Feature Request: Monochrome / Grayscale / Black & White

We have an iPad, and bought an AirPrint capable printer. Printing works fine, and set up was a breeze.
Most of what is printed is black and white text from emails, and it would be fantastic if on the print screen a toggle was made for color vs (black and white / monochrome / grayscale) printing.
I don't think it would be that big of a deal, as it is a feature that every printer driver should have already (as opposed to duplexing - which is also a good feature to add).
Is this in the pipleline as a feature? Either way, reply to this post and maybe it could be a priority.
Message was edited by: dgravenor

Not something we can help you with.
You can submit it here: http://www.apple.com/feedback/

Similar Messages

AppleScript-Droplet: convert image to monochrome / grayscale / black&white

Hello,
i am used to applescript itself and now willing to write me a small droplet which converts dropped images (jpg & png) to grayscale images.
right now i am wondering which might be the best application i could use for that ?
First ideas was ImageMagick (somehow special ...macports) or Sips.
Is there any chance that i can use a more usual application like Preview from applescript to do the convert task ?
any ideas ?
Best regards
fidel

Hi Piere,
that looks great - i added the applescript/keystroke part for save & quit and the result is perfect for my needs.
My mistake was to just check the offered options in automator - ignoring the keystroke possibilities.
Thanks once again
Best regards
fidel
code:
on open droppedImages
tell application "Preview"
activate
repeat with currentImage in droppedImages
open currentImage
tell application "System Events"
keystroke "c" using {option down, command down}
tell process "Preview"
set value of value indicator 1 of slider 2 of window 1 to 0
-- other image modifications are possible here
end tell
end tell
end repeat
tell application "System Events" to tell process "Preview" to click button 1 of window 1
-- save
tell application "System Events"
keystroke "s" using command down
end tell
-- quit preview
quit
end tell
end open

Converting part of an image to Grayscale (black & white)

Q. I want to make part of an image grayscale but keep some color elements.
Answer: There is always more than one way to do something in Photoshop.
#1 Select the area you want to be grayscale. Create a new Hue/Saturation Adjustment Layer (half-moon icon in the Layers palette). Dial down the Saturation.
#2 Make a copy of your image and make it Grayscale.
After creating a layer in the color image with just the part of your image you want to still be color paste the Grayscale image under this layer.
Your image will still be a color image with elements that look grayscale.
#3 In CS3 (version 10 ) use Image > Adjustments > Black & White

It's all virtual right now. Various issues keep the points from being displayed, but it does contribute to the "level" setup which at some point will function (I'm guessing) much like the "old system" where you get certain bonuses (personal avatars, etc) depending on the "level" you are in the system.
I'm already a level 4, so points only contribute to my "reputation", I guess. But TPTB have suggested that we inform users of the Forum on the proper way to use it to build a better community.
Thanks for the "Solved"
Patrick

