Feature Request: Point-Markers to Overlay Range-Markers (& compound markers-track)

Problem:
In Premiere CS6, both Prelude and Premiere, range markers (those with duration greater than zero) obscure any point markers (those with duration=0, the default).   This is demonstrated at http://tv.adobe.com/watch/learn-premiere-pro-cs6/improved-markers-and-importing-from-prelu de/ , at around 04:42.  This obscuration discourages use of range-markers.
Solution (feature-request):
Please could you reverse that situation, so that point markers instead overlay range markers.  In fact, more generally, shorter-duration markers should overlay longer-duration markers.  The idea is that the longer-duration markers would serve as useful background to the shorter-duration ones, and also of course this would reduce loss of information display.
How it would be useful in practice:
For example, when editing a presentation, it is useful to initially mark ranges covering periods such as Establishing, Main Talk, Question&Answer Session, Finale & Applause.  Then on top of that to add shorter-duration markers for particular elements to be used or avoided.  Then on top of that, add markers for point-events such as "camera jolt".
Better still (feature-request):
Ideally, markers should be considered as a special compound kind of track, a metadata track (after all, markers do get stored as metadata).  This (compound) track could then be viewed either in collapsed mode (where it would look like a single track, hopefully with the overlay priorities as described bove) or in expanded mode (revealing some number of separate lanes, defined by user, of markers).  Such lanes could be given meaning by the user e.g. Info, Vital-use, Nice-use-if-possible, Avoid, Ancillary (Clapperboard, Grey-Card, Color Charts etc.).  Colors could be defined for each lane, to make them intuitive to people, at a glance.
Many thanks,
  David

Until things change, you might give subclips a go.  They're returned to proper functioning in CC7 where you see only the subclip range in the Source Monitor, but are free to extend or add transitions in the sequence.

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    File requests here:
    https://www.adobe.com/cfusion/mmform/index.cfm?name=wishform

    If you want to do this correctly you need to file a request for each feature.
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  • Posting Feature Requests for others to Copy/Paste

    I recently posted a Feature Request I sent to Adobe for another member to copy/paste as his own FR since he liked the suggestion (see the FR below). 
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    Comments?  Ideas?  Please share!
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  • Opinions On Several Feature Requests

    Hello,
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    *******Enhancement / FMR*********
    Brief title for your desired feature:
    Set Clip Markers Button
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    *******Enhancement / FMR*********
    Brief title for your desired feature:
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    I think this is more of a Bug Report but I'm submitting this as a Feature Request. When I edit in Multi-camera mode and I have a nested video sequence with the audio tracks beneath the nested video the first audio track gets extracted whenever I make multi-camera cuts. A work around for this is to lock the first audio track. At times I do forget to lock the audio and have to go back and extend the audio to get it back on its track.
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    This fix is important because it makes the multi-camera feature more reliable and it saves time in the editing process.
    Why is this feature important to you?
    Because most of our jobs require multiple cameras and multiple audio sources, both on camera and standalone, using the Marker tab at the top of the screen is very time consuming when syncing each clip. I know many Premiere Pro users would benefit from this feature especially with the rise of the HDSLR work flows and the need to sync audio from external devices such as the Zoom H4N.
    *******Enhancement / FMR*********
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  • Feature requests -LRT214

    I searched and did not see a similar thread.
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    Hi Chris Robertson,
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    There maybe few features that the LRT214 is not capable of supporting, but it is a very helpful router for VPN purposes.
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  • BUGS and FEATURES REQUESTED. Please add to it.

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    It's too bad that BB doesn't have Korean input and apps like Kakao Talk or I would have considered it for them.
    The BlackBerry 10 is a great platform and I look forward to the continual improvements that will only make the experience better.

    This is a great post.
    I couldn't have written it myself better.
    I'm also in dying need of Korean input as I can't communicate with my Korean friends.
    But I second every point.
    I hope the tech teams are reading this.

