HEADING HIDING AND LOWEF FRAME SHOULD SHIFTED TO HEADDING'S PLACE AUTOMATIC

HOW TO PLACED THE FRAMES OF DATAMODEL IN REPORT IN PLACE OF HEADING AND TITLE AT TOP LEVEL.

Yeah the second level headings have their own para style. I just tried switching from running head (char style) to para style but I couldn't see any option to include the number.
Can you let me know where this is?
Thanks for the help.

Similar Messages

To set HOTSPOT for a field in ALV-oops and when clecked should call transac

Hi,
I need to set HOTSPOT for a field in O/P list using ALV-oops and when clecked should take me to Transaction VA01. Please help....
Thanks,
Prabhu

Hi,
Please go through this code it may help u.
REPORT zcls_alv_oops MESSAGE-ID z1.
TABLES : mara.
Types Declaration..\
TYPES :
BEGIN OF t_mara,
matnr TYPE matnr,
mtart TYPE mtart,
maktx TYPE maktx,
END OF t_mara,
BEGIN OF t_marc,
matnr TYPE matnr,
werks TYPE werks_d,
mtart TYPE mtart,
maktx TYPE maktx,
END OF t_marc.
Internal Tables Declaration..\
DATA :
i_mara TYPE TABLE OF t_mara,
i_marc TYPE TABLE OF t_marc,
i_fcat1 TYPE lvc_t_fcat,
i_fcat2 TYPE lvc_t_fcat.
Constants Declaration..\
CONSTANTS :
c_cont1 TYPE scrfname VALUE 'CONT1',
c_cont2 TYPE scrfname VALUE 'CONT2'.
SELECTION-SCREEN BEGIN OF BLOCK b1 WITH FRAME.
SELECT-OPTIONS:
s_matnr FOR mara-matnr NO INTERVALS.
SELECTION-SCREEN SKIP 1.
PARAMETERS :
p_hotspt RADIOBUTTON GROUP r1 DEFAULT 'X',
p_bttn RADIOBUTTON GROUP r1.
SELECTION-SCREEN END OF BLOCK b1.
\* Class forward referncing.
CLASS lcl_rcvr_class DEFINITION DEFERRED.
\* Pointers Declaration..
DATA :
lp_rcvr TYPE REF TO lcl_rcvr_class,
lp_cont1 TYPE REF TO cl_gui_custom_container,
lp_cont2 TYPE REF TO cl_gui_custom_container,
lp_grid1 TYPE REF TO cl_gui_alv_grid,
lp_grid2 TYPE REF TO cl_gui_alv_grid.
\* Local Class Definiton.
CLASS lcl_rcvr_class DEFINITION.
PUBLIC SECTION.
METHODS :
hotspot_click FOR EVENT hotspot_click OF cl_gui_alv_grid
IMPORTING e_row_id e_column_id es_row_no,
handle_double_click FOR EVENT double_click OF cl_gui_alv_grid
IMPORTING e_row e_column.
ENDCLASS.
\* Local Class Implementation.
CLASS lcl_rcvr_class IMPLEMENTATION.
METHOD hotspot_click.
DATA :
wa_mara TYPE t_mara,
wa_marc TYPE t_marc.
DATA :
l_index TYPE sy-tabix.
