Expression question: Time Remap

Is it possible to have a slave layer to follow a master layer outside of the same comp?
I have this expression:
thisComp.layer("Comp 1").timeRemap
..which is the settings of a time remap following those from another... It was easily made by dragging the pickwhip from one Comp layer to another Comp layer in the same Comp.
But how could I target this to a time remap layer comp to a time remap layer in a completely different comp.?
I've tried several variation in terms of renaming the expression, with no luck..
any ideas?
Thanks for any help
Jeff

Sorry, never mind...
..Just found my own answer
Also just found out there's a forum dedicated to expressions..duh..
Here's my solution
comp("Comp 2").layer("Comp 1").timeRemap

Similar Messages

Expression help with time remapping

Hi
I have a 25fps Precomp with an animation that changes on every frame.
In the master comp I want to apply an expression to its time remap property so that it holds on each consecutive frame for a given duration, eg on Frame 1-15 we see frame 1 of precomp, on frame 16-30 we see frame 2, and so on. I can't figure this out. Tried posterizeTime and some other bits to no avail and can't find it elsewhere on the web.
Thanks, Steve

<Big sigh of relief> Thank-you Dan.
I read your expressions everywhere on the web and when I need a little help you are there within MINUTES!
You are such an asset to the AE community.

PPro + AE Workflow - Time remapping and indiviudal expressions, music sync.

I've done a lot of work in After Effects while working with it in school and learning the program, but have never really implemented any actual effects or expressions in an actual film. Currently, for a project I'm working on a music based video and hope to include some time remapping and individual expressions on a specific clips. Since my project is music based, and such effects as time remapping would require a lot of synchronization, what would be the best way to add these effects? I've read on a few discussions that it would be best to get the base of my editing done first in Premiere, then import/export (can't remember which) to AE and finish the effects there. This makes sense to me since all of the music would be in its final context. However, I've also read from some that it's easier to add effects to the specific clips that need it, then add them to Premiere project via dynamic link. However, this seems problematic as it would be hard to synchronize with music.
I'm sure that this isn't an uncommon task, since music videos aren't very daunting, but wondering if I'm just missing something that makes more sense. As always, any all advice and suggestions are greatly appreciated.
Thanks.

Not sure if this will help, http://www.youtube.com/watch?v=XQcVllWpwGs&feature=fvst touches on expressions and waveforms etc. Also 2 tutorials for Premiere http://library.creativecow.net/search.php?q=audio+%22Adobe+Premiere+Pro%22+%22Adobe+Premie re+Pro%22
Good luck
josel

Time remapping question

I'm still using FCP 4.5 (yeah, I know....Upgrade)
Here's my question. I have a clip of a dog running towards the camera. It's around eight seconds long. The dog is jumping around it's owner (excitedly) for the first couple of seconds and then takes off towards the camera. At the point that the dog takes off, I want to slow the frame rate down rather quickly, but not abruptly. I'm thinking that my speed change would be from 100% to 25% in about two seconds. My desire then is to run the video through the rest of duration at 25% speed at whatever duration the adjusted/extended time would be. In essence, I'm making a relatively constant speed change with just a small variable speed change in a certain part of the clip.
I can't seem to get FCP to extend my duration. When ever I make changes in the time remapping section of the motion tab (in viewer) it seems to "chop" off the remaining video based on my speed changes.
I've tried slicing the clips and remapping them independently, but it's too difficult and I'm sure there is an easier way.
I'll diagram it out if I can...
Start----2 sec (spd. 100% to 25% in two sec.) --4 secs (spd chg, done)-------run to completion what ever length is ----->
Anyone know how to do what I'm talking about?

K,
Hmm, I tired to export/import and it doesn't seem to work based on what I'm trying to do. What's happening is that FCP is "cutting off" the remaining part of the clip if it's slowed down in the time remap portion of the "motion" tab for the clip that I'm using.
I'll refer to the time line and the speed indicators in clip. For instance the clip is 8 seconds long raw (from footage). I want to start my slow down beginning at 2 seconds with a 2 second speed transition from 100% to 25%. At 4 seconds the speed change should be completed. So far so good....But this is where I have problems. In essence, If I were using the time remap tool on the timeline then what I want is to stretch from 4 seconds to the end (25% speed) and keep everything before that at 100% (untouched). So ...allow the rest of the clip (now longer because of the slo-mo) to run to the end of my intended OUT point which now would play at 25 percent of the remaining 4 seconds. Placing the smooth handles in when the speed change is satisfactory. Unfortunately FCP cuts the clip and I only get around 3 seconds because it's confining the entire thing down to the original 8 seconds. It would not allow me to extend the "cut" portion unless I lengthened the entire clip. That won't work because the entire clip ends up slowed down to an unknown amount.
What I'm looking for is to get FCP to either extend the time remapped portion based on my changes or allow me to manually extend the "chopped" off portion to the end without having to do a lot of messy calculations as to what the total would be based on the speed changes.
I guess it goes with out saying that I'm still learning....
Thanks again,
D