FEATURE REQUEST: Enhanced Texture Options in FW

Recently, a forum user was asking how to change the color of a texture in Fireworks to red or blue. In particular, he/she was struggling with attempting to apply a texture to a white object, and it wasn't showing up.
http://forums.adobe.com/thread/1006694?tstart=0
The question got me thinking about textures, how they're created and how they're applied. Textures are a unique and distinctive feature of Fireworks. On the one hand, the interface for textures is very simple to use and almost magical; on the other hand, it's surprisingly limited. The concept is great, but the implementation seems only half-baked.
With this in mind, I'd like to suggest a few simple ways that textures could be made more fluid and versatile in Fireworks.
First, a little background...
WHAT IS A TEXTURE?
In the world of Fireworks, a texture is basically a type of pattern that's applied to an object. However, unlike a pattern fill, textures include transparency and integrate with the existing fill content (color, gradient or pattern). They're suggestive of textures in the real world, which are often tactile and defined visually by light and shadow.
Texture graphics are most commonly grayscale ("black and white") in GIF or PNG format. Applied within the application, the graphics are converted "on the fly" to white-on-transparency. If the Transparent option is checked, the graphic is converted into a sort of mask, making the "textured" areas invisible instead of white.
And that's about it.
So what if you'd like to apply a dark texture to a white object? Sorry, it can't be done. What if you'd like to apply a texture in color? It can't be done. What if you'd like to reverse or invert the pattern of the texture? Can't be done.
Well, in fact, these things can be done, but not directly. They require workarounds such as cloning the object and placing the clone above or beneath the original, applying textures as pattern fills (instead of as textures) and adding effects like Color Fill, Invert, and Convert to Alpha, or editing the texture file directly, saving out a new copy, etc. In short, there are unintuitive ways to accomplish these goals that lead to bloated effects lists and layers or that require extra time and care.
HOW CAN TEXTURES BE IMPROVED?
First of all, does it make any sense that textures are applied exclusively in white? Not really. In the real world, a texture can be defined not just by light but by shadow. And even shadows can have color. This means that, at minimum, it would make sense to allow for the application of a texture in black, and, at maximum, in any chosen color.
Secondly, textures are relative. They represent change to an existing surface. Sometimes, it might make sense to highlight the texture itself; other times, the surface around the texture. This means that being able to quickly reverse the figure-ground relationship of a texture would be a very handy feature.
With the above concerns in mind, I've devised three 'user interface' scenarios, presented here in order of most conservative to most extreme. The first scenario is the least powerful but still doubles the number of possible outcomes (compared to the existing interface). The second scenario may be the most logical of the bunch and represents a modest evolution of the existing interface, while increasing the number of potential outcomes even further. The third scenario allows for the application of any color to a texture but also represents the biggest change to the existing interface; that said, it's also quite compact.
Scenario 1: Invert option
The idea here is simply to add an Invert checkbox to the existing options. Checking this option would convert white to black, allowing for the application of dark textures to white or light-colored objects. In "Transparent" mode, this option would invert or reverse the figure-ground relationship of the existing texture.
Scenario 2: Dropdown menu plus Reverse option
Here, the Transparent checkbox is replaced by a dropdown menu that includes 3 mutually exclusive options: White, Black, or Transparent. Checking the "Reverse" option would invert the figure-ground relationship of the texture. This scenario allows for 6 possible outcomes in place of the existing 2, and is actually more logical than the first scenario, which conflates two options.
Scenario 3: Color picker plus Reverse option
Here, the Transparent checkbox is removed, and in its place, a color chip/palette is added to allow for the selection of any color to be applied to a texture. (Choosing Fill: None would create Transparency.) Again, a "Reverse" option would invert the figure-ground relationship of the texture. This scenario differs most from the existing interface but is quite compact and allows for the greatest number of outcomes.
SO WHAT CAN YOU DO?
I've submitted a feature request to Adobe's official site:
https://www.adobe.com/cfusion/mmform/index.cfm?name=wishform
When it comes to bugs and/or feature requests, every vote counts. If you care about this issue, I encourage you to submit your own feature request to the above URL, referencing this post if desired. Feel free to copy and paste the feature request below or write your own. (Be aware that there is a 2,000 character limit to the "issue description" of a bug report or feature request, and the following report is very close to that maximum.)
FEATURE REQUEST
Product name: Fireworks
Product Version: 12.0.0.236
Product language: English
*******Enhancement / FMR*********
Brief title for your desired feature: Enhanced texture controls, including the ability to apply textures in black and/or color (instead of white), and the ability to reverse or invert texture.
How would you like the feature to work? Three possible implementations have been outlined in this forum posting:
http://forums.adobe.com/thread/1042206?tstart=0
The basic scenarios are as follows:
SCENARIO 1: An additional "Invert" option. Checking this option would convert white to black, allowing for the application of dark textures to white or light-colored objects. In "Transparent" mode, this option would invert or reverse the figure-ground relationship of the existing texture. This scenario would allow for 4 options in place of the existing 2.
SCENARIO 2: Replace Transparent checkbox with a dropdown menu (White-Black-Transparent) and a "Reverse" checkbox. The dropdown menu offers 3 mutually exclusive options, while "Reverse" inverts the figure-ground relationship of the texture in each case. This scenario would allow for 6 options in place of the existing 2.
SCENARIO 3: Replace Transparent checkbox with a color chip/palette and a "Reverse" checkbox. The color palette would allow for the application of a texture in any color, while choosing Fill: None would create Transparency. This scenario would allow for the greatest number of options.
Why is this feature important to you? Textures are unique to Fireworks and potentially very useful, but their implementation is incomplete. The use of 'white only' means that textures cannot be applied to a white object. Inverting a texture or applying a texture in color requires advanced workarounds and can lead to bloat. The suggested options would make the feature exponentially more powerful and intuitive.

Thanks, Jim! It is a very blog-like post. (I still haven't gotten around to starting a blog but keep thinking I should.)
I figured the clearer and more thought-out the presentation, the greater the likelihood it might get implemented. Also, I was originally stuck on Scenario 1 as a solution, and writing this helped me see other options.