READ TABLE i_mara INTO wa_mara INDEX e_row_id-index.
IF sy-subrc EQ 0.
REFRESH i_marc.
SELECT matnr
werks
INTO TABLE i_marc
FROM marc
WHERE matnr EQ wa_mara-matnr.
IF sy-subrc EQ 0.
LOOP AT i_marc INTO wa_marc.
l_index = sy-tabix.
wa_marc-mtart = wa_mara-mtart.
wa_marc-maktx = wa_mara-maktx.
MODIFY i_marc FROM wa_marc INDEX l_index
TRANSPORTING mtart maktx.
ENDLOOP.
CALL SCREEN 200.
ELSE.
MESSAGE e121 WITH text-005 wa_mara-matnr.
ENDIF.
ENDIF.
ENDMETHOD.
METHOD handle_double_click.
DATA :
wa_mara TYPE t_mara,
wa_marc TYPE t_marc.
DATA :
l_index TYPE sy-tabix.
READ TABLE i_mara INTO wa_mara INDEX e_row-index.
IF sy-subrc EQ 0.
REFRESH i_marc.
SELECT matnr
werks
INTO TABLE i_marc
FROM marc
WHERE matnr EQ wa_mara-matnr.
IF sy-subrc EQ 0.
LOOP AT i_marc INTO wa_marc.
l_index = sy-tabix.
wa_marc-mtart = wa_mara-mtart.
wa_marc-maktx = wa_mara-maktx.
MODIFY i_marc FROM wa_marc INDEX l_index
TRANSPORTING mtart maktx.
ENDLOOP.
CALL SCREEN 200.
ELSE.
MESSAGE e121 WITH text-005 wa_mara-matnr.
ENDIF.
ENDIF.
ENDMETHOD.
ENDCLASS.
\* Start of Selection
START-OF-SELECTION.
\* Extract the Material Master data for the Input Material.
SELECT a~matnr
a~mtart
b~maktx
INTO TABLE i_mara
FROM mara AS a
INNER JOIN makt AS b
ON a~matnr EQ b~matnr
WHERE a~matnr IN s_matnr
AND b~spras EQ sy-langu.
END-OF-SELECTION.
IF NOT i_mara\[\] IS INITIAL.
\* Call Screen to display the Material Master data.
CALL SCREEN 100.
ELSE.
MESSAGE s121 WITH text-006.
ENDIF.
\*& Module DISP_GRID OUTPUT
\* text
MODULE disp_grid OUTPUT.
\* Build the Field catelog for Material Master data.
PERFORM build_fcat.
\* Display the Material Master data using ALV.
PERFORM disp_alv.
ENDMODULE. " DISP_GRID OUTPUT
\*& Module USER_COMMAND_0100 INPUT
\* text
MODULE user_command_0100 INPUT.
\*when exit or cancel is clicked program has to come out
CASE sy-ucomm.
WHEN 'EXIT' OR 'CANC'.
LEAVE PROGRAM.
WHEN 'BACK'.
LEAVE TO SCREEN 0.
ENDCASE.
ENDMODULE. " USER_COMMAND_0100 INPUT
\*& Form build_fcat
\* text
\* \--> p1 text
\* <-\- p2 text
FORM build_fcat.
DATA : ws_fcat TYPE lvc_s_fcat.
ws_fcat-fieldname = 'MATNR'.
ws_fcat-scrtext_m = text-001.
ws_fcat-tabname = 'I_MARA'.
IF p_hotspt EQ 'X'.
ws_fcat-hotspot = 'X'.
ENDIF.
APPEND ws_fcat TO i_fcat1.
CLEAR ws_fcat.
