FCP and sony hv1u 24p?

I have a sony v1u and it seems that fcp can not apply the pull down needed for this camera.
I am running 5.0.4,(need to upgrade)
Does anyone know if FCP will have a fix or address this problem?
Thanks in advance.
g-5 dual Mac OS X (10.4.7)

"Capturing HDV Video to the Apple Intermediate Codec
Capturing HDV video is very similar to capturing DV video using the Capture Now feature. The main differences are:
The Log and Capture window is not used.
Capturing HDV video may not take place in real time because transcoding HDV frames into the Apple Intermediate Codec requires special processing steps.
To capture HDV footage to the Apple Intermediate Codec:
1 Click in the Browser to make it active, then choose File > New Bin.
2 Control-click the bin, then choose Set Logging Bin from the shortcut menu.
Your captured clips will be placed in this bin.
3 Name the bin, then press Enter.
4 Choose File > Log and Capture (or press Command-8).
A Capture dialog appears instead of the Log and Capture window.
5 In the Capture dialog, enter a name for the clip, then click Capture.
The capture preview window appears and the camcorder begins playing back video
from its current position. The status area of the capture preview window displays the percentage of real time in which the video is being encoded from HDV to the Apple Intermediate Codec.
6 Press the Esc (Escape) key to stop capturing.
The video playback on the camcorder stops immediately. The capture preview window may lag behind, displaying where the video is in the encoding process. As these frames are processed, the status area of the capture preview window displays the percentage of frames left to process.
Note: Pressing the Esc key a second time stops the encoding process and cancels
the capture. After the capture preview window closes, the captured clip appears in your Logging Bin."
Source: +HD & Broadcast Formats available from the FCP "Help" menu bar item.+

Similar Messages

FCP and Sony HVR-V1U

Does FCP support this new camera?
What about older versions like Final Cut Studio?
Message was edited by: ProImagesPa

Depending on the quality of the product to be delivered to the customer, I've found that shooting in HDV, editing in ProRes 422, then using Compressor to downconvert to MPEG2 for DVD with frame controls on (resize = better) produced MUCH better looking video than starting with DV; fewer moire patterns, less mosquito noise. less primary color banding on diagonal edges, etc.
As for low light, the Z5/Z7 are supposed to have improved the situation with larger sensors, new in camera processing, etc. I don't have one, so I can't address that directly, but I suspect there are expert reviews around somewhere. Once should also consider the Canon XH-A1 series. It has been well reviewed and performs better in low light than the Sony V1U according to those reviews.
But if you iintend to use the camera professionally (I don't), you should go to a pro store with a tape (or memory card as the case may be) in hand and shoot some footage; shoot into some dark corners, view "busy" scenes (chain link fence, anyone?), difficult autofocus situations (for example, with the V1U, where the focus point is NOT in the center: watch is search about for focus), etc.
Then take the tape, etc. and get it ingested to FCP and look at it carefully. A camera is your biggest pro tool, and you should get one that suits your needs and expectations. It is worth the time to test it out and not just rely on reviews here or elsewhere, though they are good starting points for what to look out for.
Eddie O

FCP and Sony PMW 320 love question

So we are ready to FINALLY upgrade to HD here at our channel. I have been looking at the Sony PMW320s and reading about the MPEG2 Long Frame recording. I wanted to know if anyone has good or bad FCP editing experience with this. From what I can tell it is going to be similar to HDV?
I am mainly concerned about transcoding times to ProRes.
I was hoping to be done with HDV but the fact that it records to SDHC cards as opposed to optical discs that require another $3000 machines at desks is an advantage to me.
Thanks for any input on this...

If I receive HDV media on a hard drive, and don't have time to transcode to ProRes, I usually create a matching HDV timeline, then switch the sequence compressor to ProRes, and change the Render Control codec to ProRes too (even though I could keep it on 'Same as Sequence Codec').
Good. But you don't need to switch the render Control to ProRes, if your sequence already is. Well, actually, if you do this you make an ANAMORPHIC ProRes sequence. Just make a ProRes sequence and drop the HDV into it. THen you are full raster from the get go. But, the other way isn't bad... I've done it.
I switch the sequence to ProRes because I bring in a lot of graphics elements, and usually heavily stylise the images, lots of on-screen texts facts and crawlers etc, so rendering is inevitable.
Smart smart smart...!
Could you reassure me; if I have limited time and transcoding hours and hours of HDV to ProRes before I edit isn't an option, is the above work-flow correct?
Consider yourself assured. Just edit in a ProRes sequence and all will be good.
Shane

