Final Cut Pro jobs?

I'm not new so no welcome is needed
I had to set-up a different account to gain access to the ASW site and to become a member of the Apple Certification Alliance.
My question is where can you find a job using Final Cut? Are there any sites that you'd recommend to find a job using FCS? Also I was wondering what all you "elitists" do at your jobs, how you got your jobs and if possible maybe share some links to your reels to see what caught the employers eye.
Time for me to finally start paying off all those bills ha ha
Thanks!
Jasper Thayer
Apple Certified Pro
Final Cut Pro 5 Level 1
DVD Studio Pro 4 Level 1

i've been thinking about this thread on and off all day and for the life of me, i can't figure out why anyone wants to work in tv. tv people are unemployable anywhere else and are basically unmanageable. it's not glamourous. that being said.....
For example, client sends tapes or harddrive (or FTP
links) and wants an edited DVD back in a few weeks,
for a fixed price, but a flexible timeline.
Any thoughts on that, especially from those that do
just that - Zeb, do you ever moonlight ?
i have done side projects, simple ones and i must admit, i do like working at home in my pajamas. i've thought about the scenario described above many times. however, after four days in san diego last week, i'm questioning my movtivation for remaining in this god-forsaken part of the country, particularly during the winter months.
most of my moonlighting is in the form of free post-pro consulting for my compatriots in the world of live tv who have absolutely no idea about concepts such as video formats, frame rates, compression schemes and formats, etc.
i've been thinking about the whole demo reel thing as well and yes, it's important but i think a work ethic is almost more important. you can have the best demo in the world but if you're a prima dona who's always late, who's gonna tolerate and for how long? i worked on a widely popular show for many years and so many arrogant, knowledgeable avid editors come walking through the doors and not stay very long.
be on time. pay attention and someone is gonna give you a break.
i came from many years of studio work into mobile tv just shy of two years ago. i was at lunch the other day with a couple of camera ops that i actually like and i was paid the ultimate compliment. i was told that i am the overwhelming favorite video guy in this part of the world by the majority of camera ops and tape ops that i work with. wow. i've been told the same thing by a client as well. why? i'm not superman, i'm not special, i don't do anything special that no one else can't do.
i am on time, i pay attention; my cameras are always up and working, all my sources and destinations work the first time. during a show the cams love me and why? i pay attention to their depth of field and their movements so they don't have to wait for me to iris their cameras so they can get back in the game and sell their shots to tape for replays. directors never say a word to me which i love, why? i pay attention, i'm not sleeping or reading or surfing the web which a huge majority of video guys do.
my color imagery rocks. i so loathe sports and the events i work that i want to slash my wrists however, all i pay attention to are matching uniforms, matching facial tones on all cameras all the time. color imagery is hugely subjective and someone else may think my imagery stinx but it will all match so it will consistently stink and that is the hallmark of a good video guy.
be on time, pay attention, someone will give you a break and the rest is gravy if you've got half a brain. getting that break is the difficult part as i'm going through that now.
zeb

Similar Messages

When sending job from Final Cut Pro to Compressor using local QCluster

When sending job from Final Cut Pro to Compressor by way of Share and using the local QCluster, the audio renders, but the video errors out saying something along the lines of Can not locate file.
If I use 'This Computer' it works fine.
What gives?
Fresh install of OS and FCS.
Thanks!

I'm just learning the intricacies of Compressor and Qmaster myself, but I have learned that when you use Qmaster you can not share directly from FCP. You must export a Quicktime movie (reference movie seems to be fine) and input that to Compressor. This is only an issue when using Qmaster, as you've seen.

Final cut pro 5.0.4 update (need to update for job)

im probably the one person in the company to still run 5.0.4 instead of 5.1.1, mostly because im never given an option for notified to update.
I have Final Cut Pro 5.0.4, not sure if i registered it. The popup comes up once in awhile, but hasnt lately. Usually hit "Ask Later" or whatever.
Anyways im unable to open footage because the file format is too new to read for my fcp version. I downloaded "FinalCutProUpdate5.1.1.pkg", but it only updates 5.1.1 versions... I need to get my version of 5.0.4 updated to 5.1.1 so I can continue working without much loss.

yes you need to pay for the crossgrade
go to http://www.apple.com/universal/crossgrade/ and look at your options
DAVE

I am a Media Pastor at a church and am needing to find a Macbook that will fulfill the needs of running Final Cut Pro and Wirestream. What Macbook would be sufficient to do the job?

