H.264 / MPEG4

Apple is really pushing the H.264 format as being the next generation. (In part: "QuickTime 7 features a state-of-the-art video codec called H.264, which delivers stunning quality at remarkably low data rates...").
Rather than using MPEG-4 for output to Web or DVD, is there a compelling reason not to be using H.264?
Thanks,
Lyman

Thank you, Al, appreciate the assistance very much.
Can you recommend settings for the other parameters, for output to both Web and DVD? I want as much quality as I can eek out...!
Thanks,
Lyman

Similar Messages

Solution to AVC/H.264 MPEG4 video compression Audio Sync Issue

Been trying to find an solution to this problem for a year now - one would think Adobe would have addressed themselves but....
I have the Xacti E1 camera and it utilizes the AVC/H.264 MPEG4 video compression that both Premier Elements 4 & 7 plus Pro CS4 have sync issues with.
What I did was use Quicktime Pro to convert the Audio ONLY to wave – very fast actually. So basically in Premier I added the original MPEG4 video to the timeline, removed its messed up audio, replaced it with the Quicktime Pro wav file then regroup the wav audio and video to keep it clean.

Sure!
Would be nice if Adobe addressed the problem as this std is used by most flash based video cameras

AVCHD (GF2) vs H.264/Mpeg4 (Nikon D5100)

Hi friends,
1) AVCHD isn't the same codec to H.264/Mpeg4?
i. Both offer the same quality?
ii. Which codec most convenient to a FCP user?
iii. Nikon D5100 vs Lumix GF21-what do you say in term of Video Mode?
Thanks for contributes your precious opinions!

I shoot video with the Nikon D7000, you can find my recent posts in another thread. No idea what a GF2 is but using any adapter to put one lens mfr's glass on another camera compromises the quality of the lens Buy lenses for the specific camera.
The whole idea of using prime lenses to shoot video is based on image sensor size and the inherent physical properties of the point of focus. The depth of field and the resulting bokeh effect are directly proportional to the resulting circle of confusion, highly theoretical optical characteristics, easily researched.
Mish's points are excellent negatives. Here are few more:
1. Focusing is not just important, it's beyond critical.
2. Today's autofocus SLR lenses have stupidly and inappropriately small focus runs which means the point of focus is easily overshot. Just letting go of the focus barrel can screw up your focus. Look for classic, old style lenses that will work on your modern camera.
3. You cannot see focus in the viewfinder when in live view mode, which is stupid but technically unavoidable, and you cannot rely on the LCD display. You must have a viewfinder magnifier hood which elevates the cost of your rig by $200-600.
4. You simply must understand the relationships between f-stops, shutter speed and ISO and it is my experience that only about 1% of the goofballs shooting "video" on DSLRs have the slightest idea what these properties mean let alone how to control them and how they interact.
5. You need to know how to use a light meter and not rely on the camera.
bogiesan

My H.264 MPEG4 files turn into -1.MOV files after saving and viewing file

info the in the Metrics inspector File Info box of the movie page. Some people I send video to get their email at their work and are not always able to view the files even if they are less then 1MB, and so not sure if the -1.mov makes it too big (which I checked and it didn't seem to) or (quicktime is not supported on their machines) but the file type shouldn't change from .mp4 to .mov anyway.
Anybody have heard of this or have an idea of what iWeb is doing and how to best insure I can share my Mac iWeb movies at low tech PC server locations?

Okay so I've been looking into this in depth over the past few days and I haven't come up with a lot. I have noticed that it's not just the render files but also the inspection window where the clip displays in this manner. It looks like the luma range (as seen in YCbCr scope) is being limited between 7.5 and 92 IRE and I think this is maybe a good indicator of the problem. Why this is happening I don't understand. On my clips that were previously rendered in this timeline there is full range from 0 to 100 in the luma from the YCbCr scope. These files were rendered to an external drive from before I reinstalled Premiere, so it's any h.264 files that I am using after reinstall that are having this issue. I have attached another screen capture illustrating this (look at line to right of scope showing full luma range). Also I have some .mts files from another camera and they import with full luma range as well.
http://www.flickr.com/photos/86776146@N03/8114886495/sizes/l/in/photostream/
When playing my h.264 files in Quicktime or VLC they look about the same in terms of blown out whites and crushed blacks. Does Premiere rely on Quicktime for its h.264 codec or does it have it's own? Is there a way to force premiere to update its codecs/manually download and replace the h.264 codec?
I really can't understand what's happening here and I can't do any work when imported clips are this messed up. Can someone please help out on this!!! Super frustrating and seems to constantly happen with Premiere...

