Export mov WITHOUT time code through compressor

I am trying to send a file from the FCP timeline to compressor. Easy enough. But I want the exported mov to leave compressor with no timecode attached.
Is there a way to tell compressor NOT to include time code on the export?

The only way I know to delete the TC track is using QT Pro.
I don't recall that any of the last 3 versions offered the capability; perhaps it was there and I was unaware of it.
FCP can start TC at some other value. If it is possible in Compressor, I haven't heard of it.
Good luck.
Russ

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Can I import binary in Flash CS5 and export swf, without AS code likes "Embed" ?
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Have a look at this: http://stackoverflow.com/questions/7816231/how-to-use-as3-to-load-binary-data-from-web-ser ver

Exporting a movie with time code when time code doesn't exist

Title says it all. I need to export a 150 frame movie from CG rendered frames that contain no time code so that I can find which frames to re-render

I do not wish to create a time code effect. I need to generate an actual time code that will display in an exported movie.
The latter is achieved with the former.
But I would ask, why can't you just watch the timeline? Why export at all? I mean, 150 frame movie is only 5 seconds long.

Exporting movie 2nd time has resulted in poor quality picture...

Hi,
I edited my holiday video in iMovie HD and exported as "Quicktime-Full Quality" and it made a large DV file which looks great.
i tinkered around with project in iMovie as needed to add/remove a few things and exported again on same setting as above, but it now looks pixellated and nowhere near as sharp as the first copy.
Any tips on whats gone wrong? the only other thing i did in between these steps is also export it to iDVD for later burning, if that helps.
Thanks.

Hi
YES - the only thing You did was using Share/Export to iDVD.
That's the problem. This is destructive ! ! !
iMovie rendering in this process gives a lousy result BUT ALSO HARMS THE ORIGINAL.
Medicine (but a bitter one).
• Re-import the photos to Your movie project (the old ones are damaged)
• Re-edit them to their propper places and duration
• NOW - When done. CLOSE iMovie
• Open iDVD and import Your movie project. Now iDVD will do the rendering and so much better.
Yours in Your Pain Bengt W

Export to tape Time code problem

Premiere Elements 3.0
During "Export to Tape" operation, the "End Timecode" is stuck at 13 minutes even though the edited video is 30 minutes long. There does not seem to be an obvious way to set this parameter. I can't get the whole thing to transfer. Ideas, please!
William
Vista Custom PC
Pentium Dual core 3GHZ
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Can I have that in writing? I get so many arguments to contrary, William.
Glad I could help though!

Mencoder H.264 20 times faster than Compressor 2

I tested mencoder with compressor running with 5 G5s. the H.264 implementation of mencoder was four times faster than the 5 dual core quads clustered with compressor two and queermaster . my single computer alone with just a dual 2 ghz processor encoded a movie 20 times faster than compressor with Queerrmaster on this same machine.
compressor costs more than mencoder(free in DVision). to get compressor you have to get an expensive Pro app.
What's wrong with this picture?

Well, I have heard this lament before with the G5s, and all I can say is that I guess Apple is slowly starting to drop support for the PowerPC generation (it was inevitable). I assume you've upgraded to 3.0.1?
As for Motion 3 (and someone correct me here if I am wrong), I believe it's slower because of the full 3D integration. Whether or not you have a lot of 3D aspects, I think it still calculates for it, causing your response and render time to decrease.

On Screen Time-Code Help

I have to capture a DVCAM tape and maintain its existing Time-Code. Edit the tape to the time-code the client gave me then export to DVD with the time-code on-screen for the clients review.
Is it possible to do this? I've never had to export with the Time-code on screen?
Thanks,
Justin

there's a filter called 'timecode generator' although i don't know where it is because my system is down and i can't reference it. It's in generators I think.
If I'm reading your post correctly, you are saying that the client gave you an EDl and you are cutting the project from his paper edit and he wants timecode displayed . Does he want the timecode of the original tapes via the edit or does he want the timecode from your sequence?
If he wants the original timecode then dump the timecode reader filter on all your clips. If he wants the new sequence timecode then create a new sequence and put your original sequence file in there and put the timecode generator filter on it.

Will Compressor Export time-code?

Can you export a video clip from FCP 6.0.2 to a Apple Pro Res codec and have it include the original time-code?

Answered my own question - at least so far. Yes, it will.