FCP and Sony HC3... I can control Cam... but no image or capture

Hello.
I just bought the Sony DSR HC3. I can control playback with capture, set in and outs, but there is no image opn the screen.
Any ideas. I did a search and there was one person that had a the same problem, but there was no resolution in the thread.
Thanks in advance for your help.

never mind
i plugged it in directly to my laptop and all is well.
I was plugging it in to the back of my 20 monitor

FCP 6.0.5 and Sony HVR-M15U - DV Connection Issue

My head is hurting at the moment. I cannot get my Sony DV deck to be seen in FCP 6.0.5. I can see the deck as HDV. For DV mode, you have to turn on the iLink conversion. I have set the deck to iLink Set - DV SP. BUT... Final Cut Pro does not see the deck at all.
Here's the specs:
Mac Pro (Late 2007) Quad Pro 3.0
8 gig of matching paired RAM
FCS 2.0 with all of the latest updates.
MacOS 10.5.6
AJA Kona 3 driver version 6.03
AJA Io driver version 2.01 - disconnected unless needed for capture from older tape decks
ATI Radeon XT1900 (512 RAM)
ATTO Celerity FC-42ES fiber channel card
Quicktime 7.6
Adobe Creative Suite Premium CS3 (with all updates applied)
I have checked Apple's tech site and forums, nothing other than removing the old Quicktime receipts and reinstalling Quicktime. I tried this... Still nothing. I tried to use another deck, a Sony HVR-M10U. Nothing!
Before you say, its the firewire connection in the computer, HDV does work just fine. Its DV that doesn't work. I have used it just fine with Adobe Premier Pro CS3 (DV capture and Export to Tape). Apple's iMovie sees the deck just fine, too. I wish I had an HVR-1500 deck so that I could bypass this issue, but I don't have one.
What I ended up doing was exporting my sequences from FCP using Quicktime Conversion and setting it to DV Stream. Then I can import my video into Premier Pro CS3 and Export to Tape. Works perfectly.
If I go back into FCP and try this, I get an error message telling me the firewire connection is not found. My iLink lights on the front of the deck are also off. Its not showing any iLink connection on the deck. Now, when I open Premier Pro, the iLink light comes on for DVCAM.
Makes you go, hummmmmm........
HELP!

>could not get PP CS5 to display the video
As far as I know (from reading only, I don't do HDV) PPro does not show the video during capture... this is not a bug
You should (again, reading only) be able to see the video in PPro while simply playing it on the camera and not actually capturing
CS5 User Guides - online and PDF (see link in upper right corner at individual pages)
http://blogs.adobe.com/premiereprotraining/2010/08/help-documents-for-creative-suite-5-pdf -and-html.html
Over on the Win side many people use HDVSplit for capturing, but I have no idea what is available for a Mac

Have FCP, new Sony HDR-FX7e and an iMac G5 (non intel core) please help

Hi,
This is going to be a bit of a dumb question but i need to ask to be sure of the equipement i have and if i need some new hardawre n my mac to capture the video in HD.
I have an older iMac G5, FCP and a new Sony HDR-FX7e with Belkin 4-6 pin iLink cable.
When i try to capture video that i have filmed in HD 29fps, FCP brings up an error:
Something like: Codec is wrong and also hardware card. I am guessing that the video card is not capable enough as it is the one that came with the mac. Also i am trying to capture the video onto the Hard drive which has 198Gb left. I guess this needs a firewire drive capable of teh right speed.
I am guessing here so please advise as i am so new to this you would not believe and i know it is ambitious of me to expect to plug and play but i can pick it up quickly with the right advice.
Oh, the easy set up i used was on 1080i 60
Thanks,
Neil

