Draw with pixel aspect ratio

I use pencil tool, brush size 1 pixel. When pixel aspect ratio less then 1, pen draws a double pixels. Does
anyone have solutions to it?

Looking into this a little more, what I think is going on is that in previous versions, Shift dragging compensated for the non-square pixels, so that drawn items show up correctly.  If you look at the Info Box in 5.5 when shift drawing a circle, the height is greater then the width, when working in a non-square document.
In 6.0, when you do the same thing, the height and width are the same. So, no compensation is being done for the non-square pixels.
In 5.5, if you place a circle by entering the dimensions in the ellipse option, say 400, by 400, with PAR turned on, the image is squeezed side to side.
So, In 5.5 Shift Compansated for nonSquare pixels. In CS6, it does not.

Similar Messages

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    I searched but found no answer.
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    (Ack, for some reason I typed "DVI" and really meant "DV")
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    I have tried exporting a number of ways from FCE, including Export > QuickTime Movie... and Using QuickTime Conversion... For the latter, I typically set it to export as 720x480. I always export as video. The final export contains video clips as well as still images within the video.
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  • Correcting pixel aspect ratio with Publish settings

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  • Exporting Custom Resolution Quicktime Movie with Custom Pixel Aspect Ratio

    I want to export some 16x9 sequences (and others) at different resolutions with different pixel aspect ratios.
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    I would like to have arbitrary control of the pixel frame size on export as well as arbitrary control of the pixel aspect ratio. However, in this case I specificially want to export some video in a 4:3 pixel arrangement (such as 360x270) but have its display be 16:9 via non-square (i.e. 4:3) pixel aspect ratio.
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  • Changing Pixel Aspect Ratio with Aperture

    i was wondering if aperture has a way of changing the pixel aspect ratio from square to DI/DV NTSC or HDV. so far i am using photoshop to do that but would love to do it inside aperture.

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  • Stretch Pixel Aspect Ratio with AME CS5?

    I was given some videos that were in the wrong pixel aspect ratio. The videos are 4:3 and they were supposed to be 16:9.
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    In Premiere, you can right click on your footage in the Project Bin.  From the context menu, choose Modify then Interpret Footage.  In that dialog box, you can tell it to conform the pixel aspect ratio to 16:9.

  • How can I properly export an image with corrected pixel aspect ratio?

    Hi, I have a bunch of .png screenshots from old MS-DOS era software that I wish to convert to a 0,8 pixel aspect ratio to simulate the stretch from old CRT monitors.
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    Ok, thanks letting me know. Only last thought is a screen cap of image 2 (that I believe you want) saved to png.
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  • Pixel Aspect Ratio Issues-FCP HELPP!!!

    Okay folks, so currently I am putting together my reel in FCP, however I am encountering a few issues. So my source formats are different in pixel aspect ratio, some was shot on the 7D, some on the Alexa, and some on super 16mm, and a few after effects animations. However all of it is HD, and in ProresHQ 422. My problem here is when I import all of my media into FCP if the timeline is set to square pixels, the HD(1440x1080) footage looks squished, and if I set the timeline to HD(1440x1080) the square pixel footage looks blocky, pixelated and super square.
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    You can use compressor to convert everything to square pixels, however there's no need to worry about how it looks in fcp when it's playing but not fully rendered.  Try exporting a short section (mark an in and out around the section - and going file:  export: quicktime Not quicktime conversion) with current settings.  If you render the material, it should look fine when you play it within fcp.  Unfortunately, the render settings in the sequence menu are not particularly intuitive, but do a little playing around with them if you've got the time.
    I prefer to convert all my sources to my intended pixel dimensions, frame rate and codec before I edit in fcp, but it may not be necessary in your case.

  • Pixel Aspect Ratio bug in Media Encoder export

    Having a weird bug in media encoder exports that I can't seem to figure out. I have a 1080p sequence with a mix of 1080p footage and PAL DV assets. The PAL assets have a pixel aspect ratio of 1.0940. When I format them in my Premiere sequence, I am able to scale them correctly and they look fine. When I export them directly from premiere to broadcast standards it's also fine.
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    Has anyone encountered this bug? It seems strange to me that Media Encoder would treat items in a sequence differently that Premiere during export, I was under the impression they were using the same rendering engine... It's really a problem as I'm going to have to crank out multiple versions of this 48-minute film and not being able to queue those exports is going to be a huge headache.
    Using latest version of CC 2014.1 (8.1.0).

    Screenshot of Premiere Export (fills screen):
    Screenshot of Media Encoder export: (notice the pillar-boxing)

  • How to capture frames in Premier Pro to edit in Photoshop with correct aspect ratio.

