Premiere pro cs4 is adding an extra frame to my sequences

Premiere Pro CS4 is adding an extra frame to my sequences so that when I import them into Encore an extra, black frame plays at the end. In the program monitor my sequences stop at the frame I have set the sequence to end at but the counter on the bottom right of the program monitor shows that an extra frame has been added. This duration, not the duration I have set for my sequence, is what Premiere Pro is importing into Encore. I have spoken to Adobe technical help and the representative was having the same issue but she could not resove it. Help! Thank you!

Hello Wil.
For various reasons, I always add Black Video to the end of my Sequences, to allow for any extra Audio Units. As I also Export DD 5.1 SS, I allow 02 sec. of Black Video at the beginning, to allow set-top players time to "lock onto" the DD 5.1 SS Audio Track. Many high-end units require this extra time at the beginning, too.
Good luck to the OP,
Hunt

Similar Messages

I-Frames in Premiere Pro CS4

Hello, in the book 'Real World Video Compression', the author notes that within Final Cut Pro he "may tell Compressor to insert I-Frames at specific locations, which you do by inserting a compression marker." He says he might want to do this for footage which is 'particularly dynamic.' Is there a way within Premiere Pro CS4 to insert an I-Frame at a specific location?
Thank you,
Matt

Thanks to both who responded. I'm stumped. One response stated that placing an Encore chapter marker within Premiere would result in making the frame an I-frame, and the other response stated that I needed to mark frames as I-frames within AME. In the Encore CS4 help it states that if the source is MPEG-2, then setting a chapter point will insert the chapter point at the nearest GOP header, but that if working with a .avi file, adding a chapter point will result in the frame being interpreted as a GOP header. So,
If my source within Premiere is anything other than MPEG-2, will adding an Encore chapter marker from within Premiere follow the rule as dictated by the Encore CS4 help?
If my source within Premiere were MPEG-2, would I be able to add an Encore chapter marker from within Premiere only on existing GOP header frames as implied by the Encore CS4 help?
The other poster mentioned setting I-frames within Adobe Media Encoder, but I don't see where this can be done. Is AME able to do this?
Is it correct to assume that if I used dynamic link to send a sequence from Premiere to Encore that the rules would stay the same?
Thanks,
Matt
Message was edited by: anonmous to make the questions hopefully more concise

Premiere Pro CS4 added contrast H.264 preview files

Hi,
Any help I can get with this problem would be amazing.
I recently updated my OS to 10.6 as there were programs I wanted to run not available on 10.5, however this caused other issues with Premiere that I couldn't fix so I just decided to go back to 10.5. With both installs I reformatted the hard-drive then installed the OS. Now that I've reinstalled OSX 10.5 and updated to the most current version, and then installed Premiere Pro CS4 and updated that to the most current version (4.2.1) and also updated the codecs for Premiere, I'm having an issue with my preview/render files in my timeline that I never had before. It appears that now when I render my original H.264 files the preview/render files have added contrast/crushed blacks and blown out highlights.
Basically I'm editing H.264 footage from a DSLR, and when I open up a project that I was working on before I began this upgrade mess it opens correctly, but if I extend a clip in my timeline to include part of the original clip that was not previously rendered, Premiere renders this clip with what appears to be increased gain and pedestal/increased contrast. I've also tried this in a new project and it still renders with much more contrast than it used to. Whether in a new project or previous project, Premiere seems to decrease pedestal so my blacks are around/below 7.5 IRE and my whites are at/above 100 IRE. it looks really messed up when this occurs in the middle of a clip that was half rendered before and half after the install. Also I'll bet it's not going to help when it comes to color correcting and it looks like I could be losing image data.
I don't know what has caused this as it was working properly before my attempted upgrade, and I installed Premiere the exact same way as I did the last time I installed it and I'm using the same version. The only hiccup was after the install and upgrade it said media offline on my old project until it asked me to update codecs, once codecs were updated it displayed all footage in my timeline correctly and then I noticed that I could no longer render preview files to the same standard.
Here are screen shot comparisons of a video from my timeline. These are back to back frames, the top one was rendered before the most recent install, the other rendered after. I have put a YC Waveform chart beside the image. Sorry I think the best way to see it is just to follow the link otherwise it's gonna be too small.
http://www.flickr.com/photos/86776146@N03/8101475154/sizes/l/in/photostream/
Also here is a screenshot of the settings I'll describe below.
http://www.flickr.com/photos/86776146@N03/8101463115/sizes/l/in/photostream/
Computer:
Mac OSX 10.5.8
Intel Core Duo
Premiere Pro CS4 (4.2.1)
Project Settings:
HDV 720p
29.97 fps
1280 x 720
square pixels
30fps drop-code
I-Frame Only MPEG (video codec)
I've already searched for a solution to this but come up with nothing. I read a bunch of stuff on the increase in gamma that can happen with .mov files but I don't think this applies to my situation as I would have been having that same issue with my previously rendered footage.
Anything would be really helpful...Thanks
Message was edited by: Mike542

