CS3 Project/Sequence Settings

Hey guys i was just wondering what the best project or sequence settings are for me? my camera is 60i
if that doesnt help its a Jvc everio
Thanks for your help

If you have to ask such a basic question, if you don't understand enough about video in general and using an NLE in particular, then I fear you will have a great deal of difficulty with a program as sophisticated as Premeire Pro.  Perhaps a consumer program will suite your needs better.

Similar Messages

  • Premiere Pro CC, Project / sequence settings help with GoPro 1080p / 60fps

    Hi all,
    I have just started using Premiere Pro CC with the GoPro Hero3+ black edition, but my video's, once exported do not look very smooth and clean like HD video should?
    The video settings on the GoPro are 1080p / 60fps, narrow view (protune off), I then import these .MP4 video files into PP CC and use these sequence settings:
    29.97fps
    1920 x 1080 / 16:9
    Square pixels (1.0)
    No fields (progressive scan)
    30 fps drop-frame timecode
    Preview file format: I-Frame only MPEG
    Maximum bit depth
    So, my question is, should my sequence settings be at 60fps to match the 60fps I used to capture the video with? How should I edit 1080p / 60fps video in order to get nice clean, smooth HD video playback on youtube?
    My export settings are:
    H.264
    1920 x 1080
    29.94
    Progressive
    Square pixels (1.0)
    NTSC
    Profile: Main
    Level: 5.1
    Render at maximum depth
    VBR, 2 pass
    Target Mbps: 40
    Max Mbps: 50
    Keyframe distance box checked and says: 90
    Use maximum render quality
    Here is the video I uploaded to youtube: Deal Tri Summer Duathlon May 2014 - YouTube
    What do you think?
    Any help would be very much appreciated!
    Kind regards,
    Paul

    No problem. When you click sequence > sequence settings, what does your editing mode say? I use AVCHD 1080p square pixel. You can change this to 'custom' which will give you more control over the settings if you need to, but if you use the method I described earlier then you shouldn't need to change anything. Maybe if some of your videos are 2.7k or 4k resolution mixed with 1080p videos then you could play with the settings.
    Just remember that if you start a new project and have for example, four videos shot at 1080p and one at 4k, if you drag and drop the 4k video to the 'new item' bin then your sequence will match the 4k resolution settings and when you drag the other 1080p videos on the sequence time line, they will not fill the screen and would need to be 'scaled' in to fit the screen, thus making them look terrible. The best way would be to drag n drop the 1080p video(s) and then include the 4k video on the timeline and just 'scale' / 'crop' it to fit the screen.
    All the best!
    Paul

  • Premiere Pro CS5 Project & Sequence Settings

    I will be shooting with a Sony NEX-VG10 set at a Record Mode of FH 17M (which I have no clue what it is)
    The camera records 1920 x 1080 Full HD videos (I don't know if its 1920x1080i or p)  (The user guide that came with the camara doesn't explain much of anything)
    The memory card that I will use to record the clips is a 32GB SDHC
    I want to know the settings that I should choose to edit the clips in Premiere Pro CS5.
    1)  Project Settings asks me to select between DV and HDV.  Is HDV the right one?
    2)  Sequence Settings is getting me more confused than I am already:
         In previous projects (with a different camera) I have chosen DV NTSC as I had set the Project as DV but also because of the NTSC
         In the Sequence Settings if I go along with HDV it doesn't give me the NTSC option but it lists several 1080i and 1080p options.
         Which one should I choose? 
    Finally, when I am all done I will burn an HD DVD with Encore.
    I am assuming that using the same edited video I could also burn an SD DVD: is that possible?
    The whole project will probably turn a 45 min. video.
    Thanks for your help.

