Feature Request - MultiFunction Printer Separation of Super Admin to Multiple Roles

It is difficult to maintain a level of security and adopt best practices when the devices are dependent on a single Super Admin account to conduct all degrees of maintenance that typically doesn't require all the enabled features for the user logged in at that time.
An example would be secretaries needing to print Department ID usage reports don't need the ability to change the management account ID or password, nor do they need access to enable/disable other features.
I request Canon honor their claim below by accepting and implementing this feature request:
"Canon recognizes
that security
is as important as
print quality"
sourced from: http://www.usa.canon.com/app/isgrun/brochures/copier_security_whitepaper.pdf

Thank you for your interest in security on Canon technology, Sn3akyP373. Canon does offer a feature which supports 3 different levels of administration called SSO-H. This feature is standard on many past and current models. SSO-H offers 3 different levels of administrators which can be set: System Admin, Network Admin, and Device Admin. Each of these 3 levels of administrators has a specific set of admin privileges that grant appropriate access to each group. I've attached several pages from a product manual which describes the levels of security when using SSO-H. Please work with your Canon Authorized Dealer to configure your MFP from Default Authentication to SSO-H to meet your needs.
There will be a second post with an additional attachment.
Did this answer your question? Please click the Accept as Solution button so that others may find the answer as well.
Attachments:
AdministratorRoles1.pdf ‏13 KB

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FEATURE REQUEST: 'Select Printer' option when printing envelopes or labels

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Thanks in advance,
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Wayne S. CompTIA A+ CompTIA Network+ Microsoft MCP

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Nice idea, but this user-to-user forum is not the place for Safari feature requests. Try here instead:
http://www.apple.com/feedback/macosx.html
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https://connect.microsoft.com/ConfigurationManagervnext
I've already submitted a similar request for checking deployments to systems.
https://connect.microsoft.com/ConfigurationManagervnext/feedbackdetail/view/823608/sccm-2012-checking-deployment-to-system
Be good if you can vote that one up as well
Cheers
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Printing Separations with Halftones in Photoshop with SCREEN button has been disabled

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http://forums.adobe.com/thread/945132?tstart=0
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Canon 70D - firmware feature request - separate photo / video picture style

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I dont know, if there is a dedicated way of making a feature request for a firmware update?
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Skirball wrote:
This is just a user-based forum, you won't get any technical Canon response here. Though one of the Canon admins may be able to point you to a place where you could file your request.
I wouldn't get your hopes up though, Canon doesn't really do a lot of feature add-ons through firmware, mostly they just put bandaides on mistakes.
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http://trulandphoto.zenfolio.com/
http://trulandphoto.blogspot.com/

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Hello world!
I have recently been tasked with selecting a NEW multifunction copier for our office! Our office consists of 30 to 40 users, mostly writers and graphic-designers, all running 10.6.8 or Lion 10.7.2.
We're interested in a B&W machine that...
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can handle large file sizes with ease (for graphic designers printing InDesign files etc...)
is first and foremost, VERY mac-friendly/compatible
can scan multiple docs quickly, to an email or device, perhaps even scan in color
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Thanks in advance,
John

I agree with you for a Xerox MFP
This series has the features you requested.
http://www.office.xerox.com/multifunction-printer/multifunction-over-30ppm/workc entre-5735-5740-5745-5755/spec-enus.html
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Feature Request: Modify Audio Channels from the Timeline in Premiere CC.1

