HDV export preset?

I began my motion project with an HDV 1080i 60 preset.
When it came time to export I exported to a quicktime file using the HDV1080i60 compressor. (1440x1080)
When go into FCP and try and drop the file into an HDV 1080i60 sequence I am forced to render...
How can this be when all settings are equivalent.
I also noticed that there is no HDV preset for export in motion, even with the HDV settings motion is calling the export preset a "customized" DV NTSC movie
Any suggestions on how to get it in to FCP w/o rendering again?

Although I don't use HDV, I use DVDPROHD, I think I can answer your question since they work the same in Motion. FCP needs to render a Motion project regardless of what settings you've picked in Motion - in Motion, the settings are not tied to a specific codec, they're simply width/height/frame rate/etc. Think of a Motion project on the FCP timeline as an uncompressed file with HDV dimensions and frame rate - FCP needs to render the file before it can play in realtime alongside the HDV-compressed material you are editing with.
So, you can either let FCP do the rendering of the uncompressed file to HDV, or you can do it in Motion by exporting to HDV codec, but either way, a render of some kind has to take place, it's just a question of where you do it. The advantage of letting FCP do it is the round-tripping works better since you can go back and edit the Motion file multiple times without re-importing, so that's usually the best way to handle it.
Motion didn't include a DVDPROHD preset, either. Hitting the Options button just temporarily modifies whatever preset is currently shown in the list, which is why it says customized on the DV NTSC export preset after you change it. But that's ok - I made my own, there's a preferences pane in Motion where you can make new export presets. I just copied one of the existing ones, renamed it to DVDPRO HD 720p 30 QT, and set up the codec and other settings how I wanted it. I made that the default and now I get DVCPRO HD movies every time I export, it should work exactly the same for HDV.
PowerMac G5 1.8 Ghz

Similar Messages

I'm drowning in the sea of HD export presets. Salvation wanted please..

Hello,
I hope the forum proves again its functionality like it did before. Cause my head's getting a little bit blurry now, from all the presets.
So, the big issue is that I want to export a HD project to a format in which I dont get a wrongly cropped/stretched/laggy/wrong-frame-rate/... image. I know it's not that hard, but I just cannot figure it out anymore.
I checked other topics and discussions, and found some concerning more or less the same question but I didn't find the right answer, sorry.
Let's make a list of the settings/info:
     - OS: Windows XP service pack 3, Premiere CS4 (and AE, Photoshop, ...)
     - My captured and imported images are shot with a Canon HV40 HDV camera, and have, according to the title display in the left bottom corner of Premiere the following specs: 1440x1080 (1080p), frame rate 25 fps and PixelAspectRatio 1,3333 (HD anamorphic 1080 i guess?).
To make sure that these are the exact specs of my video files, i tried - following the ever-returning advice of this forum user Bill hunt- importing my video files in Gspot. But, don't ask me why, Gspot only displays that my files are MPEG-2. The file extension is .m2t.
     - The Premiere CS4 preset I used to make my project is -to match the video files specifications- the HDV 1080 p(rogressive) Preset, displaying the same specs as above.
     - I do not want to export my video to youtube, I want to show the video to an audience using a beamer, which is the reason why I want to keep the quality pretty high. I don't know whether I am going to play the movie on a MAC or a Windows computer, so I need to make 2 versions (each one smoothly compatible with the according OS). Also I want a copy of the movie in HD quality to show to someone on a strong computer.
     - I live in Belgium, Europe. Does this matter in this case? I know that NTSC is the standard in the US and and Japan etc, and that PAL is the standard in Europe. But does this still matter up to this day, with the rather, uh.., global economy and quick exporting of products etc... I do not know alot about this, I hope you understand my question. I mean, what are the consequences from these standards? Do they concern your screen/monitor... ?
     - When I want to export - using Adobe Media Encoder, a HDV export preset with 1080 p, 1440x1080, P.A.R. 1,33333 and a 25 fps is NOT AN OPTION?????
There are other export presets available of course, for example the MPEG-2 / HDTV 1080p 25 (fps) High Quality. But in the summary it goes: PAL (??), 1920x1080, 25, p . It is right that the PixelAspectRatio on this exportpreset becomes 1.0 (square), right?
Yes, I know that the eventual size is the same, because both the pixels increase in number, but decrease in size (badly explained i know).
Is this the export format i should use? Will my image not crop, shock, stretch.. ?
I'm sorry, for many of you this must seem a stupid and lazy question but I can't figure out the whole system behind this, I would very much appreciate it if someone could explain.
Thanks in advance;
Sincerly but dazzled,
Jef