Question About Time Remapping - Premiere Pro CC 2014

I have a question in regards the the Time Remapping feature. When I use it to gradually speed a clip up, the audio obviously doesn't change with the video. I was looking to see if there is a way to do the same change to the audio, within Pr Pro or Audition. I spent some time looking in the programs and also Googling yesterday, but didn't find much. Does anyone know a way to do this? I did try using Audacity (Sliding time Scale/Pitch Shift), but the way Audacity processes the audio is quite a bit different than Pr Pro/Au.
Thank you,
Benjamin
P.S.
O.S. Windows 7 Professional 64-bit
Version: 6.1 Service Pack 1
System architecture: Intel CPU Family:6, Model:10, Stepping:9 with MMX, SSE Integer, SSE FP, SSE2, SSE3, SSE4.1, SSE4.2, AVX, HyperThreading
Physical processor count: 4
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Processor speed: 3492 MHz
Built-in memory: 32738 MB
Display: 1
Display Bounds: top=0, left=0, bottom=1080, right=1920
OpenGL Drawing: Enabled.
OpenGL Allow Old GPUs: Not Detected.
OpenGL Drawing Mode: Advanced
OpenGL Allow Normal Mode: True.
OpenGL Allow Advanced Mode: True.
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OGLContextCreated=1
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glgpu[0].GLVersion="3.0"
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glgpu[0].GLName="GeForce GT 640/PCIe/SSE2"
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glgpu[0].GLVendorID=4318
glgpu[0].GLDriverVersion="9.18.13.5012"
glgpu[0].GLRectTextureSize=16384
glgpu[0].GLRenderer="GeForce GT 640/PCIe/SSE2"
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glgpu[0].glGetString[GL_SHADING_LANGUAGE_VERSION]="4.50 NVIDIA"
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glgpu[0].glGetIntegerv[GL_MAX_COMBINED_TEXTURE_IMAGE_UNITS]=[192]
glgpu[0].glGetIntegerv[GL_MAX_VERTEX_TEXTURE_IMAGE_UNITS]=[32]
glgpu[0].glGetIntegerv[GL_MAX_TEXTURE_IMAGE_UNITS]=[32]
glgpu[0].glGetIntegerv[GL_MAX_DRAW_BUFFERS]=[8]
glgpu[0].glGetIntegerv[GL_MAX_VERTEX_UNIFORM_COMPONENTS]=[4096]
glgpu[0].glGetIntegerv[GL_MAX_FRAGMENT_UNIFORM_COMPONENTS]=[2048]
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glgpu[0].glGetIntegerv[GL_MAX_VERTEX_ATTRIBS]=[16]
glgpu[0].extension[AIF::OGL::GL_ARB_VERTEX_PROGRAM]=1
glgpu[0].extension[AIF::OGL::GL_ARB_FRAGMENT_PROGRAM]=1
glgpu[0].extension[AIF::OGL::GL_ARB_VERTEX_SHADER]=1
glgpu[0].extension[AIF::OGL::GL_ARB_FRAGMENT_SHADER]=1
glgpu[0].extension[AIF::OGL::GL_EXT_FRAMEBUFFER_OBJECT]=1
glgpu[0].extension[AIF::OGL::GL_ARB_TEXTURE_RECTANGLE]=1
glgpu[0].extension[AIF::OGL::GL_ARB_TEXTURE_FLOAT]=1
glgpu[0].extension[AIF::OGL::GL_ARB_OCCLUSION_QUERY]=1
glgpu[0].extension[AIF::OGL::GL_ARB_VERTEX_BUFFER_OBJECT]=1
glgpu[0].extension[AIF::OGL::GL_ARB_SHADER_TEXTURE_LOD]=1
clgpu[0].CLPlatformVersion="1.2"
clgpu[0].CLDeviceVersion="1.2 CUDA"
clgpu[0].CLMemoryMB=2048
clgpu[0].CLName="GeForce GT 640"
clgpu[0].CLVendor="NVIDIA Corporation"
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clgpu[0].CUDAVersion="7.0.0"
clgpu[0].CLBandwidth=2.58495e+010
clgpu[0].CLCompute=181.438
I'm sure this information is somewhat unnecessary for this question, but thought I'd add it anyway.

