FCP- DVDSP sequence settings. frame size
Question of sequence settings. when making a DVD, will the sequence setting, Frame size make a difference?
We are just starting to edit a documentary, which uses alot of still photos and graphics. The rest of the video is shot on DV. I have tried laying still photos on the DV sequence, but it looks like still photos look really compressed and blurry. Not so good quality wise. If I set it to CCIR 601-NTSC, the photos look super good. We are NOT outputting any digi-beta uncompressed, but only to DVD.
I am editing sequence in NTSC DV, but thinking of just before getting outputting with compressor, I am thinking of changing to uncompressed sequence CCIR 601-NTSC, and then compress it to MPEG2. (doing this later so that i can do alot of edits RealTime and worry about picture quality later) of course the picture size does get smaller... I don't really know the effect of this on a teleframed television.
Will that make a difference? Seems that if I go through DVcompression AND MPEG2 compression, both, is more compression than MPEG2 compression itself. Is there a site that talks about it?
Thanks in advance.
Lost
I only have "a bit" of experience working with stills in a DV sequence. But one thought concerns how you are integrating the stills and the video. I assume you are going to pretty much intermix the stills and the video and audio (interviews or whatever) that may go with video and stills.
The DVD format, of course, supports stills as a slide show directly, but this will not accomplish the intermix very effectively.
As far as size-quality, you may want to import the stills are larger than DV image size and then pan across them, etc.
At the end of the day, to achieve a seamless edit job, you are probably going to need to have all the stills sitting on a regular DV timeline for export / encoding to MPEG2.
I honestly do not put much stock in the differences between viewer and canvas. I always use an external NTSC monitor to judge the final appearance. I started with a cheap TV and recently upgrade to a nice JVC production monitor. This is the real measure of the final video, in my experience.
Similar Messages
-
Advice on sequence settings - frame size for VHS video in FCP
Hello,
I was hoping that I could get some advice on editing and output for video captured from VHS Tapes to ensure the best quality possible.
My current workflow to digitize the VHS tapes is:
VHS signal from JVC S7600u with TBC into ADVC 300 (no de-interlace or other filters set) into a Mac Pro via firewire. Capture preset in FCP is DV NTSC 48khz.
Once in FCP - the captured VHS video frame size is 720 X 480, Vid rate is 29.97, pixel aspect is NTSC-CCIR 601 and field dominance is lower (even)
My questions are:
If my final destination is for You Tube sharing , are these the best sequence/ frame size settings or should I convert the sequence frame size to 640 X 480, or should I leave at 720 X 480 while working in FCP and then output to Compressor and select the H264 you tube sharing video setting and change the frame size to 640 X 480?
Should I de- interlace for internet/youtube destination?
Should I de-interlace for DVD/TV destination?
If I want to burn the finished project to DVD and watch the video on a progressive montitor/ TV screen, what would be the best settings/frame size for that?
If any of you out there have experience with editing vcr/analog video in FCP and have a good workflow to ensure best quality, I would really appreciate any advice/suggestions.
Thanks in advance.Digitize to 720X480 frame size in FCP. In compressor, your YouTube preset will automatically deinterlace and a square pixel aspect ratio.No deinterlacing for DVD.
Russ -
Sequence Settings Frame Size, LIMIT?
I want to export a sequence that's 1080x5760. Essentially 3 1080p screens right next to each other. Every time I enter this custom setting into the frame size of my sequence, I get a 4000 limit for both height and width. Shouldn't FCP be able to handle this size? Is it limited by my GPU?
FCP currently does not support anything over 4K.
-
FCP-DVDSP sequence PAL footage transcoding
hello,
I write asking of help in order to
(a) make a proper transcoding workflow and sequence to edit MPG footage with FCP
(b) output and convert for DVDSP.
I dont know FCP compression and settings so well, and i think i made some mistakes...
I use mac 10.5.8 Leopard on POWERpc with FCPStudio 7 (in the past i was using FCS5).
I need to shrink 2 videos 50min duration each (100min total), in order to fit on DVDSP.
I get a disc meter error my footage is 5.8 GB and exceeded space limit.
this is the 2/2 DVD (1rst is burned ok- it is alsmost full).