Neil,
1) Your best bet is to get 5.1 if you do not have it yet. It is a paid crossgrade, but as long as you have the original install discs it is a simple process.
2) The "e" at the end of your camera indicates that it is the PAL version I believe. Do you edit in PAL? or NTSC? Whichever you use just make sure to choose the proper easy setup.
3) Since you have a G5, I would suggest using that as your video machine. You can get around the firewire situation in one of two ways. First, and best in my opinion, is to purchase a second internal SATA harddrive and install it in the spare bay, set this as your "Scratch Disk" and your off. Second, buy a PCI firewire card and install this in a spare PCI slot, then connect your firewire drive to this. Or, if you feel the need, do both.
4) As for why iMovie works and FCP doesn't, the simple answer is the iMovie is a consumer program that has much lower tolerances than the PRO FCP. From what I understand, iMovie does not capture timecode and does not capture audio and video as separate files, among other things. To do these things there must be proper communication between the computer and camera.
5) Another thought is that your camera may be set to downconvert the footage to SD on output. This might also explain why you got something in iMovie and not FCP. Check in the menu system for your cam and see if it is set to downconvert.
K

Capturing Issues using FCP 7 and Sony HVRZ7U

I am using FCP 7.0.3
On a Mac Book Pro OS 10.5.8
With 2.33 Ghz Intel Core 2 duo processor
I am capturing HD tapes to a WD 2TB external drive.
I am using the Sony HVRZ7U as my playback deck All HD footage was shot on Sony HVRZ7U and Sony HDRFX1.
I have my capture settings set to HDV apple pro res 4222
A. I have noticed that FCP is not capturing in “real time” is this due to the hi res capturing setting? and do I need to let FCP finish process footage even though tape is done with capture? (This usualy adds another 20mins per 1 hr off footage) Is there something I can do to maintain high quality and not have to wait for FCP to be behind capture?
B. Having already gone through aprox 20+ tapes I have come across a few tapes that wont capture? is this due to the fact that not all tapes came from the same camera source? or is it perhaps a bad tape? or something in FCP that went buggy? i tried the usual dumping my preference files, but still fcp keeps frezzing on the capture and then not saving any of the file. I tired to capture smaller portions of tape but still no mater where on tape I try to capture I get same problem

A. Yes and yes. Only by increasing the speed of the processor.
B. Maybe because of the different camera types, what cameras are they? It could be a bad tape. Can you view it playing back in your camera?

Canon HV20 24P HDV workflow, Some things with FCP and Quicktime are ODD.

Canon HV20, 24P, HDV, CMOS sensor...
First, I do hope and pray that the FCP dudes are making this work native at HDV 24p -- great!
But until then, there's a workflow (see below) and a real oddity I can't figure out, and if anyone has any thoughts about it that would be great.
Sometimes, the image captured/shown/exported is a lighter picture, and other capture/playing/export methods are darker picture. Example: the captured 60i from Final Cut Pro has a light gamma picture when viewed in Quicktime Player.
But playback in Final Cut Pro appears darker, and rich. But then exporting it out turns it light again, but export out to a MPEG-2 DVD is darker again? ODD.
Can anyone explain the FCP capture size of 1888 x 1062?
Anyhow, here is some workflow success that I had.
Capturing in Final Cut Pro using the HDV 1080/60i setting with HDV firewire basic NDF. But 60i is evil. So that's not enough. Got to get it to 24P,since that allows 20% more bandwidth, space, faster renders, and DVD players can play it.
Transcoding to a regular editing codec before converting to 24P is required. I found that MPEG Streamclip would create a wierd, jagged edges on small moving figures with high contrast, no matter what the settings, so I refuse to use it to export the footage.
So instead, FCP has an additional capture option of "Apple Intermediate Codec" or something like that, which transcribes it on the fly to AIC. I always stayed away from AIC like the plague, but they must have spent some time with it because it's nearly identical to the HDV original.
Next, open up in Quicktime Player, and start the clip on that second P frame. Sounds odd, I know. Goto the first interlaced frame, and back up two frames. Mark the "I", and then move that Out marker to the end, and then Trim the clip to the selection. Do that with all the clips, and then you can batch 24P them all.
If you don't want to find that one frame each time, here are the other settings:
First, open up the clip inside cinema tools, and then select Rev. Telecine button.
Find out which of these your clip is doing at the very beginning:
p-p-i-i-p - aa
p-i-i-p-p - bb
i-p-p-p-i - bc
p-p-p-i-i - cd
i-i-p-p-p - this is no good. must remove at least one frame from the beginning of source file
i = interlaced frame
p = progressive frame
all settings use the F1-F2, style one, standard upper/lower

Sometimes, the image captured/shown/exported is a lighter picture, and other capture/playing/export methods are darker picture. Example: the captured 60i from Final Cut Pro has a light gamma picture when viewed in Quicktime Player.
But playback in Final Cut Pro appears darker, and rich. But then exporting it out turns it light again, but export out to a MPEG-2 DVD is darker again? ODD.
This is known. This happens with ANY footage you look at in FCP and QT player. QT lightens the gamma of the footage. Why? Something to do with adjusting the image for computer monitors.
Shane

Is there a deus ex maquina for the hashed over HDV- DV conversion issues in the temples of FCP and Compressor??