H.264 vs non-264 MPEG4

Hey folks,
I'm using iSquint to convert some videos (.avi) to formats that play well with the Nano. The only problem is I don't have the iPod with me right now so I can't test make sure the converted files work. I'd rather get them right the first time so I don't have to reconvert everything after getting my hands on the Nano. iSquint has a choice between "optimize of iPod" and "optimize for TV" -- obviously I pick the first. Independent of that selection, however, there's a checkbox that says "H.264 Encoding" which is unchecked by default. When checked, files take 2x as long to convert but come out the same size. I'm ASSUMING that without this checked it's just converting to MPEG-4, which I know the Nano also plays. Is there a reason to choose the slower H.264? Will there be a noticeable quality difference on the tiny Nano screen? Any tips/suggestions?
Thank you much, and Merry Christmas!

Blu-ray has bitrate limitations that computer files don't. (That's my guess on why the difference.)
Anyway, a preset is nothing more than a starting point, not the final authority on what you can export.

Playstation 3 compressor settings for h.264/mp4 and avchd and 5.1 audio

Hello this is my first post on this forum. I am a cameraman by trade, but do a lot of editing. I am pretty good on an Avid and with color correction software, but since I sold my sony f900 and picked up a couple or RED cameras - I was forced to hop on the FCP studio2 wagon. So I apologize for the newbie questions.
I have a PS3 and not a PSP. I find more and more clients have a PS3 for their media and blu-ray... etc. So my question is what are the settings for compressor to encode for the PS3 and there ever so nit picky and poorly documented parameters.
There are plenty of non-pro answers, but I have searched high and low for what they need specifically. I see lots of questions but now answers.
So how can I take my final cut footage or any video file for that matter, and put it into something that my PS3 can chew? What are the H.264 (mpeg4) settings?
Can I also (but not exclusively) encode in AVCHD from compressor?
Lastly is there a way to put on the 5.1 or surround info into these files for PS3 playback? if I want to take one of my work DVD's (reel, projects, etc) and put it on the PS3 or bring in surround encoded (5.1, 6.1, 7.1) tracks into FCP and put it with my footage?
Thanks for any and all help...
the only vaguely technical info I have found was on the PS3 forum, here is what it says:
from:
http://boardsus.playstation.com/playstation/board/message?board.id=ps3media&mess age.id=22987&query.id=96226#M22987
For those of you who want to put .MP4 videos on a PS3 with a Macintosh, this is how you do it with ffmpegx.
VIDEO
- X264 Encoding
- framesize can be any
- framerate can be any
AUDIO
- any MP3 or AAC track
OPTIONS
- Use CABAC on
- Constant bitrate on
- Trellis on
- Decode with Quicktime (not always necessary but if your picture is out of sync with audio, try this)
- AVC level 3.0
This produces a good .MP4 file that the PS3 will happily play.
Can anyone help or point me in the right direction? if not can we figure it out on this thread? there are a lot of questions I find when I google this subject out there - so a lot of people would be happy to find the answer.
Olias Sunhillow

I have created files to play on PS3, and the secret is to use MPEG Streamclip. You can encode to whatever you want in MPEG2 or MPEG4, then open that bad boy in MPEG Streamclip:
If it's MPEG2, File > convert to TS
If it's MPEG4: File > Save As MP4
That's it. MPEG Streamclip doesn't re-encode so no quality loss. All it does is change the container. And PS3 is very picky about containers.
As for 5.1 audio, you can do this by encoding separate MPEG2 video and AC3 audio files like you normally would for a DVD. For hi-def MPEG2, use one of the Compressor presets for HD-DVD. Make sure they both have the same name ("xxx.m2v" and "xxx.ac3", for instance) and are in the same folder. Then open the video in MPEG Streamclip and it will automatically mux the streams together, which can then be converted to TS.
Note that this is only possible encoding video to MPEG2. I don't know of any way to create an MP4 with 5.1 audio.
PS3 is a great way to deliver HD video onto your TV without the frustration of trying to author Blu-Ray or even burning discs.