Why have we never been able to modify audio channels once a clip is added to a sequence? I'm guessing there's a good reason Adobe has never had this feature. The lack of this feature is explicitly mentioned a few times in the audio section of the Premiere Pro CC manual, as if it's a benefit NOT to have it. But the benefit is entirely lost on me.
In my workflow, I synchronize my double-system video and audio before anything else. I do this in PluralEyes (and unfortunately I'll have to keep doing it this way, until PPr's sync on sound feature gets fixed—for me it's never worked).
Once PluralEyes has synched hours of footage and audio and placed it on a PLURALEYES GENERATED sequence, I import that sequence into Premiere. Note: Since I haven't gone through the step of creating a blank New Sequence, I don't get the opportunity to setup my audio channels the way I'd like in my sequence (i.e. Stereo recordings should occupy ONE track, not two. Typically these tracks come from a camcorder and are used for reference sound, or ambient noise at best, so I don't need them taking up precious real estate in my sequence).
Since PluralEyes doesn't merge my clips for me (or rather I don't want it to since I'm usually doing multi-cam sequences where I want to keep all 14, or so, tracks of audio), I have to go through the clips one by one and do a Merge Clip action once I've adjusted any minor sync issues, or determined which tracks I actually want to keep. But, and here's the key, at this stage I'm not yet 100% certain whether I'll use the nat sound or the wireless mic sound (separate audio recorder, etc). Furthermore, I don't really want to think about that at this point. After I've spent a few mind-numbing hours just ingesting files, sync and merges, I want to jump into the edit as soon as possible, before I lose all will to finish this edit. If I modify my audio channels right now, I'll lose the ability to make some creative decisions later on.
I'd like to start whacking out an assembly edit. And then after I have a rough program, I can start looking at which audio tracks (nat or double-system) I like better in each circumstance. This is where I become stumped that at this stage, I'm locked into whatever audio channels I've setup (or not) in the earliest stage of the edit, back before any media was actually on the timeline! It's at this stage, and usually only at this stage that I want to start Modifying Channels—FROM THE TIMELINE!
Does anyone else feel the same? If not, what is your workflow?
Feature Summary: Right-click on any clip, (master clip, sub-clip, merged, nested or otherwise) in the timeline and choose Modify > Audio Channels.
I've submitted a feature request, with a link back to this discussion, so please pipe in—especially if you want this feature.

Maybe its your specific workflow, asset mangement and use of a 3rd party application that runs you into an issue.
Take Pluraleyes out of the equation, I would imagine my workflow is the same as most everyone else. Find footage in the Media Browser. Import it. Create a Sequence and start editing. Use the Source Monitor to set Ins and Outs and then Insert the clip on the timeline.
At this point, if the audio needs to be modified, it cannot be done on the Timeline. The workaround, of course, is to Find Clip in Project; Modify Audio in the Project panel; then do a Matchframe to replace the audio clip. This works, but requires many steps per clip. Also, Matchframe in Premiere Pro CC is not reliable.
Introducing a new Modify Audio (from Timeline) feature as seen in the fantasy screenshot above would solve it.
I dont use Pluraleyse ...which I understand to be a synching aid...so I dont know the workflow it imposes on one .
Returning to Pluraleyes workflow, this issue is compounded by the need to Modify almost ALL audio. Every stereo track is separated and placed on two MONO tracks taking up precious real estate. This is not something Pluraleyes imposes. It is due to the way Premiere imports XML timelines. This would apply to sequences imported from Final Cut as well.
In this case it would be ideal to select both the LEFT and RIGHT mono tracks and choose "Modify > Audio Channels > Merge L/R Mono to a Single Stereo track." Ideal? No. I guess Ideal would be if Premiere would interpret XML files properly in the first place.
What actually is the issue with Premieres synch and merge workflow in your case?
Audio Sync in Premiere Pro doesn't work. Period.

