Dip to color dissolve question

Hi,
I am using a dip to color dissolve between clips, dipping to white. My problem is that the pillarbox lines are also dipping. Is there any way to avoid this?
Thanks.

The good thing about nesting though is that you can adjust the clips in the original sequence and then they'll update in the nest.
Else check this out too:
http://web.mac.com/andymees/Freeand_Easy/main/Entries/2008/1/23_Andy’s_Letterbox2.html
CaptM

Similar Messages

Saving custom 'Dip to Color Dissolve'... how?

Hello all,
I'm stumped here. It seems I can customize several dissolves and video transitions/filters, but can never get to save my 'Dip to Color Dissolve' to white (instead of the default black).
Any ideas on how to accomplish this?
Thanks in advance for any feedback.
Matt

Once you've changed the default settings for the transition in the Viewer window, you should be able to drag it into your Favorites folder in the Browser. Once that's done, it may help to give the "favorite" version a new name (like 'Dip to White") so you can easily identify it from the original.
-DH
EDIT: Sheesh ... beaten twice! I'm typing slow again!

Dip to Color Dissolve + Widescreen Matte

Forum,
When my Dip to Color Dissolve comes in my black bars (wide screen matte) are trumped by the dissolve.
I'm looking for a way to keep the bars all the way through the end of the Dip to Color Dissolve.
No such luck yet.
Thanks to anyone that can help,
Trey

The good thing about nesting though is that you can adjust the clips in the original sequence and then they'll update in the nest.
Else check this out too:
http://web.mac.com/andymees/Freeand_Easy/main/Entries/2008/1/23_Andy’s_Letterbox2.html
CaptM

Bug in FCP 5's dip to color dissolve with text?

Dear all, I'd likle to know if this is a genuine bug or some problem with our setting/system that we haven't yet figured out.
The problem appears when a dip to color dissolve is applied a text clip.
The symptom is what looks like compression artifacts appearing around the text as it dissolves. It is noticeable with normal text but looks really bad with drop shadow applied. It renders this transition unusable and it's a problem as it's part of our show's regular style. It can be worked around but this is not good enough for a pro broadcast application...
We are running FCP 5.0.1 on a dual 2.7ghz G5 with OS X 10.3.9 and working in DV PAL.
Any help appreciated

Welcome to the discussions, Robert. Do you have your rendering set to Fast (linear)? There was/is a bug that causes problems if it is set to medium or high.
Patrick

Problems with using the 'Dip to Color' dissolve

On a short project we decided to use the dip to color dissolve. We wanted the scene to desolve to white and selected the color without problems, however, on applying the dissolve it goes to white as intended but then dissoleves to black halfway through the transition. We should like this to stay white and then fade to the the next scene from white.
Any suggestion would be welcome.
Regards,
Tom

Well too me it looked ok, but I have now adopted a work around - by using opoacity over a white background on a lower track which produced the desired result.
Thanks for getting back to me - I shall explore this transition/dissolve further some other time.
Regards,
Tom

"Widescreen" filter on Dip to Color Dissolve?

I've applied the widescreen filter to two clips -- then now, I want to put a dip to white color dissolve between the two clips. But when I do it, the actual white isn't widescreen like the two clips and it looks odd.
How can I apply the widescreen filter to the white out part as well?
Many thanks,
Michael

Michael,
Seems like there would be an easier way to do it, but here's one suggestion that ought to do the trick:
1 Superimpose a bright green, solid color matte into the timeline onto a track that is directly above the transition.
2 Apply the widescreen filter from the other clips to the new color matte
3 Apply a Color Key from the Key folder in the Video Filters folder
4 Set the color to be keyed using the eyedropper to the same green as the color matte
Now the transition should appear within the bounds of the widescreen.
1 GHz PowerPC G4 eMac Mac OS X (10.3.9) 768 MB SDRAM

Dip to Color Dissolve

I am dissolving two of my video clips out to white, but my video clips are 16:9 widescreen and when it dips out to white the whole frame goes to white, even the black bars on the top and bottom. Is there a way to fad it to white just in the picture frame, excluding the black bars?

