Edit using proxy clips?

a friend of mine unfamiliar with FCP wondered if you could "edit using proxies" in FCP..
by this he meant to use smaller clips to do the actual editing; clips which a slower/older machine can actually play, then to some how save the editing information, and apply that to the larger/higher quality versions of those very same clips, and if you needed to let it render over night, well, at least you'd have done the human/creative part.
Anyone know about this technique? I have seen something similar in a print environment where lo-rez images are used during the editing/design phase, then swapped out for high-rez when client proofs or film are made.
r

Not sure it exists with FC but I read that the Sony XD Cam has these files available to use in this way. Other wise here is a solution for low res files from another thread.
http://discussions.apple.com/message.jspa?messageID=4860323#4860323
Good Luck
Z1&V1user

Similar Messages

I recently had some 8mm film transferred to DVD. I am trying to edit the film clips using Premier Elements 4.0. Some of the film clips copy into the project but others don't. I tried copying the VOB filed onto my hard drive and then changing the file ext

I recently had some 8mm film transferred to DVD. I am trying to edit the film clips using Premier Elements 4.0. so I can reburn the films on a single BluRay disc. Some of the film clips copy into the project but others don't. I tried copying the VOB filed onto my hard drive and then changing the file extensions on the VOB files to MPEG but this was no help. Some of the VOB files contain numerous film clips but my software does not appear to be able to recognize them as such. I need to know if replacing my old Premier Elements with the new Version 13 would solve this problem or not. Any advice would be greatly appreciated!
Bob

Bob
What do you have now.....
What computer operating system do you have?
We can go into the finer points of source and your intentions, but for now it would appear that you are using SD 4:3 source media to get to a HD 16:9 result. Lots to discuss in this regard.
What was given to you on the DVD disc? DVD-VIDEO 4:3 or something else?
If DVD-VIDEO on DVD disc, you should expect to find on the disc a folder named VIDEO_TS. That is your target for your video files.
If you were given a DVD-VIDEO on DVD disc, then all you want from it are the video files, specifically
VTS_01_1.VOB, VTS_01_2.VOB, and so on through that series until possibly getting to
VTS_02_1.VOB, and so on. How many files you have beyond the VTS_01_1.VOB file will depend on the size of the DVD-VIDEO.
Does the above scenario apply to you?
The alternative might be someone giving a DVD disc (data disc) which contains just the VTS files mentioned which were copied from
the VIDEO_TS Folder. So, you do not get the whole VIDEO_TS Folder, just the essential video files. Does this scenario apply to you.
I see no need to replace your Premiere Elements 4 with a later version unless you have a huge project and need a later version that will be a 64 bit application running specifically on Windows 7, 8, or 8.1 64 bit computer.
Consider...Premiere Elements 4 and if you have DVD-VIDEO on DVD....
1. Place the DVD disc in the burner tray
2. Open Premiere Elements 4 and set the project preset for NTSC DV Standard (assuming you are working in a NTSC setup)
3. Go to
Get Media
"DVD, Digital Camera, Mobile Phone, Hard Drive Camcorder, Card Reader"
"Adobe Premiere Elements - Media Downloader" and its Advanced dialog.
Set the Source in the latter dialog for the drive which has your DVD disc inserted in its tray
You should see your VTS_01_1.VOB thumbnail in the "Adobe Premiere Elements - Media Downloader" Advanced dialog.
With this VOB selected, click on Get Media to get the file from there into the project.
Should work fine.
Complications may be involved if the people who processed your footage gave you something other what is described above.
Please review and consider, and then we can plan our project strategy accordingly.
Thank you.
ATR

How can I edit a video clip in PE and take it out of PE to use elsewhere?

I want to add edited video clips from PE to use in my photoshop slideshow. I would also like to use the edited clips in another programme, but I only get a file that can only be opened in PE. I have PE 4 and Photoshop 6.on a desktop PC using Vista.
Message was edited by: Mellieha

Many thanks for your reply.
I have video thumbnails from my video camera in My Videos folder. I would like to edit them individualy and return them to my folder as thumbnails again.
I hope I have explained my needs properly. I have made a slideshow including video on photoshop, but I get lost with it on PremE so I have kept to the job on PhotoEl. It seems to work for me apart from the problem of editing the video clips. I have added audio to the slideshow, but when it gets to a video clip I lose the video's sound. I would like to keep that rather than the added audio (music) that plays over the stills.
As you have no doubt realised, I am a beginner and a pensioner. Would senility be an excuse?
Thanks again,
John

I'm using proxy media for a video I'm editing but now that i switch back to the original media some of my effects are missing can anyone help me.