Suggestions on workflow for MPEG2 w/ AC3 to H.264 w/ Multichannel ACC

I am struggling with how to do this and would appreciate any suggestions.
I have Video that is MPEG2 (Transport Stream) with Video PID and AC3 3/2 Audio.
I want to do minor edits, then export (aiming at but not only Apple-TV) a H.264 (Mpeg4-10) Video with MultiChannel ACC audio or AC3.
If I bring the video as an asset into FCP it has no audio. I assume this is because QT can not see or decode AC3. (and it takes a LONG TIME on a Mac Pro with 2gig to do this)
How would I use the packages in Final Cut Studio to move from MPEG2-AC3 to H.264-Multichannel Audio.
Thanks in advance.
Mac Pro Mac OS X (10.4.8) also a Mini, iBook, and Power Pook

You have to demux if you want to edit with the audio
in FCP. Some will say not, but it is so. The only way
FCP will show an editable audio track, i.e. with HDV,
is when you capture it. If you try to import it from
say a firestore you will not get the audio. (HDV
again)
It sounds like you are looking for a simple one step
conversion, and there isn't a free one. There are
Looking for the workflow, and if need what addition tools.
some programs you can BUY that will convert MPEG
files, and even edit mpeg files directly (mpeg
splitter I think is one) but if you want to use what
Would there be one to take it to H.264 with multichannel audio ACC?
you have you'll have to demux a few times it would
seem to get all of the audio tracks you want, then
rebuild the project in FCP, then compress them again
So the concept here is use Streamclip, export the video with 2 channels, a few times. Bring the each into the project, split Video from the 2 track audio, build a single video, and add the 6 audio channels. Then, EDIT.
in the H.264 format you want. But FCP or compressor
will not do this conversion for you.
If FCP and Compressor will not, what would? What does Apple use for Quicktime previews that are H.264 with multichannel Audio?
If there are better tools, please let me know.
Mac Pro Mac OS X (10.4.8) also a Mini, iBook, and Power Pook
Mac Pro Mac OS X (10.4.8) also a Mini, iBook, and Power Pook

M4v movie file in h.264 format freezes in itunes/quicktime

I have some movie files in .m4v format with h.264 codec, and when I play these in itunes/quicktime, the video quickly freezes but the audio continues to run without pause. I've noticed that a movie in .m4v as an MPEG4 works fine, however. Exact same result if I run a .mkv movie with h.264/MPEG4 (works for MPEG4 only)
I'm using a Unibody MB OSX 10.5.8.
I'm hoping to run the h.264 in itunes so I can stream it to a new apple tv because of the better quality vs. MPEG4.
Any thoughts???

bump

Problem compressing converted HD .mov to mpeg4

O.K - This is driving me crazy!
Just imported and successfully edited footage from my new JVC HD GZ-EX210 Camera into Final Cut Pro 7.
The finished, exported .mov file (using Export>Quicktime Movie) looks fine. However, whatever I do to try and successfully convert this.mov file into mpeg4 I either get sudden jerks (after a few seconds of the footage looking fine) or I get flickering and problems with jerkyness.
The original files before import via Log and Transfer were AVCHD 1920x1080p files (I believe the frame rate is 50 fps).
After FCP converted the files, movie inspector showed that the files are now:
Apple ProRes 422
Aspect Ratio Square
Frame Rate 29.97
Field Dominance: Upper (Odd)
After I dragged the files - now in my browser - into my sequence, FCP asked me if I wanted to set the sequence to the format of the clips I was editing, which I did.
Footage looks great in the sequence and no need to render it.
It may or may not be important to note regarding my problem that the camera is p (progresive scan). I don't know if the FCP internal conversion of the camera files dealt with this. As I said - everything looks fine in the timeline.
The sequence settings show:
Frame size 1920x1080 - HDTV 1080i (16:9) > (NB: There is no seeting in FCP for 1920x1080 50p - only 30p)
All other setings match what the movie inspector says.
Please help!
Mark

