Garritan and Vokator in 7.2.3

I recently bought an Intel Quad 2.3GHz, 4GB Ram. I've updated to 7.2.3, running Mac OSX.4.8
Logic no longer recognises Vokator, or Garritan Personal Orchestra (about 90% of my files used garritan).
The AU scan does not even show them as failed validations. VST plug ins are present (I know that's not the same thing as AU, but I cannot find AU plug ins anywhere, and was checking that installation had worked.
Can anyone suggest how I might get these working again, especially garritan.
I'm beginning to suspec this is a problem with the Intel machine, as neither appear in Kore either, despite the VST pis being in place.
many thanks

VST plugs went the way of the dinosaurs under OSX. Simply put, VST plugs are not compatible with OSX, which runs AU (audio units) plugs only.
I've read about some things called 'VST wrappers' which allow the use of VST plugs under OSX. Do some research to see if this kind of thing would work for you. Otherwise, you'll have to update/upgrade from your VST versions to AU versions of your plugs.

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  • A Choir Query: from FinalePM to LogicXP (and back)

    The Challenge:
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    In a nutshell, I'm struggling to understand the simplest way (if there is such a thing) to add some specific non-orchestral sounds to my Finale PrintMusic Instrument List, to beef up the playback of some original compositions.
    And failing that, the simplest way to use some of the specific SmartMusic SoundFont samples included with FinalePM in a GarageBand or a LogicExpress project.
    The Rest Is Background and Elaboration:
    I've spent the past few weeks using Finale's PrintMusic2006 to develop some musical underscores for a short film I'm now editing (using FinalCutPro 5). The simple arrangements I've created using PrintMusic's built-in SoftSynth player and the SoundFont instruments package so far work pretty well as demos to accompany the printed notation, and that was their original intention. But parts of them actually sound not too bad, and are close to being useable for the film itself. So now I'd like to see if I can take the playback aspect even further, and use PrintMusic (either on its own or in combination with other software) to generate a more polished final output.
    So far though, my experience with the other music software available to me has been frustrating:
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    - SoundtrackPro, supposedly a higher-end app than GarageBand, won't even import a standard MIDI file. (What's up with that, anyway? I still haven't quite figured out where STP lies on the GarageBand-LogicExpress-LogicPro spectrum.)
    - and LogicExpress (which I don't yet own but am testing a trial version of) - aside from being a whole new learning curve I really don't have time to get into right now - doesn't even have basic versions of the software instruments I'm trying to find better quality versions of, such as Harpsichord, Bagpipe (yes, the music involves a very strange mix), and most of all, choral/choir effects (more human-sounding Oohs, Ahhs, Doos, and Mmms, both male and female).
    The Arrangements:
    The instruments I've used in PrintMusic for playback of the different versions of the film's music are:
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    - Voice Oohs,
    - Bagpipe,
    - Harpsichord,
    - Tubular Bells,
    - Woodblock,
    - Overdriven Guitar,
    - and a couple of bg synth effects.
    The organ, harpsichord, guitar, bell and woodblock all sound not too bad in context. The Bagpipe's a bit wimpy, but both it and the Harpsichord are at least better than the ones the Apple apps offer - which is to say, none! And I was especially disappointed to see that even with the addition of hundreds of dollars worth of JamPacks those same apps still don't appear to offer any human voice/choral Software Instrument sounds whatsoever.
    I do see such sounds available for purchase at sites such as these:
    http://www.soundsonline.com/sophtml/details.phtml?sku=PS13
    and
    http://www.bestservice.de/detail.asp/en/vocalchoir/extended_classicalchoir/813442a66p249p64p49
    (with of course much higher-end and higher-priced options also available).
    But the question I'm hoping someone out there can help me with is:
    - Can PrintMusic make use of these kinds of samples (either these specific ones, or any other kinds in any other formats -- including the Software Instruments already included in Logic and/or GarageBand)?
    - And are there sites from which specific software instruments can be purchased and downloaded a la carte (the same way you can easily preview and then download individual typeface fonts from any number of freeware, shareware, and commercial sites)?
    Because even though it's very much a notation program first and an audio-file creation program second, Finale's simple PrintMusic is right now much closer to having the sounds I want for this particular project than the much costlier LogicExpress. But Is there in fact any way to selectively add to the number and variety of Instruments which can be accessed in PrintMusic's Instrument List? And can it utilize additional software instruments such as the choral sounds on Peter Siedlaczek`s "Extended Classical Choir" noted above?
    And if (as I just did) I download an ".sf2" formatted sample of a bagpipe, how do I get a Finale (or a LogicExpress for that matter) to actually see the darn thing and make it accessible -- is it as simple as just placing the file in the correct folder? I've scoured the manuals, and I still don't know.
    (I see on the MakeMusic site how for the full Finale "exciting libraries of additional instruments are available from Garritan and Native Instruments", which makes me think that instruments in the correct format can indeed be added to a Finale Instrument List -- although things like the Garritan Personal Orchestra package wouldn't help me right now, since the few specific sounds I'm seeking are choral and/or non-orchestral.)
    So I'm feeling more than a little lost right now in what seems like a minefield of different and often incompatible synthesizers, sequencers, samplers and samples out there. I'm really hoping someone can at least begin to steer me in the right direction on this question.
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    John Bertram
    Toronto
    (Versions of this message have also been posted to other online forums relating to Finale, GarageBand, and MIDI-based music creation on the Mac.)
    My system info:
    PowerMac G5, dual 1.8 GHz, 3.5 GB RAM, running OSX Tiger 10.4.5
    G5 dual 1.8   Mac OS X (10.4.5)   Mac user since 1990 (starting on a sleek SE/30)

