Extra frame added on export?

my aiff file is 33 seconds and 18 frames long
when i compress it to AC-3 dolby 2.0, it comes out as 33 seconds and 19 frames.
which is screwing my loop up.
anyone know why this extra frame is added and how to prevent it?
thanks,
aj

You know, i optimized a video once, and it was very jerky when it played at about 40% speed (slow-motion), vs. when I import non-optimized..
I dont want to jump the gun yet, as the below doesnt really make sense, at least to me, BUT......
What I noticed is that the flickering of the clips with applied effects only happens when there an opening
transition in the very beginning of the project.. I placed a "fade-in" transition in the beginning so that the video fades in as it starts.... As soon as i removed it.. it exports fine, no flickering, no nothing, back to normal..
.... I also tried a few new small projects with and without the transition in the beginning and I would get the same pattern after export: with a trans in the beginning of the clip with video effect, -- it would blink after being exported.. As soon as beginning trans removed -- back to normal.. I know... i doesnt make sense...
I wonder if you can produce this:
[fade in trans] [normal clip] [clip with Dream effect] [some other trans] [clip with some other Effect]
and
[normal clip] [clip with Dream effect] [some other trans] [clip with some other Effect]
Thoughts?? I am scratching my head now!

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For various reasons, I always add Black Video to the end of my Sequences, to allow for any extra Audio Units. As I also Export DD 5.1 SS, I allow 02 sec. of Black Video at the beginning, to allow set-top players time to "lock onto" the DD 5.1 SS Audio Track. Many high-end units require this extra time at the beginning, too.
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I do a lot of work where I sync music performances on camera that are recorded in audio and MIDI, and have to deliver remixed audio with picture AND a .MID file that all sync. Workflow used to be shoot video on a C100 and another DSLR with either an audio feed or live mic patched to the camera, while Logic recorded the MIDI performance and any ambient audio via separate mics and pres. Shoot always had some kind of "slated" start marker on camera, in camera audio, and in Logic. Camera edits were edited in FCPX, exported as a Quicktime with the "slate" for a start marker, then audio and MIDI handled in Logic.
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It's not enough to just de-compound your clips because L and J cuts get referenced to the VIDEO, not the audio underneath.
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http://www.youtube.com/watch?v=zuYvE4W7CLw
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Message was edited by: SDMacuser

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Extra frame added on export?

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