can capture and edit in native CS3 just fine, but when I capture using the CineForm presets the audio is about a second behind the video.
Also half the time I fire up Premiere I get a DEP warning and it shuts down. When I uninstall Aspect that goes away.
I tried capturing in HDLink but that program just freezes. I am capturing on a 1TB Lacie drive which is actually 2 500 GB drives in a zero raid....using a pci-Xpress card with an e-sata connection so the drive is certainly fast enough.
Aspect HD does not like something on this computer but I have taken everything off but Premier and Aspect and I still have the problem. I am using Vista but the Cineform people say that Aspect works fine on Vista.

Can we assume you are running the latest version of AspectHD?
The Cineform people are usually pretty good at helping with problems like this. Have you filed a trouble ticket with them?
I've never been able to get HDLink to capture properly, but if you capture with another capture program and use HDLink to convert the files to the Cineform codec, that usually works. Have you tried that?

Premiere CS3 no me exporta en formato 16:9

Hola,
Lo he intentado con todas las posibilidades de tipo de archivo y codec pero no me exporta en 16:9. El material es DV anamórfico. Al exportar selecciono Widescreen PAL. También he puesto como tamaño de frame 1024-576, pero nada, es imposible y siempre me exporta en 4:3.
Agradecido si me podéis ayudar.
Saludos.

Hola,
en primer lugar pido disculpas por mi español Google. Porque nadie ha escrito nunca, echa un vistazo de nuevo para ver:
http://www.google.de/#hl=de&source=hp&q=Premiere+CS3+Export+16%3A9&btnG=Google-Suche&aq=f& aqi=&aql=&oq=Premiere+CS3+Export+16%3A9&gs_rfai=&fp=1&cad=b
Allí se encuentran varias referencias, el tema parece ser conocido.
Me parece interesante:
Header 1
Header 2
entonces ni siquiera tener los valores por defecto, pero todos los actos de forma manual. 720x576 píxeles con relación de aspecto de pantalla ancha 16:9 D1/DV PAL (; 1.422) o 1024x576 píxeles con una relación de aspecto 1.0.
dann nimm mal nicht die voreinstellungen, sondern stell das ganze manuell ein. 720x576 mit Pixelseitenverhältnis D1/DV PAL Widescreen 16:9 (;1,422) oder 1024x576 mit Pixelseitenverhältnis 1,0.
por lo que se puede exportar todo lo que quiera. Breve descripción:
1. ser un archivo de vídeo en la línea de tiempo debe makiert (Mira)
2. Voy a Archivo -> Exportar - Medios de comunicación> -> se abrirá la configuración de exportación
3. Formato: H264
4. "Default": Definido por el usuario
5. Pestaña "Vídeo"
6. Anchura de la caja siguiente fotograma y la altura del marco debe estar deshabilitada
7. Marco de anchura y altura de bastidor modifica
Puedo ajustar cualquier relación de aspecto. parada importante es el punto "4" es definido por el usuario.
also ich kann alles so exportieren wie ich möchte. Kurze Beschreibung:
1. Eine Videodatei auf der Timeline muss makiert sein(Angeklickt)
2. Ich gehe auf Datei -> Exportieren -> Medien -> es öffnen sich die Exporteinstellungen
3. "Format": H264
4. "Vorgabe": Benutzer definiert
5. Reiter "Video"
6. Kästchen neben Framebreite und Framehöhe muss deaktiviert werden
7. Frame breite und Frame höhe einstellenSo kann ich jedes beliebige Seitenverhältniss einstellen. Wichtig ist halt der Punkt "4." das es benutzer definiert ist.
Saludos,
Hans-G.

Captured .avi file much shorter when imported as Premiere CS3 clip.

I'm new to Premiere CS3. My first project is to convert several old VHS tapes to DVD. My analog camcorder plays into an analog video-to-Firewire converter (ADSTech Pyro A/V Link). The Firewire digital stream was smoothly captured by Premiere and sent to my NTSF-formatted scratch disk under MS Windows XP Pro. The single .avi file (about 5 GB) plays back nicely in Windows Media Player which indicates a total length of 18min, 34sec. But when imported into a Premiere project, only the first 1min, 18sec appears.
What's up?

John--
I downloaded and ran GSpot v2.70a on my AVI file. Lot's of data!
In the GSpot "Container" window it reports these lines:
File Length Correct
DV Type 2 AVI
Multipart OpenDML AVI (5 parts)
(41160 frames in first part, -96 frames follow)
The "Video" report window says "Codec(s) are installed" with the name "DVC/DV Video." Actual length is 22m, 46.979s (which differs from my original statement because there a stretch of blank tape conversion after the actual content).
I think I'll repeat the transfer and be watching at the critical times.
Thanks for the pointer to GSpot and also thanks, Jim, for your response.
Bob

CRAM Codec & Premiere CS3

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