Cs6- need to enable printer's color management in Print settings dialogue box

I have been printing successfully for months to my Epson R2400. Suddenly, I am getting a Caution Triangle with a note that says "Remember to enable the printer's color management in the print settings dialog box. I have selected Color Handling: Printer manages in the Photoshop Print Settings box. Where else would I make this change.

Just select Photoshop Manages Color, and the printer driver color options should be disabled.

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How do I print without color management in CS6?

EVery time I print a test target for color profiling, I open CS4 so that I can print with no color management. I can't figure out how to do it in CS6. I must be missing something obvious, but I just can't find the option to print without color management anywhere in the CS6 driver.

As someone who prints Digital Negatives (there are quite a few of us out there now), the ability to print without color management is a huge liability. Why would you take that out of Photoshop and create a completely seperate application to do this? From inside photoshop, I can print with registration marks (necessary for multi-negative prints).
So now there's Lightroom to manage the locations, open up Photoshop to apply curves and then figure a way to add registration marks to the file itself, the print from another app altogether.
Even just the ability to add profiles (AdobeRGB tagged file, then print with photoshop manage color, AdobeRGB profile) works in this situation.. but for some reason.. you've decided to pick and choose which profiles we can and can't use.
... unhappy with CS6
jim

Cannot disable color management in printer preferences dialog

Hi,
I'm evaluating PSE11 on a MacBook Pro running OS X 10.7.5. I'm trying to print to an HP Officejet 6500 for which I have an ICC profile. When I set Color Handling to "Photoshop Elements Manages Color" I receive the reminder that I must ensure that the printer isn't doing that. After selecting the profile, I go to the Print dialog. In the Color Matching tab I can select either Color Sync or Vendor Matching. If I select Color Sync, I am presented with a list of profiles, one of which I'm expected to select, but no option to select none. (No, Automatic doesn't mean that the printer performs no color matching!) If I select Vendor Matching, then in the Paper Type/Quality tab there's a drop down Color Options, but there, too, there's no option to turn of color management in the printer.
This inability to turn off color management in the printer would usually preclude making a profile for it, since the profile targets must be printed without the printer performing color management. However, the company that made them for me supplies the targets as TIFFs, and Adobe has a utility, Adobe Color Print Utility (ACPU), which somehow manages to circumvent the problem. Is there something like ACPU either built into PSE11 or that can be plugged into it that will turn off color management?
Regards,
Richard

Your printer model may not permit the print driver software to be turned off. On higher end printers this option is normally found in the printer properties (color tab) which will have the choice of selecting Application Manages Color or grayscale printing. I’ve not come across ACPU for Elements.

How to disable the printer's color management in Photoshop CS5 with Mavericks?

Hi there, does anyone know how to disable the printer's color management in Photoshop CS5 with Mavericks? There doesn't seem to be an option. Could you help? Many thanks

Just select Photoshop Manages Color, and the printer driver color options should be disabled.

So, CAN I turn off the printer's color management? Pixma Pro-100.

So, I am trying to turn off the color management function for the Pro-100...
On my Windows desktop, I use Photoshop to print with Canson Rag 210, color profile installed, allow photoshop to manage colors and print a beautiful, perfect print with the Mark 9000. Now, I have the Pixma Pro-100 and using the exact same settings, I print wirelessly with my laptop, and I get these dark, red/orange hued prints that are atrocious.
I should mention the same exact photograph printed between setups ALWAYS prints better with the Mark 9000 and my desktop. However, when using my laptop and the Mark 9000... Crap. Laptop and Pixma Pro-100... Crap. What is my MAC doing that my desktop is not?! How can identical settings print such drastic results? Photoshop does warn me (newer version on my MAC vs. Windows) to turn off the printer's color management in the printer's settings, but I do not see that option. Maybe I'm missing it? How do I do that? I'm thinking it may help!

Have you tried printing from the MacBook using Canon Print Studio Pro or letting printer manage colors? I know this doesn't specifically answer your question, but PSP is designed to handle the PS/printer interface.
Download PSP 1.3.5 from the Canon support site.
http://www.usa.canon.com/cusa/support/consumer/printers_multifunction/pixma_pro_series/pixma_pro_100...
John Hoffman
Conway, NH
1D Mark IV, Rebel T5i, Pixma PRO-100, MX472

Using an Epson 3880, how to disable the printer's color mgmt in the Photoshop CC print settings dialogue box?