I want to create a good quality SD DVD from 1080i/60 footage (20 minutes duration) from a Sony ZiU camera (mini DV tape) using FCP and Compressor. I can't do it. My hair has fallen out, but I don't want to throw in the towel.
I have imported the same footage with different FCP presets. The video quality in FCP is excellent.
But once I send the footage to Compressor. I end up with video exhibiting gradations of the following: blurry, jagged edges, jerky movement, darker color. Poor quality especially if a subject (kids playing football) runs fast.
The QT conversion process in Ken Stone’s article (May, 2008/updated in Jan, 2011) provides the most helpful information in getting a quality SD DVD. (Quality means looking as good as SD video DVDs). Except for the fact that the DVD is widescreen, the better quality alternative may just be to stick with the old 4:3 shooting, editing, burning methods that I’ve used for years. Unless of course, I am missing something. Hence my appeal to the knowledgable.
FYI Equipment/software: MAC Pro (OS 10.6.8); ATI Radeon HD 4870; terabytes to spare on 2 internal hard drives; FCS - FCP 7.0.3, Compressor 3.5.3, DVDSP 4.2.2. All applications are on Drive 1. FCP project files, scratch and other setups are on drive 2.
My current settings in FCP appear below. What's wrong here? Better alternative? Or it just may be HDV should not go to a SD DVD.
CAPTURE PRESET: HDV - APPLE PRORES 422
DEVICE CONTROL PRESET: Sony HDV FireWire
VIDEO PROCESSING Render 10-bit material in high precion YUV
I now send the Sequence to Compressor I've tried various settings, and the split screen preview in Compressor reveals on the right side the jaggy, blurred, darker video. Same shows up after submitting; and of course if I try to burn a DVD in DVDSP. I've followed Stone's Aug 31, 2009 article on Compressor 3.5. I experiemented with changes here and there without success (like changing field dominance of even selecting DV NTSC, etc).
If you got this far, thank you. And I really could use the help.
Sorry.Presets: Apple Pro Res 422 1440x1080 60i 48 kHz, HDV- Apple ProRes 422, Sony HDV FireWire. Capture Preset: HDV-Apple ProRes 422; Device control Sony HDV FireWire. Sequence Settings: 1440x1080 HD (1440X1080) (16:9), PIixel HD(1440x1080), Upper/Odd, 29.97, Compressor Apple ProRes 422. Message was edited by: Richard Fera

Michael,
Thanks for the helpful comments. Two tactics today helped. Where ever field dominance was indicated I made sure "upper/top" was the same everywhere throughout FCP and Compressor. That almost eliminated the jagged edges. Also, in the easy setup, I selected Apple ProRes 422 as the format, using HDV to ProRes HQ - Sony -1080i60. Sending direct to Compressor rather than through QuickTime conversion also help produce a clearer, less dark picture.
I'll try your suggesstions especially adding compression markers. I'll check back with you on results.
Thanks

Help with FCP and long project editing - Thanks!

I have posted several questions in this discussion group and in the iMovie group to no avail. I get a lot of answers, but not from anyone who has actually done any of the editing I am seeking. So if anyone has actually done the editing I am describing below -- I appreciate your help. Yes, I have searched the archives -- but again, I see a lot of confusing feedback. I have been working on this for three days now and it's driving me crazy! I have discovered that iMoive is $#@% -- and does not work with a long project, (40 minutes) so I am thinking about switching to FCP-HD. Thanks.
Here goes:
1: I need to transfer original master footage, 1080i HDV from a Sony HDR-FX1 to an editing program, edit the tapes (over 5 hours total) into a 50 minute "program". I then need to "share" or export the footage back to a new tape, using the Sony HDR-FX1 as the receiving camera. Simple enough.
2: I need to make sure the outgoing footage is of equal quality as the original footage taken from the camera. I am guessing here, that the footage can be edited in FCP-5 as "native" -- then transferred back to the Sony?
3: I am assuming that the native footage is just that -- and will not require the long process of converting to another format, e.g., ASI that takes hours to
render. (as in iMovie).
4: I am assuming I can edit and view HDV as native footage in FCP in real time, like iMovie, via firewire from the camera?
I really appreciate any assistance.
Chance