  • Feature Request: Raw-Lite for the F5/F55

    Hi Sony Staff, Here's a feature request that I've been pondering for a long time now. Raw Lite on the F5(5). Is it a possibility? I'm a huge fan of the conventional 3:1 compressed 4K 16-bit Linear Raw from the AXS-R5. It provides a supremely high quality digital negative, with as much detail and tonality as you could ever really need. However the file sizes are very large. 1TB yeilds roughly an hour of recording time. And the storage costs associated with that are enough to scare away MANY producers from shooting Sony Raw (even with all of the benefits that doing so offers).  You guys have addressed this issue nicely with the F65 by offering Raw Lite with it's 6:1 compression (which coincidentally, is a compression rate that many, many producers are content to shoot with on the most prolific raw cameras out their - the Red Epic/Dragon/Scarlet cameras). Being able to offer producers the option to shoot Sony Raw Lite, with it's massively more managable file sizes would greatly increase the uptake of Sony Raw for production - and that benefits everyone. It benefits the camera department with a superior digital negative, it benefits post-production with greater latitude for grading and VFX, it benefits producers with a superior end product, and it benefits audiences with better looking images. Given that the F65 was able to be upgraded to offer this additional raw recording option, I assume (and hope) that it's not an impossiblity for the F5(5). So I'd urge you to strongly consider this feature request, and the added appeal it would bring to the cameras as a capture choice. Cheers, Mark

    I disagree that there is little difference between 12bit and 16 bit linear raw. The difference is huge. Shadows and dark areas from the FS7/FS700 are pretty grim, lot's of noise caused by the data rounding. Besides, in terms of bit rate it's not a question of simply reducing the bit depth, you need to increase the compression. For linear raw you need 16 bits unless you do an extreme amount of data rounding. For Linear raw, if the first stop is represented by just 2 bits of data (which results in very blocky noise as noise will be one of 4 luma levels and cannot be smoothly reproduced):  stop 1: 2 bitsstop 2: 4stop 3: 8stop 4: 16stop 5: 32stop 6: 64stop 7 128 (8 bit linear limit, 128 + 128 = 256 bits)stop 8: 256stop 9: 512 (10 bit linear limit)stop 10: 1024stop 11: 2048 (12 bit linear limit)stop 12: 4096stop 13: 8192 stop 14: 16384 bitsstop 15: 32768 bits (16 bit linear limit) If you move this scale up so that the first stop is represented by using 4 bits of data you will still have pretty coarse shadows and noise (one whole f stop will only have 16 posible luma values). So rather than just use binary math most linear raw systems use floating point math to make more bits available for the shadows. But with 12bit there just isn't anywhere near the same amount of "spare" bits that you get with 16 bit, so the shadows and low key areas really suffer. Just go and look at the FS7/FS700 boards and all the compliants about unusable, grainy and blocky shadow areas in the raw. Sure raw lite would be a welcome option, but it wouldn't be one for me. The whole point of raw for me is a robust, bomb proof format that you can expose and grade as you wish without worrying about artefacts etc.  

  • Feature request: Better handling of accents

    Hi everyone,
    Since the "Provide iTunes feedback" menu item in iTunes itself only allows you to request music from the iTMS, I'm going to post my feature request for iTunes here, and hope that Apple picks up on it.
    For most of the English-speaking world, accented characters (e.g.: é, à, â, ö, etc...) are never used, but for someone like me who speaks French or someone who has international music, it's an important part of using your computer.
    So, here are two suggestions on how iTunes could handle accented characters more gracefully:
    1. Don't be so aggressive in the auto-complete behaviour! iTunes will routinely disregard capitalisation and accents in order to "fuzzy-match" the auto-complete.
    For instance, suppose I have an artist in my library named "Stephanie McKay", and I want to add another artist named "Stéphane Pompougnac". Here is how the auto-complete would look at six different stages (iTunes' suggestions are in square brakets):
    1. St[ephanie McKay]
    2. Ste[phanie McKay] iTunes replaces the é I just typed with a normal, unaccented e
    3. Stephan[ie McKay]
    4. Stephane iTunes doesn't have any suggestions to make at this point
    5. Stephane Pompougnac I've typed in the complete name, and now I have to return to put the accent on the first e
    6. Stéphane Pompougnac
    In this case, the 'é' should've stuck as of step 2 and iTunes should've not had any suggestions to make since nothing else in my library starts with 'Sté'.
    2. As far as searches go, the same is partially true, but with one caveat. If I'm searching for "Stéph", I should only get one result back, "Stéphane Pompougnac".
    On the other hand, if I'm searching for "Steph", I think there's a possibility that I was too lazy to type the accent or I didn't know if/where there was an accent, and so I should get both results back: "Stéphane Pompougnac" and "Stephanie McKay".
    The same is true of other accented characters (é, à, ö, ô, and even ç). I don't know how languages other than French and Spanish deal with characters that look alike (e.g. ø and o) or that represent the same thing, but if there is a relationship, I suppose the same behaviour should apply there.
    Cheers,
    - tonyboy

