FCE frame rates-which ones?

I cannot figure out which frame rates I can edit: can I do 24p; normal or advanced. I've got a promo video and the client wants 24p but can FCE support it?
Thanks in advance.
(FCE HD 3.5.1)

As an alternative to upgrading to FCP, however, I believe the Nattress Film Effects plugin set works for FCE. It should allow you to convert your finished product to 24p (or any other format), and all for $100. You'll have to email Graeme about FCE compatibility.

Similar Messages

  • Multiple formats and frame rates in one sequence

    i have material shot on many different cameras. it includes PAL and NTSC, HD and SD, 24, 25, 30, and 60 fps, ProRes, DCVProHD, DVCam, etc etc. the final product is going to HD in both NTSC 24fps and Pal 25fps, for NatGeo domestic and international.
    the roughs are already done with this hodgepodge. my job is to clean up the audio (done), and send the video out in for color, titles, and graphics. i'm trying to get at least the frame rates to match at 24, much of it is already in 24 dvcprohd or prores, so i have been doing quicktime exports of the non-dvcprohd/prores video to prores, then conforming to 24p in cinema tools, then overlaying the clips in the sequence with a fit to fill edit. sync has not been a problem, miraculously, even though the speeds end up between 100 and 125 percent.
    am i doing anything right, and if not, what's a preferable way to handle this mess? i tried media manager initially but nothing would relink, so i gave up and started doing the clips individually as stated above.
    all i know for sure is that whatever i end up doing, they're not paying me nearly enough.
    -m

    Hi Shane - Thanks for getting back to me! I figured I'd have to compress it, but
    my question is - how? Initially, I used MPEG Streamclip to import the 23.98 dvd footage in as a DV/DVC Pro QT at 100% Best Quality. I then imported those files into FCP. After getting your e-mail, I went to export the files into Compressor (from FCP), and I'm only given 5 setting choices under "QT." I'm not sure which one to select . . . Uncompressed 10 bit? Any ideas? Again, thanks so much!!!

  • Concerning multiple frame-rates in one export file to perceive important necessary philosophies.

    consider READ QUESTION, The following 4#'d Paragraphs should be skipped and not considered to be read and don't link
    to my discussion it's question.
    4.It's a strange world we live in, yet the wonders are revealed if realised once more.
    Hello my dear friend or opposition. As this was my first post I represented my normal
    thought flow throughout as it would be me daily, reflecting as necessary, apologizing in advance
    if thrown out of balance.
    1.Rather contradicing or raising questions, I would like to consider this very moment the age
    of turn around points. As the evolution and perhaps one a day, revolution continues I would
    like to take a moment to stand by this process, I conclude we are going towards the red pitt hole.
    2. I also consider After Effect a program to allow whatever creativity could thrown at it, powered
    by our imagination creating a new breed of cinema. I consider myself a philospher, always spellinG it
    wrong but even thaT I consider mental restrictions only preventing me to reach out for your location,
    wherever or however you may consider that to be so.
    3. Proclaiming filters most out, but if I could only change one mind, I succeeded. I plan to rewrite
    or so to speak, re-introduce what could be film and where we could are going with it, possibly. Film will
    be an art that could differ as much as some painters have created unpredictably impossible differences
    between them selfs. Concludingly art style differ so does reality, I am thanking the creators of After Effects,
    and improvers, hereby with a salute for a program potentially as versatile.
    QUESTION
    Film=60:00 seconds
    first 00:10 seconds=>a 2000FRAMES/s animation,
    2nd 00:11-60:00 seconds=> 60FRAMES/s film.
    Exports results in one frame-rate, I have done insufficient research as why this is still a limit,
    or might not be because of simply not knowing enough yet. I created this story that could
    potentially explain our source and the infinite continuation of that and why.
    Thank you for your time, and I do appreciate it already if
    you read this far. Information regarding the question is fine.