Okay so I've been looking into this in depth over the past few days and I haven't come up with a lot. I have noticed that it's not just the render files but also the inspection window where the clip displays in this manner. It looks like the luma range (as seen in YCbCr scope) is being limited between 7.5 and 92 IRE and I think this is maybe a good indicator of the problem. Why this is happening I don't understand. On my clips that were previously rendered in this timeline there is full range from 0 to 100 in the luma from the YCbCr scope. These files were rendered to an external drive from before I reinstalled Premiere, so it's any h.264 files that I am using after reinstall that are having this issue. I have attached another screen capture illustrating this (look at line to right of scope showing full luma range). Also I have some .mts files from another camera and they import with full luma range as well.
http://www.flickr.com/photos/86776146@N03/8114886495/sizes/l/in/photostream/
When playing my h.264 files in Quicktime or VLC they look about the same in terms of blown out whites and crushed blacks. Does Premiere rely on Quicktime for its h.264 codec or does it have it's own? Is there a way to force premiere to update its codecs/manually download and replace the h.264 codec?
I really can't understand what's happening here and I can't do any work when imported clips are this messed up. Can someone please help out on this!!! Super frustrating and seems to constantly happen with Premiere...

Adobe Media Encoder for Premiere Pro CS4 stops working on the same frame every time...

I currently have Adobe Premiere Pro CS4 and have never had these issues exporting before. My timeline is less than 3 minutes long, but it does deal with multiple big files. It rendered perfectly and it plays perfectly in the timeline. When I try to export it using Media Encoder, however, it freezes at the same frame every time (which is actually only a few seconds in!) and then crashes, so that I have to force quit. I have tried exporting it as many different codecs and the problem persists... same frame. I tried creating a new project entirely and whipping together a few titles and exporting that to see if it just won't export anything at all. The new project exported just fine, however, which I suppose is good news. But yeah, my work on that other project is very important to me and I reallllly want to export it. Please help!

Hi Jim! Thank you for your reply. I think you are right -- and that it lies in the audio somehow!
It turns out that if I choose to only export the video, and uncheck audio, it will export very well and smoothly. That's great news for me!
However, now I am trying to work out how to get the audio exported without issues. I actually had the idea of just playing the audio in the timeline and recording it via Stereo Mix, but my Windows 7 driver has Stereo Mix disabled, so it's back to square one. Any ideas of what I can do about the corrupted audio not exporting, which works fine when played in the timeline?

How do you get Premiere Pro CS4 frames into Photoshop

Hi I am trying to modify a series of Premiere Pro Frames by coloring a small section of them in Photoshop 7. How do I pull those frames out of my timeline, get them into Photoshop, and then back into my timeline? I remember doing it with Premiere 6.5, but I can't figure out how to do it with CS4.

Thanks guys, I'll take it from there.
Terry Lee Martin
Date: Wed, 2 Sep 2009 17:15:26 -0600
From: [email protected]
To: [email protected]
Subject: How do you get Premiere Pro CS4 frames into Photoshop
Yes, PS-Extended will make things a bit easier. While not perfect, it simplifies rotoscoping quite a bit.
Good luck,
Hunt
>

Premiere Pro CS4 (Windows 7) will not (Capture or Record) connect with DV Cass Recorder