My files m2v are about 1.6GB each and inside DVDSP seem that
occupy 2.5GB each (rendered ?)ps for SD.
I recently received some mpg files from a sony hdd camcorder Dsr Sr58.
It has split scenes saved as MPG files which i transcoded to various formats
and tried to import them in a prores444 sequence in FCP to edit.
footage is handheld and has shaky parts too for most of the time.
this does not seem to be an HD camcorder, and i assume, despite the fact
it has a 1:9 LCD records 4:3 and 16:9 anamorphic. I have attached an image
of the folder names i get when i plug the camera via usb on my mac.
I cannot also understand, what is the frame rate recorded by this camera.
i believe it is INTERLACED 25fps. I see evident lines on my mac @ playback.
I need to burn PAL SD DVD (50fps) at the end.
When i open a file in MPEG streamclip, shows 1024x576 frame size unscaled.
However, when i open it in QT shows 720x404.
I firstly used MPEG streamclip and exported to QT making 2 versions
(a) Photo JPG compressor codec @ 80 quality
(b) Prores444 @ 70 Quality.
I did not Deinterlaced in the transcoding stage at all.
I then opened (a) in FCP and i saw i needed to render all clips inc audio
I exported to mov but files are huge and when i make m2v files are 2GB each.
i tried (b) and saw i needed to render the clips again. The m2v files are about 2.2GB each
and there is NO way to bring the quality slider down in FC sequence settings. Seems locked to 100%.
So... I abandoned temporarily and ask for any help here.
Can anyone suggest me a procedure, on
(a) Make a proper project sequence that wont need
render the files each time i import them from transcoding
(b) Suggest how to use compressor and the variable bit rate setting to decrease size further ?
thankshm... thanks for sugesting JES. it seems when i feed this movie file in JES and choose deinterlace, the program crashes when file gets about 100%.
yesterday i tried to burn the interlaced footage on DVDsp deleting clip1 to be able to burn it.
I made the m2v file using compressor and set BIT RATE to 3,7mbps average. max rate=6.4mbps
Motion estimation= good, and mode= one pass vbr best. i imported them in DVDSP...
burn was ok. i played the dvd on 2 different dvd players (no pc/mac), on PAL TV.
the first played image ok. i mean stady shots appeared clean with tiny interlaced lines sometimes.
The shots that had camera shake and fast PAN (amateur video) showed flickering on TV and during pan
they were leaving a semi-transparent trail behind peope. like a ghost shadow.
The second one, played a more smooth version of steady images without showing the interlaced lines. however, same shadows appeared when fast pan occured, with slow prosumer camera speeds i believe.
JES does not work for a reason on PPC DC 2ghz or i make wrong settings....
I tried deinterlacing (progressive) with MPEGstreamclip, and worked ok. the
Now, my question is.... if i make m2v files again, same bit rate, burn in DVDSP, will the dvd player, play them ok on PAL tv (which uses interlaced lines to display the image) ? -
FCP 6 Sequence Settings and RT playback problem
Hi everyone
Have recently bought a copy of Final Cut Pro Studio for my macbook pro
I know to play video in FCP in real time all the sequence settings need to match the captured video/file settings of the clip.
All my settings are matching, Ive tripple checked them but they are STILL saying I need to render the clip before playback in SafeRT.
Have tried deleating files and re-importing them ect still no go.
The file ive imported is a DVCPRO HD codec.
I cant render everytime I want to play a video - thats not an option. It should be okay if all the settings match (Which I belive they do) but still not working.... is there a vital setting I may have missed?
Im running FCP 6 on a
Mackbook pro 17"
5400 rpm sata drive
NIVIDIA 8600 geforce 256MB graphics card
160GB hard drive
2.0 MB Memory
this prob is SO WEIRD
cheers
hYeah tried doing that, plays okay but really want to get the safeRT working properly
wow - i didnt realize that the 5400rpm drive in the macbook pro would preform so poorley with compressed codecs such as DVCPRO which is a pretyt standard codec yes?
I guess the 7200rpm drive now is def the way to go - i was getting one anyway
so does it matter that the computer drive speed is 5400rpm when working of a 7200 rpm firewire 800port drive? I assume that if all the media is on the 7200rpm the computer internal drive would only be running the program, which would be more then enough do you agree?