I am needing some guidance on the purchase of a Macbook Pro. I am wanting to have Wirestream Pro 4, a live streaming/recording software, and Final Cut Pro 7 and am needing to see what i would need to run them as far as drive capacity etc.

The top end MacBook Pro 15" (17" high res/anti-glare for full 1080 HD screen) for mobile video needs with some restrictions and hinderances, you will need the Build to Order 7,200 RPM drive for sure as you need space and speed.
You can have 8GB of RAM from Apple or place 16GB in yourself for a lot less than Apple charges for 8GB. However you need to be handy with tiny screws, or have a local specialist do the 16GB for you.
Your probally better off with a MacPro than a MacBook Pro.
The MacPro is more powerful, and easier to get inside and do things, lasts longer, more ports, more drives, more storage for video, fast external RAID 5 setups etc.
So if you can get into a MacPro, that would be a better option for video.

Switching from Final Cut Pro to Adobe Premiere

Hi everyone,
Hopefully there are others here who have made this switch and can offer me thoughts and advice. I have for the past few years used the Final Cut Pro suite as my video authoring media. It's done a great job editing and compressing my videos, so I could burn them to DVD, but the time has come for me to start burning to blu-ray. The problem is, DVD Studio Pro does not support blu-ray (something I discovered after buying the burner, etc).
After some research, it seems that Adobe Encore is the only software I've found that people recommend for blu-ray authoring on the iMac. Is this true? If I buy Adobe Premiere, will it edit, compress, does it have a color program - basically, will it do everything I've been using Final Cut for, or will I need to move files between the two programs (if they even support this?)
Anyone with experience in using both programs or just making the switch, please comment with any advice. I'd appreciate it before I take the plunge on another expensive suite of software.

You can download a trial version. I tried it some time ago and I can only use one word "boring" sorry I can not explain this feeling in a more concrete way.

How do i export multiple full resolution movie files at the same time in final cut pro 6?

I've been using Final Cut Pro since version 3 came out, know the program well, have even had jobs consisting of just operating the program. I'm currently running version 6 because that's the latest one that works on my computer. Back in verison 3, there used to be an option under Export to export a "Final Cut Pro" movie, which was really a Quicktime movie but appeared with a FCP icon and defaulted to opening in FCP, but the important thing about it is that it was a full resolution copy of the movie with no compression. Now, that option seems to have been changed to "export Quicktime movie." In my opinion that change is kind of stupid since it is so much less specific and is even less of an implication that one is exporting a full resolution file. But in fact you are.
One also has the option of using Compressor to export a version of a movie, and therein there are so many different options that if you are not confused by it I think there's something wrong with you. Moreover, it would appear that there is no equivalent of exporting a full resolution version of a file in Compressor. Fair enough: a full-resolution file involves no compression so is not appropriate for "Compressor." BUT, suppose you want to export multiple uncompressed, full-resolution movies at once. When you use Compressor, you are able to create batch lists and export many things at the same time, for instance, lists that will take many hours to complete so you can go to bed and get the results the next day. But as far as I can tell there is no way to do this at full resolution without compression. Instead you have to sit at the computer waiting for each one to finish and after each one, manually go to the next and select "export Quicktime movie." Even if there is a way to do this I would complain that such an obviously desireable thing is so unaccessable. In fact, the only reason I've typed out my question at such length is because I'm stuck here waiting for each one of my movies to export.
Anyway, all my complaints aside, anyone know how to do this?

what you're missing to export multiple files is the batch export command available in the file menu or by control clicking on the items in the browser. You can export multiple sequences/clips at full resolution with this.
This has been available in fcp for a long long time.
Wow, you are right. Now that you mention it, I can't believe I never noticed that. Thanks.
Only if you have the 'Self-Contained' box checked. Otherwise you'll end up with a reference movie.
Correct. That box is typically checked by default. There are other default settings you could change that would not result in a full-quality version, but what I meant was hitting that option from the pull-down menu, then changing nothing and hitting ok.