I'm using proxy media for a video I'm editing but now that i switch back to the original media some of my effects are missing can anyone help me.

Shouldn't happen.Only thing I can think of suggesting is to delete render files and try again. Trashing preferences is a long shot, but no harm in trying. Use the Digital Rebellion Preference Manager, a free download.
Assume you have a reason for using such an outdated version of FCP X. That may be contributing to your problem.
Russ

Error message: The preset used by one or more sequences in this project requires third-party components that could not be located. These sequences will be modified to use a custom sequence setting instead. To continue editing using the original preset, qu

Hello all,
I can't open a PP project without this error message appearing:
"The preset used by one or more sequences in this project requires third-party components that could not be located. These sequences will be modified to use a custom sequence setting instead. To continue editing using the original preset, quit the application without saving the project, reinstall any third-party components that are required and reopen the project".
What I had been doing before this occurred was editing a PP project using ProRes sequences and multi-camera editing. Multi-camera was not working very well and after a few attempts to fix that I gave up and finished the job cutting 3 layers of video instead. AME refused to render the three finished sequences of over 1hr duration so rendered final videos from the PP sequences.
I tried deleting plists for AME, PP and QT, repairing disc permissions and rebooting but there was no improvement.
Client is satisfied for now but will want to come back to this job at a later date so decided to uninstall and re-install AME and PP in the hope both would be ready to work properly when needed again. AME works fine in conjunction with a different PP project but now I can't open the PP project in question without the above error message appearing.
Having searched the net it would seem that the problem may be caused by ProRes but I haven't been able to find a definitive solution for the problem. Does anyone know either:
1. How to fix this?
2. If I chose the "modified using a custom sequence setting", can I be sure that my sequences will look the same even if they don't use ProRes? The final deliverable format will be mp4 so as long as the overall look doesn't change then I can afford a change in the edit codec. It's just that with three sequences over an hour long, I don't want days of work to be ruined.
Other older PP projects of mine open and work fine.
Premiere Pro CC 8.2.0
Media Encoder CC 8.2.0.54
OSX 10.10.2
Any help would be greatly appreciated.
Duncan.

Adobe web chat come up with a solution.
Open the PP project.
Export your sequence or project as a Final Cut Pro XML file.
Set up a new PP project.
Import the Final Cut Pro XML file.
This will get you back up an running.
Since getting back to editing this project I have found that some things will be lost or change in using XML:
You will lose position key framing, black video clips, dissolve fx, audio levels, audio dynamic fx, the ability to open a multi camera clip and change the camera view.
You will keep cut points, crop fx.
Not perfect but only took a couple of hours to save 3 days work.

Is there a way to edit a movie clip from the horizontal format to a vertical format?

Is there a way to edit a movie clip in iphoto that I may change the horizontal format to a verticle format?

You need to use a video editor like iMovie or QuicktimePro. OR an app like this:
https://www.macupdate.com/app/mac/39994/video-rotate

How do I edit a merged clip in Audition, that was created in premiere to correct the synchronisation, and have it all updated to the premiere clip?

Hello,
How do I edit a merged clip in Audition, that was created in premiere to correct the synchronisation, and have it all updated to the premiere clip?
I have tried several tutorials but these either:
- show correction in premiere sequence (which is not practical; given the huge number of files we have)
- or show the editing in audition of a sequence, not the clip.
We have started merging audio and video (removing the original audio during merge) but some of the merged clips are out of sync, so we need to correct manually, BUT we want to correct the merged clip, which may or may not end up being used, so we do not want to take it to the sequence as all we are doing is prepare the synced files for editing.
Any idea how I can correct the synchronisation in Audition?, when I right click on clip and select "Edit in Adobe Audition" I get a list of files but not a multitrack session where I can see my video and audio tracks.

if premiere pro doesn't sync your footage properly, and you have a huge number of files, you may want to look at pluraleyes. there is a demo, and if it works properly, it would save you time to have it done right the first time, instead of tracking down random merged clips with bad sync.
premiere will either export a complete sequence or "edit clip in audition". the edit clip will create a copy of the original audio and open that in audition. there is no dynamic link, its just an audio file open in two programs at the same time. since there is no dynamic link, its not possible to bring merged clips into audition.
Adobe Premiere Pro Help | Synchronizing audio and video with Merge Clips
Once created, the merged clip cannot be re-synchronized, or adjusted. You must make a new merged clip.
Merged clip audio results in mono track audio only.Final Cut Pro XML and AAF interchange formats are not supported.
this doesn't give me much hope that audition or any other adobe program outside of premiere will help you fix the problem merged clips.