    Hi Brad,
    Thanks a lot for pointing this out. We have verified this. We are looking into this issue and would try to incorporate the fix in future releases.
    Regards
    Utsav

  • Feature Request:  Modify Audio Channels from the Timeline in Premiere CC.1

    Why have we never been able to modify audio channels once a clip is added to a sequence?  I'm guessing there's a good reason Adobe has never had this feature.  The lack of this feature is explicitly mentioned a few times in the audio section of the Premiere Pro CC manual, as if it's a benefit NOT to have it.  But the benefit is entirely lost on me. 
    In my workflow, I synchronize my double-system video and audio before anything else.  I do this in PluralEyes (and unfortunately I'll have to keep doing it this way, until PPr's sync on sound feature gets fixed—for me it's never worked).
    Once PluralEyes has synched hours of footage and audio and placed it on a PLURALEYES GENERATED sequence, I import that sequence into Premiere.  Note:  Since I haven't gone through the step of creating a blank New Sequence, I don't get the opportunity to setup my audio channels the way I'd like in my sequence (i.e. Stereo recordings should occupy ONE track, not two.  Typically these tracks come from a camcorder and are used for reference sound, or ambient noise at best, so I don't need them taking up precious real estate in my sequence). 
    Since PluralEyes doesn't merge my clips for me (or rather I don't want it to since I'm usually doing multi-cam sequences where I want to keep all 14, or so, tracks of audio), I have to go through the clips one by one and do a Merge Clip action once I've adjusted any minor sync issues, or determined which tracks I actually want to keep.  But, and here's the key, at this stage I'm not yet 100% certain whether I'll use the nat sound or the wireless mic sound (separate audio recorder, etc).  Furthermore, I don't really want to think about that at this point.  After I've spent a few mind-numbing hours just ingesting files, sync and merges, I want to jump into the edit as soon as possible, before I lose all will to finish this edit.  If I modify my audio channels right now, I'll lose the ability to make some creative decisions later on.
    I'd like to start whacking out an assembly edit.  And then after I have a rough program, I can start looking at which audio tracks (nat or double-system) I like better in each circumstance.  This is where I become stumped that at this stage, I'm locked into whatever audio channels I've setup (or not) in the earliest stage of the edit, back before any media was actually on the timeline!  It's at this stage, and usually only at this stage that I want to start Modifying Channels—FROM THE TIMELINE!
    Does anyone else feel the same?  If not, what is your workflow?
    Feature Summary:  Right-click on any clip, (master clip, sub-clip, merged, nested or otherwise) in the timeline and choose Modify > Audio Channels.
    I've submitted a feature request, with a link back to this discussion, so please pipe in—especially if you want this feature. 

    Maybe its your specific workflow, asset mangement  and use of a 3rd party application that  runs you into an issue.
    Take Pluraleyes out of the equation, I would imagine my workflow is the same as most everyone else.  Find footage in the Media Browser.  Import it.  Create a Sequence and start editing.  Use the Source Monitor to set Ins and Outs and then Insert the clip on the timeline. 
    At this point, if the audio needs to be modified, it cannot be done on the Timeline.  The workaround, of course, is to Find Clip in Project; Modify Audio in the Project panel; then do a Matchframe to replace the audio clip.  This works, but requires many steps per clip.  Also, Matchframe in Premiere Pro CC is not reliable. 
    Introducing a new Modify Audio (from Timeline) feature as seen in the fantasy screenshot above would solve it.
    I dont use Pluraleyse ...which I understand to be a synching aid...so I dont know the workflow it imposes on one .
    Returning to Pluraleyes workflow, this issue is compounded by the need to Modify almost ALL audio.  Every stereo track is separated and placed on two MONO tracks taking up precious real estate.  This is not something Pluraleyes imposes.  It is due to the way Premiere imports XML timelines.  This would apply to sequences imported from Final Cut as well.
    In this case it would be ideal to select both the LEFT and RIGHT mono tracks and choose "Modify > Audio Channels > Merge L/R Mono to a Single Stereo track."  Ideal?  No.  I guess Ideal would be if Premiere would interpret XML files properly in the first place.
    What actually is the issue with Premieres synch and merge workflow in your case?
    Audio Sync in Premiere Pro doesn't work.  Period.