HOW TO Delete Unused Media from FINAL CUT PRO

*HOW TO DELETE UNUSED MEDIA FROM HARD DRIVE IN FINAL CUT PRO.* Keywords: disk disc drive space remove compressor
SUMMARY:
Say your original clip is 10 gigs, you can use only what you need and delete the rest from your hard drive. I know people on the forums say to just buy another hard drive, NO! It took 2 days to figure out but here it is!!! Email me if needed at [email protected]
QUESTION:
I captured 1 hour of video at a time and now want to delete from my hard drive all the parts I don’t want to use. I have 300GB of junk on my hard drive and I only want to use a few scenes using a few megabytes, so that I'll get most of my 300GB back!!!!
ANSWER:
In final cut on Mac, click on one small clip (to get familiar with process), go to “file”, “export”, then “using compressor”. This will open compressor software. Your file will open in the left top window. Then you need to batch the job or jobs. IMPORTANT: I’ve also solved the Compressor problem when you press “submit” to a batch and it states “Cluster: None”. Search forum for “In compressor you experience what I have”.
<Edited by Moderator>

Part of the problem could lie in the fact it's an imovie project coming into FCP, wouldn't rule that out. Second my be the terms you use and what you expect to happen. For example, a subclip is just a smaller clip subbed from a larger clip. It has nothing to do with media management. But you can media manage a subclip and delete the unused media.
Try this (be sure to back up the original clip first). take a long clip into the viewer, make an IN and OUT duration of like 30 frames and then subclip that, Modify > Make Subclip. a new subclip will appear in the browser with a torn clip icon and the name Subclip. Right click on the subclip and choose Media Manager.... Check the Delete unused media from duplicated clip. As you toggle that the green Modified bar at the top change from the full clip size to a tiny modified size. If it does not then one of two things ... user error or the system is screwed up. That's the easiest way to test media manager.

Final Cut Pro x crashes when opened. Why?

I downloaded a ton of photos to use for promotional videos and now Final Cut Pro X will start to open, then close. I put all the photos in the trash and emptied the trash but it still won't open. Can you help me please? Thank you.

First thing to try is trashing the preferences using this free app which will only take seconds.
http://www.digitalrebellion.com/prefman/
Shut down FCP X, open PreferenceManager and in the window that appears:-
1. Ensure that only FCP X is selected.
2. Click Trash
The job is done instantly and you can re-open FCP X.
There is absolutely no danger in trashing preferences and you can do it as often as you like.
The preferences are kept separately from FCP X and if there aren't any when FCP X opens it automatically creates new ones . . . instantly.
Many weird things happen as a result of corrupt preferences which can create a vast range of different symptoms, so whenever FCP X stops working properly in any way, trashing the preferences should be the first thing you do.

Burning a DVD from Final Cut Pro X via Compressor - No audio?

I have attempted to burn a DVD from a Final Cut Pro X project using Compressor, however the result was silent.
I used compressor because my FCPx project is in NTSC and my DVD is for air on Australian TV (PAL).
Image seemed to burn OK however there is no audio. Can anyone advise what I may have overlooked?
This is the first time I have used Compressor, and I am fairly new to FCP X.
thanks,
Geoff

Thanks Russ. OK, I am now rendering again via Compressor 4, this time I have 2 files in one tab - 1) a MPEG-2 and 2) an AC3 file. Seems to make sense.
To burn the DVD immediately after, I added a 'Job Action' to 'Create DVD' after the render, and the dialog confuses me. No problems with the 'Job Action' tab, but the "A/V Attributes" tab indicates the follwing:
Type: Final Cut Pro.app (shouldn't this be a reference to the rendered file/s?)
Video - showing the same dimensions of my FCPx Project file (NTSC ..640 x 480) instead of the MPEG-2 (Pal ...720 x 576).
Audio - Properties show Linear PCM... 6 channels, etc... not the AC3 file.
My question is, how do I create a DVD from the newly rendered files output from Compressor - is the Job Action the way to do it, and if so, how do I get it to reference the new files?
Thanks,
Geoff