No Option for Printing Separations in Acrobat 11

I do not have the option to print separations from Acrobat Pro 11 on OSX Yosemite. I have installed the PPDs and they work in Illustrator and InDesign but do not work in Acrobat.
First, I am a designer at a screen printing shop and have been printing separations on a daily basis for 3 years. I understand how it works. I was working on a PC with CS 5.5. Typical workflow was to design in Illustrator, Print to PDF, open the PDF in Acrobat, save as EPS. EPS was the preferred method since I print the transparencies from Illustrator, and since Illustrator can only open one page of a PDF at a time, I saved the PDF as EPS so that ever spot color got it’s own EPS file. From there, I created a new AI file, put all EPS files on different art boards and printed.
Now I am on a Mac with Yosemite and CC 2014. I know the PDF workflow changed in Snow Leopard. You now have to print to a PostScript file and Distill, which then gives me the PDF i can open w Acrobat and save to EPS as usual.
But, I decided to really dig into Acrobat 11 since it has all the Ink Manager and Preflight features. My preferred workflow would be creation in AI, save a PDF, then use all of Acrobats features for the final check and separations. The Acrobat manual says on page 316:
“Print separations
1. Choose File > Print, and choose a printer.
2. Choose an option from the Comments and Forms menu.
3. Choose print range and page handling options.
4. Click Advanced.
5. If you created a custom printer settings file with the appropriate separation settings, choose it from the Settings menu at the top of the
Advanced Print Setup dialog box.
6. Select Output on the left, and choose an option from the Color menu:
Choose Separations if the PPD doesn’t support in-RIP separations.
12. Click PostScript Options on the left, and select settings as needed. Click OK to close the dialog box, and then click OK again to print the separations.”
The only option I have in the print dialog is my desktop printer.
I have installed the PPDs, which brings me to another problem.
On this forum
https://forums.adobe.com/message/6735474#6735474
the gives the link
http://www.adobe.com/support/downloads/detail.jsp?ftpID=141
which is the adobe.sit.hqx file that contains 5 files with no file extension. Per the “Read Me” instructions, I have placed the “Acrobat Distiller (no file extension)” file in the
Library/Printers: PPDs: Contents: Resources: folder.
It works with Illustrator, and is not really and issue.
-The file is a 17KB file with no extension that was last modified on 9/9/2001.
Following another page
http://helpx.adobe.com/x-productkb/multi/save-as-pdf-options-not.html#main_InstallAcroPPD
it give the link
Acrobat 9 PPD
which is the ADPDF9.PPD file, a 29 KB PPD file last modified on 12/8/2014.
Just to test it out, I placed both files in the
Library/Printers: PPDs: Contents: Resources: folder. Both are selectable from Illustrator when printing a PostScript file and both seem to work. I see no real difference between them.
I also created the PPDs file in the Presets folder of InDesign and can get separations from there as well.
But, I do not have the PostScript or any other print option from the Acrobat print dialog except for my desktop printer.
SO,
1) Is there somewhere else I need to place the PPDs for Acrobat to see it? The manual states I should be able to print the separations from the Print Dialog but its not available.
2) What is the difference between the “Acrobat Distiller” file and the “ADPDF9.PPD” files? Different size, different dates, but no obvious difference in output.
3) I sometimes print halftone jobs through AccuRip. I have gotten pretty good at manual spot color transparency gradients within illustrator, where I create complex gradients using only a spot color and a gradient with 100% transparency on one end and 0% on the other. But if I have many colors in it, I have to print separations through PotsScript and then Distill it, which flattens all transparency on the separated file. The result is a separation with a placed image gradient with a clipping mask instead of a true vector gradient. I know it has to be flattened when it’s ripped anyway, but I would like for it to ONLY get flattened as it passed through the rip on its way to the transparency, and not during the Distiller separation which then is placed back in AI for printing. Is there any way to do this on a Mac which MUST be printed to PostScript and Distilled?
Thanks