To be honest, my fear is that this is really a problem with HD AVCHD/ .MTS files being compressed in general.
What I'm finding is that whether de-interlaced (Upper/ Odd) or left as progressive (Field dominance none) I'm only seeing pans and motion looking O.K when the video is played at full HD definition at full size after allowing the file to fully load on youtube. At all other sizes the motion problems or choppyness seem to be a problem.
Please look at these two short clips from the same original footage.
1. In this clip there is no field dominance (no comb-like image when viewed close up) and the movie was compressed without de-interlacing. In other words, it was uploaded as a progressive movie (H.264 mpeg4)
http://www.youtube.com/watch?v=xYlbYvXm23g
2. In this clip, the source footage was de-interlaced (Upper/Odd) in Final Cut Pro (which originally imported the file with an Upper/Odd field in the sequence settings) and the de-interlaced options were also checked when it was converted to H.264 mpeg4.
http://www.youtube.com/watch?v=nvCJ1yO21ME&feature=youtu.be
Essentially, I can't tell the difference! As you will see, either way the motion issues are there when the video is not viewed full sized, full HD and fully loaded, leading me to wonder if it's to do with youtube or a more fundamental issue with my camera's AVCHD files being converted for editing in Final Cut Pro. I can't tell if this is a compression issue, but it seems to be. I'm at a loss as to how to deal with this! Any ideas!?
One last note, I have found that if I convert to .mov (still H.264) with lots of de-interlacing, frame blending etc AND I downscale from the original 1080 to 720p AND I set my data rate to 15000 KBPS I get slightly better results - but still far from perfect!
Thanks,
Mark

Gma X3100 graphic card

Hello everyone,
I recently purchased an external monitor (Dell ST2220L, with VGA, DVI D and HDMI plugs) to use with my macbook early 2008 (in Snowleopard 10.6.8) which has the Intel GMA X3100 graphics processor.
My professionnal PC, has an Intel HD family graphics processor and works fine with this new monitor (be it in VGA, DVI D or HDMI)
However, for some reason, with my Macbook, only the VGA connector (via mini dvi to vga adaptor) works.
When I plug the monitor via DVI (and via the mini dvi to dvi adapter) to the mac, the screen shows the message : "Entering power save mode" and goes into power save mode.
I have read and tried the solutions mentionned on pretty much on every related webforum (esp here / i wanted to add a message to that thread but it's been archived) :
resetting PRAM
resetting SMC
lowering MB screen light
disactivating any monitor option related to power save mode
selecting and unselecting Mirror display
using the software InsomniaX to prevent my MB from having power sleep options turned on...
but nothing works.
now i'm running out of ideas, and especially I'm starting to wonder if it's not a graphics processor driver problem or a problem linked to v10.6.8 as I have already successfully plugged my MB via DVI to an external monitor (not dell tho') in the past.
It's frustrating to have to use VGA when you bought the screen to use with DVI or HDMI.
Thank you very much if anyone has an idea of what could be wrong !
All the best

If you have a PC and the generic software that comes with the camera you can as well.
If iMovie 08 can import high definition video can it not output it on its own as AVCHD (AVC/H.264 - MPEG4) to DVD?

Video won't play in timeline or source monitor

I recently purchased a Canon HG10 camcorder and have been attempting to edit the AVCHD .mts files using Premiere Pro CS4 (4.2.1). However, I have been unable to play the video in either the timeline or source monitor. Both the video and audio will play for a fraction of a second and then stop. I thought it might be an issue with the .mts file so I converted it to several other formats (Quicktime, H.264, MPEG4, etc.) and I still can't get any video to play. I imported and tried playing other video, but to no avail. I can edit, scrub, export, apply effects, and do pretty much anything else - but I can not get it to play in the timeline. I do have Final Cut Express and if I convert the .mts file to Quicktime I can edit it, but I would like to be able to edit the native Canon AVCHD.
Current system:
iMac 10.6.4
2.16 GHz Intel Core 2 Duo
3 GB RAM
ATI Radeon X1600
74 GB hard drive space
Any help or suggestions would be greatly appreciated.
Jason

Jason,
The first thing that I would check would be your Playback Preferences. Please list your settings, and folk here can review them and possibly spot something simple.
Next, I would do one of two things, regarding your Catalyst drivers for you ATI/AMD card. If you do not have the latest driver, download and install it. If you DO have the latest Catalyst driver, keep it around in a safe folder, but download and install an earlier version. Cannot recall the exact numbers now, but a few users had to go back about three versions. Also, since those driver versions were listed in this forum, I'd bet that at least two more have been released. Going back a few months, it seems that there were 2 - 3 versions, that did not work well with some Adobe programs.
Though I have all nVidia cards, I keep drivers going back about 6 mos., as I never know when I might encounter an issue and need to roll-back.
Also, as the gaming market drives the video card business, and their drivers, it is possible that some gamer-only module has been added. That happened with nVidia drivers about a year ago. For a couple of versions, one had to manually disable a 3D and another gamer-only module. Later versions installed with these off, unless the user turned them on.
Last thought - check your OpenGL settings, and depending on your OS, check Hardware Acceleration. In your Catalyst console, check what your 3D settings are. You want to set any to "Let the application choose," or similar syntax.
Good luck, and hope that something there helps you.
Hunt