  • Feature Requests beyond BlackBerry OS10.3.1

    So, with 10.3.0 and 10.3.1 now officially released on the Passport and Classic, let's look forward!
    What feature request(s) would you like to see included in future updates, say OS10.3.2 and beyond? Of course, there's nothing official to this thread, but one never knows who might view it and get an idea or two to move foward.
    Please post your feature request below, and let's make sure BlackBerry has a good reference point for user-input on what we'd like to see.
    Let's simple short statements AND please add the value of your request (i.e., why that feature request has value to you):
    Ability to lock the volume keys (since they are so easliy pressed when retrieving from holster)
    Implement a shutdown confirmation screen to the top edge power key before shutting down (many pocket carrying users complain of device shutdowns in their pocket).
    Allow BlackBerry Protect to automatically backup and restore personal data, such as contacts (I trust BlackBerry to protect our data and other third party apps can do this already).
     **This thread is not for bug reports (i.e., the calendar glitches when I set the date) or for debate or discussion of the worthiness of a feature request.
    So, what would YOU like to see beyond 10.3.1?
    1. If any post helps you please click the below the post(s) that helped you.
    2. Please resolve your thread by marking the post "Solution?" which solved it for you!
    3. Install free BlackBerry Protect today for backups of contacts and data.
    4. Guide to Unlocking your BlackBerry & Unlock Codes
    Join our BBM Channels (Beta)
    BlackBerry Support Forums Channel
    PIN: C0001B7B4   Display/Scan Bar Code
    Knowledge Base Updates
    PIN: C0005A9AA   Display/Scan Bar Code

    Cool! I was waiting for this, there are a few things I would like to see.
    OS 
    - No frames option (for the people that want this), this means that you swipe up it will never go to a active frame
    - Keep swiping to close, when you keep swiping up it will close the app/frame (like on playbook I think it was)
    - Auto reboot, choose a day, time when your phone restarts (and unlocks after reboot) this is nice for people that want their phone to reboot when they sleep so they have a fresh start and don't have to reboot during work day 
    - Alternative keyboard, everyone knows the BlackBerry keyboard is awesome.. but allow developers to create own keyboards (native, no android port)
    - Themes, One reason why people jailbreak iPhone or use Android or loved BBOS. Themes that will totally transform your phone, keyboard, colours will be nice for people that want to customize their device
    - Font type change, this was possible in BBOS. Some people like to have a different font.
    - Completely light OS, this is something personal; some people like dark theme, some people like light.. but with the latest BlackBerry OS 10.3.1 it is still mixed up, some parts are light some parts are dark. When selecting light theme everything should be light, all core apps, buttons, everything, when you select dark everything will be dark, and then there will be a customize option where you can set it for each app (core apps and layout) how you want it
    - Show date, time, signal always on top-option, Remember.. screenshots on internet are shown a lot, when posting a screenshot of a BlackBerry 10 app nobody knows its BlackBerry, with BBOS you always had time, signal, on top people knew it was a BlackBerry and would be nice to get this back, plus no need for swiping up to see the time
    E-mail
    - Able to create filters, example move e-mails from this person to this folder, and give them this colour or move everything with this word in header or subject and delete it forward it and more.
    - "Out of Office", able to set out of office for work emails / accounts as automatic reply
    Hub
    - More colours, now there are only a few
    Keyboard
    - Emoij button on the keyboard (including special characters)
    LED
    - More led colours and settings
    Cloud, Sync and backup
    - Create backup from your device instead of BlackBerry link and backup them to any cloud storage (or blackberry cloud)
    - Sync bookmarks and settings with your BlackBerry ID
    - Sync remember with your BlackBerry ID
    - Sync Wi-Fi networks and passwords with your BlackBerry ID
    - BlackBerry Cloud storage (5 or 10GB free and pay for more?)
    Blend
    - Webblend access your phone from a secure BlackBerry website so you don't have to install any program on a computer you maybe will only use for one day.
    BBM
    - Multiply login, access BBM on more devices (including a web version) at the same time
    - PIN transfer, take your BlackBerry PIN to your new device. I really liked my old BB pin but when I sold the device I lost it, it would be nice to be able to "keep" my BBM pin or get a personal pin
    - Add user my phone number if linked, BBM Pin is awesome but allow users to also add people with phone number so you can give your phone number or pin If my contacts get BBM but forget to give their pin they will just show because I have their phone number
    Device
    *nothing yet*