Dropped Frames consider using proxy mode

The message:
Many video frames were dropped during the last playback.
The disk does not appear to be fast enough.
Consider using proxy mode
I am resonably new to FCP X so I cant tell whether this is new (after update) or if its a known problem and how to solve it. I have seen a couple of other posts that suggest its new.
iMac
Core i5
2.7GHz
8GB RAM
Snow Leopard

This is my pet checklist for questions regarding FCP X performance.
FCP X 10.0.3 runs very well on my 2009 MacPro 2 x 2.26 GHz Quad-Core Intel Xeon with 16 GB RAM and ATI Radeon HD 5870 1024 MB.
First, check that you have at least 20% free space on the Hard Drive that your System and your Media, Projects and Events are on.
Check the spec of your Mac against the system requirements:
http://www.apple.com/finalcutpro/specs/
Check the spec of your graphics card. If it's listed here, it's not suitable:
http://support.apple.com/kb/HT4664
If you are getting crashes, there is some conflict on the OS. Create a new (admin) user account on your system and use FCP X from there - if it runs a lot better, there's a conflict and a clean install would be recommended.
Keep projects to 20 mins or less. If you have a long project, work on 20 min sections then paste these into a final project for export.
Create Optimised media - most camera native files are highly compressed and need a great deal of processor power to play back - particularly if you add titles, filters or effects. ProRes 422 takes up much more hard drive space but is very lightly compressed. It edits and plays back superbly.
If you are short of drive space, use ProRes 422 Proxy - but remember to select High Quality when you export your movie.
Hide Audio Waveforms at all times when you don't need them (both in Browser and Storyline / Timeline). They take up a lot of processor power. (Use the switch icon at the bottom-right of your timeline to select a format without waveforms if you don't need them at the moment, then switch back when you do).
Create folders in the Project and Events libraries and put any projects you are not working on currently, in those folders. This will help a lot.
Move your Projects and Events to an external HD (make sure it's formatted OS Extended - with journaled on or off) and run from there.
The biggest single improvement I saw in performance was when I upgraded the RAM from 8 GB to 16.
Andy

In Premiere CS5, I opened an old project I had edited using Premiere CS3 and now its all pixelated!

Hi everyone. I just got Premiere Pro CS5 and started the program and opened up an old project I had edited using Premiere Pro CS3. Premiere Pro CS5 said it had to convert the project for editing in CS5. I clicked "okay" and the project opened up in CS5. Now, when I play the project on the timeline, everything has some pixelation! The footage was nice and sharp without any artifacts when I edited in Premiere Pro CS3. How do I get rid of this pixelation in CS5 so the footage looks like it is supposed to?! Thanks.

Well, there's really no rationale for the project conversion to somehow drastically alter the appearance of footage, particularly something like DVCPROHD. Adobe changed the way its software handles pixel aspect ratios between CS3 and CS4, but that affects SD footage, not HD footage. There may be some degree of weirdness since in CS3, you had a project that was set to a specific format/frame rate/codec/whatever, whereas in CS4 and later the project is just a container for sequences of any and all types.
Instead of opening the original project and going through the conversion, try creating a new project and importing the old project as if it were any other media file. Premiere will reconstruct the old project within the new one; this probably is not going to have any change, but it's worth a shot.
Can you describe (or better, show) the pixelation you're referring to? It's hard to visualize without, well, a visual, and that might help better pinpoint the issue. Also, is the pixelation only during playback, or is while the clip is paused in the sequence, as well?

Using the Clip function of an AP-Element

This is a follow up question to my previous post asking about
opening external links within my site.
After taking some good advice on embedding the image in an
HTML doc on my site and then calling this page from the navigation
bar.......I'm now on the trail of embedding the image in an
AP-Element so I can then do my RHS or LHS justification using the
clip function. In principle I've had it working once on my exisitng
home page, but as soon as I try creating a new Doc and embedding
the AP-element the clipping fails to work. If I clip the LH corner
of the image it diplays correctly in the designer window, but as
soon as I go to the browser preview it reverts back to an unclipped
version of the image.
This is what I'm doing:-
1) I create a blank new document
2) I then add an AP Element by Insert|Layout Object|AP Div
3) I then resize this to a reasonable size on the page and
then insert an image
4) I then click on the AP-element border and go to the Clip
property and set up to clip the LH corner of the image
When I then look at the designer window, it correctly shows
the clipped LH corner as expected. But as soon as I preview it in
the browser it reverts back to the full size image.
Any guidance would be most greatfully received.
Thanks,
Neil