I'm not aware of any way to perform a speed ramp for audio using Adobe software. Would be a great new feature, though.
Adobe - Feature Request/Bug Report Form

Time Remap expression not working when targeting parent.parent comp.

I created a character rig and I'm trying to set it up so most of the keyframing is done on the main comp instead of the sub comps. Most of the body is set up in the main comp except the head which is in its own sub comp. In this Head_Comp, i have two more sub comps, SideHead_Comp, and FrontHead_Comp. In both of these comp i have the head base, eyes, eyebrows, mouth, etc.   The mouth is in its own comp set to time remap from the head comps.
Quick Breakdown:
Body_Comp
          > Head Comp
                         >FrontHead_Comp
                         >SideHead_Comp
                                        >Mouth_Comp
What I'm trying to do is be able to animate the mouth comp from the main body comp. I've done this with the eyes and eyebrows using dummy objects on the main comp, but when I try to "parent" the time remap of the mouth comp from each of the head comps to a slider in the body comp, nothing happens. The mouth comp will take the current position of the of the slider value and that's it, it won't change if I move the slider around. I'm doing it this way to avoid having a bunch of different copies of the head comps when I'm animating different scenes. I'm not exactly sure what I'm doing wrong.
Here is the expression I used.
a=comp("Diane - AE Rig").layer("Body_CTL").effect("Mouth_Control")("Slider")
framesToTime(a)
I've tried different expressions, but all it does is change to the current value and thats it. It won't move when I move the slider.
Thanks for any help.

If one or more of your subcomps doesn't start at time zero as a layer in its parent comp, you have to compensate for that. It's tricky with multiple levels, but basically you end up with something like this:
a=comp("Diane - AE Rig").layer("Body_CTL").effect("Mouth_Control")("Slider")
framesToTime(a.valueAtTime(time + some_offset))
Dan

Time Remap Expression

hi there
I'm doing an Airport destination panel animation.
I've got a Composition called 'Flip' with Time Remap enabled.Here takes place the whole 'fliping' animation. This comp has got a Text Layer with an expression applied to it.This expression cycles through this line of code=>
letters = "1|2|3|4|5|6|7|8|9|0|A|B|C|D|E|F|G|H|I|J|K|L|M|N|O|P|Q|R|S|T|U|V|W|X|Y|Z|-|.|/| ";
So every 5th frame the next Nr./letter appears.Example=> Nr1 appears completely at frame 5,Nr4 at frame 20 and so on.Animation is 4 frames long.
Now,it would be great to have Time Remap expressions that would do the following=>
let's say i want to write the word CLOSED=>6 letters
i now need 6 flip comps for this.Yes,i could now use Time remap keyframes to go to each letter of course.But in my project
i'd have to do it 400 times or more.
Is there any way to go to each letter>hold the letter for a specific time and switch to the next letter via expression?
//expression
Letter: A;// for example
SwitchToNext_letter; B;
Switch_time:.5 seconds
stop time;
any help appreciated
cheers

If one or more of your subcomps doesn't start at time zero as a layer in its parent comp, you have to compensate for that. It's tricky with multiple levels, but basically you end up with something like this:
a=comp("Diane - AE Rig").layer("Body_CTL").effect("Mouth_Control")("Slider")
framesToTime(a.valueAtTime(time + some_offset))
Dan

FCP clip time remapping / speed ramping question re realtime after changes?