For 12 yrs I've Never had a problem w Adobe Prem Pro seeing my Panasonic AG-DV2000, DV cassette Recorder. Premiere Pro CS4 (with Windows 7 Ultimate) will not connect (Capture or Record)with my DV Cassette Recorder - Panasonic AG-DV2000. I upgraded my computer to below components & added Windows 7 at same time. Have had Adobe Prem Pro CS4 since fall with no problems. I usually have 2 - 5 videos, with 2 - 4 audios, going at same time on my timeline. (These digital videos & audios I shot myself professionally with mini DV cassettes.) Most projects are between 10 to 50 mins on timeline, w transitions or crossfades between video & audios. Firewire attached from computer to Panasonic. No Capture card in new system, not needed, use to watch over an external TV, now watch over a second monitor or in program monitor.    [Am I just missing a simple setting??]           Computer below & settings:   very up to date.
motherboard                        ASUS P6T
CPU                                         i 7    2.67 GHz
RAM                                       6 GB
video                                      ATI Radion HD 5700 1 gig Memory OpenGL 3.2
Main Drive                            500g SATA 7200 rpm
Raid Drive                              1.2 TB 7200 SATA
Windows 7                            64 Bit Ultimate
DVD/CD                                  writable Disc Drive
AVG                                        Antivirus 9.0
Playback Settings
                Realtime Playback
yes                                          Desktop Video Display
External Device                    DV 25 720X 576i
Aspect Ratio Conv              Hardware
yes                                          External Device Audio
                Export                     External Device                    DV 25 720X 576i
yes                                          Disable Video output when in background.
24p Conversion Method    - Interlaced frame 2:3:3:2
Preferences          (only things not set at default)
Audio Output Mapping       --   Premiere Pro WDM Sound (have also tried Audio Out)
Device Control     DV/HDV Device Cont Options: NTSC, Panasonic, AG-DV2000P, Auto Detect
                                (Check Status) Says it is ONLINE
Media                     Cache files saved to My Raid drive not C drive (so they will run faster)
                                Indeterminate Media Timebase:   29.97 fps Non Drop Frame
Project Settings Video -- Timecode             Audio -- Audio Samples
Capture Format (tried both) DV & HDV   (all settings checked for during preview & capture)
                Under DV               says Panasonic is Online, export to tape/it renders/Premiere controls the Panasonic recorder -looks like it's recording, but see no video -                                                 hear the sound. On Playback nothing was recorded? ( And Can't capture from tape to computer)
                Under HDV            Says Panasonic is Offline, but computer able to control the Panasonic start/stop, but doesn't record or capture tape to computer?
[ I think this DV/HDV part is correct...... it's getting very confusing at this point??!! Your help is appreciated Thank YOU ]

http://www.studio1productions.com/Articles/Firewire-1.htm
Above article HELPED me -- and is working fine!!
Was an Easy fix, took less than 2 mins.
After a 2 1/2 month ordeal.
Info from the "forum help group" through adobe. jk

Vob Import Question in Premiere Pro CS4 4.1

Hello,
Prior to posting, I read numerous posts related to importing vob files in Premiere. None of them seemed to address the particular problem I am experiencing, and I was hoping to find an answer here in the forums. Here's what I am attempting to accomplish:
1) Export the vob files (there are 4 of them) from a commercial movie DVD to hard disk
2) Import the vob files into a Premiere Pro CS4 4.1 project
3) Build a sequence out of the 4 vob files
4) Replace the sound in two very short segments to eliminate profane language so that my children may watch the movie
5) Import the sequence into Encore CS4 and burn a standard DVD
I was successful in all of the above steps 1-5. So what's the problem? I noticed, when viewing the output DVD, that at a certain point (only a single point) in the movie, the sound was garbled and the frames got 'wonky' (a technical term I picked up from Deke McClelland). My first assumption, was that I had messed something up somewhere in my editing process. When I navigated to the problematic time in my Premiere project, I saw that there was a problem in that at a certain point, the video would flicker, after which the audio would be out of sync with the video and would remain so until the end of the sequence. If instead, I simply navigated within the sequence to a few seconds past where the problematic frames seemed to be, all would be well (audio and video in sync). So, this means to me, that at the point where the problematic frames seem to be, Premiere has trouble interpreting them, and from that point on, the sequence is affected. If the seemingly problematic frames are skipped, then Premiere does not enter its bad state.
The next troubleshooting step was to start afresh, and see if the problem existed prior to making any edits to the sequence (i.e. steps 1-3 above). The problem still existed.
The next troubleshooting step was to see if a media player exhibited the same behavior as Premiere. So I took the same vobs and viewed them with Windows Media Player 11. There was no problem viewing the exact same vob in Media Player 11 that essentially is not viewable in Premiere Pro CS4 4.1. Hmm.
The next troubleshooting step was to see if an encoding program would exhibit the same behavior as Premiere. I imported the same vobs into TmpEnc, and when viewing them, no problems were exhibited.
Although not conclusive, it appears that there is a bug in Premiere Pro CS4 4.1.
Another problem that I noticed with vobs, is that sometimes, Premiere Pro CS4 4.1 does not recognize the proper frame rate of a standard DVD vob file, e.g. given 5 vobs that comprise a single movie, the first vob is shown as simply a video file (i.e. no audio at all) @ 29.97 fps in the Project panel, but the subsequent 4 vobs are recognized correctly as having both audio and video @ 23.976 fps. As before, I validated that the apparently problematic vob (from the Premiere Pro CS4 4.1 point of view) renders/plays perfectly fine in other applications (i.e. no audio or video problems). I attempted to use 'Interpret Footage' to rectify the problem with the vob, and when I type in 23.976 fps, it takes it, but then displays in the Project panel as 23.98 fps. It didn't fix the problem, but I was wondering if diplaying 23.976 as 23.98 (as opposed to 23.976 which is shown for the non-problematic vobs) is another problem.
Thanks much for any and all help,
Matt
My system specs, if needed:
OS - Vista Ultimate SP2, x64, fully updated
CPU - Xeon e5440 x 2
RAM - 16 Gb
Master Collection CS4 with all updates installed