Tell us again why you are clipping the image, please?
Also, AP elements cannot interact with any other elements on
the page
because the fact that they are absolutely positioned removes
them from the
normal flow. So, if you are seeing movement that you
interpret in this way,
you are not interpreting it correctly - most likely you have
other issues on
the page. Finally, editable regions are NOT layout regions -
they are
content regions. If you are seeing 'editable region' issues,
then look to
your page's code and the HTML infrastructure there, not at
your template
region markup.
Murray --- ICQ 71997575
Adobe Community Expert
(If you *MUST* email me, don't LAUGH when you do so!)
==================
http://www.projectseven.com/go
- DW FAQs, Tutorials & Resources
http://www.dwfaq.com - DW FAQs,
Tutorials & Resources
==================
"CS4Rookie" <[email protected]> wrote in
message
news:gqnrea$1d$[email protected]..
> Ok, I have part of the site running now so you can see
what stage I'm at.
>
> I think the AP element clipping works ok for what I'm
doing, but it does
> pose
> problems with a large clipped image as I need to select
a different
> clipping
> area for each side of the image. When I do this I then
need to move the AP
> elemnt around in the page and this seems to create
editable region issues
> due
> to it being a wide image.
> Again, this is probably due to my inexperience, so I
guess I'll sort it
> out if
> I put enough time in.
>
> Thanks for your comments and support so far.
>
> Neil
>

Copy edits to multiple clips malfunction?

When I "copy edits" to multiple clips weird things happen. If the clip has been cropped or transformed the frame is restricted. Not sure if I can explain this well but here goes.
I have transformed a clip and cropped the edges
I command-option-c to copy the edits
I command-option-v to paste to 3 other clips that are a similar setting to save time
I go to the next clip to add a couple other edits or backgrounds and move the clip in the view but now the crop boundries are all screwed up and the area that I previous cropped is visable but the "crop-lines" are where I set them. If I move the clip in the viewer, left or right or up or down, it moves within a stagnant cropped field. If I drag the "crop-line" its way off the edge of the clip.
Hope that makes sense. This is something I did many times before the update with not issues. It saved a lot of time but now I have to do these edits to each clip. What happened?

Are you using FCPX? Forget the Command-Option-C for copy the "effects". You want to copy attributes. Just use Command-C, the normal copy command. To Paste Attributes, use Shift-Command-V. You'll have more control over things.
And make sure the clips you're pasting attributes to have NO effects or tranformations done to them before hand.

Can the "mode" tag in vhost.xml file be edited using getconfig() and setconfig()?

can the "mode" tag in vhost.xml file be edited using getconfig() and setconfig()?

You can create client and have following code in it: (But before that Admin Server is running on the machine which you want make edge server programatically)
var admin_nc = new NetConnection();
sendCommand.enabled = false; // where sendCommand is button on stage with "sendCommand" as instance name
admin_nc.onStatus = function(info) {
if (info.code == "NetConnection.Connect.Success")
sendCommand.enabled = true;
sendBtn.addEventListener("click", callAdminAPI);
function callAdminAPI() {
admin_nc.call("setConfig2",new Result1(),"Proxy/Mode","remote","Adaptor:_defaultRoot_/VHost:_defaultVHost_");
function Result1() {
this.onResult = function(info) {
if (info.code == "NetConnection.Call.Success" ) {
admin_nc.call("startServer",new Result2(),"restart"); // you can might as well use restartVHost
function Result2(){
this.onResult = function(info) {
if (info.code == "NetConnection.Call.Success" ) {
trace("Server started successfully);
admin_nc.connect("rtmp://<your Edge Server IP>:1111/admin","admin","admin"); //here admin/admin is userid/password of Admin of server

No three point edit with merged clips in Premiere Pro CC 7.2?