Using an Epson 3880, how to disable the printer's color mgmt in the Photoshop CC print settings dialogue box?

Just select Photoshop Manages Color, and the printer driver color options should be disabled.

I dont know how to bring up the printer settings dialogue box

i dont know how to bring up the printer settings dialogue box with my macbook pro in order to adjust the lightness/darkness of my prints. my friend has the same model printer as me and can adjust the lightness of his prints using a pc but the same dialogue box doesnt appear with my mac.the printer is epson office b1100

You can do this from the print dialog box. For instance, in Safari (which I guess you're looking at now) drop down the 'File' menu and select 'Print'. This brings up the print dialog box. Underneath the basic settings you'll see another menu, it currently says 'Safari', but if you drop that down you get all the options for adjusting colour, paper handling, etc...

Photoshop Help | Printing with color management in Photoshop CS6

This question was posted in response to the following article: http://helpx.adobe.com/photoshop/using/printing-color-management-photoshop1.html

This is usually done in the printer driver's console.
What make/model printer do you have?
Good luck,
Hunt

Need help understanding profiles and color management

I made the big leap from inexpensive inkjets to:
1 Epson 3800 Standard
2 Spyder3Studio
I have a Mac Pro Quad, Aperture, PS3, etc.
I have a steep learning curve ahead, here's what I've done:
1 Read a lot of books, watched tutorials, etc.
2 Calibrated the monitor
3 Calibrated the printer several times and created .icc profiles
What I've found:
1 The sample print produced by Spyder3Print, using the profile I created with color management turned off in the print dialog, looks very good.
2 When I get into Aperture, and apply the .icc profile I created in the proofing profile with onscreen proofing, the onscreen image does not change appreciably compared with the no proof setting. It gets slightly darker
3 When I select File>Print image, select the profile I created, turn off color management and look a the resulting preview image it looks much lighter and washed out than the onscreen image with onscreen proofing turned on.
4 When I print the image, it looks the same as was shown in the print preview...light and washed out, which is much different than what is shown in edit mode.
5 When I open PS3 with onscreen soft-proofing, the onscreen image is light and washed out...just like displayed in PS3 preview. If I re-edit the image to look OK onscreen, and print with the profile and color management turned off, the printed image looks OK.
So, why am I confused?
1 In the back of my simplistic and naive mind, I anticipated that in creating a custom printer profile I would only need to edit a photo once, so it looks good on the calibrated screen, and then a custom printer profile will handle the work to print a good looking photo. Different profiles do different translations for different printers/papers. However, judging by the PS work, it appears I need to re-edit a photo for each printer/paper I encounter...just doesn't seem right.
2 In Aperture, I'm confused by the onscreen proofing does not present the same image as what I see in the print preview. I'm selecting the same .icc profile in both locations.
I tried visiting with Spyder support, but am not able to explain myself well enough to help them understand what I'm doing wrong.
Any help is greatly appreciated.