    Imagine a movie theater. The projector is running happily away at 24 fps. All of a sudden you want to watch the movie at 60fps. You pick up your cell phone and call the lobby and talk to the manager. He thinks this is an interesting idea so he sends the projectionist up to the booth to look for a speed control on the projector. No luck, this one only runs at 24fps.
    That's how video containers work. You render to a container (mov, avi, flv, whatever) and you've just bought a projector with only one speed. If you want to change speeds in the middle you have to have a very special projector. No way around that.
    So the answer is that you can't render to the same container with different frame rates.
    You can, however, in a single comp, have footage that runs from 1 frame per hour to 99 frames per second. You can interpret the footage placed in a comp at any frame rate from 1 per second to 99 frames per second, which would accomplish what you are trying to do, except for the part that the first hour of the movie rendered movie would contain more than one frame.
    There are different types of containers however that can display each frame for a specific time interval. Animated Gif is the simplest movie container of this type. Flash is the most common. These are non standard video containers and you have to control the timing outside of AE.
    It would help if we had a little less escortaric posing of your question. What exactly, in an actionable question, are you trying to do and why?

  • FCE frame rate problem?!

    Hi, if someone could help me with this asap that would be so helpful?!
    Basically I'm having a problem with the frame rate in Final Cut Express. I was using 3 different Sequences to edit different clips/audio in. I then wanted to put them all in to the same Sequence but when I did the clips were flashing different colours and wouldn't play properly. All of the clips were 30fps however the project frame rate was 29.97fps? How did the frame rate of the project change because I didn't know you could change it and how can I change it back?! Thansk :-)

    29.97fps is the actual frame rate for NTSC (North American) video.  It has historically been called "30fps" for convenience sake.  However in recent years true 30fps capability has appeared even in some consumer camcorders.  This can result in some subtle problems if you mix real 30fps material in a standard 29.97fps sequence.  The "change" you refer to could occur if your clips were recorded at a real 30fps and you put them in a 29.97fps sequence.  FCE will try to conform the clips to the sequence settings.
    For completeness, here is what FCE supports:
    SD video at the following frame rates.  FCE imports DV video as QuickTime/Apple DV during capture from your camcorder
    DV-NTSC @ 29.97 fps
    DV-PAL @ 25 fps
    HD video at the following frame rates.  FCE transcodes all HD video (HDV and AVCHD)  to QuickTime/Apple Intermediate Codec during capture from your camcorder.
    720p25,
    720p30
    1080i50
    1080i60

  • Different frame rates in one movie

    Hi there... have a flash movie at 18 frames p/s, have had to
    embed video which is at 25 frames p/s (obviously this means that
    the video itself is slower than the sound). Is there any way i can
    use action script to control the frame rate of a movie - have it at
    18 fps for a certain amount of frames, then up to 25 fps for the
    next couple of frames, and then back down to 18fps??
    Any help would b greatly appreciated.

    Import with progressive steaming and it will not matter, and
    you shouldn't embed FLV files unless it is absolutely necessary.
    You can't change the frame rate with actionscript.

  • Working with many different formats/codecs/frame rates within one Sequence.

    Good Afternoon,
    As an editor for an ad agency I am being tasked with cutting a demo reel together. Nothing too difficult.
    The reel is to include video footage of past projects, going back a couple years or so. The footage that I will be given will undoubtably be in a variety of formats, codecs, frame sizes, frame rates, etc (all SD, though). Delivery is SD DVD.
    My question is this:
    What is the best way to set up my timeline for a barrage of clips with differing specs?
    Do I encode all the media assets FIRST to conform to my Sequence Settings? Or do I just deal with the large amounts of timeline rendering as I work with different formats and codecs? Or do I....?
    I am running FCP 5.1.4, so I don't have the Open Timeline feature going for me.
    I appreciate any advice and tips you can offer!
    Thanks!

    Your final format is NTSC SD DVD, so you're going to have to go to 720x480 at some point. This is what I would upscale to. Make sure your "client" knows that the 320x240 wmv's may not look to good in the final production.
    Personally I use MPEG Streamclip (an excellent FREE application that's part of many a pro's arsenal) for this kind of conversion and/or upscaling. It's not particularly intuitive (especially for upscaling) so read the manual.
    You may need to get hold of Flip4Mac or Episode for the wmv conversions.
    I would tend to convert to a lossless codec like Apple Uncompressed or Animation. You could try going to NTSC-DV but you're going to lose some quality initially and again when you do the final mpeg2 compression.
    Experiment.