“I’ll never give you a job to print.”
Lead with an insult, good start.
You know, I read your comment, and the link, right before I went to bed. I thought I would respond then, but thought I should sleep on it. Well I slept on it, and I’m actually MORE p***ed off today than last night. I will try to keep this as professional as possible…
“Such an outdated time consuming workflow !!!”
No S**t (so much for professional). Which is why it’s unfortunate that Apple forced this workflow on people like me.
I asked SPECIFICALLY about color SEPARATIONS in the title of the post and throughout the post. The link you provided did not provide an answer to this. It explained how terrible “refrying” a PDF can be. And what was the solution it gave?
“Use EPS and not PostScript!”
Strange. it seems that is the EXACT workflow I listed! To quote myself;
“Typical workflow was to design in Illustrator, Print to PDF, open the PDF in Acrobat, save as EPS”
That was on a PC, where Print to PDF is still an option. The design is made in Illustrator with Spot Colors, all overprints are set, because a human will be lining up the screens to print by hand, and you need about .5 - 1 point of “play” for when the screen moves so abutting colors will not have a gap of shirt color between them. I can then use all of the functionality of the AI print dialog box and print the SEPARATIONS to a PDF file, and the PDF is then split to separate EPS files for easier control.
Apple in it’s infinite wisdom has taken away this functionality. From AI, my 2 listed printers are my desktop printer and an Adobe PostScript file. Remember, I am SEPARATING the artwork to be printed on vellums that will be used to burn a screen. If I leave my desktop printer active, I can select “Setup”, where i am brought to the system print dialog box, where if I select “Adobe PDF” or “Save as PDF”, I get the message from Illustrator that “The Save as PDF option in the Printer dialog box are not supported”.
So, if I change the Printer to “Adobe Postscript file”, the “Setup” box is greyed out. If I simple “Save As” and choose PDF, I do not have the option to SEPARATE colors. Do you see the dilemma now? Apple remove the functionality I have on a PC, so my SEPARATIONS can not be saved directly to a PDF, but MUST me “printed” to a Post Script file, which then MUST be distilled to get a PDF of SEPARATIONS.
Which brings me back to the whole point of my post.
““Such an outdated time consuming workflow !!!”
Right, which is why I’m trying to avoid it. In reality, the entire process only involves 1 extra step over the PC workflow, and the Distill process literally takes a few seconds. But, I don’t want to Distill for all the reasons listed in the link you provided. And if i follow the advice of the link, saving to EPS, I DO NOT have the option of SEPARATIONS. Which is why I’m trying to save a PDF from AI, the use all the functionality of Acrobat Pro to SEPARATE my colors. Again, the manual to Acrobat says I can print my SEPARATIONS to a file, but I only have the option to print to my desktop printer from the Acrobat Print Dialog box, even though I have DO have other options in AI and InDesign.
So, great Adobe MVP, can you answer my original questions?
1- why do I not have the option to print to a file in Acrobat Pro?
2- What is the difference between the “Acrobat Distiller” file and the “ADPDF9.PPD” files? Different size, different dates, but no obvious difference in output. (Not what I want to use, but on OSX post 10.6, I don’t really have a choice it seems)
3- Is there any way to print to a SEPARATION file on a Mac without printing to PostScript and then being Distilled?
I see your skills are:
“PDF forms, PDF multimedia, eBooks in PDF or in ePub format.
I'm an InDesign Digital Publishing Suite specialist too. I am also a trainer and the webmaster of abracadabraPDF.net, the only French web site dedicated to PDF and Acrobat.”
Good for you. Have you EVER had to print separations for a t-shirt? Have you ever had to consider that a person will be physically pushing the ink through a screen, so you must consider the thickness of the ink, how that will interact with the mesh of the screen, which determines the LPI the halftones are printed at, which determines how fine your gradients should be? Because I do it everyday. So your whole “I’ll never give you a job” thing is especially infuriating, and pretty unprofessional.
So not only have you totally ignored all my questions, you insulted me and given me a link that ALSO answers none of my questions. I am also assuming, though I could be wrong, that you marked your answer as correct int he AcrobatUsers forums. Well guess what? Even with you MVP badge, you are NOT correct. At least not for what I’m asking.
If I ever need an eBook, PDF form, ePub or Multimedia PDF done, maybe I’ll use you. But, I would never hire you for color separations for t-shirt printing.

HP LaserJet Pro M1212nf Multifunction Printer Drivers

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Hello Burcu,
Welcome to the HP Forums!
I understand you're looking for a Laserjet M1212nf driver compatible for a Windows 2002 operating system. I will do my best to assist you! I will provide the HP website where all the full features drivers are available here. If your operating system isn't listed, then there are no drivers available.
The only suggestion I can provide is connecting a USB cable to this printer and your computer. Windows will detect the hardware and try to install a driver. If you have any further questions, please let me know. Have a great night!
I worked on behalf of HP.

HP LaserJet Pro M1536dnf Multifunction Printer (unable to add print driver hpfax1, error code 87)

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Hey , Welcome to the HP Support Forums!
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What Do You think of My Feature Requests?