Welcome to the forum.
Now, you have several problems, but most are with your choice of equipment and your workflow, not your choice of an NLE.
I took a wedding video from 1990 on a VCR tape and turned it to digital via a Dazzle hardware unit that plugs into the computer. It gives me vob files with no menus or anything like that
Few people have ever been able to get a Dazzle to work. This is true, even with the Pinnacle software, that often comes with it. It is an AVID product now, as they bought Pinnacle, and if you can get it to work at all, you are ahead of 99% of all owners. Stop by the Pinnacle fora and type in Dazzle. You will get the idea quickly.
A far better workflow would be to use a VHS player, hooked to an A-D device, like the Canopus/Grass Valley 110, or their 300. Use the Edius software that comes with it, to Capture DV-AVI Type II files w/ 48KHz 16-bit Audio. There will be zero OOS issues.
Most other equipment and workflows are kludges and seldom work at any level.
A good workman does not blame his tools. He might blame his choice of tools, but not the tools. Unfortunately, you chose a piece of hardware that doesn't usually work with the included software, and are blaming a great NLE program, because you are trying to work with horribly bad footage.
Please do yourself a favor. Donate the Dazzle to Goodwill, and look at the Canopus/Grass Valley 110. The price differential is not that great, and you will keep all of your hair.
Good luck,
Hunt
PS just did 34 VHS tapes via the above suggestions (some LP and some EP), and got many hours of usable footage. Not one glitch. No OOS. Every file edited perfectly in PrPro and I delivered 15 DVD-5's, that the client loved. I paid for a Canopus 300 with just my time on one project.
PPS, please see my post #5 for a link to an article on VOB files.
Message was edited by: the_wine_snob Added PPS

Need help with 24fps in Premiere Pro CS4

I am having issues working with 24fps imported video. My computer hardware is an AMD dual core processor running at 2.6GHz. It has 2GB of Kingston Hyper-X memory, 2x 300GB hard drives (not RAID), and an Nvidia 7900GS video card with 256MB video ram. My operating system is Windows Vista Ultimate with SP1. I am running Premiere Pro CS4 with all the current updates.
So here is the issue I am having. I captured video on a Canon XL2 in 24fps, 16:9 widescreen, and 2:3:3:2 pulldown. My CS4 project settings were set up as DV-24P Widescreen 48KHz. I did not try changing other settings on the other tabs. I captured the video directly from the XL2 with no dropped frames. The resulting AVI plays back in Windows Media Player 11 correctly. What I mean by that is the is no jerky video, I get no raster lines, and the video quality is very clear. When I load the video into the time line and play it back in the program monitor the video jerks like it is dropping frames, I get raster lines and it looks like video clarity fades in and out.
At first I thought nothing about it. I used Adobe Media Encoder, and burned a DVD. Playback on my widescreen TV looked jerky, rastered, and the video was only clear in static scenes. So I made some test projects with different settings. Still had no success. The original capture looks good, but whatever I do in Premiere the video jerks and looks like old VHS video.
I did another test. I set the XL2 to 30P and 4:3, and captured the video. Again the captured AVI looks good. Put it on the Premiere timeline and played it in the program monitor. It plays fine - good video quality, no rastering, and no jerking. Made a DVD with no problems in the video. So my question is what setting in Premiere do I need to capture, edit, and export 24fps 16:9 widescreen video so that it plays back with with the same video quality as it was captured? Do you think it is an encoder problem? The captured AVI is what ever encoder came with Windows/Premiere as I have not added any other encoders.
Any help would be apperciated. If I have not supplied enough information, please just ask.