    videope wrote:
    Maybe I didn't explain myself correctly.
    When creating a new project I have to specify location, name, etc... PLUS I also have to indicate the capture format
    No, you don't.  You can hit cancel.  If you've shot on media cards, you have no need to Capture.
    Secondly, comes the Sequence Settings where there are a bunch of available presets listed such AVCHD, DV-24P, DV-NTSC, DV-PAL and so on... also HDV.... and within each one there are further options for example under HDV:  1080i 25, 1080i 30, 1080p etc....
    Which one is the one I should choose?
    That's already been explained in this thread.  And it's also covered thoroughly in the Pr Help documentation.
    If understand correctly you are suggesting that I forget this screen and just add my clips and create New Sequence from Clip.  This you say will automatically attach to it the proper preset.  Pardon my ignorance but I can't figure out how it will work.  Will I have a new sequence for each clip?
    Right.  Have you even tried it yet?  You can select a bunch of clips, and drag them to the New Sequence icon also.  They'll all be added to a new Sequence based on the source clip's settings.
    Finally, when I mentioned I will burn an HD DVD I meant: a High Definition  DVD and also was considering burning a Standard Definition  DVD and was asking if it would be possible.
    You're using incorrect terminology.  There is no HD DVD.  There is DVD, and there is Blu-Ray.  The different formats have different names.

  • When creating a new project, the step "new sequence settings" doe not appear automatically, what to do?

    Hi there,
    I have a question I am doing product videos for a comany they would like me to do this in a format that is 16:9 and in HD. Since they don't know on which channels they want to publish it but it is certain they will publish it on youtube I wanted to do it in the settings HDV and then DVCPROHD 720p24 or even 1080p24. I have bought the license of Premiere online and for some reason I do not have the option in the beginning when I create a new project to change the sequence settings. They do not appear and afterwards I cannot change them. Do you guys have an idea what can be done in order to access this setting before the project ultimately opens?
    I'd highly appreciate any kind of help on the matter!
    Cheers,
    Mascha

    Or do this:
    or this

  • SEQUENCE SETTINGS FOR HD PROJECT

    I just started a HD project elements were shot 720p 60 on p2. My sequence settings are Frame Size 960x720 Compressor is DVCPRO HD 720p60. Video rate is 29.97. There will be SD file footage mixed in as well. mostly mini DV tape and there are DVDs as well. I am going to edit this sequence in HD and export it either to a SD deck or to a DVD. Before I get into my project too deep are these sequence settings correct? I ask this because my sequence was hesitating while I was playing it back. I got error messages telling me to change my RT bandwith, and change disk speed. I am thinking it was my sequence settings causing this.

    Now I have a new issue that just popped up. I have 2 Lacie drives i am working with. As per Lacie Tech support they recommended me not to daisy chain the drives. I have then separately connected. One of the drives is not seen I am getting a message telling me the drive was not properly removed and all of my video that I captured to it is offline. This happened earlier and I re launched and the media came back. Why is this happening?

  • Sequence Settings for Computer-targeted Projects

    Hello,
    It seems to me -based on a scan of the forum's topics- that there are many people who would like to use FCP for creating computer-targeted output, that use still images as the source material. That is, projects not destined for tape or broadcast, that were not shot on video. I realize there are 3rd party apps that do this sort of thing, but the reality is there's no need to spend more money. Creating Ken Burns type effects for example, is very easy to do in the Motion Tab. It's the related sequence settings and render settings that cause the real problems IMO.
    For those who do this kind of work successfully on a regular basis, it would be good to create a list of settings that work well, so others can avoid the painful process of trial and error. Sadly the manual (great as it is) isn't much help on topics relating to still image projects. They mention things like square pixels or image size in passing, but they do not give examples of how to start this type of project from scratch.
    So post away; let others know what settings work for you. If you can post the project type, source type, and then the settings, so much the better. Something like:
    Type: Web Slideshow
    Source: TIF, PSD
    Frame Size:
    Field Dominance:
    Timebase:
    Video settings:
    etc

    Bogie: if some of the sequence settings listed are dependant on the imported material (think that's what you're saying), why are we even able to change them? I guess this is an Apple design issue but seems strange if they "are not part of the creation process", that they should be in the same panel as the other items that are, etc.< </div>
    Umm, no.
    The question here asked about export settings, they did not ask about project or sequence settings. If you meant to ask about sequence settings, that's an entirely different thread and, frankly, it's all covered in the manuals.
    To repeat what Zeb has said, because we can't quite seem to get us all speaking the same language here, use conventional, known formats for your production and creation of effects; DV is a great place to star because it's flexible and it's built into FCP (h264 is not a production format, Animation isn't either, nor is MPEG2).
    Render your sequences and export them as self-contained movies. Bring them into Compressor and (doh!) open that manual for a few hours of casual and frustrating reading. Compressor is where you will create your transcoded, encoded and compressed movie for delivery to the Web.
    What settings will you use in Compressor? Those are determined by your Web host's demands. The smoothest path to Web delivery is to give your Webhead a DV file and tell them to use their favorite compression and encoding tools to create their own favorite formats and bitrate settings.
    bogiesan