Its looks as if FCP 6 has some way of recognising the computer drive speed for accessing the media and determining whether it is fast enough or not, if not, wont even try to attempt to play in RT resulting in the red render line, no matter if I have my sequences settings all set up correctly and matching. This is something that I am unclear about in the software. -
Question: PE4 -- missing presets, project settings frame size disabled
Hi -- I'm running PE4 and with YouTube's new widescreen abilities, I want to make some widescreen (16:9) videos, rather than the ol' 4:3 ratio.
However, in the intitial set up when I'm creating a new video, when I attempt to change settings, I discover that all the presets are missing. Using windows explorer, I discover that they are all no longer available. Where did they go?
And by the same token, I can't seem to edit my settings, either. From the edit menu, then preset settings, then general... The frame sizes are disabled and no amount of fiddling with the other settings will enable them.
Am I missing something obvious?
I also feel that the simplest way of fixing the problem would be for someone running PE4 to create a wide screen video in 16:9 and e-mail me the working files. I should be able to clone that over and over for videos. Just an idea.
Please help!You can only change your PROJECT presets when you start a project. You can't change them mid-project.
As for output presets under the Share tab, if you're not finding those, then something is wrong with your installation and you probably need to either uninstall and reinstall (you won't lose any work if you do) or at least do a repair install -- do an installation without removing the program from your system. -
Basic FCP Sequence Settings question for 1080 footage w/ 7D
OK. So maybe it's the fact I've been working for 18 hours straight and my mind is partially play-dough, but I'm thoroughly confused right now by what I think may be the dumbest question ever.
Anyway... here's my problem and my workflow.
PROBLEM:
Stupid black box above and below my 1080 footage after I export to QT out of FCP (this box never existed in my 720 footage)
WORKFLOW:
- I have 1080/30p footage from a Canon 7D and Rebel T2i
- Converted to Prores 422 in MPEG Streamclip (I can never keep the file system intact to use the FCP EOS plugin. I need to work on that)
- Imported into FCP7
1080 SEQUENCE SETTINGS:
Frame size: 1920x1080 HDTV 1080 (16:9)
Pixel Aspect Ratio: Square
Field Dominance: None
Editing Timebase: 29.97
Compressor: HDV1080p30 (Also tried ProRes)
Quality: 100 percent
After I export to Quicktime with current settings, the video plays back with a small black bar above and below the footage. Weird. This seems kind of normal to me, except these bars never existed when I edited in 720. Not that it looks bad, I'm just confused why the bars are there when they weren't there in 720.
720 SEQUENCE SETTINGS:
Frame size: 1280x720 HDTV 720p (16:9)
Pixel Aspect Ratio: Square
Field Dominance: None
Editing Timebase: 29.97
Compressor: HDV 720p30
Quality: 100 percent
When I export this, no black bars above and below.
So why -- If my settings are basically the same except for the 1080/720 substitution -- do I get the above/below black boxes for 1080 and I don't get them for 720?
I don't think I want the box. Don't like the box. The box is bad. I think.
Thanks.I'll send my thanks over here, too, Shane. Posting on multiple sites because project is due today.
Hopefully this will be a lesson learned and my sequence settings are point-on from here on out.
If anyone else is reading this and has a similar problem, though, Shane came up with the solution:
"Highlight all the footage you pasted...then right-click and choose REMOVE ATTRIBUTES. Then check BASIC MOTION." After checking basic motion, you also have to check distort.
And if the quicktime inspector doesn't read out 1920x1080, don't worry about it and just trust FCP.
Thanks for the input, all. -
Sequence settings to 1920x1080
I am using a Sony XDCAM-EX1 camera Full HD camera and am shooting in full 1920x1080p30 format instead of the normal HDV 1440x1080 format.
But in FCP6, in Sequence setting, when choosing the Frame Size or Pixel Aspect ratio, I am not given the choice of 1920x1080 but the highest shown is 1440x1080.
In this case I feel that I am loosing the quality of the HQ 1920x1080 picture that is generated from the EX1.
However, I see that I can make a custom setting. If I determine on a custom basis 1920x1080 in picture size menu, will it be OK? And what precautions should I take when I want to export the sequence for working into DVD Pro and burn a blue ray disk with the highest picture quality?Sorry Shane but it does not work that way.