    I am using Premier Pro and Photoshop CS5 in Creative Studio CS5.  I have read and understand several help articles on square and rectangular pixels used for various video aspect ratios.  I am using the camera button on the bottom right of the Program monitor to captue a frame and save as a jpg file.  When I open the jpg file in Photoshop to edit for a DVD disc cover using the Elliptical Marquee Tool with a fixed ratio of 1 to 1, the result is not the circular image I need but wider.  This must be an aspect ratio conversion that I am missing.  I have seen conversions that correct this by lengthening the height but the image is also lengthened and thus results in a distiortion.
    How do I correctly deal with this aspect ration conversion between Premier Pro and Photoshop without distortion?

    This is most likely a PAR (Pixel Aspect Ratio) issue. With SD (Standard Definition) Video, you can have Standard 4:3 w/ PAR = 0.9, Widescreen 16:9 w/ PAR = 1.2, or a non-standard 4:3 w/ PAR = 1.0 (rounded PAR's for NTSC).
    In Ps, you have the ability to adjust the PAR, under the Image menu from the Toolbar. For use on a DVD, you would choose a PAR of 0.9 if you have Standard 4:3, or 1.2 for Widescreen 16:9.
    With the PAR adjustment, to match your Video footage, you should then be able to get what you want, without the distortion. Also, note that one can change how the PAR displays in Ps. By default, it will be Square Pixels, or PAR = 1.0, and you should get an info message that the display is not showing the exact PAR. This can also be changed in Ps.
    For more discussion on PAR, see this article: http://forums.adobe.com/message/3456609#3456609
    Good luck,
    Hunt

  • Still image pixel aspect ratio wrong in exported video (but correct in Premiere renders)

    I've saved a targa still image from my footage and added it to the bin. It's properties show as follows:
    Image Size: 1440 x 1080
    Pixel Aspect Ratio: 1.3333
    This correctly matches my sequence settings as I'm working with 1080p widescreen footage.
    The image appears as expected in the Program window both before and after rendering previews. However, once I export my sequence as a video file, the still image is squashed (displaying incorrectly):
    A work around would be to stretch out the still to a width of 1920 in Premiere so that the export displays it back at its normal aspect ratio - which works - but I don't understand why I should have to do this.
    The other solution I found was to go to the bin and 'Modify > Interpret Footage' and although "Use Pixel Aspect Ratio from File" already shows the correct settings, to actively reset it (to the same pixel aspect ratio)  with the 'Conform to' option:
    This works too.
    Surely a bug?
    (using Premiere Pro CC)

    Thanks for the quick reply. But then why does the still's properties (in my bin) show the pixel aspect ratio as 1.3333 (not square pixels, 1.0) and should it not appear incorrectly in both the preview renders and the exported video ? This seems inconsitent to me.

  • A Little question about Pixel Aspect Ratio

    This doubt has been bugging me since I started edit HD formats.It's about pixel aspect ratio.
    Let's supose I have received some material in HD format,for instance.But I will deliver this material in another format, DV NTSC,for instance.
    The Pixel aspect ratio format of the material what I received and the way how I will deliver are different.What can I do to avoid this problem? Do I need to apply some plugin to solve this problem or when I export the final sequence Final Cut does this automatically?
    thank you

    The software takes care of it for you.
    As long as your conversion maintains the overall aspect ratio (ie 16:9), it is irrelevant what the individual pixels are doing.
    For example, if I convert DVCProHD 720p to ProRes 720p, it will look fine even though the DVCProHD started out with 960 pixels in the x dimension and the ProRes will have 1280.
    x

  • Anamorphic Pixel Aspect Ratio

    I am confused on all the different ways to get the "cinematic look". There are various ways to do this and  I want minimal distortion. I have PE 10, source Canon T3i in camera settings are 1920 by 1080 23.976fps. Initial project settings are DSLR>1920 by1080>24fps, square pixel ratio 1.0.
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    -buying anamorphic lens with an adapter that screws onto one of your prime lenses is the best option but it is a pain to have to deal with and is very expensive.
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    I could be mistaken..I'm not even sure
    Premiere says it will "Conform" the "Pixel Aspect Ratio". When I select "D1/DV NTSC Widescreen 16:9 (1.2121)" the pixel aspect ratio is changed from its original 1.0 square pixel to 1.2121. This is a screen shot of what I have been encountering. When this happens you do not lose any of the original footage by covering some of it up via a title and you get the "cinematic look" the wide screen look. So Yes, I am trying to get the 2.35:1 movie frame that you mentioned. That’s what I'm ultimately aiming to get. (the clip as you see it has yet to be changed, have not applied it yet so no black bars.
    This is what it looks like with the "D1/DV NTSC Widescreen 16:9 (1.2121)" conversion applied.

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