ws_fcat-fieldname = 'MTART'.
ws_fcat-scrtext_m = text-002.
ws_fcat-tabname = 'I_MARA'.
APPEND ws_fcat TO i_fcat1.
CLEAR ws_fcat.
ws_fcat-fieldname = 'MAKTX'.
ws_fcat-scrtext_m = text-003.
ws_fcat-tabname = 'I_MARA'.
APPEND ws_fcat TO i_fcat1.
CLEAR ws_fcat.
ENDFORM. " build_fcat
\*& Form disp_alv
\* text
\* \--> p1 text
\* <-\- p2 text
FORM disp_alv.
IF lp_cont1 IS INITIAL.
\* Create the Container Object of Material Master.
CREATE OBJECT lp_cont1
EXPORTING
container_name = c_cont1
EXCEPTIONS
cntl_error = 1
cntl_system_error = 2
create_error = 3
lifetime_error = 4
lifetime_dynpro_dynpro_link = 5
others = 6 .
IF sy-subrc NE 0.
MESSAGE ID sy-msgid TYPE sy-msgty NUMBER sy-msgno
WITH sy-msgv1 sy-msgv2 sy-msgv3 sy-msgv4.
ELSE.
\* Create the Object for Grid of Material Master.
CREATE OBJECT lp_grid1
EXPORTING
i_parent = lp_cont1
EXCEPTIONS
error_cntl_create = 1
error_cntl_init = 2
error_cntl_link = 3
error_dp_create = 4
others = 5.
IF sy-subrc NE 0.
MESSAGE ID sy-msgid TYPE sy-msgty NUMBER sy-msgno
WITH sy-msgv1 sy-msgv2 sy-msgv3 sy-msgv4.
ELSE.
\* Dipslay Material Master data by calling method.
CALL METHOD lp_grid1->set_table_for_first_display
CHANGING
it_outtab = i_mara
it_fieldcatalog = i_fcat1
EXCEPTIONS
invalid_parameter_combination = 1
program_error = 2
too_many_lines = 3
OTHERS = 4.
IF sy-subrc NE 0.
MESSAGE ID sy-msgid TYPE sy-msgty NUMBER sy-msgno
WITH sy-msgv1 sy-msgv2 sy-msgv3 sy-msgv4.
ELSE.
\* Set Handler for the Hot Spot Event.
CREATE OBJECT lp_rcvr.
IF p_hotspt EQ 'X'.
SET HANDLER lp_rcvr->hotspot_click FOR lp_grid1.
ELSE.
SET HANDLER lp_rcvr->handle_double_click FOR lp_grid1.
ENDIF.
ENDIF.
ENDIF.
ENDIF.
ENDIF.
ENDFORM. " disp_alv
\*& Module STATUS_0100 OUTPUT
\* text
MODULE status_0100 OUTPUT.
SET PF-STATUS 'MAIN_STAT'.
SET TITLEBAR 'T_100'.
ENDMODULE. " STATUS_0100 OUTPUT
\*& Module STATUS_0200 OUTPUT
\* text
MODULE status_0200 OUTPUT.
SET PF-STATUS 'PLANT_STAT'.
SET TITLEBAR 'T_200'.
ENDMODULE. " STATUS_0200 OUTPUT
\*& Module DISP_GRID_plant OUTPUT
\* text
MODULE disp_grid_plant OUTPUT.
\* Build the Field catelog for Material Plant data.
PERFORM build_fcat_plant.
\* Display the Material Master Plant data using ALV.
PERFORM disp_alv_plant.
ENDMODULE. " DISP_GRID_plant OUTPUT