Welcome to the family, you'll be joining us soon.
The FCP product page says: > It features powerful new multicamera editing, native HDV support, ... edit everything from DV and SD to DVCPRO HD and fully uncompressed 10-bit high-definition video. Or work with new formats like native HDV (long-GOP MPEG2) and 50Mbps IMX... HD editing requires a 1GHz or faster PowerPC G4 or G5 and 1GB of RAM (2GB recommended).<
You seem to have the hardware including the Flux-o-pator, but, really, you want to talk to an Apple reseller who handles FCP and understands HDV via Sony. I don't like the way you're using "I am assuming..." You can't assume anything. Give them a chance to sell you FCP or Studio and go demo your camera on their system. You will have concrete evidence of the minimum machine specs and how well you can get your files in and out of the application.
Call you local Mac user group and try to locate other FCP users.
Try also the creativecow.net forums for Sony HD products.
Google your camera model for support groups.
bogiesan

Missing "(sent)" files roundtripping b/n FCP and STP

Sorry, but I'm posting this here because the STP forum is quite slow to reply. And, I'm not sure if this is an FCP or STP issue.
I have just finished my first project using STP. I was doing a lot of round tripping b/n FCP5 and STP (about 15 clips) and everything was working splendidly. Airconditioner noise easily zapped! A beautiful thing. Annoying pops and cracks removed with just a few clicks of the mouse. More beautiful things. Then...I finished the project (thank gawd), output via Compressor and into DVDSP. The final DVDs are produced and the client loves them. But, I had both a 30i and 24Pa version of the project. I had originally edited the 30i version and then duplicated this project and removed all the Advanced Pulldown to produce the 24P version (without having to re-edit; another beautiful thing). Note, I DID NOT do the STP round-tripping until the 24P version of the project. After everything was complete, I deleted the 30i project (it was never needed) leaving just the 24P version on the internal disks.
Suddenly, when I next opened the 24P version of the project ALL OF THE STP-FIXED AUDIO WAS GONE! NOW OFFLINE!!!
Where the heck did they go? And, where were they originally? When you round-trip like this, what kind of file is STP (or FCP) creating? In the Browser, I noticed FCP creates a new audio file clip icon and appends "(sent)" to the original audio clip name (e.g. an audio clip with the name "21DConfRoom03" has a duplicate? audio clip created, presumably by STP, with the new filename "21DConfRoom03 (sent)")
Where are these so-called "(sent)" audio clips source stored on disk? Where in the standard FCP file structure are they? Is it possible FCP was putting them into the 30i version of the project file structure by mistake? (remember, i first edited in the 30i project version before duplicating and creating a 24P version).
Any help is appreciated.
Thanks,
-Michael

When you say ProTools outputting individual aiff, is it a mix down file?
Yes. I have certain audio configurations that we need to output for the networks. Ch1 & 2 are a stereo mix, then CH3&4 might be Mix minus Music, then Ch5 Mono Dialog, Ch6 Mono Prod Audio. Ch7&8 SFX....9 and 10 Stereo music.
So the mixer mixes down what we need for the various tracks.
Also, as I change my film, is there any way to update the found files in ProTools?
Don't change your cut. You should not be sending the audio to the mix if you aren't done cutting. You wait until you have picture lock, then send the audio. If there is a change, then you re-export the OMF, they reconform, and send new tracks. HOW does the audio guy conform? Got me...I just know that they can.
Shane

What's a good codec for working with Sony HDCAM 24P How much storage space

cutting a short film shot with Sony HDCAM 24P Is there a sequence setting foe 24P and should I keep it 24P? What's the storage requirements for this or where can I look it up? Thanks!

dvcProHD is also a great offline low demand codec and you can maintain 23.98 frame rate