Hello Premiere Folk,
I've recently, as of last night, updated to Premiere Pro CC 7.2. I'm currently cutting a feature using merged 5K red raw clips. We were expereicning some weird things but were able to work around them. The update fixed to major problems we were having;
1. Bloating projects going from 808kb to 5mb for no reason.
2. Not being able to perform a match frame on merged clips.
The update fixed these issues, but don't throw on your party hats just yet. Within this update a fuction CRUCIAL to any editor has been taken away after you've performed a merged clip function... THE EDIT! Any time I make an in and out point in my source with a merged clip and an in and out in my timeline and try to do an insert edit via a hotkey, it just edits the entire clip in the timeline starting with a radnom in point! I was able to set an in and out in my source and just edit into the timeline but even that function has been taken away. Adobe please fix this! Yes the match frame with a merged clip works but dont take away editing basics!

This bug is NOT FULLY FIXED. I'm on a tight deadline so i'm not looking very hard online to see if i'm alone - so please forgive me for just posting here...
I'm using CC7.2.1 it's 1/21... very grateful that match frame FINALLY works on merged clips, but, again, this insert/overwrite bug is only PARTIALLY FIXED.
Insert/overwrite with merged clips on 3-point edit now works, but ONLY when cutting in BOTH merged video+audio... if you're just trying to cut in the audio from a merged clip using a 3-point/4-point edit via hotkey, it's a no-go.
I, for example, needed to re-cut in audio under some video with effects on it. So, I unpatched the video source completely and patched source audio tracks 1-4 to the appropriate sequence tracks. Upon hitting insert or overwrite multiple times, nothing responds. The only way to cut anything in from the source (merged clip) was to patch the source video back into the timeline on an unused video track, then cut ALL the tracks from the source in, I then had to delete the video track re-link the now free audio to the original video. Not a big deal, but annoying enough & waste of precious time on tight deadline.
So, yeah, I have a workaround but is still not appropriate to have a core function not work properly. Especially when I'm working with a very complicated timeline.
That said, thanks for keeping on top of our gripes, Mark.

Creating/Using Proxy media files

Hello everyone. Apologies if this is painfully obvious - but just made the transition to FCPX and trying to wrap my head around some things-
I've imported video to a number of Libraries. (I really have to fight hard not to call them Projects)
As I didn't completely understanding all of the import settings, I made Optimized video along with the Original media. Ok, no big deal. The files take up a bit of space, and because of the nature of the project (lots of talking head interviews) not sure I really need Optimized video, but wasn't too concerned. I'll know for next time that I don't want to check that box, unless I really need the Optimized video.
My question is -
If I wanted to make a copy of my media files to a portable HD, work with these files off site with the same Library that is on my Macbook Pro, make logging notes, selects, maybe even creating a Project or two, and then return to my office where I would re-connect the original media files located on the office-bound hard drives, what do I need to do to ensure that this will work properly?
Secondarily, would it now make sense to create the Proxy files to use for this purpose? Is this not what these files are normally used for? Smaller, and more easily taken on the road and edited, and then the Library will re-connect everything to the original files once re-connected to the drives that contain the original media?
I am sure there must be a best practices, or right way to do this…I just don't know it.
As always, thanks for everyone's collective wisdom. (and for not shaming the dumb guy)

Before you import files change the media location to place outside library. (Select library go to inspector press modify settings, change media location)
Or, if files imported, consolidate files outside library. (Select library go to inspector, select outside location and press consolidate. All you media files move to selected folder.)
After this, change media location to inside library and generate proxy files.
Now you have original media outside library and proxy inside. Copy library to any location, edit in proxy.
And send project/library/event by XML (select target file->export XML, and file->import->XML)
also, you can delete generated files: select you library file->delete generated library files

Why can't I use proxy media?

I've got media from 3 cameras - all are 720x480. Two were imported from camcorrders, one was miniDV and one was JVC hard drive (SD). When importing I did not have the option to create proxy media, and still do not have that option available (it is grayed out). The third was imported from an avi file uncompressed; it created proxy media when importing. I am trying to use them in a multi-cam clip. If I use proxy media, the two clips from the cameras show the red/yellow "Missing proxy" screen but the avi file shows fine. If I select "use original or optimized media" the clip from avi drops frames, either with "better performance" or "high quality" settings. I know I've had it playing back OK before, but don't know what I have changed such that I can't get a good playback in the multicam multi-angle viewer. It seems if the camera video is already coded so it doesn't need proxy media, it should use that format when proxy is selected (I'll make that suggestion on the feedback from). Any help would be appreciated.

The problem is AVI is not a native format to FCPX while DV is. And FCP X will not make DV into Proxy for this reason. So if you want to mix AVI with DV you need to do it in 'original' mode. For better performance what you'd want to do is convert all of the AVI to a better format- like ProRes for example then import that as your new originals for mixing with the DV footage.

Edit using proxy clips?

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