If the video is playing back badly in Premiere Pro from the timeline, then the things I would check would be the program monitor quality - is it set to highest...if you don't know where that it is, click on the 4 horizontal lines in the top corner of the program monitor - make sure highest quality is selected. It also may be a video card issue - are your drivers up to date? If the clips are only playing back badly on the PPro timeline (and anything exported from it), but fine in Windows Media Player - something is up.
As for the frame rate - no, you don't have to work at 24P...as mentioned before, the camera actually records at 29.97 fps, but is able to be played back and edited at 23.976 fps (or 24P)...it's a complicated explanation on how it all works...
If you're going to finish to a regular DVD, then working at 29.97 is the way to go. As for the interpret footage command, highlight the clips in your bin, then right click on them - in the menu, you'll see interpret footage - click on that and a new window should open...you should see a box with a check next to it that says remove 24P pulldown - click it (removing the check) and the footage frame rate should change to 29.97 - then click OK...create a 29.97 sequence (DV NTSC Widescreen 48Khz), and edit away.

Bug list and wish list premiere pro cs4

Iam realy interesting someone, sometime work with Premiere pro cs4 from Adobe team ? I gues not!! Some bug might not seen only people who not work on premiere !!! 2 russian video editing forum named premiere cs4 most worst of version premiere. Old bugs not fixed on premiere cs3 adobe make premiere cs4 with new most worst bugs and some options was remove(Fast export to frame\movie) What for ????!!!!! Cuting the clip i must press 2 button - what for ? Cut it most usful operation and adobe make 2 button press to cut. And domenation effects then adding to clip, please try add some effect to clip then add someone again. Why new effects adds not to last posotion ?
And time warp, posterize time work only with neast sequence!!! What for !!!Its make work with premiere faster ????
ADOBE PLEASE WORK YOUR SELF ON PREMIERE PRO CS4 SOMETIME !!!

FAQ:How/Where do I report a bug?
Cheers
Eddie
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Slow render time in Premiere Pro CS4 (with fast computer?)

Hello people on the Adobe Forums,
I hope someone can help me with this question, it's been bothering me a long long time now and this week i have to make a decision, or fix the problem and keep this configuration, or spend money for a new cpu (i5 750) and a new motherboard. But i think this computer should do better then it does. I have the following configuration:
AMD Athlon X2 4600+
Nvidia GeForce 7800GTX
2× 1Gb OCZ memory (DDR, PC2400, 250mhz)
Storage Disks:
Seagate 320GB SATA (7200, i think)
WD 74GB SATA (10.000RPM, OS)
Hitachi 500GB SATA (also 7200, i think)
WD 1TB USB (SATA) (extern hdd)
WD 250GB SATA (7200, i think)
So, i don't understand the problem, Premiere is running very slow on my computer.. The rendering of a 5min piece of just a random movie takes like 3 hours! Just right now i am rendering some things I filmed with my mobile, it does like 1 frame in 10sec!! On most pc's with this vice versa!
So the cpu is not that old, and neither is the videocard, meaby the memory is a little bit low.. Could that be the problem?
Hope you people can help me out, i searched Google and everywhere but can't find anyone with this problem..
List of software:
- Windows 7 Ultimate
- Adobe Premiere Pro CS4
Drivers are, as far as i know, all up to date, i updated the Adobe programs too..
Describe source material, Codec: XDCAM-EX Movie (mp4)
But like i said, it happens too avi too, it think that was DivX..
I bought this pc second-hand, so it could be that something in the processor is already broken and i didn't notice it at all.. i searched like everywhere and also tried too reinstall the program but that doesn't work either..
Some more info:
http://www.creadion.nl/premiere/info.jpg
http://www.creadion.nl/premiere/info.nfo
http://www.creadion.nl/premiere/DxDiag.txt
Ohye, and the PPBM: http://www.creadion.nl/premiere/Output_PPBM4.txt
With friendly regards,
Marinus

Well, I'm helping other people too here on some dutch foras and i hate how people say things like "Doesn't work. Help" and just wait and wait for someone to answer. Plus i want to order my new hardware this evening (10:27pm now here), so meaby that's a 'cause' too, to make you people answer fast! (and it worked! hehe)
So, what i am thinking of right now is to upgrade the motherboard, cpu and ram.. The videocard can wait a little more:
- Motherboard: MSI P55-GD65 (not sure of this one, good reviews&tests, Asrock P55 Extreme is an option too.. be my guest to do another recommendation) (Asus P7P55D seems like a good option)
- CPU: Probably an I5 750 from Intel, heard good things about this one.. Although i've always used AMD..
- RAM: I really don't know, don't see many differences between the RAM sticks.. But yeh: OCZ Gold OCZ3G2000LV4GK
Sorry for no links to product pages, you have to do a little search, i only got some dutch websites, and i know for sure that you all having you're own comparing/specs websites (which i don't know) .
Thank you very much untill now, meaby i get another reply tonight.. Ohye, plans changed, i'm not ordering tonight anymore.. I'll do that tomorrow morning (I'll do a few calls to a view webshops and see if they got in stock, if so, i'm gonna drive (or go with bus) to one of them.. I need it really really quick, need to submit a project from school August 30
Thanks everyone!
Just took a look at the links you gave me, the Asus P7P55D is an option too!
Took a look at the links, added the "Asus P7P55D".
What i forgot to mention: I got a budget with a max of like €400,- (That's like 510usd, I don't even really have the money) so I can't buy a whole new pc..

