HD ANIMATION FROM AVID TO FCP AND BACK

Hey,
I have a client who needs me to edit Avid HD sequences into a short promo in FCP. I want to do an offline edit and then reconnect the sequence to full HD quality and export the promos back to Avid. Has anyone had to do this? Would I loose HD quality going from Quicktime to Avid Media? Would my G5 Dual 1.8 with FCP 5 HD be able to handle import, edit and export of full quality HD media?
I hope this is enough info. Thanks

you will be much happier and much better off if you stay in Avid world and make those corrections there. Avid uses its own propritery media format that can't be easily transfered to FCP. You could use something like Automatic Duck to generate a list and then recapture in FCP but other than that, stay in Avid. In other words, it is not absolutely simple to move the MXF files.

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Any success or regret stories about a total switch from Avid to FCP?

Any success or regret stories about a total switch from Avid to FCP?
Mac Pro Mac OS X (10.4.8) Final Cut Studio 5.1

I'm currently working on a job in a facility that has 3 FCP systems and uses Terrablock networked storage. I was 3 months here so I saw a lot of the good and bad with this system. It's Fiber channel so quite fast but there were a lot of issues with the compability of the OS. When working it worked well. The Avid Unity systems are very solid and proven.
The biggiest issue I have with FCP in this enviroment is it's great if you keep a project on the same system but when you start moving edits around then you get into the media managment limitations of FCP. A large project with lots of media, audio, gfx of different types, lots of renders, can be a pain when moving and reconnect on a different system. In theory it should be flawless as you point back to the proper folders and drives but it rarely is. It can be done is just takes time. And the better the editor is with his/her media managment then the easier it is. Avid's media managment works much different so by nature it's a bit easier in the networked world. We'll see what FCP has at NAB to make this better.
Bottom line, FCP vs. Avid is a debate that will rage. I use and enjoy them both on an almost weekly basis so I can argue the + an - of both. They are both tools, same buttons, different places.

Today, my iPhone calendar entries are changing from green to blue and back to green again. Anyone else having this issue?

Today, my iPhone calendar entries are changing from green to blue and back to green again. Anyone else having this issue?

No, never had the problem.

Convert image from RGB to CMYK and back to RGB

Hey.
I wonder if anyone has experience with converting image from RGB to CMYK and back to RGB?
I had a TIF in RGB then converted to CMYK but I figured that it might be better to keep in RGB, so I converted back. I read that it supposed to cause some loss in the data, but I can't see anything on the image, it is still very huge and the 2 RGB files has the same size as well. Is there a way to compare the resolution of 2 images somehow, or how can I see what I lost through the 2 conversions?
Thanks for help

I had a TIF in RGB then converted to CMYK but I figured that it might be better to keep in RGB, so I converted back.
The original RGB data is not being restored by converting from the CMYK version, so the term "keep" seems inappropriate.
What are the actual Color Spaces (ICC profiles) involved?
Is there a way to compare the resolution of 2 images somehow, or how can I see what I lost through the 2 conversions?
How did resolution come into this?
To determine how large a portion of the image has been changed you could
• make a flattened copy of the original image
• place a flattened copy of the RGB->CMYK->RGB image on top of that and set it to Blend Mode Difference
• add an Adjustment Layer (Curves for example) to brighten the image

Export an animation from edge cheer up and when I get moment to muse that had the old animation anteriomente and just let me see the new animation when it in your browser

export an animation from edge cheer up and when I get moment to muse that had the old animation anteriomente and just let me see the new animation when it in your browser

Hi
Could you please elaborate your query and provide us with more details on the issue you facing?