Hi,
With the project all done, i'm preparing for the presentation. Managed to get my hands on a HD beamer for the night (Epason TW2000) and planning to do the presentation in HD.
That of course managed to bring up some problems. I posted a thread which i'll repost here . Sorry for the repost, i normally do not intend to do this, but since this thread is actually about the same thing, i'd like to ask the same question to you. The end version is in AfterEffects, but that actually doesn't alter the question. It's about export:
"I want to export my AE project of approx 30 min containing several HD files to a Blu Ray disc. The end goal is to project the video in HD quality using the Epson EMP-TW2000 projector. This projector is HD compatible.
To project the video I need to connect the beamer to a computer capable of playing a heavy HD file (1), OR burn the project to a BRD (2) and play it using a BRplayer.
I prefer option 2, so my question is: which would be the preferred export preset?
Project specs:
                    - 1920x1080 sq pix (16:9)
                    - 25 fps
                    - my imported video files (Prem.Pro sequences) are also 25 fps and are Progressive (!)
To export to a BRD compatible format, do i not encounter a big problem: my projectfiles are 25 fps and progressive, and I believe that the only Bluray preset dispaying 1920x1080 with 25 fps requests an INTERLACED video (I viewed the presets found on this forum, this thread)... There is also a Progr. format, BUT then you need 30 fps (29,...).
So, is there one dimension that can be changed without changing the content of the video, and if yes which one (either the interlacing or the fps).
I'm not very familiar with the whole Blu-ray thing, I hope that someone can help me out."
Please give it a look.
Thanks,
Jef

Question about the HDV 1080p30 preset and Encore.

I shot video on a Canon H1 set to HD 30p and recorded it onto DVC tape. I then captured the taped footage off the Canon H1 and into Premiere CS3 using the HDV 1080p30 preset. I believe that the HDV 1080p30 shot from the Canon is 1440x1080 when compressed onto tape.
I want to export to Encore CS3 to encode the video and create a Blu-Ray disc of the 1440x1080p30 video i just edited in premiere. The problem is that Encore CS3 has no 1440x1080p 30 preset. Encore CS3 has 1440x1080p 23.976 and 1440x1080p 24. The closest preset is 1440x1080i 29.97 but thats interlaced. I was hoping to keep the video in progressive mode but you have to convert it to 23.976 or 24 fps.
According to the specs, High-definition video may be stored on Blu-ray ROM discs with up to 1920x1080 pixel resolution at up to 60 frames per second interlaced or 24 frames per second progressive.
What's the point of being able to shoot and edit in p30 just to have the encoder force you to convert back to p23.976, p24, i29.97 or i59.94 fps?
Or is i29.97 the same as p30 when the video is originally shot in 30p?
Is this just an oversite?
Do i just select the 1440x1080i 29.97?

Yes, shooting 30p with 1/60 shutter speed would require more light but would give you less motion blur. But you'd have the same issue even if you shoot in 60i since the default shutter speed for 60i is 1/60.
The canon H1 can record HD in 60i, 30f, and 24f but converts the output to 60i except when the HDV/DV terminal is set to HDV in 24f mode, then the signal is output in 24fps progressive.
So in my case, whether i shoot in 60i or 30p, the playback signal is converted and output at 1440x1080i 60i.
The dilemma is that LCD, DLP and Plasma HDTV's are all progressive. So whatever you feed it, i or p, it gets converted to p for viewing. The problem is feeding an LCD, DLP or Plasma HDTV a true interlaced signal (A frame = AB fields) won't look as good as feeding it progressive signal (A frame = AA fields). Lines and edges appear stepped or jaggy.
So the issue is whether to shoot 1440x1080 in 30p with a shutter speed of 1/60 or 60i with a shutter speed of 1/60. Either way, it gets output via the HDV terminal (IEEE 1394) into premiere as 1440x1080 60i.
With consideration to the final display device, i.e. LCD, DLP and Plasma HDTV's and monitors, the only option would be to record in 30p with shutter speed of 1/60 if your shooting lots of movement like a dance recital to reduce the motion blur and 1/30 for normal shoots. Recording in 60i for output to a progressive HDTV or monitor would, i my opinion, produce somewhat blotchy jaggy video frames because the frames are averaged from two fields with slightly different images.
Also, since the H1 playback signal is output as 1440x1080 60i, does it matter whether i choose HDV 1080i30 (60i) or 1080p30 for a new project preset in Premiere CS3 prior to capturing the footage? If you shot in 30p, probably not, since the Premiere CS3 capture would still result in A frame = AA fields anyway. But since Encore nor the Blu-Ray standard support 1080p 30 (29.97fps), the choice is made for you - 1080i30 (60i) for the Premiere preset and 1080i 29.97 for Encore preset. You could select the HDTV 1080i 29.97 Encore preset if you want to upscale the 1440x1080 to 1920x1080.
Either way, the end result is that shooting in 30p and capturing, editing and encoding in 1080i 29.97 will still deliver A frame = AA fields and a better progressive image on a progressive LCD, DLP or Plasma HDTV or monitor without the conversion or stepped and jaggy lines that a true interlaced image would show.
So, the bottom line, in my opinion, is... If your shooting with a Canon H1 and will be showing you work on an LCD, DLP or Plasma HDTV or monitor, shoot in 30p at either 1/30 or 1/60 shutter speed then edit in Premiere, encode in Encore and produce your Blu-Ray dvd in 1080i 30 (29.97).
Obviously, if you shooting a film or want your work to look like film, shoot in 24p by all means.
Also... Let me know if you disagree on any points.