Calibrated the printer several times and created .icc profiles
You have understand that maintaining the colour is done by morphing the colourants, and you have understood that matching the digital graphic display (which is emissive) to the print from the digital graphic printer (which is reflective) presupposes a studio lighting situation that simulates the conditions presupposed in the mathematical illuminant model for media independent matching. Basically, for a display-to-print match you need to calibrate and characterise the display to something like 5000-55000 kelvin. There are all sorts of arguments surrounding this, and you will find your way through them in time, but you now have the gist of the thing.
So far so good, but what of the problem posed by the digital graphic printer? If you are a professional photographer, you are dependent on your printer for contract proofing. Your prints you can pass to clients and to printers, but your display you cannot. So this is critical.
The ICC Specification was published at DRUPA Druck und Papier in Düsseldorf in May 1995 and ColorSync 2 Golden Master is on the WWDC CD for May 1995. Between 1995 and 2000 die reine Lehre said to render your colour patch chart in the raw condition of the colour device.
The problem with this is that in a separation the reflectance of the paper (which is how you get to see the colours of the colourants laid down on top of the paper) and the amount of colourant (solid and combinations of tints) gives you the gamut.
By this argument, you would want to render the colour patch chart with the most colourant, but what if the most colourant produces artifacts? A safer solution is to have primary ink limiting as part of the calibration process prior to rendering of the colour patch chart.
You can see the progression e.g. in the BEST RIP which since 2002 has been owned by EFI Electronics for Imaging. BEST started by allowing access to the raw colour device, with pooling problems and whatnot, but then introduced a primary ink limiting and linearisation.
The next thing you need to know is what colour test chart to send to the colour device, depending on whether the colour device is considered an RGB device or a CMYK device. By convention, if the device is not driven by a PostScript RIP it is considered an RGB device.
The colour patch chart is not tagged, meaning that it is deviceColor and neither CIEBased colour or ICCBased colour. You need to keep your colour patch chart deviceColor or you will have a colour characterisation of a colour managed conversion. Which is not what you want.
If the operating system is colour managed through and through, how do you render a colour test chart without automatically assigning a source ICC profile for the colourant model (Generic RGB Profile for three component, Generic CMYK Profile for four component)?
The convention is that no colour conversion occurs if the source ICC device profile and the destination ICC device profile are identical. So if you are targetting your inkjet in RGB mode, you open an RGB colourant patch chart, set the source ICC profile for the working space to the same as the destination ICC profile for the device, and render as deviceColor.
You then leave the rendered colourant test chart to dry for one hour. If you measure a colourant test chart every ten minutes through the first hour, you may find that the soluble inkjet inks in drying change colour. If you wait, you avoid this cause of error in your characterisation.
As you will mainly want to work with loose photographs, and not with photographs placed in pages, when you produce a contract proof using Absolute Colorimetric rendering from the ICC profile for the printing condition to the ICC profile for your studio printer, here's a tip.
Your eyes, the eyes of your client, and the eyes of the prepress production manager will see the white white of the surrounding unprinted margins of the paper, and will judge the printed area of the paper relative to that.
If, therefore, your untrimmed contract proof and the contract proof from Adobe InDesign or QuarkPress, or a EFI or other proofing RIP, are placed side by side in the viewing box your untrimmed contract proof will work as the visual reference for the media white.
The measured reference for the media white is in the ICC profile for the printing condition, to be precise in the WTPT White Point tag that you can see by doubleclicking the ICC profile in the Apple ColorSync Utility. This is the lightness and tint laid down on proof prints.
You, your client and your chosen printer will get on well if you remember to set up your studio lighting, and trim the blank borders of your proof prints. (Another tip: set your Finder to neutral gray and avoid a clutter of white windows, icons and so forth in the Finder when viewing.)
So far, so good. This leaves the nittygritty of specific ICC profiling packages and specific ICC-enabled applications. As for Aperture, do not apply a gamma correction to your colourant patch chart, or to colour managed printing.
As for Adobe applications, which you say you will be comparing with, you should probably be aware that Adobe InDesign CS3 has problems. When targetting an RGB printing device, the prints are not correctly colour managed, but basically bypass colour management.
There's been a discussion on the Apple ColorSync Users List and on Adobe's fora, see the two threads below.
Hope this helps,
Henrik Holmegaard
technical writer
References:
http://www.adobeforums.com/webx?14@@.59b52c9b/0
http://lists.apple.com/archives/colorsync-users/2007/Nov/msg00143.html

Canon pixma pro 9000II printing - color management and resolution settings

1) is the printer color management automatically turned off when I select the paper in the color management profile drop down? Or do I need to do something else as well?
2) a little bit of a newbie question, but I'm wondering what resolution to select (for presentation prints) - auto or 300 dpi. And again in the print dialogue box (under "quality and media"), whether to use high or standard. Wondering what to match with what, etc.
Thanks.

The answer to the first question appears to be yes. ColorSync is automatically enabled, and Canon Color Matching is automatically disabled.
Some tips on the second question would still be helpful, however. Again, I'm curious about matching Aperture "print resolution" settings (auto, 300, 72, or custom) to the print dialogue "print quality" settings (high, standard, etc.) under the "quality and media."