BUGS and FEATURES REQUESTED. Please add to it.

I've been using the z10 for the past couple weeks and wanted to start a thread of comprehensive Bugs and Features Requested.
I've labeled Bugs by letters (A,B,C...) and Features Requested by numbers (1, 2, 3...) so that others can add sequentially.
BUGS
(Not listed in any particular order)
(A.) Contact App adds current date as birthday. When I edit my contact, the current date gets listed as the birthday in local contact.
(B.) Duplicate telephone numbers listed. Telephone numbers show up twice in my Contacts (e.g.., if I have the contact's cell saved in (000) 123-4567 format and the person has the number listed in Facebook, I get a duplicate entry of +10001234567).
(C.) Telephone numbers and emails are not actionable in Web pages. In webpages, I can't click on telephone number to call (e.g., I look up a phone number for a restaurant). I should be able to easily call or copy into the Phone App or E-mail App.
(D.) Auto capitulation for words on the word substitution list is wrong. For example, when the word substitution contains more than one word. I have "ru" change to "are you" but if the first letter is capitalized (R) then both words become capitalized words (Are You). I used to have shortcuts like "mysig" to create email signatures with legal disclaimers but I can't do that now.
(E.) Backspace delete doesn't work consistently. The Shift+Delete function seems only to work after moving the cursor. This feature is the Alt+Del action to delete words after the cursor.
(F.) All Emoticons do not list. Emoticons do not all fit on the the two screens (lists) of emoticons. I.e., two columns are missing from view and can be seen when sliding (swiping) between the lists. Also, sometimes when I select an emoticon, it doesn't correspond with the picture of the one I intended. I believe this error is related. As a separate note, there should be a way to see the underlying symbols of the emoticon. (Often times, other people don't have BlackBerrys so I'd like to know what symbols would be sent--my prior 9800 would show the characters as i scrolled through them).
(G.) BlackBerry keyboard doesn't always work in input fields. E.g., certain Web pages. (I found a work around; two finger swipe up from the bottom makes the keyboard appear)
(H.) Sent messages stay unread. This seems to be an issue when an app sends an email (e.g., share article). The email with the sent indicator (checkmark) stays bold and I have listed 1 unread email. I can't mark as read/unread but if I delete the sent email, my unread message gets cleared.
(I.) Contact already added but I get the option to add instead of view contact. For some contacts, I get the option to add to contacts in the action menu cascade when that person is already in my address book. This bug is for emails and text messages.
(J.) Cannot call from text message. When I hold a text message and select call under the action menu cascade, the OS opens up the phone app but doesn't call.
(K.) Composing messages by name. When composting messages, the input must be by first, middle and last name. It should be, instead, by string and include nickname. E.g., if the person's name is "Andrew B. Cameron" I must type the name in as such. I can't type in "Andrew Cameron" or "Andy Cameron."
Features Requested and Suggestions for Improved User Experience
(In no particular order)
1)      Option to reply in different ways from the Call List. Be able to select a name in a call list and have options to call, text or email the person. The action menu allows calls to other numbers but I can't choose to text or email the contact instead. Sometimes, I missed a call and want to reply via text because I’m not able to talk. (Long hold on the Torch 9800 trackpad button brought up the action menu allowing me to call, text, view history, add to speed dial, e-mail, delete, etc.)
2)      Option to reply in different ways from the Hub. Related to above, when selecting an item in the hub, have the option to contact the sender or caller with multiple different ways.
3)      Only show number once in contacts application. Tap on the number to bring up the "action" cascade menu with options to call or text the number. Why is the same number listed twice (once to call and below again to text it)?
4)      Timestamps for individual text messages. I can't tell exact time on individual text message if it comes in near the time of another text. All messages are in one "bubble."
5)      Ability to select MMS or text for a message. Sometimes I write a text longer than 160 characters and I prefer it to be sent in one message (i.e., MMS mode) rather than being broken into one or more standard text messages. I had this ability with my 9800.
6)      Send button should be moved for text messages!!! Why the heck is it right underneath the delete button?!? Or next to the period button? I often times have accidentally hit send when composing text. It's very annoying and embarrassing. (Also, what happened to the ability to hit enter for a return carriage to next line?)
7)      Bigger magnifying glass. My finger is often over the area I need to place the cursor. I find it difficult and erratic to place the cursor.
8)      Select all option. Add the option to select all text in action menu cascade.
9)      E-mail recipients and message headers. Difficult to tell if you are one of many email recipients. Can we have a way to pull the email down to see the list of recipients rather than have to click to expand the header info? I know this request is a little picky, but that's how it was done in the previous BlackBerry OS which I preferred; it is easier and faster to pull the e-mail down and 'peek' to see which e-mail box received the message, message status, from and to fields. This change would be consistent with BB's flow/peek rather than click.
10)   Browser navigation. Hold down back arrow to get a list of recently visited websites similar to a desktop browser.
11)   Dark/Night mode. A night mode (maybe in the drop down menu) to change all the white and bright backgrounds to black or dark which would be helpful when reading/viewing things at night in bed/etc.
12)   Number of contacts. Ability to see how many contacts I have.
13)   What happened to groups or categories? I'd like to have back the ability to filter or see categories and also a way to contact everyone in a category. E.g., family or friends or coworkers, etc.
14)   Shutter sound mute. I was at a wedding and wanted to take pictures during the ceremony but the shutter would was too loud.
15)   East Asian Language Input. I bought my parents two Samsung Galaxy S3 phones over the weekend because they need Korean input (and the Kakao talk app). (BTW, S3 is a great phone but I prefer the Z10 after having the weekend to use the Android phones).
16)   Ability to freely place icons on the homesreen. Currently, icons are forced top left-right-to-bottom. I prefer to space my icons out.
17)   Add a contact to the homescreen. I'd like to place a shortcut (similar to a Webpage) to the homescreen for a contact which will open up the contact. Android allows this feature and so did my previous 9800.
18)   Search Contacts by nickname. The contacts app doesn't allow me to search by, e.g., Andy, even if I have that as my contact's nickname. The previous OS allowed this type of search which was very helpful.
Finally, as a note, I've been using the BlackBerry Z10 for the past 2 weeks and it's a great platform. I just bought two Samsung Galaxy S3 phones over the weekend for my parents so they could use the Korean language input and related features so I spent a lot of time with the Android platform, setting it up and teaching them how to use it. The S3 is a great phone too.
I prefer, however, the way BlackBerry has done their OS 10 and the integrated management of messages.
It's too bad that BB doesn't have Korean input and apps like Kakao Talk or I would have considered it for them.
The BlackBerry 10 is a great platform and I look forward to the continual improvements that will only make the experience better.