  • 23.98 frame rate

    I have HD footage that has a frame rate of 23.98 fps. Can I edit Final Cut Express 4.0.1 without it converting the frame rate to 25fps? There's no setting in the Esy Setup for 24fps, so I am assuming it will have to re-render everything to 25fps every time I import? Or how do I set the project frame rate to 24?
    thanks

    FCE does not handle 24fps (23.98 fps) material.  Never did.  FCE only handles certain frame sizes/rates/codecs, and you cannot make specific settings other than what is available in the Easy Setups.
    24 fps is a progressive mode; for editing in FCE you would have to convert it to an interlaced mode; or to 720p 25 or 30.  If you are in North America then that would be 60i or 30p.  The 25 fps/50i Easy Setups are PAL (European) settings.
    My main suggestion is to upgrade to Final Cut Pro X.   All other ways of editing the video in FCE involve converting the frame rate, which is not a great thing to have to do as there is always some loss of quality.  You might look into JES Deinterlacer or MPEG Streamclip to convert the frame rate to one that is supported in FCE.

  • How can I edit multiple clips with different frame rates on the same timeline

    how can I edit multiple clips with different frame rates on the same timeline

    You do not want to edit material from different frame rates on one timeline. You CAN do this, but it is a very bad idea - and this is why.
    Once you establish the sequence frame rate - lets say it is PAL material at 25fps, any material that you drop into the sequence other than 25 fps will have to be changed to play at 25 fps. If the material you add is NTSC (29.97), FCP will DROP 5 frames per sec to bring the frame rate down to 25 fps. Which 5 get thrown away? Every 6th one. This yields a funky cadence that becomes even more complex as as there are also interlaced fields (DV/NTSC is an interlaced format). Oh, and by the way, the image sizes are different as well. DV/PAL has 576 lines of resolution and DV/NTSC has 480. FCP has to scale up the NTSC to fit the PAL frame.
    You do not want FCP adjusting these things on the fly. You want to do a thoughtful (and time consuming) conversion so that you end up with all your material in one format with the best possible image from the conversion process. Compressor can do an adequate job with Frame Controls turned on. The Natress Standards Conversion FCP plugin is another way to go. A third option is to find a post house that can do the conversion for you using a hardware based process.
    The good news is, once everything is in the same format, editing it will be painless and the output process very quick.
    Whatever frame rate/ image size you select, I'd suggest using ProRes for the codec. It is 4:2:2 color and will withstand color correction and composting with much more grace than any variant of DV based codecs.
    Have fun.
    x

  • Belkin Pre-N F5D8230-4 v2, slow video frame rate

    After years of faithful service from my D-Link DI-713P, the wired-ethernet switch (to which my iMac was connected) stopped working. I bought a new Belkin Pre-N F5D8230-4 v2 to replace it, and both the wired and wireless connections work fine... except with iChat. I can get a connection (e.g. to appleu3test01), but the frame rate is painfully slow. Running through the router, I get <15fps, <70kbps. Connected directly to my DSL modem through PPPoE, I get 30fps, >700kpbs; same performance as with my old D-Link router before it croaked. This seems to me to be a clear indication that the problem is the router, not my iMac, the DSL modem, or the ISP (SBCGlobal.net).
    Things I have tried to solve the problem.
    1. Port mapping all the iChat TCP and UDP ports listed in numerous locations in this discussion group, Apple support, portforward.com, etc.
    2. Enabling UPNP with and without the port mapping enabled.
    3. Operating through DMZ.
    4. Unbind SIP from port 5060 (see Ralph Johns' very helpful site: http://www.ralphjohnsuk.dsl.pipex.com/page4.html#_text). I was not able to telnet into the router (connection refused), and I couldn't find any SIP configuration on the web interface to the router, so I actually didn't get to try this. I don't have VoIP, and I'm not aware that SBC offers it, so I doubt that this is the problem.
    5. Ensured that iChat ports are allowed in OS X firewall.
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    One other bit of information that might be helpful to someone who understands all this a bit better than I is the entries that are generated in the Belkin firewall security log when I run iChat:
    DoS log:
    2005-10-16 08:17:59 [HOST Attack: UDP Flood] (UDP) LAN to WAN 192.168.2.2:16384->17.202.39.141:16384 [Drop]
    2005-10-16 08:17:59 [HOST Attack: UDP Flood] (UDP) WAN to LAN 17.202.39.141:16384->71.131.221.23:32784 [Drop]
    2005-2005-10-16 08:18:00 [HOST Attack: UDP Flood] (UDP) LAN to WAN 192.168.2.2:16386->17.202.39.141:16386 [Drop]
    2005-10-16 08:18:00 [HOST Attack: UDP Flood] (UDP) WAN to LAN 17.202.39.141:16386->71.131.221.23:33811 [Drop]
    It would seem that the firewall considers the iChat traffic on 16384 and 16386 to be denial-of-service attacks. Shouldn't the port mapping prevent this? If this were the only problem, wouldn't operating in DMZ avoid this problem?
    I have not yet tried changing the firmware version of the router, in part because there seems to be some confusion about what the latest version is: web site lists 1.01.03 with a date of September 2005, but my installed version is 2.00.06. Apparently a version 1.01.04 was released but then retracted, and 1.01.03 is from January 2005, not September. Revision control does not seem to be Belkin's strong suit. Right now I have nothing to lose, so loading 1.01.03 may well be my next step.
    Some configuration details:
    iMac, PowerPC G4 (3.3), 1.25 GHz, 768 MB RAM, 167 MHz bus
    OS: OS X 10.3.9 with all security updates as of 2005-10-16
    connection method: SBCGlobal ADSL through Speedstream 5260 ADSL modem through Belkin FSD8230-4 router through ethernet to iMac
    connection speed: 1214 kbps down, 306kpbs up
    software: iChat 2.1 (v153)
    camera: Canon ELURA70
    Router info:
         Firmware Version 2.00.06
         Boot Version 1.00.00
         Hardware F5D8230-4 v2
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    - Fry -