Quicktimes from AVID into FCP

I exported a final piece from AVID Adrenaline as an uncompressed Quicktime. I took that QT to my Mac (G5, OS 10.4.1, FCP 5.1.4), and imported it into FCP. The resulting clip has audio, but the video is completely white. The QT also does not play on Quicktime 7.1.2, though it did play on the Mac Quicktime 7.1.2 on the Adrenaline system.
I dug around, and it appears that the problem might be related to the AVID codec for QT exports (which I don't quite understand why there would be a particular AVID codec if it's uncompressed). I went to the AVID sight and downloaded the codec they have for Intel macs and installed it. That did not have any effect. I gather from the posts I see on the internet that this is a problem that can have many unrelated reasons... any ideas? Or is there an AVID export codec that I should use on Adrenaline that is more consistent with FCP?
Thanks again in advance for your wisdom,
Andrew

I don't know your timeline codec in Avid, but I had the same problem. The thing is that avid codecs are "special", so special that avid is the only one that can read them. I was working with dvcpro timeline and if the "use avid codecs" was checked in the export settings it wouldn't play in fcp. So don't check the "use avid codecs" if you plan to export to fcp. One workaround I found few years back was to install avid free dv and then I got the avid codecs to work but it seems that avid has stopped the avid free dv project Hope this helps.

Transferring from AVID TO FCP

A fellow editor would like to transfer his project from AVID MEDIA COMPOSER to FCP (Windows to Apple).
I have absolutely no experience in this and don't even know where to start or what to ask. Does anyone have any thoughts? Advice? Links? Support?
Is it even possible?
Thanks so much.

What do you mean by bringing over the sequence, but not full projects with all the media? Media referring to what?
Meaning the CAPTURED FOOTAGE. Avid captures as MXF files...FCP as Quicktimes. MXF files aren't readable by FCP without third party apps. So, what I mean by this is that with Automatic Duck you can export an AAF from Avid...of the sequence. An EDL of sorts, that links to the media used in the sequence. Then Automatic Duck makes QT files that references that media, and translates the AAF to make the sequence appear in FCP. But that's as far as it goes...the sequence and media referenced by that sequence. None of the other footage, none of the bins...none of the project structure.
Let's say the project is simple NTSC footage that only has straight cuts. No titles, no effects, no transitions, nothing - just video.
OK...Good. That makes things easier. But again, you only get the sequence and the media referenced by that sequence...
I'm assuming it would be easier then to do everything?
What do you mean by that? "Do everything?" Do what? You CAN'T do everything...sequence only. You can get MXF4Mac and that will see the media. But then you need to import it all and reorganize everything into bins, and STILL use Automatic Duck to bring over the sequence. That right there is $1300 in software to get the media over.
You'd just use Automatic Duck and then the .mov files would reference back to the sequence and everything would stay in order?
Yes, Automatic Duck will make QT files that are reference files that link to the MXF files. But again, only the footage used in the sequence...none of the rest of it.
If you have time, and money, this is doable. But really, it would be best to finish this project with Avid, and then move to the new NLE after that.
Shane

Maybe making the switch from AVID to FCP, would like some input please.

Happy T-Day to all. Would really appreciate any thoughts on this. I have many questions and need some answers from folks who are not always pushing AVID ( my vendor) I am a one man shop and use all Apple apps (LiveType, Motion, etc.) but have always stayed in my comfort zone with AVID Xpro and MOJO. Am thinking of going to Media Composer but after a few days of consideration and a trip to an Apple store, I may do a complete turn around and commot to FCP. Recently made the move to HD with the Sony XDCAM HD system. Here are my questions...plese be patient, this is a major move for me.
1. If I purchase a new Intel G-5, will the internal SATA drives be OK for 35MPS HD?
2. What AJA card or product should I buy so I can view HD SDI on a client monitor and output HD to a Sony XDCAM HD F-70 Deck?
3. What graphics card should I order on the new machine?
4. Can I use the FAM ( File Access Mode) to tranfer content?
5. Any other considerations when ordering the new Intel machine?
I know I have many questions, but I really believe it is time for me to make the move. Any help would be really appreciated. Thanks again.
Tdub