720 progressive output from Sorenson Squeeze and Sony Z1 HDV

Hi
I have a one off project where I need to film some shots in portrait 16:9 for output on (lots of) 720p digital screens on their sides. I plan on filming this with a Sony Z1 camera in 1080i HD mode on its side and then down-sizing in FCP and converting to progressive WMV files with Sorenson Squeeze.
I know the Z1 doesn't really do progressive filming. Would it be wise to hire a camera that does support it natively for best results? Or would Sorenson Squeeze do a good job of de-interlacing to 720p for HD LCD panels? Plus, does anyone know of a bracket-type attachment to mount cameras at 90 degrees on a tripod?
Any suggestions or tips for best results would be much appreciated, and thanks in advance for any help!
Message was edited by: doug m
Message was edited by: doug m

Tom,
I don't think that your issue is with the Z1. I think that it is with HDV footage in general (nasty format and all) but you don't want to hear that so let's work on getting you going.
1) You do need some sort of external monitor. YOu have several options, Cheapest is to buy a Matrox MXO and an Apple or Dell 24" monitor. Other options include cards from AJA or Blackmagic. If you are doing everything in HDV I would recommend something from AJA or BM that way you can capture to a more easily editable format like DVCProHD. Do a search for Kona, Blackmagic or capture cards aadn you will find a wealth of info.
2) for this footage you need to look at the original tapes on an HD tv and see if you are seeing the same thing. This will determine if it is a compressor issue.
3) How low did you set your bit rate? Max should be below 7 or some DVD players will have issues.
4) in DVDSP you should be able to bring in your QT ref file and it will encode it for you. If it won't import it makes me wonder if it is being exported properly. Are you going out of FCP by FILE>EXPORT>QUICKTIME>with current settings, and check Make Movie Self-contained?
One more thing, in this process you are not working with film, others here may be more harsh about this but you are using video so let's call it what it is.
K

FCP and a stuck force quit

hello
i have the final cut studio 5.1. it has been working ok on smaller projects. now however ti won´t work properly giving me beach balls at least 4 times a day which results in the only way out to force quit. Which works.
however - it will keep its little triangle icon in the dock and thus won´t allow for me to reopen the app.. the only thing i can do is to reboot the whole machine - which is really annoying... trying to force quit again won´t help - and even apple alt esc will find fcp and will take it out of its list if i press force quit there - but the app keeps coming back to the list...
this problem has been bugging me for days.. .is there any other way of killing it so that it is truly dead? via terminal? maybe? if so, how??
thanks for all help!
enno

> i have 1.5 sure i could stack it up but it should work
with just 1.5 as well...
Oh - I see . . .
So Apple are just kidding when they say 2 GB minimum?
(I don't think so)
It may not be the actual cause of your problem but it certainly isn't enough RAM - and RAM problems can cause many faults.
Are you running two external HDs at once?
I think your System is under powered for what you are trying to do.
You don't have enough free space and you're just asking too much of it.
Remove all Firewire and external devices, and try running something easy, like word for an hour or so. If all goes well, try a different App (but just one App at a time) gradually building up to FCP last.
If all seems to be OK, reconnect some hardware one at a time. If you hit trouble, you know what to suspect - so re-start the test, but this time, using the suspect App or Hardware first. If the problem re-occurs you should be able to prove what's causing it.
Andy
G5 Quad 8GB. 250+500 GB HDs. G-Raid 1TB. FCP 5.1.1. Shake 4.1. Sony HVR Z1E Mac OS X (10.4.7)
"I've taught you all I know, and still you know nothing".

Final Cut Studio 6 and Sony Deck HVRM15U

Is Final Cut Studio 6 compatible with the Sony HVRM15U deck. NTSC Format connecting to Mac with Firewire and recording back to tape from Final Cut.

I bought the HVR-M15U Deck last week but I am having difficulty understanding the Menu settings. I intend to transfer HDV video (mini-DV tape) from the deck to FCP and then from FCP out to the Deck on a full size DV tape. I have connected firewire directly to the computer (no 3rd party capture card) and FCP tells me that my device capture pre-sets are wrong. I used Easy Set-up for HDV. Is there something I need to do with the Deck's menu setting so that I match up with FCP? Also I tried capturing from the deck to imove 08. imovie does control the deck but I get no image in the imovie capture screen on import. Anyone used the deck with imovie 08?

FCP and sony hv1u 24p?

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