    Thanks for the reply, Justin. (Sorry about the slow response -- I'm a bit swept up with March Break kid stuff.)
    Frankly, hiring a tech to help you through the
    process is perhaps the best option. A few hours is
    all it would take.
    Attempts to go in that direction have so far met with limited success, but I'll keep beating the bushes. (Having some trouble connecting with someone with the right combination of experience in the right combination of apps -- Finale, LogicExpress, different samples in different formats, etc.)
    I come from Logic Pro so there may
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    I was getting the impression I'd need a 3rd party utility like SoundFont Synth (http://andydrabble.users.btopenworld.com/soundfontsynth/moreinfo.html) that can use sound font files in GarageBand, Logic, etc. Are you saying that LogicXP can access ".sf2" files, as well as the MakeMusic GM Instruments included with Finale's PrintMusic2006, directly -- without the help of intermediaries like SoundFont Synth? If true, that would be great for me -- but I'm finding the LogicXP documentation more than a little inscrutable so far, and can't find the section that tells me in a nice step-by-step way how to do that.
    Drabble's SoundFont Synth does come with exactly that kind of step-by-step guide for using the program with GarageBand, which I'll copy/paste here for anyone interested:
    ==============
    SoundFont Synth is an Audio Unit plug-in designed to make the synthesis of
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    Main Features
    1. Uses Apple's excellent DLS synthesizer engine to produce high quality sounds.
    2. Uses industry standard SoundFont files (.sf2) thousands of which are widely available for free download from the Internet.
    3. Passes Apple's Audio Unit Validation tests.
    4. Can use Pitch Bend wheel to control low pass, high pass, band pass and notch filters.
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    Getting Started (GarageBand)
    Start up GarageBand and create a 'Software Instrument' track within your
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    Select 'SoundFont Synth' from the 'Generator' pull down menu.
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    The Sound Font field will default to 'QuickTime Music Synthesizer'. If you have
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    =============
    And following those excellent instructions I was indeed able to start using the MakeMusic GM Instruments in GB3. But when I wrote the author and asked if he had a version of those instructions written in "LogicExpress-ese", this was his reply:
    John,
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    I am basically a Computer Designer and Programmer.
    To make it work with Logic, you need to follow the same procedure, which I assume is documented, as for any "Music Device" AudioUnit.
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    Andy.
    So, since LogicPro is way out of my price (& complexity) range for this particular project, I'm back to wondering both how and if Express -- either on its own, or in combination with something like SoundFont Synth, will let me incorporate the following elements:
    1) some better quality (but still affordable) human voice/choir sounds, such as the ones offered at:
    http://www.soundsonline.com/sophtml/details.phtml?sku=PS13,
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    2) some ".sf2" files from sources such as www.sf2midi.com,
    3) some of the original MakeMusic GM Instrument sounds included with Finale's PrintMusic2006
    4) As well as possibly some of the software instruments included with Logic/GarageBand and maybe some of the JamPacks.
    Now assuming I'm using LogicExpress, that last one's a no-brainer of course. But I'm still fuzzy on the workflow involving the first three, and they're the ones I really need for this specific project (and that's all this venture into music production is about for now -- I need to get back to what I should be doing, which is the video editing).
    So given that this is not something I'm gong to be doing all that often in the future, should I be considering avoiding Logic altogether, and using what some people tell me are much more beginner-user-friendly apps like Tracktion2 (http://www.mackie.com/products/tracktion/tracktion.html), or MetroSE (http://www.sagantech.biz/products/metro6se.htm)?
    Would love to hear from anyone who's used either of the above, especially in terms of accessing the kinds of additional software instruments I listed earlier.
    [...] One of the problems is that
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    Am certainly comforatble with the idea of composing in Finale, then moving over into something which easily lets me add the specific instruments I want to "upgrade", while still keeping some of the MakeMusic GM sounds from Finale's Instrument List.
    But am still unsure about which apps (or combination thereof) I should be commiting to and start mastering the basics of -- something with the right combination of affordability and simplicity to get this specific job done (yet not TOO simple, as in GarageBand's frustrating inability to vary tempos).
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    jb
    G5 dual 1.8; FCP 5.x   Mac OS X (10.4.4)   Mac user since 1990 (starting on a sleek SE/30)