IMovie 08 and Panasonic HDC-SD5 Camera

Hi Folks I have a Mac (lol), i have a Panasonic High Definition Camera and i have a problem. I connect the camera, i import the clip on my macintosh hd and i create my dvd with iDVD. But when I see my dvd i see that the video is ginned, with a very low quality. Why???
Info: Mac OS X 10.5.6 on MacBook 3.1 with 2.2 GHz Intel Core Duo processor, 2 Gb of RAM and Intel GMA X3100 graphic card.
Panasonic HDC-SD5 with 3CCD and high resolution (Full HD 1920x1080). It recorded with the AVCHD format.
Thank you!!

If you have a PC and the generic software that comes with the camera you can as well.
If iMovie 08 can import high definition video can it not output it on its own as AVCHD (AVC/H.264 - MPEG4) to DVD?

Video file won't update

I keep having issues with these darn iPods! Ok well, my problem this time is this: I just finished converting a file from to mp4. I made sure my computer had the codec and everything first, and then when I finished converting it to MP4, I tried to add it to my library, but nothing happened. I tried changing the name of the file from 'Mortal Kombat II Annihilation' to 'Mortal Kombat II', and still when I press 'Open' nothing happens! Is it too late to save the file? Or perhaps is there another format iPods could read other than just MP4? Please help me out, thank you!

I believe the iPod supports more than just MPEG4.
Also supported are:
1. H.264 (mpeg4 variant)
2. M4V
3. MOV
"H.264 video: up to 768 Kbps, 320 x 240, 30 frames per sec., Baseline Profile up to Level 1.3 with AAC-LC up to 160 Kbps, 48 Khz, stereo audio in .m4v, .mp4 and .mov file formats
MPEG-4 video: up to 2.5 mbps, 480 x 480, 30 frames per sec., Simple Profile with AAC-LC up to 160 Kbps, 48 Khz, stereo audio in .m4v, .mp4 and .mov file formats"
Source: Apple iPod spec page (http://www.apple.com/ipod/specs.html)