\*& Module USER_COMMAND_0200 INPUT
\* text
MODULE user_command_0200 INPUT.
\*when exit or cancel is clicked program has to come out
CASE sy-ucomm.
WHEN 'EXIT' OR 'CANC'.
LEAVE PROGRAM.
WHEN 'BACK'.
LEAVE TO SCREEN 0.
ENDCASE.
ENDMODULE. " USER_COMMAND_0200 INPUT
\*& Form build_fcat_plant
\* text
\* \--> p1 text
\* <-\- p2 text
FORM build_fcat_plant.
DATA : ws_fcat TYPE lvc_s_fcat.
ws_fcat-fieldname = 'MATNR'.
ws_fcat-scrtext_m = text-001.
ws_fcat-tabname = 'I_MARC'.
APPEND ws_fcat TO i_fcat2.
CLEAR ws_fcat.
ws_fcat-fieldname = 'WERKS'.
ws_fcat-scrtext_m = text-004.
ws_fcat-tabname = 'I_MARC'.
APPEND ws_fcat TO i_fcat2.
CLEAR ws_fcat.
ws_fcat-fieldname = 'MTART'.
ws_fcat-scrtext_m = text-002.
ws_fcat-tabname = 'I_MARC'.
APPEND ws_fcat TO i_fcat2.
CLEAR ws_fcat.
ws_fcat-fieldname = 'MAKTX'.
ws_fcat-scrtext_m = text-003.
ws_fcat-tabname = 'I_MARC'.
APPEND ws_fcat TO i_fcat2.
CLEAR ws_fcat.
ENDFORM. " build_fcat_plant
\*& Form disp_alv_plant
\* text
\* \--> p1 text
\* <-\- p2 text
FORM disp_alv_plant.
IF lp_cont2 IS INITIAL.
\* Create the Container Object of Material Plant data.
CREATE OBJECT lp_cont2
EXPORTING
container_name = c_cont2
EXCEPTIONS
cntl_error = 1
cntl_system_error = 2
create_error = 3
lifetime_error = 4
lifetime_dynpro_dynpro_link = 5
others = 6.
IF sy-subrc NE 0.
MESSAGE ID sy-msgid TYPE sy-msgty NUMBER sy-msgno
WITH sy-msgv1 sy-msgv2 sy-msgv3 sy-msgv4.
ELSE.
\* Create the Object for Grid of Material Plant data.
CREATE OBJECT lp_grid2
EXPORTING
i_parent = lp_cont2
EXCEPTIONS
error_cntl_create = 1
error_cntl_init = 2
error_cntl_link = 3
error_dp_create = 4
others = 5.
IF sy-subrc NE 0.
MESSAGE ID sy-msgid TYPE sy-msgty NUMBER sy-msgno
WITH sy-msgv1 sy-msgv2 sy-msgv3 sy-msgv4.
ELSE.
\* Dipslay Material Plant data by calling method.
CALL METHOD lp_grid2->set_table_for_first_display
CHANGING
it_outtab = i_marc
it_fieldcatalog = i_fcat2
EXCEPTIONS
invalid_parameter_combination = 1
program_error = 2
too_many_lines = 3
OTHERS = 4.
IF sy-subrc NE 0.
MESSAGE ID sy-msgid TYPE sy-msgty NUMBER sy-msgno
WITH sy-msgv1 sy-msgv2 sy-msgv3 sy-msgv4.
ENDIF.
ENDIF.
ENDIF.
ELSE.
\* Call method 'REFRESH_TABLE_DISPLAY' to refresh the grid data.
CALL METHOD lp_grid2->refresh_table_display.
ENDIF.
ENDFORM. " disp_alv_plant