Premiere Pro CS4 How to: Effects.

Hey, I was just wondering if anyone could help me out with some effects I am trying to acomplish with Premiere Pro CS4.
The first effect I would like to do is a fog effect (eg. attachment 1)
Secondly, I would like to do is a sparkle effect/glittery text, just like attachment number 2 (sparkles on text). I know how to do the rotations and all but the sparkles/glittery title (text) I'm unsure of.
Lastly, I would like to do a light flash effect just like on attachment 3 (the big light flashes on the text)
I apologise if I couldn't describe better, this is why I have attached images to show, they have been screen capped from a video (by the way, the images I have attached, I have reduced the quality so the file isn't too big. All the 3 images don't even add up to a mb.
Are these effects difficult to do? Does Premiere Pro CS4 even support these effects or would I need some program such as After Effects?
Thank you.

Along with Red Giant (Harm's rec.), ProDAD's VitaScene has most of those, if not all. I'd also check out Digital Juice, as they often have "specials" on some ProDAD plug-ins.
For a "homemade" fog, you can add a Color Matte in a grey color, add Noise, and Gaussian Blur. Alter the Opacity to suit, and maybe even animate this Effect>Motion>Position. For an animated fog, I'd create a still image in PS, to have some room to animate, making it larger than the Frame Size.
[Edit] In PS, I'd also look at the Filter>Difference Clouds too.
Good luck,
Hunt
Message was edited by: the_wine_snob - Added [Edit]

Premiere Pro CS4 over remote desktop does not play sequence

Hi all,
I have been researching this issue over the internet but I have found absolutely no references to it:
I am running Premiere Pro CS4 on my high-resource PC but would like to work from a different room so I am remoting form my laptop to my "good" PC.
The system lets me do everything I could normally do when working directly on the main PC with the exception of playing back my edited files (before rendering). This is an obvious handicap since I can not watch my edited sequence and am, therefore, working in the blind. I am able to step through it frame by frame, but when I click the play button, it changes to a pause symbol (as usual) but nothing is shown in the video window. This does not just happen when previewing my edited sequence but also when previewing any imported resource.
Essentially, Premiere Pro CS4 is not playing any video content over a Remote Desktop.
Other normal playback software (such as VLC, Windows Media Player etc...) works though, so it is not an issue of no video playback at all. This just happens when I'm using Premiere Pro.
Any suggestions as to what this may be? Any help will be greatly appreciated!

I was able to edit a full 1080p HD video in Premiere Pro CS5 remotely using HPs RGS (Remote Graphics Software). I had a Workstation at work with Premiere Pro installed on it and all the source footage on it. I was then able to log on remotely from home with my old weak-sauce desktop and successfully edit and play back the HD footage remotely. You just do a google search for HP RGS or go to this link. http://h20331.www2.hp.com/hpsub/cache/286504-0-0-225-121.html
There is a free trial available too. I don't know why there is not more information about RGS on the web, but it seems to me to be the only solution to work on Premiere or After Effects remotely.
I hope this helps

Premiere Pro CS4 does not import EX1 files longer than 1 hour

I had to record a long speech and used a Sony XDCAM HD EX1 camera with a 32 Gb and a 16 Gb SXS cards. The speaker paused after 1h 26 min. I stopped the recording and waited until the green light that allows recording the segment came on. Later I recored smaller segments.
I copied all the recorded files to the PC hard disk ( Intel Quad Core 2.4 Ghz with 3.25 GB RAM with XP Proofessional SP3).
I used Sony Clip browser to watch the clips and all of them were perfect. Then I opened premiere Pro CS4 4.21 and I wanted to import this 27 GB file. In the media browser appeared only one mp4 file. All the short ones where imported normally but the big one freezed premiere and the only way to close premiere was with the windows task manager.
I checked again in the Sony XDCAM clip browser version 2.6 and you can see it perfectly. There was a detail, though: in the lower part of the preview window I saw 6 marks. When I checked the file in the disk, I found that the 27 Gb file was separated in 7 parts. Each of them was 3.51 Gb and the last one 2.5 Gb. That means that the file was cut in pieces that were less than 4Gb supposed max file lenght.
I tried many ways to import and no result. The I used the "export " of the sony clip browser. There is one choice that is "MXF for XDCAM HD". When I chose this item another panel appeared and showed a 1440 X 180 59.94i 25Mbps choice. I took it and after some time it created the 27 Gb file that I could import it normally with 4 audio tracks. But there is a drawback a "media concept" logo appeared to remeber to "buy" the program.
Anyhow, the question is: How can I import to Premiere CS4 a MP4 file created by a Sony EX1 HD camera whose lenght is more that 1 hour long ?
Thanks
Wolfgang