Hello All,
My first post here! I tried searches for this topic but didn't find....
I wasted hours today messing with the keyframe editor to try and ramp parts of a single clip... first time using this feature and couldn't follow the manual! way too difficult to grasp without fluency in 'techygeekconfusic' lingo. Anyway, I don't think the topic was covered from what I read in my version of the manual.
So I went straight for the keyframe editor graphic display under the clip in timeframe and put in a few points with the pen tool (using time graph blue line) and seemed to be going great until I realised that the segments in the single clip (ten minutes long) that I was adjusting were affecting what came after - ie slowing down the remainder of the clip. And that was all I could get from my manual that this happened without any explanation about stopping it happen by letting the outpoint of the clip readjust automatically for the changes made to that part of clip so that altered clip would be shorter in timeline...
I then tried again from the start but noting the minus time on pentool arrow when I slid each keyframe point back and subtracting it from the duration in motion tab and that seemed to work for a while...
but God bless my little brain! what I really wanted to happen - for the blasted thing to readjust itself automatically after I had adjusted a segment of the clip so that the remaining non-adjusted part would play in realtime with a new shorter outpoint in the sequence timeline - just couldn't be realised in my little brain or in the 'user friendly' control panels of FCP.
I tried to get hold of the 'bezier' point at the end of clip and drag forward at the same rate as each change but could'nt get hold of it! I tried to put two points with pen tool at same time but couldn't isolate them from one another to create four points for adjustment without having still frames between.. blah blah.. I tried to get snapping to the pen tool points for further control but couldn't... duh!
Please! how do you do it! obviously I have limited intelligence but I need to do this now. I want to adjust the 10 minute clip (DVCproHD 720p24N format - not that this should matter as my sequence settings are same) adjust the clip at maybe 10 different places so that it ramps in speed to cover up some boring areas and then back to normal speed after the changes - not back to some slo mo **! speed.
I tried cutting with the razor tool to isolate and that didn't work either and other analogue brain type stuff ok I know you are laughing at me now but please help?!! I'm pretty new to this stuff, give me the old reliable Steenbeck and a few real bins and strips of film hanging on clothes pegs and I'll be ok...
Help will be most gratefully appreciated!!!!!!!!
Barra
Message was edited by: BarraAppleId

Andy did a very good job explaining the underlying problem with the time remap tool.
The key thing to remember is the first and last frame are fixed in time. If you speed up the clip, time after that keyframe will have to slow down to compensate. Imagine the clip is a rubber band that has been cut so that it is a long string-like form. Now imagine anchoring each end of it with a push pin to a board. If you grab a point on the band and pull it toward one of the pins, the part of the band on the side you are pulling away from the anchor will stretch (run slower) and the side you are pulling toward will bunch up (run faster). But, when all is done, the start and end will still be at the fixed points.
The way I've worked through this is to make a general guesstimate of how long the clip will be once all the ramping is complete. For example, I want the clip to start at normal (100%) speed and ramp up to 300% and back down to 100%. I might start with a clip having a constant speed of 200% and then change it to variable and play with it. The key concept is if you can get the overall LENGTH to where it should be, the rest works out fine.
I have repeatedly asked in the FEEDBACK/New Features page that they add a toggle to the speed/time remap tools. This toggle should allow you decide whether the playback TIME for the clip should be fixed or flexible.
For example, if you were working with a 4 second clip and wish to slow it down by 50% -
If 'Maintain Time' is toggled ON, when you decrease the speed of clip by 50% - the clip will still play for 4 sec (but will show only half the total frames).
If the toggle is OFF, the 4 sec clip will now play for 8 sec and will display all the frames.
Where this concept becomes really powerful is when it's applied to time remap. If you have 'Maintain time' toggled OFF, as you adjust speed, the end point of the clip will float in time. If you increase the speed, the overall time of the clip will shrink. If you slow it down, the end point moves out in time.
We need to keep asking ...
x

New development with time remap tool

It turns out my time remap tool works just fine in other projects just not this one. I do have alot of still shots with some motion graphics which is starting to extend my render times extensively. My question is, how do I solve this rendering time problem? Is there a way manage rendered footage better? Compress it? I'm new to this motion graphics and would appreciate any help.
thanx
John