"media server application expectly quit" when submitting from final cut pro

browsing through the list, it seems the problem couldn´t be solved so far.
doing some systematic testing, the following riddle shows up:
... when adding a QT ref movie (or movie) directly to the compressor batch list and submit to the cluster, everything runs fine.
... when exporting from final cut pro:
menu -> export -> using compressor ...
submitting in compressor using:
1) Cluster: this computer: everything keeps running fine.
2) Cluster: MylovelyCluster ....
the job fails with the message "Failed: HOST [clusternode_name.local] media server application unexpectedly quit"
since there is 5TB + of data to be compressed, copying files to the render nodes is not an option. all data is on a shared xraid, connected via giganet.
Any ideas, any hints appreciated !
regards,
p.s. Anybody running an XSAN having the same issues?
G5s, G4s, G3s, macminis, powerbooks Mac OS X (10.4.7) xraid

... well, the answer is in other topics.
showstopper explains it patently again and again ...
thanks from here.
shortly: when submitting from FCP, every node HAS to have FCP installed and MUST have access to the same relative file path (mounted shared volume). If the volume is not present, the render node will open the reconnect media dialogue and waits for user input.

Sync problem w/ DVD from Final Cut Pro X

My project is a 2-hour play. I improved the audio in ProTools then dragged it back into FCP. I was able to get the improved audio to sync perfectly with the video (both are 48K), then mute the original audio. I checked the whole 2-hour play for sync. I burned a DVD, played it on my DVD player, and the audio gets ahead of the video around the 30 minute mark and keeps drifting. Several DVD burns yield the same problem. Any advice?

Thanks Russ. OK, I am now rendering again via Compressor 4, this time I have 2 files in one tab - 1) a MPEG-2 and 2) an AC3 file. Seems to make sense.
To burn the DVD immediately after, I added a 'Job Action' to 'Create DVD' after the render, and the dialog confuses me. No problems with the 'Job Action' tab, but the "A/V Attributes" tab indicates the follwing:
Type: Final Cut Pro.app (shouldn't this be a reference to the rendered file/s?)
Video - showing the same dimensions of my FCPx Project file (NTSC ..640 x 480) instead of the MPEG-2 (Pal ...720 x 576).
Audio - Properties show Linear PCM... 6 channels, etc... not the AC3 file.
My question is, how do I create a DVD from the newly rendered files output from Compressor - is the Job Action the way to do it, and if so, how do I get it to reference the new files?
Thanks,
Geoff

Every video put into Final Cut Pro exports in horrible quality regardless of format/settings.

Hello fellow Mac enthusiasts,
I'm having a problem which may or may not have been plaguing my studio since day one. Every video that we edit in Final Cut Pro exports in MUCH lower quality than it was when it was imported, not only that, the file size of the newly exported video is several times the size of the original. What I end up getting is a file too large for our clients to email around. We recently had a client come into our studio with a flash drive full of 15 second avi's no larger than 900 KB, he wanted a few of them edited together with simple cross fade transitions, and even a few seconds of dead space cut out. He needed them to be the highest quality possible for a powerpoint presentation he may now be unable to give. At first I exported them as Uncompressed avi's, best quality, thousands of colors, and no sound. The resulting file was not only blurrier, but now 260.5 MB!! And that one was with zero edits! The original was 803 KB and crystal clear. So after that I decided to try a few tests. We also produce a bi-weekly hour-long local television show, which looks fine on television but now I'm wondering how much better it could and should look. I've been exporting that out as a Quicktime, Apple ProRes 442 HQ, Interlaced bottom-field-first, zero filters, both compressor native and NTSC 720 X 480. I attempted this method on the client's original 803 KB with zero edits and not only did it export a completely unusable video compared to the original, but it was now 57.1 MB. What is going on here? Is Final Cut conspiring against me? I'm guessing it's something in my settings which I'll shamefully admit I know absolutely nothing about. Could anyone help a struggling video editor do his job?
Joey

Hey guys sorry it took me song long to respond it's been a busy week filled with many things not relating to final cut...
In response to David's post, the original file is indeed larger than 720X480, though it's dimensions are not available to see in the 'more info' associated with the file itself. By comparison, the apple pro res LT file I exported through final cut of the same avi file is 720X480, and looks significantly worse.
[URL=http://imageshack.us/photo/my-images/87/screenshotofavis.png/][IMG]http://img87.imageshack.us/img87/5421/screenshotofavis.png[/IMG][/URL]
This was after I created a new project, made the sequence settings into Apple ProRes lt 30p under the audio/video settings in Final Cut, and exported it as the same with 'current' dimensions (it was listed as 850X637, maybe that was the original?) Although I did have to render the original avi itself once it was placed in the timeline. I guess there's no way to know exactly what sort of avi my original file is so I can match my sequence to it? The 'more info' (to be fair im sort of used to 'properties') leaves something to be desired..
I guess my question is: what else can I change in my settings to leave the quality of the video intact, if anything?
Thanks everyone.