This is a great post.
I couldn't have written it myself better.
I'm also in dying need of Korean input as I can't communicate with my Korean friends.
But I second every point.
I hope the tech teams are reading this.

Feature Request: Photo Borders and Copying in Books

These are a few related feature requests. If anyone knows of a better way to do this with the current software, then I would love to hear it.
When making books I like to have borders around the pictures of various colors (usually black or white) and various widths. In Apeture this is a pain to do. I fiqured out that I could fake it by making a picture box and inserting a solid black picture into it and then creating a smaller picture box in front of it for my real photo. This might be tolerable if I could at least then select both picture boxes and their contents to copy and then onto other pages as a template that I can resize as needed.
Ideally I would love to be able to copy and paste multiple elements on a book page and I would like to be able to define photo borders. Any chance of seeing this in the near future?
Thanks,
Sean

Thanks for the reply. You are right, the cut and paste works fine, it just didn't work the way I expected it to. Maybe that is a GUI design thing to consider. I was actually trying to click and drag a selection box like you might do in iPhoto to select multiple images that are right beside each other. This doesn't work at all in Aperture, but your method does work just fine.
I agree with the other poster that some additional features like:
Photo Borders
Export to PSD (with layers)
Custom page sizes and Custom themes
would be very nice and start to make that tool truley useful.
Thanks for a really nice product. Keep up the good work and stay ahead of the pack.
Sean

+ Camera Raw Feature Requests +

UPDATE:
We're interested in what changes you would like see in our products. Do you have an idea for a feature that would help your workflow? Is there a small change that could be made to make your life a little easier? Let us know! Share an Idea, Ask a Question or Report a Problem and get feedback from the Product Development Team and other passionate users on the Photoshop Family product Feedback Site on Photoshop.com.
In future it would helpful if you could use this thread as a means to add
"Features" that you would like to see in future releases of Adobe Camera Raw.
Please do NOT create additional new Topics and try not to duplicate requests by other users. Also, be thorough in your description of the feature and why you think Adobe should consider it.
Oh, and if you find it necessary to comment on someone's feature request/suggestion, try not to get into a shouting match. The penalty for doing so is...
b If you're asking that a particular camera is supported in a future release or just taking the opportunity to carp that yours isn't then please do so in another thread!
IanLyons
Forum Host