John,
Keyframing smooth moves takes a little bit of practice and a BIG Canvas window to really see what you're doing. You'll be using the Canvas window and the Motion tab of the Viewer window a lot for this.
Once you have the Canvas window up-sized (but still keep it at "Fit to Window" or smaller), set it to Image+Wireframe mode. When you click on or highlight a clip in the Timeline, you should see the Wireframe for that clip in the Canvas window (as long as the playhead remains over that clip). But first, double click a clip in the Timeline to load it into the Viewer window then open the Motion tab.
Depending on what you want to do, you can approach most keyframed motion tasks two ways; move the Wireframe in the Canvas window, or enter values in the Viewer window. I usually do a bit of both.
When you set a keyframe that shows up as a green dot (Scale, Rotation, Crop, Opacity, etc), you can right-click on that keyframe and select "Smooth" from the contextual menu. You'll see the purple bezier handles added to the keyframe. You can leave them as they are, or you can move those handles to manipulate the desired action. But for items like the Center control (black dot keyframe), you don't have this option in the Viewer window. Say you want to move the center point over the duration of the clip. Set the beginning and ending keyframe - or just set the beginning keyframe then move the playhead to the end point and manually drag the Wireframe in the Canvas window to the new location and FCP will automatically add a new keyframe. You should now see the path of the clip shown in the Canvas window displayed as dotted line. Right-click on the end or beginning keyframe and select "Ease In/Ease Out" from the contextual menu. Now you should see the same purple bezier handles added. Again, you can use the handles to smooth out movement, or slow down or accelerate a clip (by extending or shortening the length of the handle). If you have a multiple keyframed motion path, you can make wonderfully smooth curves with the bezier handles.
For more info, look up Bezier in the user's manual, or better yet, go to Amazon.com and buy Kevin Monahan's book; "Motion Graphics and Effects in Final Cut Pro."
-DH

Why can't Adobe Premiere Pro CC 2014 Time remap Audio and Video together?

In case you didn't notice, my question is WHY. I don't know why Premiere Pro can't do this. From what I understand at the moment, the only way to time-remap audio in any way shape or form using Adobe software is through Adobe After Effects, which my computer has absolutely no chance of running ever. I know how to do regular stretching of audio in both Audition and Premiere Pro, but apparently I can't time-remap audio using either of these programs.
So why can't Adobe Premiere Pro time remap audio along with the video? What's the reason that it can't? It's a massive disappointment and would be very impressive to see accomplished in the future. If it's possible to time remap audio and video together in After Effects, that's great and all, except for the fact that I can't use that program. Why can't it be done in Premiere Pro and will it ever be possible in Premiere Pro?
Also, will time remapping audio become possible in Audition someday?

That sounds like a great idea. File a Feature Request:
Adobe - Feature Request/Bug Report Form

Time Remapping - Need help

I've been playing with this for a while and I just can't figure it out. In the AE Help it shows keyframes being moved up and down with nice straight lines maintained between them, but when I do it I get bezier handles that produce crazy curves which I can't resolve. Tried doing it in the Layer window and can't figure out what I'm doing. I may just not understand this as a concept.
I have a 6 second animation that I need to incorporate into a composition. The actual animation stops at 4 seconds, holding on the last frame for 2 seconds. I want to alter the timing so the animation completes at 2 seconds and then holds the frame for 8 seconds. In other words, I want the first 4 seconds compressed into two seconds, then the last 2 seconds stretched to 8 seconds, for a total of 10. It sounds easy, but I can't seem to get my head around it! Can anyone give me some insight into time remapping that will let me do this?

I don't really see you problem. In order to change the timing, you change the keyframe value, not its tangents. so you change the keyframe's value from 6 to 2, nothing more. The curves merely express the rate of change inbetween keyframes. To reset to linear interpolation, simply select the keys and hit teh respective icon at the bottom of the graph editor.
Mylenium

Time Remapping

I must be looking in all the wrong places but I can not seem to get keyframes working, for effects such as time remapping is there a tutorial for timeremapping I can not get it to work I am so confused.

I'm sorry we hijacked this thread. I invite everyone to participate in discussing improving the PPro WIki
here.
Cheers
Eddie
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To "widen" time remap clip - possible?