Color management problems printing to Epson R2880 from CS3

I recently purchased an Epson R2880 printer. I am having a lot of trouble getting good color when printing from Photoshop CS3. I am running OS 10.4 on a G4 Mac. I have a high-quality monitor and an EyeOne calibrator. I have spent a total of a few hours on the phone with tech support from the store where I bought the monitor and calibrator, and with Epson. To try and keep it simple, I am using all Epson products (ink, paper, their ICC profiles downloaded from their site). I have calibrated my monitor to brightness: 80, white point: 5000 K, Gamma 2.2.
All that tech support has brought me to the point where prints I get on Epson Velvet Fine Art paper and almost where they match what I see on the monitor, though they still could use a touch more red. I've tried making a slight curves adjustment to the red channel but I still don't quite have it. But it's basically acceptable.
So then I tried Epson Premium Presentation Matte paper. After a lengthy session with the Epson tech, we determined that I can get a print that's almost right by printing out of Preview and letting the printer manage colors. If I make a levels adjustment and brighten it a good bit, I get a very good print. But if I try printing on that paper from CS3 I get something that looks like a washed out black-and-white print with a hint of color in it. The Epson tech (a level 2 tech) told me to use the SPR 2880 Matte Paper-HW profile. Didn't help. At that point he said that he'd done all he could do and that for further assistance I needed to contact Adobe about "advanced settings in Photoshop." Of course, I'd prefer to print out of Photoshop because it gives more options in terms of placement and size of the print on the paper.
So here are my questions:
- Is this kind of thing par for the course, and will I eventually figure out a system that gives me good results all the time with any Epson paper I choose with a minimum of tinkering with levels and curves?
- Or should I expect more from a printer that costs almost $1,000 and should I return it for, say, a Canon?
- Is there information online about those "advanced settings" the Epson tech was referring to?
- Or would I be advised to purchase a one-on-one phone consultation from Adobe Photoshop tech support to resolve these problems?
Thanks,
Helen

Mike,
Gee Ramón, I am guessing Mike did a search for Epson R2880/CS3 and noticed that a Mac user was having the same problem he was. If together, maybe Windows users and Mac users can come together and solve the problems of the Epson R2880, maybe we can set a good example for the Republicans and Democrats in Congress :-).
Anyway, since I posted this problem, I have been working on it getting input from a variety of people. The person who finally helped me was Jim, a tech at ColorHQ.com. If you are in the US or Canada and have to buy a monitor and/or calibrator, definitely consider buying it from them, because they offer free tech support to their customers!
So regarding yellowness, one thing that you definitely should look at is how you're calibrating your monitor. Despite some of the replies above that recommend calibrating to 6500K, ColorHQ, which specializes in solutions for the printing industry, told me that calibrating to 5000K is the print industry standard. (While 6500K is the standard for working on images for the web or for editing video.) 5000K will make the monitor look yellower, so see whether that's a better match to what you're printing. I have an Eizo monitor and am running their Color Navigator software. The nice thing about that is something called Color Navigator Agent that allows me to switch between calibration profiles on the fly if I'm doing some web work and then want to work on images for printing.
Calibrating to 5000K was helpful, but not the solution in my case. The ultimate solution to my problem was more of a Mac issue, so I don't know if this will help you, but I'll post it in case anyone refers to this discussion in the future: there evidently IS an issue with ColorSync Utility in the Mac interfering with Photoshop managing colors in OS 10.4. In my case, ColorSync was causing the printer to preserve RGB values rather than use the ICC profile. The afore-mentioned Jim suggested that I go to Edit: Convert to Paper Profile, then pick the profile from the list. When printing, in the first Photoshop dialog box choose Color Handling: No color management. All the other settings in the next dialog box are the same as when you don't want the Epson to manage colors. So what you're doing is making it so the profile is built into the file, and neither Photoshop nor Epson are managing colors.
The result to this was MUCH better. The soft proof is a little redder than the print, but I can adjust that by creating a curves adjustment layer and pulling down the red curve in the middle a little bit if I want to see what the print will look like. I can live with that.
Also Jim pointed out that those papers that you mentioned are in fact a little warm in tone -- put Velvet Fine Art next to a piece of ordinary copy paper from say, Staples, and you'll see the difference. He suggested that if it's the matte look I want (it is) that Hahnemuhle makes a couple of papers that are brighter: Photo Rag Baryta and Bright White He also likes Ilford Gold Fiber silk, but that's a luster satin finish. You can download the Hahnemuhle profiles from Hahnemuhle's web site and compare them in "Soft Proof" mode in Photoshop with the Epson papers you mentioned and get an idea of the difference with your images. I haven't actually printed on them yet, but I see what he means.
Good luck, and I'd be interested to know how it goes for you.
--Helen

Issue with Color Management and Print Module

The is a repost per request from a comment on Julieanne Kost's blog...
Having sticky output settings can be useful but now that LR has a color managed workflow, it introduces some problems. For example, if a Proof Copy is created and edited to a particular profile, then that copy is taken into the Print Module, if the output profile that has “stuck” from the previous job does not match you have a problem. It would be nice if the behavior for proof copies would be to automatically match the editing profile or at least warn of a mismatch. And while it is nice to be able to create a Saved Print with all the output parameters, it would be helpful to be able to create saved sets of “Print Job” settings assuming that they will be consistent for a particular printer/ink/paper combination (and whatever “Print Adjustment” you have found to your liking) then easily applied to any image being prepared for output. Perhaps a “save setting” selection under the “Print to:” menu.