Is there a way of setting up one more than one export preset to a funcion key?

Hi
is there a way of setting up Lightroom to export images in using more than one export preset at one time? When I have edited my photos I very often want to create a full res JPEG to upload to Zenfolio with no watermark, a medium res JPEG to go to Flickr and a 1500px image with a watermark for Facebook (I normally upload these last). I'm hoping Lightroom would also have a an option to set Function keys to trigger export presets for example.
I'd like to be able to stack export presets to help with my workflow.
Thanks
Jon

robcole.com - ExportManager
does what you want, as long as you don't need post-process actions in your export preset(s).
plugin | free | I wrote it..

I still use Aperture 2.1.4. I need to export an image file with a CMYK profile. Whereas a generic CMYK profile is listed in ColorSync Utility, it does not appear on the list of profiles in the edit portion of the export preset dialogue. Help?

I still use Aperture 2.1.4. I need to export an image file with a CMYK profile. Whereas a generic CMYK profile is listed in ColorSync Utility, it does not appear on the list of profiles in the edit portion of the export preset dialogue. Help? Is there some way to add the CMYK profile to the list of choices that are available in the export preset dialogue such that I can choose it?

leonieDF
Thanks for your response. My profiles are located within color sync utility as you can see here:
These profiles do not respond to clicking and dragging. Since they are all in one place, more or less, I'm reluctant to make further attempts to relocate them. Accessing the CMYK profile is the first difficult experience I've encountered with this arrangement. I have never needed the CMYK profile until recently, and that need has now past. However, it remains a mystery to me as to why it does not appear with all the others on the menu of export choices in Aperture 2, or on the menu of profile assignment choices in the Preview application (where again all the other profiles are listed as choices). I'm beginning to think my current set up will permit me to view an image that was created in CMYK space, but does not easily assign, or convert to that space. I don't face these restrictions with all the others, so it remains a curious circumstance for me. I anticipate upgrading my computer and software in the near future which might alleviate this issue altogether. Again, many thanks for your attention to this matter. The reach of this community is astounding.

Cannot Save Export Presets PPro CC2014 (also in AME CC2014)

I cannot save any export presets in Premiere CC 2014 (PPro CC 2014) or import any presets. Also applies to Adobe Media Encoder CC 2014 (AME CC 2014).
When I go File > Export > Media (or ⌘E) and set my format and output specs, I cannot save the preset. The preset says "custom" and then I hit the "save preset" icon. Type a name in the "Choose Name" dialog box, then click OK. The "Choose Name" dialog box disappears, but nothing happens. The preset line still says "custom" and there is no preset file available to choose. The preset is not saved. Export works, but the settings must be manually entered each and every time.
I also cannot import any presets. Have .EPR files with presets that I've used in the past and NONE of them will import using the "import preset" icon.
The presets will also not import into AME CC 2014 via any method at all - icons, dragging/dropping, copying to various directories... cannot load them. I cannot add them to the user presets & groups at all, no matter what method I have tried. It's frustrating and becoming infuriating. I can create a "New Group" in the user presets and groups, but nothing can be added to the group. Clicking the + for "create new preset" does nothing - no window opens or appears. Clicking "import presets" opens the "import preset" dialog box and I can choose files and click open, but they do not import or appear anywhere withing AME CC 2014.
3.33 6-Core "Mid-2012" running OSX 10.9.4 with GTX 680 (official version) and 32GB RAM
Also see this discussion:
AME CC 2014: "Adobe Media Encoder has encountered an unexpected error and cannot continue."