Hi, I submitted the following Feature Requests to the Premiere CC feature requests form.
I think Premiere CC keeps improving but there are some things that really annoy me. And below are some of my requests. I'd love to know if any of these requests are in error - if I'm actually missing something.
Thanks for checking these out!
*******Enhancement / FMR*********
Brief title for your desired feature:
AUTO-PATCHING
How would you like the feature to work?
When I select a Track Target - such as V1 Target - the Source patch should follow along. For example, if I select V1, then the V1 Source should automatically move next to V1
Why is this feature important to you?
This saves time and saves an extra, unnecessary step of having to move the Source patch.
This makes editing faster and more intuitive.
*******Enhancement / FMR*********
Brief title for your desired feature:
Increase/Decrease Volume using Keyboard for MULTIPLE CLIPS at once (between In and Out)
How would you like the feature to work?
1. Set in and out in the Timeline
2. Make sure Audio Targets are set for the tracks you want to affect
3. Press your keyboard shortcuts for increasing or decreasing volume
Result: All Audio volumes between In and Out go up or down by the same amount.
Why is this feature important to you?
This saves a lot of time. Currently, I have to copy and paste Volume attributes and that wastes time and is not as intuitive.
*******Enhancement / FMR*********
Brief title for your desired feature:
Select Nearest Edit Keyboard Commands Should Select All Nearest Edits on All TARGETED TRACKS, even if staggered
How would you like the feature to work?
1. Position Playhead near the edits you want selected (for Trim)
1B: Make sure the Track Targets for the tracks you want to affect are highlighted
2. Press the Keyboard Shortcut for Select Nearest Edit…
Result: Even if the edit points don't all line up on the same frame, Premiere should select (with a Roller, etc) ALL edit points NEAREST to the playhead on Tracks which have their Target buttons selected.
How it works now: Now Premiere only select those edit points that line up together the same frame.
Why is this feature important to you?
How Premiere currently works wastes a lot of time. It currently requires the editor to manually click and add other edit selections.
Currently, Premiere does not actually select all the edit points on SELECTED TRACKS.
*******Enhancement / FMR*********
Brief title for your desired feature:
REMOVE EFFECT - ALLOW US TO CHOOSE WHICH EFFECTS
How would you like the feature to work?
1. Highlight one or more Clips to select them.
2. Press the Remove Effects Keyboard Shortcut
What should happen: Premiere should present you with a window that allows you to check the effects you want to remove or uncheck the effects you don't want to remove.
Why is this feature important to you?
This is very important because often I have a remove just one effect on a large group of effects. I don't have the time - it would take forever - to go through each individual clip and eliminate that particular effect in the Effect Controls panel.
*******Enhancement / FMR*********
Brief title for your desired feature:
A Paste Insert should move the IN/OUT marks down the Timeline, just like the clips
How would you like the feature to work?
1. Set an In an Out point somewhere in the timeline.
2 In the timeline, after copying some material, PASTE INSERT, the clips in front of a whole bunch of other clips (also earlier than the In/Out marks)
What Should Happen:
Material AND In/Out marks should shift to the right to maintain sync.
What currently happens:
Premiere correctly shifts the Clips that follow the pasted material, Down the Timeline, to maintain sync. However, Premiere keeps the In/Out Marks where they are.
Why is this feature important to you?
I often copy material that's between In/Out marks and then go earlier in the Timeline and paste Insert that material. But when I jump back to the In point (Go to In) the In/Out marks haven't move and so I have to find my place in the material all over again.
It shouldn't work this way. It wastes time. And other NLEs don't do it this way. They shift the In/Out marks.