Hi All, We are in to Release 11.5.10.2.There is a specific requirement to Prevent users from creating Manual Sales Orders in oracle and yet users should be able to book the Sales Orders Imported from CRM system into Orcale.Please advise.

Hi All, We are in to Release 11.5.10.2.There is a specific requirement to Prevent users from creating Manual Sales Orders in Oracle and yet users should be able to book the Sales Orders Imported from CRM system into Orcale.Please advise.

Thanks for your advise.
However, I missed to mention that we have two set of users One is for Finished Goods and another for Spares.
Only Spares users need to be prevented from creating Direct/Manual Sales Orders in Oracle.
As you suggested, if this will be done at Form level, that may Disallow FG users also to create Manula Sales Orders which should not be the case.
Further, I tried to test one scenario through Processing Constraints but it did not work.
Application
OM
Validation Type
Entity
Temp
Short Name
TBL
Validation Semantics
Created By
Equal To
User(Myself)
Processing Cosntraint
Application
OM
Entity
Order Header
Constraint
Operation
User Action
Create
Not Allowed
Conditions
Group
Scope
Validation Entity
Record Set
Validation Template
101
Any
Order Header
Order
Above Created
Please advise.

Playback of clips only plays between 4 and 12 frames

Hi all,
I am fairly new to Premiere, have used After Effects CS4 to produce some clips, but need something that handles editing better, and I thought I would give Premiere CS4 a try.
Unfortunately, I can't get Source or Sequence preview working. I click the play button and the video plays for about 1/2 to 1/4 or a second (between 4 and 16 frames) and then stops, returning to the place where I hit play. Almost like I had selected an in and out of 14 frames and hit "play in to out".
The duration of the playback is random, but never more than a full second.
The computer I am on is:
Model Name: MacBook Pro
OS: Snow Leopard 10.6.2
Processor Name: Intel Core 2 Duo
Processor Speed: 2.4 GHz
L2 Cache: 3 MB
Memory: 4 GB
Bus Speed: 800 MHz
Chipset Model: GeForce 8600M GT
Bus: PCIe
VRAM (Total): 256 MB
Vendor: NVIDIA (0x10de)
RAM Size: 4 GB
Type: DDR2 SDRAM 667 MHz
HDD: 500Gb 7200RPM (50% empty)
Apple system updater says I am up to date.
I have Adobe Premiere CS4 installed (trial) 4.2.1 (003 (MC: 166418))
Adobe Updater says I am up to date.
I have done the following to try and resolve:
* Tried different source files (mp4, mov)
* Tried rendering a video in After Effects CS4 as MOV H264 and importing
* Tried putting still frames on the time line and playing those (no effects, no transitions)
* Tried playing no video, just music
* Ensure that "clear all markers" is done on the source and preview monitors
* Ensure loop is not playing
* Force in and out markers to a 5 second clip and press play
* Full deinstall and reinstall of all adobe products (I had some CS3 left overs that I cleaned out)
* Deleted all adobe application preferences folders before reinstall
* Deleted plugin cache
* Created new projects and tried all the above.
I have tried shutting down every other program before running Premiere, it is definitely not a resources problem, there is 3Gb of RAM free and CPUs sitting at 5% when I try this.
I am looking at buying Premiere, but if I can't get playback to work it's a bit of a waste
Anyway, any help or pointers would be appreciated!
Mikel

Thanks everyone for the long thread and lots of comments, unfortunately I have tried them all.
I even purchased a full copy of Premiere Pro (as part of a Masters collection set) and this still has not fixed the problem.
The screen recording of my problem is exactly the same as the one linked to here: Screen Recording 2 720p.mov, and I am also going to open a support ticket with Adobe.
Another point is that it even does not work on a tiny video that I used (320 x 240px) Still same problems.
This is very frustrating.
It should be noted that After Effects and Encore both play videos fine in a similar situation, it is just Premiere that is bombing out.
See the first post for my configuration, it is still the same, except now I own a full copy of Premiere Pro as part of CS4 Masters collection.
Any further ideas?
Mikel

Final Cut Pro 7 Frame freezing and dropping frames for 3 seconds...

So, I'm creating a video which leads up to .png files being on screen for 00:00:00:20 and 00:00:00:10. When it hits that first frame of 00:00:00:20, it freezes for 3 seconds, misses out the rest of the frames before continues. What puzzles me is that in the playback window in FCP, it plays exactly how it should but when rendering out into "Apple ProRes 422 (HQ) 1920x1084 60i 48 kHz .mov" format, it plays like this...
It leads me to believe that the frames per second need to be upped but not a cut how to do this on FCP. If this is not the reason for this problem, I'd love to hear from you!
Thanks in advanced!

I feel that this is your problem. Editing from a network drive is not particularly ideal as there are quite a few overheads when it comes to data transfer. Bear in mind that in a properly set up network users have a restricted amount of bandwidth to 'play" with so as to minimise horrendous bottlenecks and complaints. Additionally having only 1.9 to 2 GB of free space is a recipe for disaster. The drive could fail miserably and as a result you could lose your work. One thing that is useful to know about conventional drives is that their speed drops dramatically as you fill them up, up to the point that they crawl. I suggest you move your work into a local drive, that is one connected to the computer you use, with ample space to space (filled way below 50% of its capacity). In fact, fcp capture scratch, render and media folders should be there.
Good luck