Here's my wishlist for ACR. I'll list the feature first and then in a separate section afterwards, I'll explain why I want it.
1) Shadow/Highlights
2) Multi-instance and modeless behavior for ACR so I can truly have ACR open, Bridge open, PS open and work in all three and even open another ACR window.
3) The ability to open one image into PS and keep the rest going in ACR when you have multiple images open in ACR.
4) The point locator feature for curves like curves has in PS so you can find out what tone area on the curve a given area in the photo is, just by clicking/dragging over an area on the photo.
5) White balance assist to make it easier to get skin tones right when there are no good grayscale references in the photo.
6) An ACR pref to have a suffix automatically added to each filename when it goes into PS so after editing it in PS, I can just hit Ctrl-S and not have to manually add a suffix onto every single image I edit in CS.
7) A drag/drop bin for recently used saved settings in ACR and shortcut keys for cycling through a preview of those settings (described in more detail below).
8) A pref to allow the Save Images folder in the Save dialog in ACR to default to the directory of the RAW files rather than the last directory used.
9) More sophisticated sharpening in ACR (like smart sharpening).
10) Ability to set label or rating when only one image open in ACR.
11) Ability to delete and close when only one image open in ACR.
12) An easier way to see how a rotated image looks. There is no way in ACR to see the straight version of an image you've rotated slightly.
13) Shortcut keys to cycle through saved curve settings.
Here's the explanation for why I want each of these:
1) Shadow/Highlights. A significant percentage of my images need no other adjustments in PS except shadow/highlights and it's a big workflow savings to be able to finish a picture in ACR instead of having to take it into PS.
2) Multi-instance and modeless. The CS2 behavior is better than it was before because you can set it up for Bridge to host ACR and still be able to use PS. But, I often open many images in ACR and the current design still forces me to serially finish all those images in ACR before I do anything else becuase I'm blocked from going back to either Bridge or PS (depending upon who's hosting ACR) and I can't open any other images in ACR. This forces a serial workflow when sometimes I'd like to be able to be in the middle of one workflow (a hundred images open in ACR), but go do something else in Bridge and PS for a short period of time. I can't do that today.
3) The ability to open one image from ACR into PS while keeping the other images in ACR. When I see the preview in ACR, this is often the first time I've seen my images at any decent size. I often find I want to take a few into PS just to see how well they fix up with certain changes or to see if they benefit from things I can do in PS and can't in ACR, without discarding all the other images I have in ACR at the time. So, again, I am forced to serially finish all the image I have in ACR before I can take any into PS. I'd like to be able to open the selected images in PS and keep the others in ACR.
4) The point locator feature that PS has in the curves dialog is very valuable for finding out where on the curve a given feature in the photo is. I'd like that feature in the PS curves.
5) White balance assist for skin tones. One of the hardest things in ACR is getting the white balance right for skin tones when there is no easy gray reference in the photo. I don't know how it would work (I think this is an area for your invention and cleverness), but I'd like some sort of white balance assist that helps me pick a white balance that leads to a pleasing skin tone. I'd be willing to tell ACR where the skin tone is by pointing at it.
6) I add a suffix of "-edited" to ALL images that I open in PS from ACR. That means I have to type that suffix on every image when I hit the Save command in PS. I'd like a preference in ACR to automatically append a suffix onto the filename when it goes into PS to save me that typing on every single image. I've even tried to figure out if I could write a script in PS to do this for me (if file extension is a RAW file extension when user hits save, then add default suffix to the filename before Save dialog comes up), but I haven't figured out whether it can be done via script or not. I know that others save their PSD or JPEG files to a different directory than their RAW files (I keep all of mine in the same directory so this isn't an issue for me), so I imagine they'd like the ability to specify a default relative path also to save having to point every PSD they save in PS to a new directory.
7) Drag/drop bin for RAW settings. In a workflow of processing 200-800 RAW files, I'd like the ability to easily and temporarily save a small number of RAW file settings (10 would do). I know you can do it in the pull right menu in ACR today, but that's too much typing and clicks to make it worth it. I'm looking for something that allows me to pick a bunch of files from a shoot, identify a representative "sunny" shot and drop it's settings into a bin that I quickly label sunny. Then, when other sunny shots come up, rather than having to scroll around to find that image or go back to bridge to find that image, I just drag it out of the bin an drop it on the selected images. I don't want it to persist globally because then they pile up and I have to clean them up. I do need them to persist between ACR sessions as long as Bridge or PS is still running because I often process my RAW files in many ACR sessions. The whole point is to make an easy place for me to deposit a small number of saved settings so I can easily (very few mouse clicks or keystores) use them again while processing the same shoot. It's all about speeding up the workflow and letting me re-use work I've done earlier in the workflow. In my experience, this happens most often for white balance and curves since I'm more likely to tweak exposure on nearly every shot anyway.
8) When I hit Save Images in ACR, it remembers the previously set directory. In my workflow, I want it to default to the directory of the first image I'm saving. The way it is now, it is NEVER the right directory so I always have to change it. It could be smart enough so my normal workflow never has to change it. Even better, I'd get to set a pref that was a relative path from where the first image is located. So, when I'm saving JPEGs, I could have a default path of ./JPEG (a sub-directory under where the RAW files are located). Other people would want ../JPEG (a sub-directory at the same level as where the RAW files are stored).
9) In the spirit of getting as much of my work done in ACR as possible, I'd like to see a unification of the sharpening functionality so that ACR can do smart sharpening with all the same features. That would again keep many of my images out of PS and drastically improve my workflow.
10) I'd like the ability to set a label or rating when there's only one image open in ACR. Because you can do this when you have multiple images open in ACR, I'm programmed to set this in ACR, but that workflow programming is busted when I only have one image open.
11) I'd like the ability to delete an image from ACR when there's only one image open in ACR. Just like with labels and ratings described above, I'm programmed to want to delete a ruined image when I see it up close in ACR and determine it's no good. In this case, I think I'd like to just hit the trash can icon and have the ACR window close and have the image deleted in one single step.
12) When I straighten an image in ACR, there's no good way to see how the rotated version looks at full size. All you get to see is a thumb in ACR (if you have multiple images open) or a thumb in Bridge. To see whether it rea