New Perian 1.1.4 Update

New Perian 1.1.4 Update:
http://perian.org/
Requirements: Mac OS X 10.4.7 or higher because 10.3 makes the iceweasel cower in fear.
Installation and Removal:
Please consider removing obsolete QuickTime Components: FFusion, Xvid Delegate, 3ivX, DivX, DivX Decoder, XviD, msmpeg4v1, msmpeg4v2, AviImporter, EX_M4S2, Casio AVI Importer, AC3 Codec, and MatroskaQT.
How do I remove Perian?
Open the System Preferences. Select the Perian pane and 'Remove.' Now 'Show All' preference panes, control-click the Perian pane and 'Remove "Perian" Preference Pane.'
File formats: AVI, DIVX, FLV, MKV, GVI, VP6, and VFW
Video types: MS-MPEG4 v1 & v2, DivX, 3ivx, H.264, Sorenson H.263, FLV/Sorenson Spark, FSV1, VP6, H263i, VP3, HuffYUV, FFVHuff, MPEG1 & MPEG2 Video, Fraps, Snow, NuppelVideo, Techsmith Screen Capture, DosBox Capture
Audio types: Windows Media Audio v1 & v2, Flash ADPCM, Xiph Vorbis (in Matroska), and MPEG Layer I & II Audio, True Audio, DTS Coherent Acoustics, Nellymoser ASAO
AVI support for: AAC, AC3 Audio, H.264, MPEG4, and VBR MP3
Subtitle support for SSA/*** and SRT
About
Perian aims to provide a single package for all your playback needs. It is a collection of QuickTime components incorporating several libraries:
• libavcodec, from the ffmpeg project, along with code from the old FFusion component:
• MS-MPEG4 v1 & v2
• DivX
• 3ivx
• H.264
• Flash Video
• Flash Screen Video
• VP6
• H263I
• VP3
• HuffYUV and ffvhuff
• Indeo 1 & 2
• MPEG-1 & 2 Video (in supported formats)
• Fraps (up to v4)
• Windows Media Audio v1 & v2
• Flash ADPCM
• Xiph Vorbis (in Matroska)
• MPEG Layer I and II audio
• DTS Coherent Acoustics audio
• Snow wavelet video
• DosBox video
• Nellymoser ASAO audio
• libavformat, from the ffmpeg project. along with AVIImporter.component:
• AVI file format
• FLV file format
• NUV file format
• libmatroska, along with matroska-qt.component:
• MKV file format
• Subtitles:
• (Advanced) SubStation Alpha
• SRT
• SAMI
• VobSub
• liba52, via A52Codec:
• AC3 audio
Perian 1.1.4 Changes
Features:
Forced VobSub subtitles are imported into a separate track [r1015]
Added initial DTS passthrough via similar mechanisms as AC3 [r1024]
Support old ffmpeg-generated MKV files with no enabled tracks [r1021]
10.6-compatible preference pane [r1085]
Fixes:
Fixed "Load External Subtitles" checkbox [r998]
Fixed crash/freeze when loading broken VobSub subtitles [r1000, r1034]
Fixed import of uncompressed audio in FLV [r1007]
Fixed import of some audio tracks; should improve iApps [r1042, r1088]
Fixed CRAM codec AVI in browsers [r1010]
Worked around bug in iChat codec loading [r1008]
Never allows Apple's code to handle AC3 data anymore so passthrough works more often [r1014]
Doesn't try to decode some RGB colorspaces (such as in Camtasia) that aren't supported [r1039]
Fixed some 16-bit RGB codecs on Intel [r1039]
Fixed importing movie files with no video tracks (regression from r706) [r1042]
Fixed H264 crash in puth264_qpel8_h_lowpass_l2ssse3 (in FFmpeg)
Fixed crash with corrupt first frame [r1061]
Fixed BMP/RLE in AVI [r1078]
Fixed several memory leaks [r1086]
Fixed a problem with wrong channel order in DTS 5.1 [r1076]
Fixed possible conflict with UniversalDetector.framework [r1100]
Subtitles:
Fixed garbage characters appearing at the end of a line with some fonts [r1013]
Better handling of invalid SSA files [r1013]
Fixed rendering of multi-layer subtitles [r1016]
Fixed SRT files using ',' for decimals [r1019]
Ignored SSA shapes and \blur instead of misparsing them [r1027, r1036]
Disabled vertical font support again to fix files wrongly using it for Latin text [r1027]
Fixed subtitles in MKV wrongly displaying at the end of a video [r1036]
Better handling of \move and \org [r1063, r1103]
Notes:
Compilation under 10.4 is no longer supported.
A52Codec has been deprecated and will be replaced by an LGPL decoder in a future release.

So I download perian from apple, (its listed as 1.1.4, but the .dmg is 1.1.2, so I get the 1.1.4 from mac update. When i go to the preference pane, it says that perian is installed but parts are not installed. Nothing happens when i click "Install perian". When I attempt to remove the preference pane completely, it says "The perian preference pane cannot be removed because an error has occurred". When launch the .dmg for 1.1.4, it tells me to double click the "Perian.prefPane" guess what! Nothing happens. It seems that I am quite stuck in a pickle here... any ideas?

Image sequence of jpegs import into Premiere Pro CC 2014 out of sync!

Ever since I left CS6 to CC 2014, image sequences as jpeg files do not properly import into Premiere in sync anymore. I use Blender 3d to export render scenes as jpegs then convert them to h.264 mpeg4 video clips in Premiere. What happens is that the images upload into Premiere's project tab out of order, even though they are correctly ordered in my hard drive. Improper naming conventions are probably ruled out since their files extensions are _000 types, and I never had a problem importing sequences in CS6 anyways. Still image default duration is set to 1 in the general preferences. Does anyone know what is suggest? Thanks.

Good point, I am importing as separate jpegs each set to one frame, so it's not an image sequence as I thought.
My indeterminate media timebase and sequence are the same (29.97fps), though I have to say that even if they were different I don't see why that would be a problem.
Here is a screen shot of my images just after uploading them into the project tab, it is seen from first to last that file numbers appear out of order such as 066, 054, 072, 058...ect:
Is there anything else I could try?

H.264 / MPEG4

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