I did expactly what you said:
1- In Easy Setup, Format = Sony XDCAM HD
2- Use = XDCAM HD 1080p30VBR
3- Rate 29.97 fps
Then I create a new sequence and go tos equence settings and I have:
Frame size = 1440x1080 (HD(1440x1080) (16:9)
Pixel Aspect Ratio = HD (1440x1080)
Editing Timebase = 29.97
Compressor = XDCAM HD 1080p (35 Mbs)
So I dont have what you said: 1920x1080 picture size.
What else have I missed ???
But when I import a clip which is 1920x1080 (full HD 1080p30HQ from the EX1), it asks to change or not sequence settings to match the clip setting. I click on yes.
Then I have in Sequence settings:
Frame size = 1920x1080 (HDTV 1080i(16:9), like I said in my previous Post.
Therefore I reiterate my comment saying that FCP apparently works with interlaced but not progressive with 1920x1080. Can you confirm ? If not "educate" me (sorry about this term) on how to make it work with 1080p, or explain to me that it does not make any difference if it is 1080i or 1808p which I doubt would be the case. -
Help with Custom Sequence Settings
I'm wondering if anyone might be able to assist me with a question I have regarding custom setups and timeline rendering?
I am working on a sequence of still images (.*tiff files) in a custom timeline that I've setup to match the resolution of the 30" Apple Cinema Display (2560x1600).
Up until this point, whenever I work with high resolution (*.tiff) images in a 1920x1080 sequence, the images are often twice the resolution 3840x2160 and do not require any rendering. They automatically scale to the dimensions of the timeline and everything is just straight forward.
The problem I'm having now, is that whenever I drop a 3840x2160 image into my custom 2560x1600 sequence, the image still scale to fit the sequence, but I immediately get a solid red bar across the top of my timeline and cannot figure out why I need to render everything. All of my sequence settings are the same with the exception of the dimensions and interlacing disabled.
Here are the sequence settings:
Frame Size: 2560 x 1600 Custom
Pixel Aspect Ratio: Square
Field Dominance: None
Editing Timebase: 29.97
QT Video Settings: Apple ProRes 422 (no interlacing)
If anyone knows of a way that I can setup a custom sequence such as this without having to render everything right from the start, I would greatly appreciate any tips on how to do this...
Thanks!
~GregMy guts say, you can't. RT Extreme is the technology FCP uses to playback without rendering. It likely is only turned on for standard video resolutions. (i.e., those that are shot by video cameras or electronic cinema cameras - like RED 2k). That might be the largest you can work with without rendering. It's 2048 X 1152 for a 16:9 image... Just guessing, but bet I'm close to right here. Filling your CD though will not be a standard video size at all, because it isn't 16:9... it's 16:10 so might not be able to do what you like to see I'm afraid without rendering.
Jerry -
How do I match a clip to sequence settings and sequence presets?
I'm getting the warning: Attention - This clip does not match this sequence's settings or any or our sequence presets.
I'm trying to figure out how to set things up in Compressor so that my clips do match my sequence settings and presets. The issue seems to be with the audio not matching.
Here are the sequence settings:
Audio-2 Outputs
Frame Size- 1920x1080
Vid Rate-24fps
Compressor-Apple ProRes 422 (proxy)
Aud Rate 48.0 KHz
Aud Format 32-bit floating Point
I shot all the footage with a Canon 5D Mark II. I'm using Compressor to convert all my original clips. The only thing I don't seem to be able to match is the Audio. I can't find any way in Compressor to encode clips that have "two outputs" in the Audio column.
The dialogue box for "Sound Settings" in Compressor doesn't offer any sort of options, that I can find anyway, to generate clips with "two outputs."These are the Compressor settings:
Description: Apple ProRes 422 10-bit video with audio pass-through. Settings based off the source resolution and frame-rate.