Adobe Acrobat X Pro update to 10.1.2 removes Print to Black & White option

I used to be able to print a PDF to black and white (grayscale is of no use to me) right in the print dialog window, but once I updates, that feature was replaced with a note that says "Click the Properties button" to change the color setting using the specific printer driver - which, in my case, is the PDF printer driver - but it doesn't work.
Any work-arounds or ways to revert my version to the previous one?
Thanks.

In the Acrobat dialog, when Adobe PDF is selected as your printer, click on the Advanced button and select Color management on the left-hand panel. Under the Color Profile dropdown try selecting Black & White. Just remember to set it back to the default when you need to print color again.

Black&White adjustment layer problem

Hi all,
When I try to apply a black&white adjustment layer in Photoshop CS3 Ext., I get the dreaded message: "Could not complete yor request because of a program error". This is true for Tiffs and PSDs (8bit multi layered or 8bit flat) but not for jpegs. Is this a bug or a feature? Or am I doing something wrong?
Thanks for you time,
Francois Hendrickx
Amsterdam

Could be a hardware acceleration issue with the b&w effect. Turn off OpenGL to verify. also make sure your adjustment layer is not clipped/ masked/ repositioned/ smaller than your comp. Remeber: The adjustment layer merely defines the area to which the effect will be applied, the actula processing still happens on the buffer below it. For anything else we will need more info ansd screenshots. We do not even know what version of AE you are referring to.
Mylenium

How can I print in black/white only a document that has colors in the original?

How can I print in black/white only a document that has colors in its original. I don't need the print out to be in color, and I don't want to waste the color ink.

It depends on your printer and the application you are using.
In some applications you can choose color vs. greyscale/black&white when you do File > Print. PowerPoint is one example of an application that allows this choice.
Otherwise, you can usually select greyscale at the time you print the document. Do File > Print. In the resulting dialog box, there should be an item called Copies & Pages (in Word and other applications) or Preview (in Preview). Click it. In the resulting list, you should then see an option called Printer Features. Click it. Then you should see an option called Printout Mode. Usually one of the modes is Greyscale or Black & White. Select it. Then Print.
This can also depend on your printer. Exactly what make/model printer are you using? And what kind of document are you trying to print (Word, PPT, JPEG, etc)?

How can I convert RGB Color to Black-White Color?