Export sequence of still images (JPGs, TIFFs) from FCP timeline into DVD without interlaced issues using Compressor

Hi,
How to export a sequence with stills (jpg) into a DVD format by using Compressor without having the interlaced issue on the outcome? The stills in the Canvas look crisp but once exported to DVD format, the outcome images look interlaced. How can I best match the crisp look of the high resolution JPGs in time line when exported to DVD?
My Sequence settings match the image settings:
Frame Size: 1024 x 768
Pixel Aspect Ratio: Square
Field Dominance: None
Compressor: Photo JPG
I tried to export the sequence of img as an independent QT movie file by using Apple ProRes 422 output settings. The video file looks great. I then imported it back to time line into new sequence and exported into DVD format trying both: deinterlace and "same as source" setting. Both output DVD files still have the interlaced issue.
I also tried to work with JPGs converted to TIFFs on a different sequence with same as Tiff settings and the issue still persists.
I will appreciate any advices.
Thank you,
Izabela

Dear Nick,
Thank you, I understand now it is the aspect ratio issue.
Are you suggesting that I should use Photoshop or Graphic Converter to convert the 1024 x 768 to 720 x 480 prior to importing them into FCP seqence?
> Give the DVD authoring software the correct size:
I am using FCP 7.0.3 to create the sequence of images (there has to be specific timing and transitions), which I then export to DVD format by using Compressor.
Do you mean that I should set the FCP timeline sequnece settings to 720 x 480?
Please let me know. Thank you,
Izabela

Audition jumps time code forward on audio extracted from a .mov file

I have a video file with a starting time code of 10:41:17:23.   I open this file in Audition, apply a noise reduction effect, and export the file out as a new .wav file.
However, instead of the audio file having a starting time code of 10:41:17:23, the time code on the file starts at 10:41:34:20.
So, the time stamp has jumped forward 16 seconds, 21 frames.   And, the jump amount is not consistent. Another file had a 37 second plus jump.
Since we are talking about the STARTING time stamp, in all instances, I believe frame rate, codec, etc. are immaterial unless someone can convince me otherwise.
If I was dealing with different frame rates/codecs/etc., I could understand the time code being out of sync later in the file, but I cannot understand why it would be out of whack at the very start of the file.
Anyone got any ideas on possible cause/cure?   It's a pain having to manually search for the audio file for the correct location instead of being able to just punch in the same time code the video uses.

OK. I double checked and the timecode showed 23.976 for my test .mov file in Premier Pro, with a sample rate of 48,000 32-bit.
I made sure my timecode default was set to SMPTE 23.976 in Preferences/Time Display in Audition. I then opened the .MOV file in Audition, let it split the audio out, and moved the audio to the editor panel.
The timecode in the audition editor panel shows 23.976. The preview panel also shows 23.976.
For what is worth, the "time code" block of blue numbers in the lower bottom left of the Audition preview panel shows 00:00:00:00.    I believe this is because the primary "Time Code Start" field in the Canon 70D .mov format files is empty and the camera is putting the time code in the Alternate Time code fields.
I then opened the Effects drop down menu and applied Noise Reduction/Restoration, option Adaptive Noise Reduction, using the preset "Light Noise Reduction."
After the apply completed I saved the modified audio file with a format of Wave PCM, leaving the Sample type at the default of 48000 HZ Stereo, 32-bit and Format settings of Wave Uncompressed 32-bit floating point (IEEE).
I left the box checked next to "Include Markers and Other Metadata." And, clicked OK.
I then went to Premier Pro and opened the just saved audio file. The starting time code on the file is 10:38:52:22.   This does not match the starting time code on the original MOV file which is 10:38:14:10.
So, based on my limited understanding of both Premier Pro and Audition, I am gettting the exact same sample rate settings and time code settings all the way through the process in both Premier Pro and Audition up to the point of saving the modified file out of Audition. It is at the point of saving that things get changed.
Charles asked me to post screenshots and a sample file somewhere. I am working on doing those tonight. I just have to figure out where to post them. My original test files were quite large, but I got the same results with a 2 second file in my second test, so I'll post those files someplace.

Time Code Effect Source Monitor and rendered .AVI movie display different timings???

Im seeing a strange error and hope someone might be able to help me out. I am shooting elementary classroom reading lessons for a study by the University of Michigans School of Education. It is important to the study to see what takes place over about a 2hour period of time.
Im shooting with 2 cameras. 1 on the teacher the other on the students. Im shooting on mini DV. The first camera I start about 4min ahead of the second so that when the 1hour tape is filled I can switch the tape in camera 1 while still capturing activity on camera 2.
When I edit the footage I am cutting back and forth between the 2 cameras. One initial shot is of the classroom clock as it ticks from one minute to the next. I later use this footage as a guide when establishing the Time of Day.
When the entire lesson is edited together and cut. I add two transparent video tracks each with the Timecode effect added. The first I synchronize with the classroom clocksetting the Timecode Source to Generate matching the Starting Timecode with the clock footage. I then crop the frames portion so viewers will know the time of day the footage was shot. The other I leave the Timecode Source set as Clip. I use the size and position controls to move the two timers into the upper left of the screen.
When I view the finished video in the Program Monitor everything looks great. When I Export|Movie to an .AVI file the video looks correct but the timers are off. The last frame of the video in the Source Monitor displays 11:28:19 for the clock timer and 02;02;00;23 for the total time timer. But when I view the .AVI the last frame displays 11;03;40 for the clock and 01;37;36;25 for the total time.
So how did I lose 24min between the Source Monitor displays and the rendered .AVI displays?