Accessibility: Reading order of tables and anchored frames

I am creating accessible, tagged (section 508 compliant) PDFs in FrameMaker 9. The reading order for tables and frames is not correct.
When I view the PDF reading order using Adobe Acrobat Professional or another screen reader, anchored items such as tables and anchored frames are placed last in the reading order, regardless of where they appear in the document flow or page layout. The reading order skips over all tables and frames, reading all paragraphs on a page first, then reading the tables and frames as the last objects on the page. This logically doesn't make sense to skip over tables/frames as they generally apply to the content that preceeds it.
For example, the following document structure:
<Paragraph 1>
<Table 1>
<Paragraph 2>
<Anchored Frame 1>
<Paragraph 3>
<Anchor Frame 2>
<Paragraph 4>
is being read by assistive technology as:
<Paragraph 1>
<Paragraph 2>
<Paragraph 3>
<Paragraph 4>
<Table 1>
<Anchored Frame 1>
<Anchor Frame 2>
I want the document structure to be read correctly as intended.
In otherwords, the PDFs generated by FrameMaker 9 are not completely accessible because of incorrect reading order output by default. This information is not listed in the VPAT for FrameMaker 9.
I want to avoid any post processing using Acrobat's Touch Up Reading Order tool. Is there a way to automate updates to reading order?
Can FrameMaker 9 logically place tables and anchored frames into the correct reading order? How do I adjust these settings?
Thanks in advance!

As mentioned above, tables and anchored frames are inserted into thier own paragraph style "Frame". The paragraph style "Frame" is tagged. To my knowledge, there are no options for tagging or not tagging tables or anchored frames.
Regardless of which paragraph type the table or anchor frame is inserted into, and what that paragraphs tagging settings are, it is still last in the reading order.
I've tried a variety of options: tagging the "Frame" paragraph style as a sibling, child, and parent of my other paragraphs; I've even tried omitting it from the reading order. None of these options present anchored frames (and tables) in the logical reading order.
Even images that are inline (within a paragraph; not in thier own paragraph) are not being read as part of the paragraph. Inline images get skipped over by screen readers and get read at the end of the page, which makes no sense whatsoever.
All tables and images end up at the end of the reading order (after ALL paragraphs) regardless of the tagging settings.
Refer to my previous screenshot for a clear diagram of what is happening to the reading order. Each of those anchors is in it's own paragraph style. I want tables and anchored frames to be sequential in the reading order along with paragraphs. (1,2,3,4,5,6 not 1,4,2,5,3,6.)
I'm using the Tags tab of the "PDF Setup" dialog to adjust these settings. Is there somewhere else I should be making changes to the reading order?
This is a bit disturbing because FrameMaker touts creating accessible documents and this severe reading order issue impares my ability to do so. I would not consider documents that jump around the page in an illlogical, fixed order, to be accessible. I'm very suprised that no one else has encountered this issue (at least that I can find...)

Imovie11 splitting clips and freeze frame problems

I am having a problem with imovie11 splitting cips and using the freeze frame function. When I highlight the clip I want split, it splits a different clip either on the line below it or somewhere else in my project! Also, my freeze frame function freezes the frame where my playhead is BUT doesn't split the clip...so what I'm left with is the entire clip- then the freeze frame - then the continuation after the freeze frame. Is there a fix for this??

Remove any in or out points you have on the timeline. Place the playhead at the frame on the timeline you want to freeze, and then select Modify > Make Freeze Frame, the freeze should appear instantly in the viewer. You can then click the Overwrite button, and the freeze should now be placed on the timeline in the correct place.
Is this not happening?
MtD

First and last frame disappearing off every clip

Hi,
Every clip I import in Final cut pro 6.0 loses its first and last frame.
The clips I import are in photoJpeg / 24p (verified with the -get info- of Quicktime Pro), but once in FCP they are marked as 23.98 ?!?!
In the browser the info of the clip says 23.98 and also indicates that the clip is 2 frames shorter.
When opened in the viewer the first and last frames are really missing.
It gets worse, when a clip is longer (ie: 500 frames), the first and last TWO frames are missing ?!?!
Am I alone with this problem?
Please help!!!