This was not directly a permissions issue. Had checked that numerous times previously and applied settings to all enclosed items on every folder that was related. This workaround was attempted several times previously, but had not worked. Now, it's working.
Re: AME CC 2014: "Adobe Media Encoder has encountered an unexpected error and cannot continue."
I will say, what I did differently this time was trying to edit the Adobe Media Encoder CC 2014.app via Show Package Contents before attempting to do any of this. Not sure if that's why it suddenly worked or not, but worth mentioning.

Premiere CS6 does not remember some settings when saving custom export presets.

When I save a custom export preset in the export window, some settings are not remembered, and I need to change them every time again and again! The settings so far I found to not be saved are:
Key frame every ... frames
Limit data rate to ...

Interesting...
When I create and save an a H.264 QT preset
using the Export Settings dialog from within Premiere,
it does not save the key frame interval or max bitrate.
However, when I create a H.264 QT preset from within
Media Encoder and save... the missing settings are saved
and can be recalled from within the Premiere Export Settings dialog.
EDIT:
Re-tested this a bit more, and now the kf interval & max bitrate are
being saved with the presets created in Premiere Export Settings dialog.
Odd... my first 2 tries didn't take?

How do I set a PDF Export Preset to force a minimum line weight on output?

How do I set a PDF Export Preset to force a minimum line weight on output? I'm currently using one that came from a printer that works great - but I can't seem to find the option when creating one myself. I have some placed Illustrator line art that is built with .25 line thickness and when I have it placed at 20% scale the lines are too thin to see in the PDF output.

There is absolutely no way to force minimum line widths within InDesign itself, certainly not as part of the PDF export process!! And even one writes a script to go through every object within an InDesign document and both validate and fix line widths less than some particular threshold, such a script would be useless against placed artwork, the contents of which are not available for manual or programmatic inspection within InDesign.
Note that one should be exceptionally careful in “fixing” hairlines, especially if you are placing vector artwork at very low magnification. It may actually be OK to let certain lines drop out. After a fixup on some content, you could end up with a messy mass of lines.
- Dov

[CS5] Using PDF Export Preset from Distiller with InDesign, doesn't work the same?

Hello,
We are in the process of reworking one of our workflows in which we would manually use Distiller to create a PDF. Now we are trying to automate this with InDesign. My first thought was that I could try using the same PDF Export Preset (.joboptions file) used in Distiller, load it into InDesign, and export my book as a PDF using this preset.
For my current testing example, there are about 115 pages in this PDF document. The PDF that Distiller created is of pretty good quality, and is about 34MB. When I used the same .joboptions file to export an InDesign book of the same original documents as a PDF, the result is equal in quality, but is about 119MB.
Does anyone know why they aren't even close in file size? Is InDesign packing more stuff (maybe related to the actual InDesign documents, or the book itself) into the final PDF? If so, is there anyway to get InDesign to give a similar PDF (in terms of both size and quality) using the .joboptions file from Distiller?
Thanks in advance!

Thanks for the reply!
I won't be able to use Acrobat Pro, and my hope is to continue using InDesign/InDesign Server. Since my goal is to match what Distiller produces, is there a way (with InDesign) to export PDFs but to strip out the layers/interactivity/transparency that Distiller does not support? The output PDF will be used for archive purposes only.
Thanks again for any advice!
-Lloyd

[AS][INDCC] How to set Color Conversion field to No Color Conversion when creating PDF Export preset

How can i set Color Conversion field in Export to PDF dialog to No Color Conversion when creating PDF Export preset? i have done a bit of searching and have found where it has been recommended to set effective pdf destination profile to use no profile but it doesn't seem to be producting the expected results.

Yes, it seems that i had to make the change after creation, not while creating the preset. thank you.
tell application "Adobe InDesign CC"
     set newPreset to make new PDF export preset with properties ¬
          {name:"preset name", standards compliance:none, acrobat compatibility:acrobat 7}
     tell newPreset to set PDF color space to unchanged color space
end tell

Where is the LR5 export presets folder located on Mac Mtn Lion?

I cannot find this folder?

On Windows I can get to this folder with:
LR -> Edit / Preferences / Presets (tab) / Show LR Presets Folder (button) and this highlights the Lightroom catalog folder because I have my presets stored with my catalog.
Once I click into this highlighted folder, the Export Presets subfolder and all the rest of the presets subfolders are under a folder called Lightroom Settings.
With LR 5.2 RC, at least, it appears that the Adobe presets are internalized in LR, and only the User presets are in this folder structure.

How do I edit an export preset in LR4?