    Hi Ralph,
    Thanks for the reply. I re-read your page on SIP and realize that it was a modem (not router) issue after I posted. Dohh! Thanks for being so polite.
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    The obvious alternative would be to sell the Belkin (to some non iChat user) and replace it with something known to work well with iChat. I read a recommendation for the Netgear DG834G in another posting, which could also take the place of my Speedstream modem (although there is nothing wrong with it). Any other recommendations from this wise community?
    For the time being I am switching between the router routine tasks and direct-to-modem with PPPoE for iChat. Not elegant, not easy to teach to spouse, but it works.
    Cheers,
    - Fry -

  • How can I use two sequences w/ different frame rates

    I shot wedding (on Sony Z5) initially (1st tape) in DV widescreen (29.97/ 30 fps) but tapes 2, 3 & 4 were shot 1080p24 fps  Big mistake; now obvious.
    Edited all in FCP 6. On trying to cut & paste sequences together I get " cannot nest sequences with different editing timebases".
    I have 23 min.intro/ ceremony sequence as stand alone QT mov now. How can I best convert that and/or merge it w/ the rest ( 62 min. 24 fps  sequences), or perform other action to unite the diff  frame rates into one, w/ best looking quality for the DVD/ bride & groom? Trying to beat Xmas deadline...
    Thanks in advance! Happy Holidays to all.
    3 Ghz Intel Core 2 Duo / 8 GB / OS 10.6.8  FCP 6.0.6

    I went back and forth on this.
    Ordinarily, I'd conform to the format that the majority of the footage was shot in. But if you're going to DVD, and it's going to be compressed to 480 anyway, then why not down convert the 1080 footage to 480?.  At the same time, I would imagine re-timing the 24 (23.98?) to 29.97 would look reasonably consistent with the 29.97 SD.
    This could be done in FCP, but I think Compressor will produce a better result. The adjustments you need are in the Settings menu in the Encoder (with Audio set to pass through), Geometry (720x480 16:9 Anamorphic), and Frame Controls (Resize Filter set to Best).
    This will not be a short encode, so I would first test a short section to double check your settings and sound sync are right, and to compare against the quality of tape 1.
    Good luck.
    Russ

  • Audio sync issues with variable frame rates as well as .ts files

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    I bought an AverMedia Live Gamer HD card to capture 1080p footage with, and the the videos it produces work perfectly during playback. No sync issues whatsoever. I'm saving them as MP4 at 30fps.
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    Is there any way to get around Premiere Pro not working with variable framerates? My .TS files are also out of sync, is there any way to fix that? Without converting or manually resyncing.

    >If not, is this being worked on?
    Discussed many times before... never a "yes" answer to your question... tell Adobe what YOU want at https://www.adobe.com/cfusion/mmform/index.cfm?name=wishform
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  • What frame rate should you build your Flash file at?

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  • Determing Frame rate

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    Have you tried just loading the problematic file? Does is play better? Does this problematic file play correctly alone?

  • Which format and frame rate should I use?

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