1. Yes, but just. You'd only get 1 stream. Faster drives would allow you to do more than one layer of real time playback. You could stripe more than one internal sata and get the job done that way.
2. Kona LHe will do this, however you'd gain the ability to upconvert and cross convert the video to just about any format with the Kona 3.
3.The X1900. Motion and some effects in FCP will take advantage of it... down the line FCP is likely to rely more on the GPU is an educated guess of mine. the top of the line card is faster, but not enough to substaniate the price if you're working in Video. If you were working in 3D CAD environments, then the top of the liner would be the best choice.
4.I don't use XDCAM here, so I'm presuming that you're talking about a transfer mode with that. I'm pretty sure FCP 5.1.2 added this capability. Might search the COW on this term in the FCP forum there. http://www.creativecow..net.
5.Working with HD and MPEG streams would leave me wanting the fastest of the three machines. You'll want 4 gigs of RAM, but it's less expensive from other than Apple. I know just how scary it can be to move to a new platform, and did exactly as you are contemplating when FCP 2 arrived. I've never looked back. Hang here once you get started, and we'll help you with the transition. There is a book out there in the pro training series from Apple/Peachpit on ediiting on FCP if you're coming from Avid. I'd recommend you get that book. Will ease the transition no doubt.
Hope you make the jump!
Jerry

Moved from AVID to FCP...viewing on NTSC monitor question

I am in the process of migrating to FCP studio from AVID with mojo. With the mojo I used a S-video out to my NTSC monitor. Now with my FCP system, I have to always have my DSR-25 on and use the composite out to the monitor. Is there a better way? I am using FW and only editing in DV for the time being. A AJA IO would give me an S out but I do not have RS-422 control with my deck. Plus, that is a lot of bucks to pay just to get a clean video out to my monitor.
Any ideas? This switch to FCP is somewhat painful...but in the long run I feel it will be worth it.
Thomas

If you have a deck you don't need the Canopus....if it is a firewire deck all you have to do is connect it to a monitor and you are good to go.
#8 External Monitor Viewing.
Shane's Stock Answer #8:
A simple path is mac > firewire > camera or deck > rca cables > tv
Then start up your camera and tv, then open fcp.
Then go View > External video > all frames
Video playback should be Apple firewire NTSC (If you are using an NTSC set)
Audio playback should be Audio follows Video
Techinially, this should send synched video to your TV
If for some reason you can't view your timeline on your external monitor, there are a few things to try:
1) Make sure that the camera/deck is connected and powered on BEFORE you open FCP.
2) In the Final Cut Pro menu select AUDIO/VIDEO Preferences and make sure your signal is being sent out thru Firewire DV.
3) Go to the menu and select VIEW>EXTERNAL>ALL FRAMES.
4) Click in the % box above the image and select FIT TO WINDOW.
5) Go to VIEW->refresh A/V devices
6) Make sure the Log & Capture window is closed
If you want it to play in both the canvas and the external monitor you need to go to the FINAL CUT PRO menu and select AUDIO/VIDIO settings and make sure MIRROR ON DESKTOP is selected under the PLAYBACK OUTPUT section
Shane

Help! Audio for 16mm project, material to FCP and back again to 16mm

I am getting ready to send an AIFF file of the audio I created on FCP, working with video that was created from a 16mm to video transfer at my lab. They tell me the transfer was a non-drop frame transfer. The lab made a digital file from the transfer, which I imported into a FCP project with 23.98 sequence settings.
I want to compare the frame length of my WP to that of my video file so that I can determine how the audio house who will be transferring the AIFF to mag needs to compensate, and I am confused about how to measure the video file's frame length. If the sequence settings are at 23.98 fps, and the project runs from 1:00:05;12 to 1:11:49;08, to determine the frame length should I be assuming there are 24 frames per second or 30?
I don't have access anymore to the FCP so I can't check but a basic question is: if the sequence setting are set to 23.98fps, does that mean the timeline only has 24fps? When I convert at 30fps, my video file is 22 frames longer than my WP...
Thanks for any advice and questions--that all may be explained poorly...