So what you propose is the templates are proof copy sensitive and if they are setup for profile A but the proof copy describes profile B, then everything but the template defined profile is honored? I could get behind that idea (but what if one selects multiple VC’s with differing profiles and goes into Print?).
That's pretty much it. It does get complicated quickly as you look at multiple VCs or (and I think we need to start making the distinction between proof copies and ordinary virtual copies) if you bring a mixture of PCs and VCs into the print module. I would suggest that the default behavior be to set output profile of the PC as defined in the PC and retain the "sticky" behavior for ordinary VCs.
I also think that having the ability to save a "Print Copy" may change what we need out of the templates and perhaps their overall function should be re-evaluated.
The VC name should show you the profile used for soft proofing if you have the overlay on. That helps too. My concern are those who work with these VC’s and the text overlay is off.
I'm not getting that behavior. The only place the copy name shows up in the print module is in the filmstrip header. Maybe I have a preference set wrong somewhere... Still, I'd rather the software take care of making the match rather than having to double check to make sure I haven't inadvertently changed the profile somehow (i.e. clicking on a template just to see how it would look on another size paper).

Color management when printing

I have an IMac OS10.9 and lightroom 5 and a canon printer MG6150. I want the printer to manage color. In Lightroom I comand "printer manages colors" and I am told to make sure this is turned on in the printer How? In The layout shown in lightroom I have two options: "color synk"with different ICC-profile options or "canon colormatching"Which should I use? Is there a comprehensive text on how to manage colors in this situation?

You need to access the printer driver to ascertain that the color management is turned on and the driver interface set to the proper paper type and size. You can do this with the Page Setup button in the bottom left of the Print module. Maybe somebody with knowledge of the printer can give you more detailed instructions.

Photo Printing and color management

Using a Epson Stylus Photo 2200 printer on 10.5.1. Looking how to turn
of color management. Getting a pink hue on my prints. Past experience is color management is getting in the way in the driver. Looking through the epson online docs, what I see on screen does not match with the window menu picks for the epson utility. Checked printers in system preferences/drivers nothing to turn off there. Any thoughts on turning this off?
Thanks,
The new guy with his first MAC.

Having turned off the Epson colour management, you need to ensure you have selected the correct colour profile in CS3. It helps to calibrate your monitor correctly and use a profile designed for your printer / paper / ink combination to ensure what you see on the screen is what feeds out the printer. Paper brand can make a startling difference. There are companies that offer a profiling service. You print out a pecific photo / pattern from their provided file and send them the print on the ink / paper you use and they email a profile.. Google will find these companies for you.

Printing: ICC Color Managed -vs- Driver Managed

Hi,
I have a Dell U2410 monitor calibrated with a Datacolor Spyder4Express.
I have an inexpensive Canon 6220 (dye) and also a Canon 9550 Mark II printer (pigments).
I tried printing a test print from Picasa as well as from Adobe Elements and Lightroom.
We went through manh of the permuations of printing from each printer using the different print modes.
Observations:
0. all the prints look different. Some are passable some are not.
1. the Adobe ICC color managed prints from Lightroom and/or Elements don't look better (or closer to the U2410 calibrated monitor).
2. each print has strenghts and weakness (e.g. - too much red, blue is weak, etc.)
3. we viewed the prints in a variety of viewing environments.
Questions:
1. would printer profiling help at this juncture?
2. in reality are the actual printers different then the Canon ICC profiles?
3. do the printer profiling tools measure the distance (error) in the standard ICC profiles -vs- what was measured/computed?
Thanks in advance!

Too much Red (weak Blue) is a symptom of Double Profiling. I am guessing you are printing to profile in Lightroom and failing to turn off the Windows-based color management.
In your Canon Print Dialog (9550) Main tab, Color/Intensity setting. Click the Manual button and then the [Set…]
This takes you to the Manual Color Adjustment dialog. On the Matching tab, set Color Correction to None
Now go back to Lightroom and print using the Printer/Paper profile.

Cs6- need to enable printer's color management in Print settings dialogue box

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