I think is the contrary because the clip browser copies all the foleders needed. I got this opinion from another forum that copies into Final Cut:
"My workflow is to create a hard drive folder for the project, then use Clip Browser to import the clips from the card. I review the clips, labelling them, adding logging notes, setting the status and putting in essence marks as needed (the number of characters available for the essence mark description is fairly limited). I then open FCP, create and save a new project then call up XDCAM Transfer. I select the project folder and it will pull in all the clips. I then filter for OK status, occasionally create subclips then import. The clips come over to the bin, with their names and with the essence marks converted to markers. Obviously there are backups taken - I've not mentioned them."

Adobe Premiere Pro CS4 4.0.1

An update to Adobe Premiere Pro CS4 will be available via Adobe Update Manager shortly. The file will also be available for download tomorrow (November 20) on Adobe.com, as will the readme (at http://www.adobe.com/support/documentation/en/premierepro/releasenotes.html). In the meantime, here is the text of the readme.
We're really excited about this update, especially considering we released CS4 just one month ago. To force an update, choose help --> find updates from any Adobe application. The AME update that releases with this update is required as well.
Important note: if you are using the Elemental Technologies RapiHD plug-in, you must update to the latest version in order to use Adobe Premiere Pro CS4 4.0.1. You can update the plug-in by visiting the Elemental Technologies web page: http://www.rapihd.com/?q=node/129
New in this release
- OMF export
- Final Cut Pro import
- Edit in Audition (Windows only)
- Surcode support
- AAF import and export
- High quality motion
- Third-party support
Notable fixes
- Attempting to trim locked tracks results in a crash (#1888355)
- Crash on Win and error on Mac when using Numpad-Asterisk keys to generate marker when
playing in Program Pane when Effect Controls pane is closed (#1890626)
- Crash when the Metadata panel is brought into focus when a DVCPro HD clip is selected
(#1884633)
- When a filter/search is applied in the Metadata Panel and then a different asset is selected, the
filter does not update (#1876954)
- Custom schema causes Adobe Premiere Pro to crash performing many basic operations,
starting with New Project (#1888938)
- Render of transition in imported EDL-based sequence fails; on Mac, causes application to hang
indefinitely, user must be force-quit application (#1873434)
- After ASND is saved, an effect is always ON if it turns OFF while playing (#1864978)
- Crash when attempting to load a project that contains a composition if headless Adobe
Premiere Pro is serving Adobe After Effects (#1871578)
- Exporting video as MPEG 4 will create a video file that imports at the incorrect length
(#1851063)
- Trimming both ends of a clip, then moving the clip will cause looped playback to be silent, or
only playback portions of the clip (#1868409)
- When exporting a timeline containing cuepoints, deleting a cue point via AME Batch-> Export
Settings, the cue point is still present in the output file (#1866690)
- Playing an audio-only file in the source monitor will cause the application to lock up (#1887330)
- Exporting any MT session as 24bit WAV leads to garbled audio Mac only (#1881684)
- Adobe Premiere Pro allocates too much memory and reads too much data from disk when
loading project files on the Mac (#1890579)
- With camera connected, opening clip from Timeline into Source and selecting File  Debug
results in a serious error (#1889197)
- Export to tape is active from DVCPRO HD sequences (#1863718)
- Application intermittently crashes when exporting a movie (#1868405)
- Render and Replace of offline clips takes over 20 minutes (#1885273)
- Application crashes when cancelling Normalize Audio Track dialog (#1887615)
- When an AVCHD clip is inserted into a DV timeline with Scale to Frame Size applied, rendered
previews of the clip show artifacts during Timeline playback (#1863988)
- Using scale to frame size in a timeline lowers output quality and softens detail and sharpness;
typing in scale attributes manually or using Adobe After Effects produces much better results
(#1527669)
- Multiplexed MPEG files exported to HD size and then imported back in to Adobe Premiere Pro
show up as 601 color space instead of 709 color space and hence the colors of the imported
files are off (#1852977)

Other users have reported having trouble with VOB files from DVD recorders. Properly authored DVDs work.
Where did you get the VOB files that won't work for you?
-Jeff

Premiere Pro CS4 4.2.1 Halts rendering whatever I ask!