  • CC 2014 trial. MPEG MOVIE clips flickering on my time line! after render, and after export. tried all kinds of sequence settings,taking out transitions and effects ,even the audio tracks.....still flickering. They play fine outa the project files!?  HELLL

    CC 2014 trial. MPEG MOVIE clips flickering on my time line! after render, and after export. tried all kinds of sequence settings,taking out transitions and effects ,even the audio tracks.....still flickering. They play fine outa the project files!?  HELLLLLPPPPP!!!!

    We can not see your computer, your settings or even know what your source files are because we are not in the same room as you are!
    We cant see what you are doing wrong ...so you will have to tell us a lot more and show us some screen grabs of your settings.

  • Sequence settings ratio error - project ruined?

    Hi all. Am new to video editing but an old hand at Cubase, Logic etc, so was able to pick up Final Cut quite quickly, and have just finished editing my first vid. However, think I may have made something of a faux pas regarding resolution.
    The raw footage I started with was H.264, 1920 x 1080.
    As instructed by the camera guys, before I did anything with the footage, I used MPEG Streamclip to convert it to Apple ProRes 422, still at 1920 x 1080.
    Unfortunately, I started editing it in Final Cut without changing the project settings to anamorphic 16:9, which means when I export the video, it's horizontally squashed with the dreaded letterboxes on the top and bottom. Trying to change the Sequence Settings in Final Cut leads to a very broken looking video and lots of 'unrendered' messages.
    As the source footage IS in the right format, I thought it would be simple enough to swap the resolution in Final Cut, but apparently not. Is there any way around this, or is the project basically no good (unless I export with letterboxes).
    Thanks in advance.

    Make a NEW sequence. Drag a video clip from the browser into the new sequence (don't copy and paste). It will ask you if you want to conform... say "yes".
    Now copy and paste everything from your old sequence into the new one.
    Select your video clips, and go to Modify>conform to sequence...
    If you have any effects applied or lots of tracks, you'll probably need to render... and if you have any key framing, i'm pretty sure you will need to make adjustments by hand.

  • Correct PPro CS3 Project Settings for Neoscene/Cineform 1080 60i .avi files?

    I am looking for clarification on the correct Premiere CS3 project settings for AVCHD 1080 60i NTSC files converted with Neo Scene with the "maintain source frame format" option.
    Should the PPro project settings for "Field" be upper or lower field first?
    On a Cineform discussion board I was told all interlaced HD footage is upper field first.
    However, I have found that a PPro project setting of upper field first results in much more sluggish playback than lower field first.
    So seems there is additional processing needed with the upper field first project setting and this suggests to me that lower field first is the proper setting.
    Any thoughts from NeoScene/Cineform users out there?
    Thanks!
    The project settings I have been using are:
    Editing Mode: Desktop
    Timebase: 29.97
    Frame size: 1920 x 1080
    Pixel Aspect Ratio: Square Pixels (1.0)
    Fields: Lower Field First
    Audio: 48000

    ...is not so good - bad colours. In Microsoft DV Avi-DV Pal compression. D1/DV PAL Wide is pixelate. I have click the de-interlace so it is not because of that. I have no problem to use encore it the file i send is compressed in those settings i mention before. I have no problems in compressing the file with those settings at all, like i have when i want to transfor the video in avi uncompressed.
    Oaaa...i am going crazy here. I have had so many problems with this and if i end up working this documentary and not beeing able to export it i go mad!...this if i do not go there before because of this problems...

  • Merging old sequence timeline into project with different sequence settings?