What camera is this exactly? Some cameras shoot correct anamorphic widescreen, others just shoot in letterboxed versions, basically masking the top and bottom of the image. If your material really is shot letterboxed and you're working in a standard 4:3 sequence, probably the easiest thing to do is to create a black mask for the top and bottom. You can either do this with a graphics application like Photoshop. You can also do it with either two color mattes from the generators that are cropped to the right shape for the letterbox areas, or you could use a four-point garbage matte on the color matte, making a matte of the picture area and then inverting it.

Dip to Color transition with graphic

I'm using a Dip to Color Dissolve transition between a black screen and a graphic that has colored text with a black background. When using the transition, I get the flash of white color, as intended, but the outline of the graphic is visibile. Dragging along the timeline, I found that this was because the graphic, centered in the screen, changes color more slowly than the rest of the empty space around, making it so that you can see the square outline of the image during the transition.
Is there a way to fix it so that the graphic and the background change color throughout the transition at the same time, making it clean and unable to see the outline of the graphic?
My apologies if the explanation is somewhat confusing, I'd be happy to clarify if necessary! Thanks!

One way is to insert a Slug.
Click the little A button in the Viewer and select.
Transitions in FCE require Media Handles to be associated with clips to work like Dip to Colour. Search this forum for more info on Media Handles.
Al

Cross Dissolve, Dip to Color not working

Hello. I am having trouble applying Cross Dissolve and Dip to Color to the transition between to separate clips. It works fine when I am transitioning between two clips originating from the same raw captured file (e.g. between two pieces I cut out of Raw 1), but I am unable to apply the transition to two clips from separate raw files (e.g. between a piece of Raw 1 and a piece of Raw 2).
The timeline only allows me to place the transition just AFTER the cut between the two clips, rather than straddling the two for a smooth fade. Any idea why this might be? Thanks in advance for your help.
Using Final Cut Pro 5.1.4, Tiger 10.4.9

Enough handles?
#1 Transitions "Insufficient Content"
Shane's Stock Answer #1:
You need to make sure that your clips have enough media (called 'handles') at the beginning of the incoming clip and at the end of the outgoing clip for the transition. For example, if you have a 1 second (30 frame) dissolve, your in and out point need to be at least 15 frames from the edge of the clip.
What you are running into is that you are marking an out point at the end of a clip then adding a cross dissolve, say 20 frames in duration. Since the dissolve is centered on the cut, it will start 10 frames before the cut, and try to go 10 frames AFTER the cut...which it can't do.
What you need to do is plan how long your dissolve will be and back-time your cut so that it works.
a full 1 second crossfade reaches 15 frames into each clip. So, if you want to change a cut to a crossfade, there has to be at least 15 additional frames of each clip.
Say you're trying to crossfade from one clip into the very first frame of a second clip. FCP cannot 'create' 15 more frames of the second clip to do a crossfade. If they're not there, you're out of luck.
FCP has to extend the end of your first clip by 1/2 of your transition length, and the beginning of your second clip by 1/2 of your transition length, so those frames need to be in your system. The nature of a crossfade is mixing two clips together.
Shane

Dip to color in and EDL

Has anyone found a solution for the dip to color error when an edl is created? Instead of creating two edits, a dissolve to color (i.e AX or GEN) and then a second edit going from color back to footage, it creates one edit dissolving between the two footage sources. The dissolve rate is usually correct, but you still have to rebuild the edit from scratch. Any help here would be greatly appreciated

Unfortunately talking the FCP editor into doing this is not an option. Avid used to have the same problem, and they fixed it. I'm hping FCP will do the same.
G5 Mac OS X (10.4.1)

Final Cut Pro 6 dip to colour dissolve

i recently saw a documentary shot on HD which used colour flashes as transitions (similar to dip to colour in FCP). The colours used resembled the rainbow and created the same look as 35mm (the end of film stock)
Can anybody advise me on how to create and authentic white film flash transition.
i have tried using dip to colour dissolve, but could not achive the desired effect.
As as reference: a similar thing can be seen in Coldplay's Viva La Vida (look out for whit flashes)
I would appreciate your help.
Thanks!