File Extension: mov
Estimated size: 16.36 GB/hour of source
Audio Encoder
Apple Lossless, Stereo (L R), 48.000 kHz
Video Encoder
Format: QT
Width: (100% of source)
Height: (100% of source)
Selected: 1920 x 1080
Pixel aspect ratio: Square
Crop: None
Padding: None
Frame rate: (100% of source)
Selected: 24
Frame Controls: Automatically selected: Off
Codec Type: Apple ProRes 422 (Proxy)
Multi-pass: Off, frame reorder: Off
Automatic gamma correction
Progressive
Pixel depth: 24
Spatial quality: 50
Min. Spatial quality: 0
Temporal quality: 0
Min. temporal quality: 0
These are the sequence settings:
Frame Size: 1920 x 1080
Editing Timebase: 24fps
Field Dominance: None
Pixel Aspect Ration: Square
Anamorphic 16:9: Off
Video Processing YUV allowed (8-bit)
Compressor: Apple ProRes 422 (Proxy)
Millions of Colors (24 bit)
No Data Rate Limit
No Keyframes Set
Quality: 100
Audio Settings:
16-bit 48.000 kHz Stereo
I made screen shots, but don't see how to paste them into this post. -
So I'm trying to export a file from FC7 at 720p, but it always comes out stretched, no matter what resolution I have the export set to. The source clips are mostly 1080p, but I chose to edit 720p because my Mac was just too slow to be able to efficiently edit in 1080p.
Sequence settings:
Frame Size: 1280x720 (HD 720p)
Pixel Aspect Ration: NTSC - CCIR 601 / DV (720x480)
Anamorphic: Off
The clip settings are mostly 1920x1080, however I'm also working with some still images that vary in resolution. In editing, all of the clips are zoomed in, as I'm trying to cut out some aspects of the image, and focus on specific details within the clip's frame.
In the canvas, the image looks just as it should be, but whenever I export, it is noticeably stretched. I feel like I've run out of options, and I'm thinking of re-editing the entire thing (it's not that long) in 1080p. My gut tells me that it has to do with the clip formats being different from the sequence settings, but I can't figure out anything else that I could try to get it to export properly.
I was hoping if anybody had any ideas, they could shoot them my way. I'd appreciate it.
Thanks!Unfortunately this did not work, but I feel like it should have when I observe the clip settings. Interestingly, when I set the sequence Pixel Aspect Ratio to square, the image on the canvas appears stretched in the same way that it does in all the exported files that I had previously created. The clip settings are as follows:
Resolution: 1920x1080
PAR: Square
Compressor: H.264
Frame rate: 59.94
Other images that I used are varying resolutions, but also have a square PAR. The sequence settings are as I mentioned in the opening post, but here are some added details that vary from the clip settings:
Compressor: Apple Proress422
Frame rate: 29.97
I tried changing all of the PAR of the clip settings to match the sequence settings, but this didn't work either. Honestly, I think I might just resort to working within 1080p where the sequence settings are changed to match the clip settings exactly, because I opened up a test sequence and it works just fine this way. I appreciate the help a lot though, thank you! -
FCP export sequence looks like crap, part 2.
Yesterday, some of the expert helpers asked me some questions I couldn't answer succinctly or even surely, so today I started up recording the answers.
Sequence>Settings:
frame size: 384x216
Aspect Ratio: custom (16:9)
pixel: square (anamorphic not checked)
Field dominatrix: none (whew)
29.97
Quicktime Video Settings:
compressor: photo jpeg
quality: 35%
I didn't set any of these. I opened the program, created a project, imported a folder full of photos for my time lapse sequence and dropped them into the timeline. I know that their actual size is much larger than 384x216. In fact they are 3216 × 2136 pixels.
However, I either get a frame size like the setting here (384x216), a large frame with crappy quality, or a tiny frame. Obviously, I am changing values trying to get to the original size or at least HD. Although, I am a little better than a monkey throwing poo at the screen, maybe not much...adjust the setting to fit the screen.
this is what I've been trying to explain to you.
Remember that not working with images larger than they need to be is certainly a easy way to increase your productivity with Final Cut Pro.