    I successfully did this yesterday. But when I tried to replicate my efforts, I got different and unwanted results.
    I have an old project created in Pro 2.0. It has a timeline that I want to keep. In the old project, the sequece settings did not match the source clip, so 2.0 overscanned in rendering.
    I created the proper sequence setting in 5.5. Then I imported the original sequence from the old project. The first time I did it, it took the old timeline and merged it with the new sequence settings--a perfect result. Today when I try to replicate that effort, it brings in the old timeline, but applies the old settings, resulting the overscanned result.
    How, step-by-step, do I get the result I want--an old timeline with new settings????
    Thanks very much!

    Thanks Simon.
    Let me clarify. What I'm trying to do is to correct the sequence setting without having to reassemble the whole project.
    As I said, I was able to do just that yesterday, but have not been able to duplicate my efforts.

  • Can use different sequence settings on the same project file ?

    I have 2 camcorders now, one is a AVCHD and the other is HDV tape.
    QUESTION 1:
    As the former is 1920 x 1080 and HDV is 1440 x 1080, can I use all the clips of 1920 x 1080 in sequence 1 and all the clips of 1440 x 1080 in sequence 2 (both sequence 1 & sequence 2 are in the same .fcp project file) ?
    QUESTION 2:
    I often seen Tom saying the settings in Easy setup and be the same settings in the sequence settings.
    If in Easy Setup, I select AVCHD PAL - 1920 x 1080i50, how do I select the same for sequence settings ?
    Thanks

    1. A qualified yes because I don't know what sequence 1 and 2 are.
    2. The easy setup is your sequence setting. Make a new sequence and it will be in that format.
    If you want to mix the media from those it cameras it would probably be better if you can switch the AVCHD camera to shoot 1440x1080; most can do that, and it would then match the media from the HDV camera.

  • Canon HG10 and sequence/project file settings FCP6.x

    I have previously transferred footage from my Canon HG10 into FCP6.x and had it play back fine. I just transferred in some more footage and when I layer the clips the playback freezes. Now, I'll admit I'm a novice in the HD game so let me know if my settings are all wrong:
    Sequence is set to:
    frame size - 1440 x 1080
    aspect ration - HD (1440 x 1080) (16:9)
    pixel aspect ratio - HD (1440 x 1080)
    field dominance - upper (Odd)
    compressor - Apple ProRes 422
    quality - 100%
    Under the "advanced" tab it is set to interlace at 29.97
    The audio/video settings are:
    sequence preset: apple prores 422 1440 x 1080 60i 48 khz
    capture preset: HDV apple prores
    device control preset: HDV firewire
    video playback: digital cinema desktop preview - full screen
    audio playback: default
    Recently updated QT to 7.6.4
    Running FCP 6..0.6 on a G5 2 x 3GHz Quad-Core Intel Xeon tower with 8GB 800 MHzDDR2 FB-DIMM
    In other words, HELP!

    OK, doing some more research. When I look at the clip properties it is listed as 1920x1080 1.0 29.97i UFF, not progressive. If I go to Modify Clip the field order is listed as Field Order from File: Upper Field First and I have the option to Conform to: Progressive Scan
    I'm confused because I thought i Interlaced was for broadcast TV and progressive was better for editing on a timeline for things like web video, adding effects and combining with other footage.
    Should I modify the clip to be progressive you think? Another question, if I just change the Sequence Settings to be AVCHD 1080p is that enough or would I still need to modify the clip as well? It's so hard to find this info on Adobe's site or in any books.
    Not sure why Canon would list the setting as progressive but it is wrapped as interlaced. After Googling I see this is the case and I'm not the only one who has noticed this, but I see no recommendations.
    Thanks.

  • My 2008 Mac Pro running Lion will not play HDV1080i60 footage in FCP 7. When I open the sequence settings, all HDV codecs are hdv1, hdv2, hdv3, and so forth. Anyone have any idea how to fix this?