Thanks Captain M
my bad, i meant "Violet Hill"
http://www.youtube.com/watch?v=IakDItZ7f7Q
this should give a better demostration.
the effect i wish to achieve is the kind you very often see on 35mm footage (as seen in "violet hill".
i wish to create this kind of effect in a music video i'm editing.
the style of the music video is desaturated colours with high contrast.
by gradients, what do you mean? i'm not that experienced with FCP.
do you perhaps know where one can download FCP effect/transition plug-ins?
Thanks again for your help.

Dip to color effect in 16:9

Can anyone help? I am editing in widescreen, but when I add the dip to color (I'm using white as the color), the black areas above and below the video dip to white also. (Perhaps the problem is that I need to change the "canvas size" to 16:9??? I don't know much about this). Is there a way to have the effects apply only to the actual video portion, and not to the black areas above and below the video?
Note: When I'm editing, I generally see the video as widescreen, with black bars at top and bottom. Maybe I need to change something in the settings???
Thanks!

Okay, Tom. I'm learning as I go here. I've never even thought about any "properties" of either items or sequences before. I just manage to get it into the computer and edit. Thanks for enlightening me! I just checked:
The sequence properties are:
Vid rate: 29.97 fps
Frame size: 720 x 480
Compressor: DV/DVCPRO-NTSC
Pixel Aspect: NTSC - CCIR 601
Field Dominance: lower (even)
Audio Rate: 48.0 KHz
Audio Format: 32-bit Floating Point
The item properties are:
HDD:AVCHD
Vid Rate: 29.97 fps
Frame size: 1920 x 1080
Compressor: Apple Intermediate Codec
Data Rate: 15.5 MB/sec
Pixel Aspect: square
Field Dominance: upper (odd)
Audio Rate: 48.0 KHz
Audio Format: 16-bit integer
My options for "Preset Sequence Settings" (as you likely already know) are:
Apple Intermediate Codec 1080i50
Apple Intermediate Codec 1080i60
Apple Intermediate Codec 720p30
DV NTSC 32 kHz
DV NTSC 32 kHz Anamorphic
DV NTSC 48 kHz
DV NTSC 48 kHz Anamorphic
(the rest are PAL, which I know aren't what I want/need)
Is there a best setting for me (from the list above)? Or, do I need to make several changes to my system settings? Any advice you can offer will be reeeeeally appreciated!
Thanks Tom!

Lightroom color cast question of JPEG image

Lightroom color cast question of JPEG image
Camera Canon MKII Color Matrix Adobe RGB
Photoshop CS Color Setting Adobe RGB (1998)
Lightroom 1.2 as new lightroom user I did not think that I needed to choose a color setting or color profile until I am ready to print my photos. I have not done any preset camera calibration.
Link to my website with example photo http://www.basecampphotos.com/color.jpg
My question is why is Lightroom displaying the images with a yellow color cast ? The image is a print screen from Lightroom on the left and Photoshop on the right The color cast problem can be seen in the white walls of the stairway. Also when viewing the image with Windows Picture and Fax viewer the walls are white as expected.
Any ideas or suggestions as to why Lightroom is displaying the images with the yellow color cast or what I need to do to correct the issue ?
Thanks
Jim

Almost definitely a corrupt monitor profile. Time and again this turns out to be the cause of such differences between PS and LR. You need to recalibrate the monitor or if you do not have a hardware calibrator, delete the profile from windows' monitor properties pane to test and then get a hardware calibrator.
P.S since you are using adobeRGB jpegs, Windows picture and Fax viewers cannot give you the correct colors even on a calibrated monitor. Those are not color managed programs (I believe picture viewer finally is in Vista but definitely not in XP which you appear to be using). Also, PS has to be correctly set up to always preserve embedded profiles and to ask when you have profile mismatches, otherwise even PS will give incorrect color. Make sure to set this up in Edit>Color settings.
P.S.2: Make sure you are not applying defaults in Lightroom to your images either on import or elsewhere. Sometimes people by accident define develop defaults that in this case might contain a white balance shift. Go to LR preferences and open the Presets tab. Here click on "Reset all default Develop settings" and make sure that only the auto grayscale checkbox is ticked. For images that it might have already happened to, make sure to hit the reset button.