I want to edit an export preset and in this example I want to remove the check mark to "Add to This Catalog". How do I "save" this change to that preset?
Bob

http://www.lightroomforums.net/showthread.php?18304-How-do-I-edit-my-presets&p=124780&view full=1#post124780

Import/Export presets list is empty

I am using the most recent version of photoshop CC, 14.2 64-bit under Windows 7, I was optimizing the menus/shortcuts/workspaces/tools for my needs, and wanted to make a backup of my settings/presets on a flash drive to take on the go. When I go to Edit --> Presets --> Export/Import Presets, the list shows up empty and I am unable to do this.
So as a summary:
PS 14.2 x64 under Win7
Changed multiple settings and presets
Export presets list empty
I checked inside the PS folder in Program Files, my settings (well, at least actions and brushes) are showing up as unique files, but somehow aren't picked up by "export presets"

PLSQL_GATEWAY = WebDb
GATEWAY_IVERSION = 3
SERVER_SOFTWARE = Oracle-Application-Server-10g/9.0.4.1.0 Oracle-HTTP-Server
GATEWAY_INTERFACE = CGI/1.1
SERVER_PORT = 7777
SERVER_NAME = ret6f001.svr.bankone.net
REQUEST_METHOD = POST
PATH_INFO = /wwv_flow.accept
SCRIPT_NAME = /pls/htmldb
REMOTE_ADDR = 172.28.176.77
SERVER_PROTOCOL = HTTP/1.0
REQUEST_PROTOCOL = HTTP
REMOTE_USER = htmldb_public_user
HTTP_CONTENT_LENGTH = 500
HTTP_CONTENT_TYPE = application/x-www-form-urlencoded
HTTP_USER_AGENT = Mozilla/4.0 (compatible; MSIE 6.0; Windows NT 5.1)
HTTP_HOST = reports.finone.bankone.net:7777
HTTP_ACCEPT = image/gif, image/x-xbitmap, image/jpeg, image/pjpeg, application/vnd.ms-powerpoint, application/vnd.ms-excel, application/msword, LL5.1.0.469, application/x-shockwave-flash, */*
HTTP_ACCEPT_LANGUAGE = en-us
HTTP_REFERER = http://reports.finone.bankone.net:7777/pls/htmldb/f?p=4500:3:5981935966734062333::NO:3::
HTTP_ORACLE_ECID = 1129981032:155.180.226.114:17023:0:28697,0
WEB_AUTHENT_PREFIX =
DAD_NAME = htmldb
DOC_ACCESS_PATH = docs
DOCUMENT_TABLE = wwv_flow_file_objects$
PATH_ALIAS =
REQUEST_CHARSET = US7ASCII
REQUEST_IANA_CHARSET = US-ASCII
SCRIPT_PREFIX = /pls
HTTP_COOKIE = ORACLE_PLATFORM_REMEMBER_UN=E009491:INFORMATION_ONE; WWV_FLOW_USER2=6B0BDED178928680; eSource40=403SPI|Jeffrey Truck|E009491|NA|CFS|AF|none|BANK1; PhoneBk=ID4=171272&ID2=750271&ID9=26009&ID15=531583&ID7=499247&ID14=491993&ID5=211422&ID13=544129&ID3=524989&ID12=542210&ID1=568789&ID8=235884&ID11=218896&ID6=571979&ID10=84550; SITESERVER=ID=6e4810d34113245334c55f6841924372; RETAILCOOKIE=; Yellow=PrevID6=&PrevID1=&PrevID8=&PrevID4=&PrevID10=&PrevID2=&PrevID9=&PrevID11=&PrevID0=1698&PrevID7=&PrevID12=&PrevID5=&PrevID13=&PrevID3=&PrevID14=

LR 1.3 cannot save changes to export preset - only create new presets

So, in LR 1.2, I could change some parameters in a preset (export presets) and then save the changed preset. But the upgraded LR 1.3 export form does not seem to have a "save" option. I can create a new preset, I can remove a preset, but I cannot save a change to an already existing preset. I can get around it by ...
. add, creating a new (ie. temporary) name saving my changes
. open the original preset
. remove (the old preset)
. open the new preset (with the temp name)
. add using the old preset name that I like to use
. open the temporary (ie. new) preset
. remove (to delete the temporary preset)
- yuck! What an ugly work around :(
Can we please have our save option back again?

It's still there. Right-click the preset you want to update and select that option.

LZW won't stick in export preset

When I set up a TIFF Export preset, I cannot get LZW compression to stick. It's always Compression = None.
Building a new preset or updating an existing one -- doesn't matter.
Is this a Lightroom bug or just me?
MacPro, latest Leopard, LR 2.4, tons o' RAM etc etc.

I get the same thing. Looks like a bug to me.

HDV export preset?

Similar Messages

Maybe you are looking for