Dear everyone!
I am using Photoshop CS5. I have got a file from my customer which is done as RGB and the resolution is 300dpi. There are black texts and color images in the file. I wish to print Black-White Process Film (1 black color), but I don't know how to solve it. I started converting my file to Grayscale and then the black texts are not black enough because it becomes lighter. When I go to Level and adjust the color, both the image and texts becomes darker. What must I do to make only texts blacker without effecting the image?
Please find the attached file for the reference.
For more information, please let me know.
My Best Regards,
LUCK

luck_lesson wrote:
...I have got a file from my customer which is done as RGB and the resolution is 300dpi. ..
What file format was supplied to you? Was it truly RGB @ 300ppi or did you rasterize a PDF?
300ppi is lousy for text. You might converse with your customer to instruct them on the ideal way to supply a file to you.

Using a script to get the color of a colorized Black & White Bitmap image

I've been running into this wall for quite some time and would greatly appreciate any help that can given for it.
I have an Illustrator script that runs inside of a BridgeTalk session within an InDesign script. Yeah, it's complicated. The upshot is that the Illustrator part opens up an EPS file, looks through all objects on a certain layer in that file, and returns an array of the colors used in it. So, it looks at fill colors, stroke colors, gradient stops, etc. One of the biggest stumbling blocks (next to PlugIn Items, which I'll ask about in a separate post) is getting the color of raster images.
Most raster images, I realize, are going to be CMYK or RGB images, but our company mostly deals with either Grayscale images or Black & White Bitmaps that are embedded in the EPS file. Those two allow the ability to colorize them by simply selecting them and then choosing a color, such as a spot PANTONE color from one of their color books.
Now, I need the script to read the color that the raster image has been colorized with. This works okay for images that have a GrayScale color space, as the script just looks at Colorant[0] of that image. However, I run into a problem with Black & White Bitmap images. Here's a piece of code that I try to make work with an EPS file that has a raster image:
var document = app.activeDocument;
for (var i = 0; i < document.layers[0].pageItems.length; i++) {
          // Stepping through each item on the layer.
          var currentItem = document.layers[0].pageItems[i];
          $.writeln("Current item is " + currentItem.typename);
          $.writeln("Number of channels is " + currentItem.channels);
          $.writeln("Color Space is " + currentItem.imageColorSpace);
          $.writeln("Colorized Grayscale? " + currentItem.colorizedGrayscale);
          $.writeln("Number of Colorants: " + currentItem.colorants.length);
          for (var j = 0; j < currentItem.colorants.length; j++)
                    $.writeln("Colorant number " + j + " is " + currentItem.colorants[j]);
          $.writeln("Its parent is " + currentItem.parent);
          $.writeln("Parent's typename is " + currentItem.parent.typename);
This code runs successfully on an Illustrator file that has a Black & White Bitmap image on the top layer, but if you try and run it, you'll see the problem: Even if you've colorized your Bitmap image with a PANTONE spot color (and the script even returns "true" on the line "Colorized Grayscale?"), Colorant number 0 is "Gray". It should be the spot color assigned, not "Gray".
Can anyone please help me figure out how to get the script to recognize the actual colorant of a Black & White Bitmap image in Illustrator?

If you're a professional photographer with 50,000 pictures stored now and more coming all the time, you need to forget about using iPhoto and get yourself some professional-quality digital asset management software. iPhoto is not meant for people like you, and instead of providing a simple, elegant one-stop answer to all your needs, iPhoto is actually complicating your life.
You need an application that will:
- catalog ALL your images and keep track of where they are, no matter how many DVDs, folders, partitions or hard drives they're spread over;
- display thumbnails of ALL of them, even when the DVD that contains them is not present in any drive, so you can select all the ones you want for a project;
- find and copy (or export) the originals of all the files you've selected in the browser window, even if it means prompting you to insert the necessary DVDs for all of them.
I suggest Googling "digital asset management software Macintosh" and seeing what turns up. I used to use an old version of Extensis Portfolio, and even that would have been better for your purposes than iPhoto is.

How to export a CMYK document to a black/white or greyscale pdf for print?

Hello, I have some knowledge in graphics design, but very little about color management.
Currently I need to convert an instruction manual I made to black and white output only. We'd prefer to keep the indesign (.indd) and it's source images in their respective colors, but when exporting the document to a pdf my printer can use, we'd like to make that document a black and white pdf, as it's a black/white manual anyway. A little color conversion isn't to bad, as long as it's reasonable. all images that might give trouble are in greyscale anyway.
So how do I export a full color indesign document to a black&white/greyscale pdf?
ps:
very newb question, but if you don't ask, you never learn:
When do you use the colours "registration", and when do you use "paper"?