  • A Choir Query - from FinalePM to GarageBand3 (and back?)

    The Challenge:
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    In a nutshell, I'm struggling to understand the simplest way (if there is such a thing) to add some specific non-orchestral sounds to my Finale PrintMusic Instrument List, to beef up the playback of some original compositions.
    And failing that, the simplest way to use some of the specific SmartMusic SoundFont samples included with FinalePM in a GarageBand or a LogicExpress project.
    The Rest Is Background and Elaboration:
    I've spent the past few weeks using Finale's PrintMusic2006 to develop some musical underscores for a short film I'm now editing (using FinalCutPro 5). The simple arrangements I've created using PrintMusic's built-in SoftSynth player and the SoundFont instruments package so far work pretty well as demos to accompany the printed notation, and that was their original intention. But parts of them actually sound not too bad, and are close to being useable for the film itself. So now I'd like to see if I can take the playback aspect even further, and use PrintMusic (either on its own or in combination with other software) to generate a more polished final output.
    So far though, my experience with the other music software available to me has been frustrating:
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    - SoundtrackPro, supposedly a higher-end app than GarageBand, won't even import a standard MIDI file. (What's up with that, anyway? I still haven't quite figured out where STP lies on the GarageBand-LogicExpress-LogicPro spectrum.)
    - and LogicExpress (which I don't yet own but am testing a trial version of) - aside from being a whole new learning curve I really don't have time to get into right now - doesn't even have basic versions of the software instruments I'm trying to find better quality versions of, such as Harpsichord, Bagpipe (yes, the music involves a very strange mix), and most of all, choral/choir effects (more human-sounding Oohs, Ahhs, Doos, and Mmms, both male and female).
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    - Voice Oohs,
    - Bagpipe,
    - Harpsichord,
    - Tubular Bells,
    - Woodblock,
    - Overdriven Guitar,
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    http://www.bestservice.de/detail.asp/en/vocalchoir/extended_classicalchoir/813442a66p249p64p49
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    - And are there sites from which specific software instruments can be purchased and downloaded a la carte (the same way you can easily preview and then download individual typeface fonts from any number of freeware, shareware, and commercial sites)?
    Because even though it's very much a notation program first and an audio-file creation program second, Finale's simple PrintMusic is right now much closer to having the sounds I want for this particular project than the much costlier LogicExpress. But Is there in fact any way to selectively add to the number and variety of Instruments which can be accessed in PrintMusic's Instrument List? And can it utilize additional software instruments such as the choral sounds on Peter Siedlaczek`s "Extended Classical Choir" noted above?
    And if (as I just did) I download an ".sf2" formatted sample of a bagpipe, how do I get a Finale (or a LogicExpress for that matter) to actually see the darn thing and make it accessible -- is it as simple as just placing the file in the correct folder? I've scoured the manuals, and I still don't know.
    (I see on the MakeMusic site how for the full Finale "exciting libraries of additional instruments are available from Garritan and Native Instruments", which makes me think that instruments in the correct format can indeed be added to a Finale Instrument List -- although things like the Garritan Personal Orchestra package wouldn't help me right now, since the few specific sounds I'm seeking are choral and/or non-orchestral.)