    My 2006 - 2008 Mac Pro running Lion will not play HDV 1080i60 footage in FCP 7. When I open the sequence settings, all HDV codecs are hdv1, hdv2, hdv3, and so forth. However, when I open the project on my other Mac Pro running Snow Leopard and FCP 6, the footage works fine as it does on my newer Imac running Mavericks and FCP 7. I have tried a Quicktime update on the Mac Pro that the footage doesn't work on but it says that I already have the newest version of Quicktime installed. I have also tried reinstalling the Final Cut Pro Studio twice, still no fix. I'm completely out of solutions and need to be able to edit HDV footage on this machine. Any help would be great. Thanks.

    there was a recent software update that seemed to screw HDV up.  Do some searching here over the last month or 2 and you'll find a bunch of posts and some possible solutions.
    Worst case scenario, do as Shane suggests.  But might I suggest you take a look at the user tips section of the forum.  there are some great tips on how to prevent these sorts of problems by cloning your startup drive, etc.

  • How Do I Change My Sequence Settings to Match My Clip

    Hello -
    I shot some footage in SD with a frame size of 16:9. When I dragged a clip into my first sequence, FCP asked 'if I wanted the Sequence to assume the properties of the clip?' I hit 'yes' which changed the sequence to match my clip. However, when I created a new sequence(in the same project) and dragged a clip into it, FCP did not prompt me with the option to change the sequence settings. Now, I have a 4:3 sequence with a letterbox 16:9 clip. Any suggestions on how to fix this? Thanks for your help!
    Isaiah Smith

    menu: Sequence Settings (or Commnd 0).
    Then check (√) the Anamorphic checkbox.
    OK
    Then select everything in the timeline. (Command A)
    Command Option V (Remove attributes). Make sure Distort is checked (√)
    OK.
    Done

  • How to change sequence settings without CC 7.1 update?

    Well, i was hoping that Adobe will release 7.1 update on October 15th, as promised on some websites. I don't recall, maybe it was Creative COW or any other.
    That's why i have created 720p PRORES proxies for 9x multi-camera live performance shoot which lasts for 2 hours for lag free, fast editing.
    I have sucessfully edited it and promised my clients that on October 16th they will get the whole show in 1080p, high quality.
    So, there is no update yet, and yes, i can relink files to original 1080p, but the multicam sequence is capped to 720p and i simply can't find a way to change it's size.
    The old fashion copy/paste way from one sequence to another does not work, since 720p sequence is linked to multicam edits. In CS6 i could edit ".prproj" file in text editor to change any properties (including sequence properties), but right now in CC, .prproj file contains binary data only, so i can't do it that way either.
    Maybe someone knows any other way to change sequence settings right now, or what is the exact day for 7.1 release?
    Thank you!

    Hi Paolon!
    You need to extract your .prproj using WinRAR to a text .prproj file, then use some text editor such as Notepad to search and replace sequence dimensions
    For example find "1920" and replace it to "1280" if it looks like Īt belongs to a sequence definition.
    I don't recall how it was called, maybe "VideoFrameRect" or something similar.
    First create some very simple project to experiment with, and always make a backup copy in case something goes wrong

Maybe you are looking for

  • I lost all of my photos and videos after download of iOS 5? how do I get them back?

    So I updated to OS 5 last night an low and behold I lost all of my photos and videos? how do I get them back, I did do my download on my mac book pro. I would have thought that all of that stuff would have transferred automatic during the download of

  • The contents of Spaces disappears after long inactivity!

    OS X 10.7.2, 10 virtual spaces with assigned apps accessed as Ctrl1-Ctrl9. Everything's definitely fine as long as I keep switching between them. If spaces are not accessed fro a certain (? maybe 30 minutes, maybe 2 hours - unknown), their contents..

  • R12 OM Copy does not navigate to required field when OK button is clicked

    We are upgrading from 11.5.10 to 12.1.3. When a user is copying a Sales Order to a Return in 11i and the user leaves the return reason blank, the form will navigate to the return reason and raise ORA-40202 Field must be Entered. In R12, the navigatio

  • Stop notifed of an alert.

    I am receiving a lot of Ora-00600 [qctoTranLik:like transform] errors in a particular database. I am flooded with a lot of e-mails in my mailbox. Is there a way we can instruct the Enterprise Manager to ignore the above alert-- That is not send notif

  • Can I split a spreadsheet table over more than one page?

    Is is possible to split a table so that data can be linked from page to page? I would like to have a table with formulas on page 2 referencing data from another linked table on page 1 of a Pages document. I know this used to be possible in Appleworks