FCE4 and iDVD Anamorphic Ken Burns

Question

I created a 60min movie in iMovie8 using three media: 1) NTSC Anamorphic DV from a Panasonic PV-GS80, 2) JPEG 2816x2112 stills from a Panasonic DMC-FX3, and 3) 848x480 motion JPEG video from the DMC-FX3. An iMovie 8 project in 16:9 aspect was burned to DVD by iDVD and viewed on a 16:9 LCD TV with no problems encountered and pretty decent quality.
However, frustrated by the lack of basic features in iMovie, I purchased FCE4 after speaking with an Apple rep at Best Buy who assured me that it could import iMovie8 projects. Although I was carrying a disc with my iMovie project, I wasn't allowed to verify this in the store. Unfortunately, Apple's claim that iMovie8 projects can be imported into FCE4 is grossly misleading at best. They say "With iMovie ’08, putting together a great movie is as quick as drag and drop. When you want to add professional polish to your project, simply export to Final Cut Express 4 and edit like a pro." In fact, contrary to the FCE4 manual, iMovie8 projects cannot simply be opened: Incompatible files. Apple tech support told me iMovie8 projects must first be exported as XML.
The truth is that iMovie8 projects must be tediously recreated for FCE4 because it can't use MP3 audio files (must recapture from CD's), it doesn't recognize transitions (must recreate Ken Burns effects from scratch), and DV NTSC video clips are captured by iMovie8 at a mysteriously bloated 6.4 MBps rate rather than the 3.6MBps they should be (must recapture all DV). Apple must retract its claims or fix its products to enable upwards migration.
Nevertheless, having recreated 10 minutes worth of movie in ten days of experimentation and reading most of FCE's 1152-page manual, I have yet to produce acceptable output from FCE. Besides the frustrating discrepancies between the manual and actual FCE4 operation, my biggest problems have been to maintain the 16:9 aspect in iDVD, and to render still images (with modest Ken Burns motion) with any semblance of quality in the final output.
The FCE4 project settings are DV-NTSC Anamorphic 48KHz. Anamorphic video from the PV-GS80 is captured at 720x480pix, 29.97fps, DV/DVCPRO NTSC, 3.6MBps, 16-bit audio, NTSC pixels, Ana=Yes, Field=Lower (even). Stills are imported at 2816x2112pix, 29.97fps, Photo-JPEG, Square pix, Ana=No, Field=None. Motion JPEG is captured at 848x480pix, 30fps, Photo-JPEG, 1.6MBps, 8KHz x 8-bit audio, Square pix, Field=None.
All these media appear correctly in 16:9 aspect within FCE4. However, unlike iMovie8, when FCE4 exports as QTMovie, the movie is not recognized as anamorphic by iDVD, so it is burned in a horizontally compressed 4:3 aspect. Why are there no options or controls when exporting as QTMovie, which seems to be the only way to avoid unnecessary processing and image degradation?
Experimenting with FCE4's Export Using Quicktime Conversion, I was able to export the movie at 848x480, but at a huge cost in time for unnecessary transcoding and the resultant degradation in image quality.
Experimenting with the Anamorphicizer third-party software that this BBS recommends to solve the incompatibility between FCE and iDVD, I found that the anamorphic aspect is recognized properly by iDVD, but still images are now unacceptably stretched horizontally. This seems like a poor solution to a simple problem of incompatibility within Apple's own products.
Most recently I stumbled upon the observation that if a FCE4 sequence begins with a few frames of anamorphic DV from the Panasonic PV-GS80, this sequence can be exported as a QTMovie which iDVD will recognize as anamorphic, resulting in a DVD with the correct aspect. This doesn't always work, e.g. if the audio is removed from those few frames, or if their opacity is set to 0% to hide them. It reminds me of the Auto Conform feature in FCE4, but my Preference/Edit/AutoConform=Ask, and FCE4 has never asked. Furthermore, this works even if AutoConform=Never. Unfortunately, I don't want to start my movie with a DV clip but with a still, and this results in a 4:3 movie in iDVD. Furthermore, this "fix" doesn't seem to stick: after editing, the sequence can revert to 4:3 in iDVD for unknown reasons. I can find no mention of this behavior in the docs, and FCE4 shows no differences in properties between these sequences, so I don't know why it happens. Nevertheless, it seems preferable to Anamorphicizer, because still images are not stretched. Can anyone tell me why this happens so that I can control it predictably?
My biggest remaining issue is that FCE4 renders still images with Ken Burns slow pans and zooms unacceptably poorly. First, some images but not others seem to have gross interlace distortion throughout the clip, as if the JPEG were interlaced. It seems like this problem develops after editing even for stills that once looked OK. Adding the Deinterlace filter merely softens the distorted images. Oddly enough, adding the Deinterlace filter or the Shift Fields filter and then deselecting it seems to fix the problem. I've tried changing the Field Dominance setting on stills from None, but no help. Since the original JPEG is progressive, this seems like an FCE bug. How can I avoid this distortion in the first place?
Finally there is the issue that Ken Burns style pans and zooms create unacceptable aliasing and shimmering in the output, even if the motion is minimal. Easing zooms by changing Scale fast at first then slowing down doesn't help. Easing pans by changing in several steps (because the Center parameter can't have Bezier controls) makes the aliasing even more noticeable by changing the rate of shimmering in discrete steps. When still images contain significant detail and linear edges, there seems to be no level of Ken Burns motion that will result in a reasonable image on DVD. Why are these artifacts so much worse than with iMovie?
As a newcomer to FCE4, I am very disappointed in Apple's failure to ensure a reasonable migration path from iMovie. Perhaps they have forgotten how the basic "bait and switch" strategy is supposed to work! I hope someone here can help more than two hours of hold time with Apple Tech Support helped me. I would be interested in any recommendations for other vendors' products that produce better results with less aggravation. If not, I am about ready to get my money back for FCE4!