Hi there.
Finally I decided to post this.
I have been tracking in internet this situation for months... since PPro CS4 got out, I have been testing and working with it. However, I cannot say I prefer CS4 to other opponents (even one or two Linux apps oddly). The thing is when an app makes us spectate, we should have results! I cannot go back to previous releases of PPro because I need that queue in AME. So, let me beggin to explain the error:
The application (Premiere Pro CS4 or Adobe Media Encoder [AME]) halts forever when rendering video (a code loop? while "something"="some thing" then do "render frame again"?). So, happening the error in two aplications that use a bunch of files, I must say it is something used by booth like, my guess, PProHeadless. Moreover, the video it might have a filter or not, an opacity key, might be in a diferent format and created within adobe realm, or even outside like Fusion or Combustion, it can stop. And I say can because I am making tests these holy days to reach a conclusion: it's random. It might ocour in frame 150, or in 20 000, with some kind of format video or a filter or everything "as nature as" a PPro captured avi.
Graphics? Updated as today means. Windows? Up to date also! Adobe Premiere Pro? same thing as you already noticed.
This halt is documented by a png file atached to this post. With taskmanager also. That halt is typical. I am in windows 7 64bits, but also have winxp 64bits that produces the same error. The program can only be terminated by process kill and that sort of things.
As I have searched thoughout the internet, I have only seen a post in creative cows that appears similar to this. No luke for a solution yet. When update 4.2.0 came and I had an enormouse reliefe, thiinking it would "heal" the program... no good. I have not been able to respect some deadlines with clients. I will shift if necessary! At least the minimum would be an error ex spit by the program... nothing never came out. I'm blind and adobe might be also. All programs I've try to develop had error mannagement. CS4 release was something apparatuouse but could had wait for a 4.1.0 update in Premiere for instance... I am really tempted for a mac! At least I know what should I buy to make a program run in there... just a mac!
As I see, no software seems to be the problem. It's a fresh install of windows 7 and PPro CS4. Nothing else installed in the system but flash, vlc, acrobat reader MSN live, calim av, proDVD mercalli
Hardware bug or incopatability?
So... my specs if this helps:
Processor:     AMD Athlon(tm) 64 Processor 3500+ 2.21 GHz
Ram:             5,00 GB 667Mhz
OS:               Windows 7 Ultimate 64-bit Operating System
Graphic board: NVIDIA GeForce 7300 LE
MB:               Asus M2N-E with Serial 3Gb/s RAID
Disks:            1 SATA for OS.     SATA Disks for footage and project storage 7000 rotations all I think
I believe everything is Adobe PPro supported... so... where the hell is the problem?
Thanks in advance!

OK
I have been these days arround this issue. Done many troubleshooting... trying to understand problems. Here is what I got:
Getting the hauppauge board off the PC seems to have stopped the "halt" of the encoders and renderings in Premiere and AME. Hope it won't happen again, but, It's kind an exclusion game... What was diferent from the setups I have seen in many forums and posts was this ancient board. Adobe shoulde analyse this one against Premiere CS4 and AME: Hauppauge WinTV-Go bt848 conexant board (or it's a lost of time... as it's not supported anymore in Windows, but is in Linux :] ).
As for the playback... a fine tune for performance options of my graphic board was able to reduce the jerkiness of video... so I had the idea to also overclock both processor and graphics. The result is this:
Before: Processing of video with the timeline in view (default workspace) was allways 100%, skipping so many frames that even entire clips coundln't send a sigle frame. Where only the output frame (ç shortcut) playback was almost aceptable, with processing at 100% and some times going leaving a tiny space for other things to process.... The fine tune of graphics board, was able to get in default workspace the insertion of may more frames in there, and with ç shortcut - output full mode, it was 95-100 spiking frequently between them.
Now: Default workspace: 80% processing... Output frame: 60-70% My pc is now in test to seach for the optimal (aceptable) overclock parameters. And it seems I can overclock even more (not in graphics but the processor).
This is good and aceptable for the computer setup...
However, to everyone reading this, please be very carfull at how you overclock. Be shure you read everything you can find (from reliable sources - your hardware suppliers, as for the processor, the mother board, the graphic board... etc..). If you mess something, better you have the money to replace :].
Thanks for everyting

Premiere pro cs4 is adding an extra frame to my sequences

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