Since i'm new commer from APPro i wonder if it's possible to move the out point of the clip when u make time remap? In APPro (Premiere) it's possible to widen the clip up to the phisical OUT point of the captured footage. In FCP i can't do that

Anton
I think you're not getting an answer because your question is a little difficult to understand for anyone who hasn't seen how PP handles it ... I think you're asking if you can simply pull the end of a clip to stretch (slow it down) or shorten (speed it up) it in time? If thats what you're asking then the answer is no, not with the Time Remap tool, but its easily worked around using "Fit to Fill" (Shift-F11). Use "F" to match frame into the Viewer, remark the are you want to fill in the timeline, then press Shift F11.
Hope it helps
Andy

Time remap to change opacity

Hello,
I have 25 layers in which i would like to switch between their opacities by means of a time remap marker of sorts..
My idea was to create a comp of all my layers 1-25 (All_Layers), then pre comp this into a Time Remap comp (Final_Comp) to enable their opacities via time remap.
ie: if in the time remap comp (Final_Comp) and type in a value of 1 this would change layer 1 of (All_Layers) comp value to 100%, If i key in frame 4, this would change the value of layer 4 to 100%.
All layers would be 0% until keyed into the time remap value.
I received this expression on another forum compliments of Dan Ebberts,.. Thanks! ( strangely i'm unable to log back into that account to respond.. and no one there to assist me!)
L = comp("Final_Comp").layer("All_Layers");
if (Math.round(L.timeRemap) == index) 100 else 0
Either way, this expression doesn't quite work..
When i copy this into the layers opacity channel. it indeed sets an initial value of 0%, but the time remap values in my (Final_Comp) do not trigger the appropriate layer opacity change.... they remain 0%.
Any ideas?
Thanks for any help
Jeff

Time remapping doesn't seem to update in the Final_Comp the way you would expect. How about scrapping the time remapping idea altogether and use layer markers instead? Apply the layer markers to the All_Layers layer in the Final_Comp and set the comment of the marker to the index (layer number) of the layer that you want to appear at that point. Apply this expression to each layer's (in the All_Layers comp) opacity:
L = comp("Final_Comp").layer("All_Layers");
n = 0;
if (L.marker.numKeys > 0){
n = L.marker.nearestKey(time).index;
if (L.marker.key(n).time > time) n--;
if (n > 0){
idx = parseInt(L.marker.key(n).comment,10);
if (idx == index) 100 else 0;
}else{
0
Dan

Time Remapped Dolly Shot, Smooth in AE, but Jerky in Rendering

Hi,
My workflow: Canon h.264 original footage transcoded to ProRes 4444 in Compressor. Imported to HD project in AE, footage time remapped to smooth out uneveness in dolly speed, with Frame Blending turned on. AE 5.5 Mac OS 10.6
My question is that the ram preview below is relatively smooth, but when I exported a PR4444 sequence to FCP, once in the timeline it's jerky and stutters. (Forgive the sloppy mask, it's now fixed). The stutters and jerks also appear when playing the 4444 clip back in QT10, and Vimeo.
Any suggestions? Pixel Motion needed?
http://vimeo.com/39895088
Jesse

> My question is that the ram preview below is relatively smooth, but when I exported a PR4444 sequence to FCP, once in the timeline it's jerky and stutters. (Forgive the sloppy mask, it's now fixed). The stutters and jerks also appear when playing the 4444 clip back in QT10, and Vimeo.<
Depends on what your set up is in FCP. I'm going to assume you know what you're doing in FCP as far as how to set sequences properly and you know the limitations of your machine.
> Yes I'm aware of the timeline issues, and had hoped that once exported/rendered out of fcp that it would go away. The above link was a Vimeo compressed RAM preview out of AE And that plays smoothly!. Not out of fcp however. <
Well, exporting out of FCP is not really part of this equation. If you export to the codec you're using for your playback of the finished project, say, H.264 or MP4 or MPEG2, the clip will play perfectly within the capabilites of your machine and the player app you are using.
> Would it help to see what it looks like out of fcp on Vimeo? <
Nope. The vimeo clip will always play fine because, regardless of what it started out as, when you upload to vimeo it is transocded to the vimeo-friendly codec.
> Do you think this is because of the heaviness of the 4444 clip?<
Not liekly. Heavy, maybe, but ProRes is designed to be used without issues in FCP on Macs in Quicktime. One uses 4444 only if one needs the alpha. If you don't need the alpha, any of the 422s will work fine. I didn't see the mask you mentioned so I don't know why you're using 4444. It is not often that 4444 cannot be played in FCP unless the pixel dimensions are just too large or you've chosen a weird frame rate. In that case, the clip must be heavily processed before it can fit the timeline's settings.
I find the time remapping and motion smoothing capabilites of Apple Motion's optical flow functions are completely adequate for all but the most extreme screwups encountered while shooting.
Message was edited by: bogiesan

Expression question: Time Remap

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