Answer 1

"This will explain what you can do about this..."
I shouldn't be required to purchase QTPro just to fix the anamorphic bit in the movies exported by FCE, especially when iMovie8 sets the bit properly. Seems like an obvious FCE bug to me. Tom, any thoughts on why a segment with an anamorphic clip first is handled properly?
"Where are you seeing the image degradation? Are you looking at the output on a video monitor?"
I'm editing using a 21" ViewSonic LCD monitor, but then I burn DVD's to view on an LCD HDTV. The artifacts are apparent on both displays.
" Changing anamorphic values after the material has been edited into the sequence will result in image stretching."
I assume you mean setting the Anamorphic bit on my JPEG stills: I haven't done that. I'm saying that after using Anamorphicizer, some still images were definitely stretched horizontally. I created these by simply dragging a folder of JPEG images to the FCE browser. Other than setting the still duration default, I don't know what else I should do.
"If you add motion to the images interlacing will be introduced. "
I understand, but it is much worse on some images than others, so I'm trying to understand how I can minimize the ugliness of aliasing and shimmering. On some still images, FCE seems to me to have started with two mismatched frames, so that very exaggerated aliasing appears consistently throughout the clip, seemingly independent of the motion. I suspect data corruption in FCE, and I remember a warning in the manual about corruption being caused by copying sequences too many times, but can't find it now. Could this be my problem?
I've also found that even though FCE claims to be a reference editor, not touching the original files, there is a problem with handling portrait versus landscape JPEGS. After importing JPEGs, sometimes the FCE image matches the file in the Finder, and sometimes it doesn't. When it doesn't, I have found that if I rotate the Finder file, Save it, then Rotate it back and Save again, FCE will finally get its version rotated correctly. This never works by only changing the source file one time: I must do it twice.
"If you're uncomfortable or unhappy with the application you might be better off using another one."
I am mostly disappointed that FCE seems to be so out of sync with other Apple apps, and perhaps buggier than many. My guess is that iMovie and FCE are on a collision course instead of a rational product relationship. I would be happy for any recommendations, because I feel that the time I've invested in learning to use this seemingly overly embellished software may not have been well spent. On the other hand, if someone can correct my misunderstandings, I will be very grateful.