  • Import Feature Request...

    Having used Lightroom for sometime I have a feature request dealing with the
    importing of images in to Lightroom.
    I would like to see the ability to have Lightroom look at each image it
    imports and based on where the image is dark, light or in the middle it
    would apply a different preset to them. For example if Lightroom found that
    60% of the pixels in the image was dark colors it would apply a preset that
    I create for dark images that would lighten the image. If it found that 40%
    of an image was light colors it would apply a preset I create that would
    darken the image. If it found that 50% of the image was dark colors and 50%
    were light colors it would apply a preset that I create that might up the
    saturation and other things but not adjust the exposure any.
    I would like to see the percentages that Lightroom uses to make these
    decisions adjustable by the user. For example for an image to be considered
    dark it would have to have 80% of the pixels dark, etc. I would also like to
    see this feature be able to be turned on or off by the user (for those that
    don't want to use it) as I realize this could slow the import process down.
    And, while it would make the importing slower I think it would mean less
    work for the user later.
    Also, maybe instead of looking at all of the pixels in the image one by one
    to make a decisions on how light or dark the image is it could simply create
    a quick histogram and use that. It seems like histogram generation in
    Lightroom is pretty fast and this may keep the import time down to something
    that isn't so bad.
    As it is right now, I see little point in having a preset applied to the
    images I import as very seldom do all of the images I import in to Lightroom
    would work with the same preset. I think a setup like this would cut down on
    adjustments later.
    Robert

    The problem with the auto preset is that the current auto functions in
    Lightroom just kind of suck. On all of the images I have used it on it blows
    everything out and this is even on images that already have plenty blown
    out. I have yet to see it darken an image.
    I also want to point out I am not asking for an auto feature I am asking
    that options be added that lets the user apply a preset (any preset they
    want) to images that are too dark, too light and 50-50. This is a far cry
    from the auto functions that are in LR now.
    If you apply a preset to images that are dark and that preset ups the
    Exposure to +1, etc. the chances are good that it will get your image much
    close to what you want. Just like applying a preset that adjusts the
    exposure to -1 on images that are very light. And, of course the user can
    control the threshold that LR uses to decide if an image is light, dark or
    50-50. You can also turn this off if you don't want to use it. There really
    is nothing auto about my suggestion since the entire process is controlled
    by the user. It just saves you time of waiting for an import to complete and
    then going through your images manaully and apply a lightening and darkening
    preset to the appropriate images.
    Robert

  • Feature Request: Add multiple photos to catalog at once

    The API currently allows you to use catalog:addPhoto() to add a single photo to the catalog.
    This works fine, but a poor user experience when adding a number of photos (esp. dozens or hundreds) - there's a separate child progress bar for each, masking the overall progress, and if the user has a sound enabled on import, it plays the sound on each photo import. If there were a way to import multiple photos at once (or API options/params to disable both of the feedbacks), this would make for a better UX when importing a lot of pictures.

    Sorry. I'm having a hard time finding my way around these forums, and the search is less than helpful.
    Please point me in the right direction.
    Edit: I found the correct forum now, and have recreated my feature requests there and deleted them from this forum (with the exception of this thread, which I can't delete at this point). My apologies.

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