Masking a Transition (dip to color)

I want to have several images "pop" onto the screen with a dip to white transition. I have four different images scaled down each making up 1/4 of the screen. Now I want to change images with the "flash" transition (I set the dip to color transition to white with a duration of 5 frames) and the images will change in a rotating fashion. However, I only want the image to pop with white rather than all four pictures. Is there a way to restrict the white pop to the scaled down image only rather than covering the entire screen?
Thanks beforehand.

you could create a white color matte, set it for your duration of 5 frames, scale it to the size of the clip you want to change, and simply put it above that clip on the timeline. use the rubber bands to change the opacity rather than the stock transition.
-gardner

Another color management question

Hi folks,
Apologies for yet another color management question, but Im getting very confused and could do with some help. I use a Canon 10D and Canon 30D. Ive come to LightRoom from Pixmantec Raw Shooter.
As Ive gotten more serious about producing high quality images for both the web and as prints, I thought Id invest in the Colorvision Spyder2 calibration product. So my monitor is now calibrated (quite a difference from what I was seeing!) and I have a calibration profile applied.
My needs are pretty obvious I want my images to look the same wherever theyre viewed including exported files (such as JPEGs) whether this be on my monitor (in LightRoom, a web browser, Paint Shop Pro, whatever) and on a printer.
Perhaps Im getting confused because Im trying to compare what LightRoom does with what RawShooter does.
In RawShooter, when exporting from RAW to JPEG, I can specify the RGB Working Space Im using and then select my monitor profile. I think that what happens is that the export mechanism takes this profile into account and, low and behold, the JPEG looks fine when viewed in any web browser - the colours are exactly the same as in RawShooter. In Paint Shop Pro they look fine too unless I enable Color Management in which case (Im guessing) the monitor profile is, essentially, applied twice! But the upshot is I seem to get the results I want.
What I cant figure out is how I do this in LightRoom. I can make the same adjustments to the RAW image as I did in RawShooter, but there doesnt seem an option for me to select my profile on export to JPEG only the standard 3 color spaces. Anyway the result is a JPEG that looks somewhat different when viewed in a web browser, or Paint Shop Pro with Color Management turned off. However, if I turn Color Management on in Paint Shop Pro, then it looks fine. So Im assuming that my profile isnt accounted for when exporting JPEGs from LightRoom.
So any pointers or explanations would be really appreciated. I also acknowledge that this is my first foray into color management, and feel free to tell me to go and read some introductory article (link please!) and then come back with a sensible question if thats whats needed!
Thanks in advance.
- Pete

Lightroom color management.
a.) Monitor profile used: The profile set as the default in your operating system (e.g. Windows xp). (your monitor profile software usually does this when you calibrate/profile your monitor).
b.) Working space: ProPhotoRGB
c.) Export color space: You can choose one of the following sRGB; Adobe RGB or Pro Photo RGB.
There is no option (afaik) to change a.) or b.) the option you choose in c.) will affect how the exported image will be displayed in color managed applications or non-color managed applications.
Non-color managed applications are not able to display Adobe RGB or Pro Photo RGB correctly. I guess if you wish a consistent display of your images in color managed and non-color managed applications then the only common factor is sRGB and you should export your images in sRGB color space.
The benefits of the other expanded color spaces are in printing and you also would have to get this end of your color management correct. Printing profiles to match your printer and each paper being used etc.
Until you can get this all sorted out you will get better results from sRGB, this is also applicable when using most commercial printing services.

Dip to color dissolve question

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