Are the sound clips from Final Cut Pro Fair Use?, Are the sound clips from Final Cut Pro Fair Use?

I recently found YouTube had flaged a video for containing a "third party" sound clip. All clips I've used in videos for YouTube have come directly from Final Cut Pro X. Any idea if the sound clips are Fair Use? I'm not sure how to repsond to YouTube and don't want to get a mark against my account due to this.

You can pretty much forget about monetizing that specific video.
[Okay... I'm going to ramble now...]
To avoid problems with youtube, you need to post a copyright (like this: @2013 by Your Name) on the video (I recommend within the first 10 seconds) -- and you better have it *right*. If you use other audio and video, as long as you have secured the proper permissions for use, you can still claim a copyright to the video you post on YouTube -- it is your creation (but it better not be a single clip of somebody else's work being passed off as something you did -- just to be clear -- your videos need to have original content that you created in order to justify the © you put on it. If you use *other stuff* as long as it's *with* permissions, it's still your video.) [If your video is going to be monetized -- make absolutely sure you have that permission for *commercial* use! Quite a lot of sources will specify that their materials *cannot* be used for any commercial use without further permissions, if at all. With Apple Loops (pro apps music and sound) you do have that express permission to be used in commercial works as long as it follows the EULA. More below.)]
You also need to specify the music and/or sound effects are "licensed from Apple Computer and used with permission" and you might as well state they are "made with Apple Loops". YouTube understands the EULA of the Apple Pro software (Logic, STP, FCP/FCPX, etc...) -- but even Apple licensed all that stuff from outside sources. Apple just takes care of paying "them" for it in advance so you don't have to (you buy it with the cost of the software license.)
You cannot use any of the "music beds" by themselves, in their entirety (all those nice long demo pieces everybody likes so much and you hear several times a day on [local] TV commercials). The EULA actually specifically states this (although you might have to read it two or three times until it becomes clear...LOL). Even loops are not to be released "as is", in their entirety, in any "derivative work". So, basically, make sure some other sound is mixed in with it (if it's music, add drums or other percussion, harmony, or duck it under talking, etc...)
The point is, no matter what audio source you have, if it is *music* (or foley) and EVEN IF you are the creator of that music or sound effect, you need to specifically put it in writing IN the video (not in the description). You need to reference the source (e.g.: stock footage by BottledVideo.com) and state it's being used with (or by) permission. [According to YouTube: I have copyright infringed MYSELF!!! just for leaving out all this *stuff* from my subsequent videos (music that I composed and performed myself on guitar... I was livid... but it stuck!).]
I can pretty much guarantee that within minutes of posting your video (if it is monetized) -- some real live person at youtube puts eyes on that video to make sure it is properly "signed". I can tell by how long it takes for the monetize checkmark to go from dark to light green -- usually less than 10 minutes.
If your video is not monetized, and it's not a blatant violation, they probably will let you off with a warning, tell you that you don't need to do anything "right now" and it won't count as a mark against you... If it IS monetized, it won't be - they'll turn it right off and your chances of winning a challenge are almost 0 (unless you can PROVE you own the material -- and I have won a challenge -- see * below); and you will probably see a "Copyright Notices" (or similar) item in the menu on your channel settings. If you can redo the video - pull the old one, put in the new info and re-up it. It's a royal PITA, but in this day and age, it's a necessity.
All videos destined for youtube should be treated as mini motion pictures and be prepared as such with full "disclosures" in titling... Welcome to 21st Century Pox [This statement is not meant to be derogatory to 21st Century Fox or imply any association or criticism or slander, and is only to be intended to be received as a parody on a common phrase that is currently still in use... No words were harmed in the formation of this pun.]
Get the point? YouTube tries to tell everybody -- but they've done a pretty lousy job of doing it. It's taken me, oh, I guess a year or so to learn to "behave" after wandering through a mire of confusing information from too many different sources -- and even if I am the sole producer of 100% of all the content in the video, I *still* have to place that © and "commit" it; it is *not* taken on faith. I actually had to go back and reread all my licenses and interpret the legalese to figure it out. It would have been simpler if they just put it: Your video is a miniature professional production. Make sure it includes all titling to reflect all participants -- *just like you'd see in a modern major motion picture or a major broadcast television series* -- I think everyone would pretty much understand what that involves. You don't have to get quite that extreme, just cover you bases and your a©©.
I tried to cover it all... but I'm pretty sure I haven't... so... good luck!
*How I won my challenge with an Apple Loops composition:
1) the music, even though using "canned" loops, was an original complex composition (I'll argue theory with anyone about this... it will be based on limited sets and recombinants as well as the theory of instrumentation and timing. In other words - I massage the heck out of loops until they don't sound anything like the originals. I almost never use audio loops -- always MIDI.) [BTW - this was another instance of copyright infringing myself - I had used the same music in a previous video I produced a year or so earlier... when I, like you, thought I was "free" to use the clips as I saw fit.]
2) the music I used in the video was originally created in Logic and I made sure the ID3 tags were filled in with my name and copyright information
3) I have a YouTube Associated Website (think this is a "partner" thing... and google "sanctioned") but if you see it, make sure you associate your domain. [I think you might be able to create a Google+ account and associate a domain that way if it's not part of your YouTube settings.]
4) I uploaded the original mp3 with the ID3 tags to my associated domain.
5) in the challenge, I 1) attached the original mp3 (w/ID3 tags); 2) gave youtube a link to the copy on my associated website for *verification* that the files belonged to ME; (and they already had the URL to the video in question -- a basic 3 point verify.)
It worked. They accepted the verifcation. (And this was the first challenge I've been able to win.) [This was very recent. What about the others? I might get a chance to complete the verifications, but I know for some, I've used up my challenges. The only other option is to pull them and redo them...]
One last word of advice: It does not pay to get "huffy", indignant, or righteous with YouTube in a challenge. They don't care. <-- read that again a lot more slowly... They have their own behinds to take care of — and your video (and/or account) lives (or dies) by their grace. If you read that and infer that I have been those things, then yes, I have... to absolutely no avail... even though I thought I was right (to the best understanding I had at the time) — they have rules. Be respectful. In general, they're pretty relaxed about all this even though it might not look that way to many users. Once you get the rules down, everything goes a lot easier... even if it is a little more work. You have to take responsibility for your own work.