When your project and sequence settings are at 23.98, it is for two main reasons. 1. ou are working with video footage shot at 23.98 and 2. you are working with film (24 fps), which was ultimately telecined to video which runs at 23.98. This is mainly implimented because you plan on either going back to a higher resolution "online" which you will be synching up the timecode with a better quality copy of the tape at a coloring house, or you will be using the edl from the 23.98 sequence to give to a negative cutter, so they can cut the negative correctly according to the timecode and how it links with the keycode.
I assume you are making a final product that will be on celuloid- an actual film print, not a video copy. is this correct?
Please clarify the following: did you shoot on film, get a telecine to a beta or dvcam, do you have a timecode burn-in on the tape and when you captured the clips into final cut, did you utilize Cinema Tools?
If you did run your clips through cinema tools, did you do it correctly (starting the process on the "aa" frame).
Is your project set to 23.98 or just your sequence? when you place captured clips onto the timeline do they have to be rendered? Is this a sync project or was it shot MOS?
And lastly, as I previously asked, are you sending all of your negative, the edl from FCP and the aiff to a negative cutter?

From Avid to FCP (urgent)

a film was being edited on avid xpress pro, and half way through the director decided to switch to FCP, for reasons of connivance and costs, so i want to know if there is away i could transfer the avid project with all or most the work done on it to FCP.
i head that this is possible and its not a myth! so is it possible? how?
p.s., recapturing the film to FCP is not an option, very expensive.
also, the avid files are .omf and .aiff

dir.Mando wrote:
a film was being edited on avid xpress pro, and half way through the director decided to switch to FCP, for reasons of connivance and costs
In my experience, directors seem to make these decisions ill-informed of what and where costs can and will creep up. As the editor, don't be afraid to try to save the director from him or herself by dissuading them of the change. Just make sure you've done your research and your information is solid.
dir.Mando wrote:
p.s., recapturing the film to FCP is not an option, very expensive.
What format is the original material? Even though it may be expensive, it may very well be the cheaper option. Or perhaps staying with Avid is the cheaper option; I can't say not knowing many of the variables.
Switching platforms mid-stream is always a bad idea, but is sometimes necessary. It may or may not be such a necessity in your case.

Transferring clips from avid to fcp via firewire

a bit off the wall question ... but is it possible to transfer clips from my avid media composer adrenaline (pc) to my fcp via firewire using the capture tool. the clips are dvcpro hd on the avid. it is easy to output the clips or sequences to tape (panasonic aj-hd1200 or 1400) via firewire so my plan is to "simply" substitute fcp for a deck and capture the clips free running into fcp. theoretically it seems to me that it should work. i set the device to non-controllable and capture settings to dvcpro hd 720p 60 to match the output from the avid. one problem is that when i connect the firewire cable from the pc to the mac, on the pc new hardware found message pops up and i have no way of telling windows what the device is. anyway have any experience or any ideas. thanks.

I doubt very much that your plan will work.
Why not just set up file sharing on the PC and pull the files onto the Mac using Finder?
That way you will retain the embedded data in the files.
Then you will probably need the QuickTime codecs from Avid too. (I don't have a link, maybe someone else will post it)
All in all, it might be better just to recapture directly into FCP from the original tapes.

AO amplitude transitions from 0 to 10V (and back to 0 again) within running VI

Hi,
I have a NI PCI-6225 multifunction DAQ that I am using for Geophysical measurements. I am applying 10V from one AO channel and measuring voltage differences with 49 AI channels. For the method I am using I must follow these steps:
1. Set voltage out = 0V
2. Take Self Potential measurements from all AI channels
3. Turn the AO channel ON with an applied voltage = 10V (1Hz square waveform)
4. Take measurements from all AI channels
5. Loop back to step # 1
At the present, I have the VI set up to apply the AO of 10V and to take measurements over time. The only thing missing is to take the Self Potential measurements while the applied voltage is at zero volts, run the VI in its current configuration, and then to start over again.
I am using the Express VI DAQ Assistant to set up all of the electrodes in the array for the applied voltage and the measured voltage and am able to do everything needed except include the applied voltage to zero for the Self Potential measurement.
I have attempted to use the DAQmx subVI's "Stop" and "Clear" (and any other combination of subVI's) to allow for the channel to be freed up within the VI, but the output channel then gives an error signal in the next cycle of the loop.
I am not sure what else to do, so any suggestions will be greatly appreciated.
Thanks,
Dylan
Note: Attached is the VI in which the problem is occuring. I have this VI as a subVI within a timed loop that will execute every 60 seconds.
Attachments:
Testing_Voltage_Measure.vi ‏339 KB

Dylan,
I think you may have posted twice. I just wanted to make sure your question has been answered. Let us know if you have any further questions.
Link to other post:
http://forums.ni.com/ni/board/message?board.id=250&message.id=24523
Good luck with your application.
Regards,
Neil S.
Applications Engineer
National Instruments

Is there an easy way to switch iPhone microphone input from headphones to Bluetooth and back?