    So I'm feeling more than a little lost right now in what seems like a minefield of different and often incompatible synthesizers, sequencers, samplers and samples out there. I'm really hoping someone can at least begin to steer me in the right direction on this question.
    Very much looking forward to hearing from you.
    Thanks!
    John Bertram
    Toronto
    (Versions of this message have been posted to other online forums relating to Finale, LogicExpress, and MIDI-based music creation on the Mac.)
    My system info:
    PowerMac G5, dual 1.8 GHz, 3.5 GB RAM, running OSX Tiger 10.4.5
      Mac OS X (10.4.5)   Mac user since 1990 (starting on a sleek SE/30)

    Hi:
    Thanks for the reply and the URLs. (And apologies for the late response.)
    Here's a summary of what I've been up to on this front:
    I downloaded demos of SoundFont Synth (even coresponded with its author), Metro and Traktion. Have also attended a couple of sessions at the Apple Store here in Toronto, and am slowly starting to get a better handle on this whole mysterious world of MIDI, Music, and the Mac.
    With the help of one of the Apple Store advisors, I've finally figured out how LogicExpress can indeed "import" (if that's the right term) and use the MakeMusic GM Instruments, as well as .sf2 files I download, as well as (at least in theory) the particular akai-format choir samples on CD which I'm likely to order (URLs for same are in earlier posts).
    At first we were doing this using that SoundFont Synth utility you mentioned -- but the sound we got was noticeably inferior to what Finale's SmartSynth produced while within FinalePM. Then we discovered how LogicXP's built-in EXSP24 sampler could translate the "synthgms.sf2" file (located inside Finale PrintMusic2006 / Component Files), along with any other .sf2 or akai-format samples -- and then play them at much higher quality and with of course many more options to adjust and fine tune them.
    So it's looking that will be the best (or at least the most direct) route for me to take for now.
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    John Bertram
    Toronto
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    http://schneb.googlepages.com/music8

    The bottom line is that has been one of Logic's most glaring "missing features" for years, in my book.
    The problem stems from the fact that Logic can't separate the channels (or 'channelize') the volume and pan controls for the individual MIDI channels of a multitimbral virtual instrument. By contrast, Logic has no problem doing this with external MIDI modules. And other DAW's - I'm told - have no problem separating the volume commands for individual channels of a virtual instrument. But Logic "Pro" still can not.
    So you have to set up a bunch of virtual 'aux' channels, route the various VI channels to the separate AUX's, then control or automate the volume of those aux channels separately from the 'master' VI. Personally I can't believe people don't complain more about what a needlessly awkward workaround this is, all to achieve the same basic functionality we've had in MIDI for almost 20 years now .
    But that's the way it's always been done on Logic, and from the looks of it, there's no reason to expect it to change anytime soon.
    Search the forums (or Kontakt's manual or Garritan's site) for info on how to set up numerous auxiliary outs, and that should get you going. There are also numerous tutorials and how-to's on this forum and others, which you can probably find if you search "multitimbral aux".
    Lastly, some folks resort to automating volumes within the plugins, ie. adjusting the channel volume sliders on Kontakt's internal mixer while the sequence runs, then editing that automation later in Logic. Again, I think it's a kludgey workaround. But Kludgey Workarounds have always been a big part of the Logic Pro 'experience!'
    Enjoy.