Final Cut Pro sluggish with G-Speed drives

We are having major problems with our Final Cut Pro system. We are running 6.01 on a dual 3.0 Ghz Intel with 8 gigs of ram. We have two G-Speed running of off SCSI. Whenever the scratch disk is set to one of the drives Final Cut Pro can barely open a project. Any ideas? I think we need to rebuild the system to truly troubleshoot this but if anyone has any advice that would be great.
Thanks!

With the G-Speed drives still mounted we tried running a job from the G-Raid that our client's project came in on and we had the same trouble we were having with the G-Speed. Since we are only working with DVCPROHD we thought it wouldn't be a problem but we still encountered a slow open.
When we first started the project we copied the files from the G-Raid to the G-Speed drives. We then copied the project file to the desktop and first encountered a slow open.
The project did open faster by accessing the project file from within the folder where the files were located on the G-Speed. For some reason that worked better.
I will see if moving the thumbnail cache helps our FCP woes.

Final Cut Pro 7, Compressor, or Quicktime X do not recognize MobileMe

I'm having issues uploading my movies from Final Cut Pro, Compressor, or Quicktime X to MobileMe. For both FCP and QT X, when I "Share" using MobileMe, it says that either my Username or Password is wrong. I know for a fact it's not because I can use them to login here or on iTunes. It worked before, but now after I did a Pro Application software update, it doesn't let me. I'm not certain that's the direct problem, though. When I try with Compressor, it just tells me it failed uploading.
I tried using both "username" and "[email protected]"
If I use "[email protected]" it says there is some sharing error which I never heard about.
How can I fix this problem, or is anyone else also experiencing this bug?
BTW, every thing else works fine.
Thank you.

Have you tried the full login including "@me.com or @mac.com"? This seems to work as far as FCP or compressor "recognizing" the MobileMe account. Yet when I do it through compressor, even though it says the job is done and all is well it never actually uploads it to MobileMe. It seems to work fine through FCP though.

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