Nice requests. Just trying to be helpful here:
Re REMOVE EFFECT - ALLOW US TO CHOOSE WHICH EFFECTS
I agree - this could be quite useful. However, It sounds like using adjustment layers may be helpful for your workflow also?
Re: Increase/Decrease Volume using Keyboard for MULTIPLE CLIPS at once (between In and Out)
I've stopped using volume altogether now, and instead use 'Gain' mapped to "g" key in premiere keyboard layout. SUPER useful, for all the reasons you describe. I've never used I/O marks, but you can make big selections of clips, or a whole track's. Volume controls in Premiere, as far as I can tell, caps at +6DB for some reason. I routinely have to go much higher than that. also there is a very intelligent gain options screen that lets you bump your selected clips relatively by +/- DB levels; or set absolute values; OR set normalization targets. I LOVE IT, and its all I use now.
It seems to me that the audio component of Premiere if far more sophisticated than any other NLE I've used [ Avid MC, FCP...]. My only caveat is that volume and gain are not integrated across all methodologies. For example, you can have a volume adjustment on the clip, the track, and gain adjustments on the clip all operating independently- its alot to keep track of on projects that get passed back and forth between different editors with different methods!

Feature Requests for next version of Pr

I've submitted this list. If you agree, please join me. Copy and paste into the Feature Request page if you like. Add your own requests.
AUDIO:
Ability to save track or clip based audio effect user presets.
Option-drag to copy an audio effect from one insert location to another (to different tracks)
Drag audio effects up or down in the effect stack order, or to another track
Temporary Snap on or off (Reverse Snap Behavior) keyboard modifier.
KEYBOARD / SHORTCUTS:
Ability to map multiple Keyboard Shortcuts to the same function (like Avid: E & R keys, same as I and O)
Ability to print the Keyboard Shortcuts, or save all of them as a text file.
TIMELINE:
More obvious indicator that Timeline Snap is on.
Indicator on Clips in the Timeline that indicate Frame Blend is enabled.
Ripple Sequence and Chapter Markers.
Ripple Audio Track Keyframes.
Solo video layer button on the Timeline track panel.
Constrain clip time movement between tracks by holding shift key, just like all other applications.
FX button/switch, as in After Effects, to turn off all effects on a track (video and audio).
Option-double click a nest to reveal contents of nest in the same master timeline.
SOURCE AND PROGRAM PANES:
Keyboard shortcuts to scale image zoom in Source and Program tabs.
Keyboard shortcuts to increase or decrease playback resolution.
Have the Program monitor remember the Zoom and Resolution level for each Sequence; don't have Zoom scale set universally by the project.
VIDEO EFFECTS:
Make ALL effects Accelerated, YUV, 32-bit. Allow Third Party effects to be accelerated!
Ability to save user/custom transition presets.
In Effects tab, press Tab button to jump to next effect parameter (as in After Effects)
Feathering and invert on Garbage Mattes
A Track Matte function that allows us to pan and scale the clip being matted without affecting the matte size or position. You could do this with a Stencil / Silhouette Alpha / Luma Blend mode as in Ae.
MISC:
When using Clip > Scale to Sequence, DO NOT have the new Scale factor in the Motion tab change the clip's scale to 100%.
Consistent Mouse Wheel behavior across all apps in CS
Scopes update while playing.
Make Export and Title windows return to the previously adjusted size and placement.
Add a command buffer, so that we can execute several commands in a row, and not wait for the app to "release", or for the first event to complete before I can proceed to the next event.
File requests here:
https://www.adobe.com/cfusion/mmform/index.cfm?name=wishform

If you want to do this correctly you need to file a request for each feature.
Ripple Sequence and Chapter Markers is already implemented. Sequence markers are the same as chapter markers, yes? (Ripple Sequence Markers, select Marker > Ripple Sequence Markers.)
Ability to print the Keyboard Shortcuts, or save all of them as a text file. also available. (hold ctrl+shift while opening. A button with clipboard appears)
Keyboard shortcuts to scale image zoom in Source and Program tabs. available
Keyboard shortcuts to increase or decrease playback resolution. available
Make Export and Title windows return to the previously adjusted size and placement. They do.
Some feature you posted are great. How about a eyedropper tool for the Color Matte?
I find the Magnet for Snap quite visible. There is also this feature in the Pref to make the playhead snap.

Feature Request - MultiFunction Printer Separation of Super Admin to Multiple Roles

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