When driving I plug my iPhone into the car stereo AUX jack with a cable to listen to music. To receive or make phone calls, or to use Siri, I use a Bluetooth (Jawbone) headset.
If I'm playing music out the headphone jack and then answer a call, when the call ends the music starts playing again through the Bluetooth headset, so I have to switch it back to headphones. Theoretically no big deal, since there's the little airplay icon at bottom right in most music apps. Still, I really wish it would revert to playing through the headphone jacks and I didn't have to do anything. Is that possible?
But it gets more annoying. Let's say I decide to use Siri and want to use the bluetooth. This is fine IF I plugged the headphones in before connecting Bluetooth, but for some reason it often seems to happen that it defaults to the headphone jack, especially if I've been messing with it a bit -- say I was listening to music, then received a call, then hung up, so now music plays through Bluetooth, so I hit the icon to switch music back to headphones, though sometimes this doesn't work and I have to unplug and replug in the headphones. But now usually if I want to use Siri, and I hold down the iPhone home button, or even if I hold down the jawbone button, it will often take input still from headphones.
I can't go into all the variations of this that happen, but almost every car ride there's a pain about this -- someone calls but even though I answer through my headset, the input is still from the headphone jack, and i have to scramble to get the call going through Bluetooth again. Or I have to unplug then replug the headphones after Siri use. None of this even covers something other, like dictating text or making a voice memo, something else that need simply but DOESN'T have an AirPlay-style button on bottom right like the music apps do. Really a pain.
Really wish there were some easy switch to toggle the input.
And again, really wish the music would just go back to playing where to was playing from (headphones) instead of making me switch it either via a button or through unplugging/replugging headphones.
Any solution to this?
Thanks.

Sometimes you turn off your Bluetooth and then back on and it doesn't reconnect with your phone unless you go into the menu. Either way doesn't help much if someone calls you while you're driving and you realize your iPhone is stuck on headphone input.

Time machine backup from USB drive connected and backing up to Time Capsule

Hi all forum virgin here, so be gentle.
I'll get straight to it. Much net trawling hasn't resulted in a definitive answer on this which surely I'm not alone in
I have: MBP networked to TC (where TM resides) and USB drive connected.
A- I simply want to TM backup not only MBP but USB drive on network as well?
As far as I can see there is no way of selecting this and after TM back has finished the only way I can check is
to enter TM (fancy space screen view) and obviously idrive doesn't appear in finder view.
I have tried connecting to MBP and obviously TM backs it up too and I can see in Enter TM. But I need this
drive on network so a further 2 things here:-
B- when I remove from MBP and TM backs up again will it see it's not there and delete as a change?
C- will it keep in previous backups if I cycle back to that particular one?
Andy help here would be most welcome

Slymon2000 wrote:
B- when I remove from MBP and TM backs up again will it see it's not there and delete as a change?
Sooner or later, yes, as LaPastnague says. It depends on when the backups are done. The first backup of each day is kept for a month; all others are deleted after 24 hours. After a month, the first backup of the week is kept as long as there's room, and the others deleted.
Obviously not a reliable solution.
A better method might be to use a different app to back it up to the TC's internal HD, but that presents another problem. See #Q3 in Using Time Machine with a Time Capsule for an explanation and some possible workarounds.
The 3rd-party apps CarbonCopyCloner and ChronoSynch can do network backups (others probably can, too).
So you might be able to "reserve" some space on the TC's HD and use one of those apps. As LaPastnague says, though, that will be relatively slow.
If there isn't enough room on the TC's internal HD, you could get another USB drive and connect it to the TC also (via a powered USB hub) and back up to it. That will be even slower, though.

HD ANIMATION FROM AVID TO FCP AND BACK

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