I am also trying desperately to convert my CMYK colors into a grayscale so that when I print the document the printer only uses K (and C=0 M=0 Y=0)
And I saw this bit of info you wrote a few months ago. I am working working with photoshop CS4. I tried to follow it but I found the following difficulties. Hope you don't mind me writing over your text.
RGB image --> Grayscale
New doc --> CMYK image,same size, empty
Copy Grayscale and paste into the K-channel of the CMYK image. - (It only allows me to copy onto the CMYK layer but not onto the Black so I had to Drag layer onto channel delete the black layer and rename my new layer as black but then the document changes from CMYK to Multichannel and I have to re-change the mode again to CMYK but this already prints CMYK...)
Place image in InDesign doc.
Everything else (vector, text) by K-only.
(...then when I placet that CMYK file into InDesign, and PDF it, on the output preview still separates the grayscale image into CMYK and when I print, the printer still prints CMYK instead of only K)
So then I say OK so.. let's use the Multichannel document instead, which it actually seems to print on K only (while CMY=0), it only allows me to save as PSD. and when I try to place it on Indesign... I have a message saying that this file is using an unsupported colour space, only RGB,CMYK, lab, indexed, and bitmap are supported by the photoshop filter
On top of that I have been asked for a Jpeg image in black and white which prints only K (while CMY=0). I have tried with channel mixed presets and even though the info on screen is now C=0, M=0, Y=0 and K= various values, when I send it to print. The printer still prints with all the CMYK colours
Any advice would be so much appreciated!
Thank you

Convert color images to black&white bitmaps

Hi,
I have black&white scans of public domain books (image format). I use an OCR software to convert them to indexable PDFs (image+text format). However, the OCRed PDFs are insanely big: a 27 MB scanned PDF leads to an indexable PDF of 728 MB! And unfortunately, my OCR software doesn't have output settings, so I have to find a way to compress the files using Adobe Acrobat 9 Pro.
Using Advanced Options > Optimization does reduce the file size, but not significantly. The problem seems to be that my OCR software converts the black&white scans to color images, and encodes them as such inside the PDF. So I need a way to set the image modes back to black&white. I tried using the Advanced Options > Preflight dialog, and selecting "Convert to black&white". However, the resulting PDFs stay about the same size! It seems that "Convert to black&white" converts the images to grayscale, instead of to bitmap.
Any help would be appreciated!

I mentioned "bitmaps", because when I open the original PDF and right-click a random page and select "Modify image..." and open the image in Photoshop, the mode is set to "Bitmap mode": meaning 1-bit mode, containing either black or white pixels. However, when I do "Modify image..." for the OCRed PDF, the mode is set to "RGB Color Mode". I think this explains, in part, the huge size of the OCRed PDF.
Maybe this table will make it more clear:
Original PDF (Bitmap Mode, 132 dpi)
Size: 27 MB
OCRed PDF (RGB Color Mode, 300 dpi)
Size: 728 MB
Now, from the table above, it's clear that I have to reduce the image resolution. So, using the Acrobat's PDF optimizer, I tried the following settings:
Optimized OCRed PDF: Try 1 (Downsample to 132 dpi, JPEG compression)
Size: 733 MB
Optimized OCRed PDF: Try 2 (Downsample to 132 dpi, ZIP compression)
Size: 449 MB
But 449 MB is still huge for a single book. And I don't want to reduce the resolution under 132 dpi, because I will loose quality. Clearly, if the original document is just 27 MB, I should be able to squeeze the OCRed document too. But I don't know how.

Printing Black&White and Color combined in Binder

Problems with Acrobat 8 Professional for Windows. Use Windows 2003, Canon iRC 3220N printer.
I have produced a brochure of 44 A4 pages. 8 pages in color, rest in black&white. The pages are individually produced in Illustrator (Creative Suite 3). Some illustrations in PNG-format where imported into Illustrator. Each of the pages were converted to Acrobat PDF's. For all Acrobat pages with an former PNG-illustration i did the Advanced-PrintProduction-ConvertColors and converted to Grayscale. When printing these pages individually they come out correct as black&white or color when that is the setting.
But when all the 44 PDF's are combined into a binder some of the black&white pages are forced back to color. Most of these forced-back pages contain an former PNG-illustration The brochure ia printed on A3 sheets as a booklet and saddle stitched.
Any help to solve the problem?

Take a look at these forum discussions:
http://forums.adobe.com/message/2685675
http://forums.adobe.com/message/2612127

Feature Request: Monochrome / Grayscale / Black & White

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