Yes. After I had the .AVI I ran through the two side-by-side (.avi and the Source Monitor). I have since experimented with some of the Time Code effect settings trying to see if these might have some impact. I have not been able to find any detailed explanation of what each setting controls/does other than an overview (see link below).
I suspect that this has something to do with the size/length of the clip 2+ hours. Is there an optimal length for an individual clip? Should I be splitting this into 2 or 3 shorter sequences and then putting them on a DVD with Encore and setting it up to play them back-to-back?
http://livedocs.adobe.com/en_US/PremierePro/3.0/help.html?content=WS4AE872FF-BC0F-45e8-AD8 0-C2784D17CDFE.html

How do I export from IMovie when "not enough room in Heap Zone" error code appears? How can I correct, what to Do.."export movie" insteand of Media browser or IDVD? Finalize movie? I want to burn it to DVD!

How do I export from IMovie to Wondershare Creator to Make DVD and share hour long movie when I am unable to "publish" movie on Media Browser of IDVD because the error code "not enough room in heap Zone/ " appears and function is aborted.
I shortened the movie, that is no cure...Correcting date info on clips does not pertain. Why would Apple throw roadblocks in your way without solving problems they create?
A techie made an appointment on the phone and was totally incapable of addressing the problem.
What is a heap zone????

Instead of Share to Media Browser, what happens if you try Share Menu > Export Movie... (choose Large size) and save it to the Desktop?
If that fails try Share Menu > Export using QuickTime...
Then pick Movie to QuickTime Movie, then click on Options... which is just to the right of Export
Under the Video section click on Settings...
Then in the pulldown menu at the top, titled Compression Type: Choose Apple Intermediate Codec. Then click OK. And click OK again, and save it to the desktop. Once the .mov file is created, you can import that into iDVD and most likely it will work in Wondershare Creator if you prefer to use that instead.

Export movie is slow... but why Send to Compressor is so much faster!)

Hi,
I have a question. I had a about 60 seconds long animation to render and as usual, I just whent to Share > Export Movie and wondered how on earth it can take more than 30 minutes to render... After 20 minutes and estimate time was still rising, I just clicked cancel.
Then, for some reason I clicked Send to Compressor and suprized how much faster it rendered! Same file, same settings and same output took only 6 minutes!!! Why???

Good question... I didn't think of that. I have a bluetooth keyboard and mouse, both made by Apple. My friend has a wired keyboard and mouse, plus an external hard drive. I am using wireless internet and my router is about two feet from my computer, and my friend is using wired internet. He has DSL, I have cable. He has a printer connected, and I have one connected to my router.
I know some of those details may be irrelevant... If you need any more information, just ask.

When I try to Export, I get an error code from compressor (-1)?

I have battled with this issue now for days and I dont know what else to do, I just recently installed the OSX Mavericks beta 2, however I do not think this is the problem
I am running a 2012 15" 2.6 i7 Quad Core, 8Gb ram MBP (With problem export problem)
I also have a 2011 iMac, 2.7 i5 Quad Core, 12Gb ram (no problems)
I have never had issues with FCPX like this before and It still runs perfectly other than the fact that EVERY single option under the SHARE toolbar is frozen.
It gives me an error code from compressor saying that it coudnt be sent to it (Compressor 4). I tried re-installing it and deleteing the preferences. I tried to trash the preferences in FCPX, I tried deleting all the render files, I tried shutting down FCPX and re-opening it many times, I checked for any damaged video/audio, and NOTHING has worked. Please Help

Where did this disk image come from? The application has no installer. It installs directly into the Applications folder from the App Store. Are you trying to run the application from the disk image?

Cannot export to movie without media encoder!

Past workflow has involved exporting an avi to a watch folder. With CS4 I cannot export an avi without using the media encoder. I see no problem with using the encoder to do the work, but there are instances when I would want to export "same as source."
Pre-rendered elements
Export edited segments to other edit suites
Utilize a second computer system to do the encoding
Use other encoding software
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Are there any solutions to the mandatory media encoder process of cs4?

Media encoder sucks! It's slow and buggy. And it crashes 5 times at 10. The performance of Premiere CS4 on a top notch workstation is 60% slower than working with Premiere Pro 2. Media's batch feature is a failure unlike Premiere 5.5 - 6.0 ver (i think)
my dear Adobe
Why not try listening to pro users suggesting handy features and instead of getting so anxious eliminating your competitors (FCP) and launching buggy and expensive software? This ain't gonna last for long, you know!
I think if I simulate OS X and run FCP, will work faster than CS4 (have to test it)

Export mov WITHOUT time code through compressor

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