And you can set how the images are scaled on import in the user preferences:
http://mediacommons.psu.edu/node/9267 -
Help, I am using a mix of jpeg stills with jpeg video for final out put of a DVD and Bluray 16:9 what settings do I use in the Sequence settings? I am keen to use the full quality of my material as I am using the Nikon D3s. Until now I have been using settings Frame size:1920x1440, Pixel Aspect Ratio:Square, Field Dom: None, Compressor Uncompressed 10bit 4:2:2
In the Audio/Video Settings: Sequence Presets Uncompressed 10-Bit pal 48KHZYou'll want a frame size of 1920 x 1080. I would just make put the Jpegs into an Apple Pro Ress with 1080i setting. That way your renders should be pretty quick as opposed to using a Long GOP compression like HDV. It will also afford you a very nice color space and beautiful picture for Blu-ray. Once you're done with the cut, simply export it using File>Export>Quicktime and use that file for your Blu-ray and Standard Def DVD.
-
Help! Trying to change frame size of project/sequence
I have tried everything I can to change my project's frame size to 320 x 240 from 720 x 480--modifying sequence settings (nowhere to change size, just "timeline options" and "render control" tabs), clicking on the sequence's frame size in the browser (even with option and command), going into user preferences, system preferences, item properties, project properties without any dialog box that will help me make the change. I checked off "Prompt for seeings on New Project/Sequence" in User Preferences, but it only gives me a pop-up menu with the Easy Setup options. What's happening? This is taking me forever to figure this out. Any help would be greatly appreciated. Thanks.
Hi Bob,
Why do you want a project at 640 X 480 ? You will not be able to print it to your camcorder.
Just put those values in quicktime conversion box, and your exported movie will has this frame size.
May be the confusion become from the aspect ratio of pixel...
DV pixel are displayed "as square pixels" in Final Cut Express, if you uncheck this option in viewer, you will get a horizontal squashed image.
That's because TV set do not handle pixel like computer monitor and your camcorder record it with this aspect.
So don't be concern with the 720 or 640 question: just export your movie using quicktime conversion set to 640X480 for viewing on computer (like I suggest earlier) or simply "print to tape" from FCE to your camcorder (with stretched pixel for TV monitoring).
Michel B. -
I've got some DSLR footage filmed at different frame rates (25 and 50) and as a result also different sizes (1920 x 1080 / 1280 x 720) compressed as H.264.... can anybody advise me as to what format the footage would edit best in (fastest render times) what my sequence settings (frame rate and frame size) should be in FCP while editing a mixture of both these types of footage? I understand that setting the frame rate at 50 is suitable for slowing 50fps footage down by 50% but would this affect the 25fps footage?
Any help would be brilliant, cheers.Convert both to ProRes. If you want, Magic Bullet Grinder will make this process very fast, and upscale the 720p footage to 1080, and make the 50fps into smooth slow motion 25fps. It utilizes all the processors in the computer.
Sadly it doesn't bring in the source timecode nor assign a reel number (important to professional editors). The only way to do that is via Log and Transfer...here's the workflow for that: Tapeless Workflow for FCP 7 Tutorial
Most important is to backup the files, and to convert to ProRes. What footage do you have the most of? What format do you want to deliver? These are what help you decide what format to edit in. Do you want the 50fps to be slow motion? Then use can CONFORM with Cinema Tools. And edit in a 1080p timeline (720p will be upscaled).
Shane
Maybe you are looking for
-
I go to : Tools, options, content. it has on top: Load images automatically . it has a button: exceptions. I enter a web site there so it will NOT load images automatically- does NOT work. OR I un-click the load images automatically which makes ALL w
-
Hi, I am planning to use RFBIBL00 to create an interface for posting accounting data from third party systems. Can somebody tell me how to get the field list from the structure of this program and also how to get the sample file for this program. I t
-
Long Running SQL and ORDS Spawns Multiple Database Sessions
Hi all. We have a strange situation when accessing a long running SQL Report (a single APEX Page). The SQL takes about 15 mins to run but when I monitor what database sessions are spawned by the APEX Listener, I see multiple sessions all executing th
-
while Using Tomcat it will throw out of memory for 50000 records and the weblogic throws Out of memory error for 2 lakshs records, and the Ibm server throws Out of memory error for 1 laksh records
-
NWDI Support Information for SAP MII
Hi, The SAP MII application version 12.1 and beyond has integration with NWDI to manage query templates, display templates, transactions, and web pages. Does anyone know the correct component so the OSS tickets get directed to the right support group