  • Garritan Jazz/Big Band and Logic

    Hello. I've mostly used Jam Packs with Logic, I'm new to using another player within Logic, Kontakt is what comes with Garritan Jazz and Big Band. The issue I'm having is when you load a multi/ensemble from Kontakt into Logic, I can't seem to control the volumes separately. It seems to show up in the Logic mixer as "Inst 1" -- is this making sense? Sometimes I'm confused by all the tabs/choices in the mixer section too...but that's probably a different issue. Anyway, if you have any thoughts, I'd love to hear them. Thanks. Bob

    The bottom line is that has been one of Logic's most glaring "missing features" for years, in my book.
    The problem stems from the fact that Logic can't separate the channels (or 'channelize') the volume and pan controls for the individual MIDI channels of a multitimbral virtual instrument. By contrast, Logic has no problem doing this with external MIDI modules. And other DAW's - I'm told - have no problem separating the volume commands for individual channels of a virtual instrument. But Logic "Pro" still can not.
    So you have to set up a bunch of virtual 'aux' channels, route the various VI channels to the separate AUX's, then control or automate the volume of those aux channels separately from the 'master' VI. Personally I can't believe people don't complain more about what a needlessly awkward workaround this is, all to achieve the same basic functionality we've had in MIDI for almost 20 years now .
    But that's the way it's always been done on Logic, and from the looks of it, there's no reason to expect it to change anytime soon.
    Search the forums (or Kontakt's manual or Garritan's site) for info on how to set up numerous auxiliary outs, and that should get you going. There are also numerous tutorials and how-to's on this forum and others, which you can probably find if you search "multitimbral aux".
    Lastly, some folks resort to automating volumes within the plugins, ie. adjusting the channel volume sliders on Kontakt's internal mixer while the sequence runs, then editing that automation later in Logic. Again, I think it's a kludgey workaround. But Kludgey Workarounds have always been a big part of the Logic Pro 'experience!'
    Enjoy.

  • USING GARRITAN JABB WITH LOGIC 8 and KEYSTATION PRO

    Anyone out there using Garritan Jazz & Big Band? I can't get any vibrato even though I'm moving the vibrato dial on the screen (this goes for "lite" as well as the regular instruments")
    is there some toggle i'm forgetting to use? I do get flutter...
    right now pitch bend works, and the mod wheel controls volume.... do i have to assign that wheel or some other dial on my controller to make the other stuff work?

    Please check the JABB manual. Although M-Audio's Keystation Pro 88 does not have aftertouch, you can set up any of the Keystation Pro's faders or turn knobs to the CC# that provides the same aftertouch effect. The JABB manual will tell you which CC# to use for aftertouch. (I am away from home and away from my own manual, otherwise I would give you this information.)
    Because of all of the CC#'s that are utilized within JABB to help create "real sounding" instruments, I usually do several recordings after the original one for each of the CC#'s that I may use. This includes that "aftertouch" CC# that I've set up on either a fader or turn-knob. This is my work-flow methodology which works well enough for me. Then, I fine-tune the recorded CC#'s information using Hyperdraw.
    Without a doubt, this is a labor-intensive process. But with the time and effort put into JABB (and other similar instrumental libraries), comes a more natural-sounding work. At least this is true for my ears, anyway.
    Good luck to you!
    Ted

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