How are these clips getting created? Quicktime does not necessarily associate each frame with a certain TC, and the frame rate is dynamically calculated, rather than simply being hard-coded into the QT metadata. This results in Quicktimes that get created outside of FCP often showing up with different frame rates than you expect.
You might try exporting movies back out of FCP, ether from the master clips, or from sequences. I have noticed that when I export from a sequence at the correct frame rate, the missing frames come back. Other tools that might come in handy are Compressor for converting batches of files to QTs that FCP will like better, and Cinema Tools for conforming clips to a particular frame rate (like changing them from 24 to 23.98)
You might also try Dumpster which is a bare-bones utility that will allow you to view and edit the QT metadata directly.
Try some experiments and post back and let us know what you find out. I found that placing the clips in sequences at the proper frame rate and exporting new movie files worked well, but I have seen timing and frame rate shifts with some clips using this method...
Hope this helps -
Max Average

How many frames should I cut out each second to get a old film look?

Hi,
What is the general rule of thumb (if their is one) of how many frames should be cut every second to achieve a choppy old film look? Or maybe it's not every second? What do you guys do?

you will get a more realistic look if you chop out frames manually
dump the playhead arbitrarily on the time line insert a cut nudge the playhead either i or 2 frames on and cut again discard the frames and either leave the black or butt the clips up for a "skip".
this really doesn't take long to do and is better than a predetermined sequence of chops made by a filter.
CGM do a free filter for aged film to add the hairs, navel lint, boogers etc . .

Cross dissolve and still frame problem

Sorry for reposting this issue but I am still have problems. In fact, it is extremely frustrating and I don't know why.
I am using FCP X 10.0.8 and when I try to add cross dissolves to some still frames it will not allow me.
I get the following error msg.
The Japanese error msg says that there is insufficient media length outside the clip edge to make a transition. And it asks whether I want to make a ripple trim to the media in order to make the transition. It says that if I decide to do so then the overall project duration will be shortened. However, even if I decide to do the later it will not let me make the cross dessolve.
As you can see there should be enough length outside the clip edge to allow this. Or am I misleading myself in this view?
According to me - and I know that I am a sheer novice at this, there should be enough media length to allow the transition. This is happening in not only cross dissolves but any other dissolve which I attempt to add. The problem seems to be intermittent or varies. If I replace the still frame then sometimes it will allow the transition but effects subsequent frames. Either putting in "flash" or bogus frames - even just a black frame. These I can only detect when I expand the timeline to the very limit. And on some occassions there is nothing whatsoever that seems to be blocking the adding of the cross dissolve. This will be the 3rd time which I have had to restart the project and it is getting rather annoying, not to say that I am approaching the time limit which is adding even more pressure.
Can you suggest what the problem is and how I should go about rectifying it please? Is anybody else having the same issue?
Thanking you,
Mitaka27
Tokyo

This is what I see but it doesn't quite make sense to me. One, I don't know why there should be two AUDIO01 files showing. The still frame which I am trying to add the crossover to is FRTOTSUKA. It will allow me to add to the end but not to the start. The same is happening with a couple of other frames. If I add one to the start it won't allow me to add it to the end.
Hope I am making sense.
Thanking you,
Mitaka27

Remove Advanced Pulldown and Duplicate Frames

I've been researching this but still have not figured it out:
When I import Canon XF100 footage shot in 24fps from my CF card into FCP 7, in the "Log and Transfer" window under "Preferences", should I check or uncheck "Remove Advanced Pulldown and Duplicate Frames"? My thought was to uncheck the box since it is a function specific to P2 cards and that it wouldn't make a difference either way for my footage. Also (and I could be wrong), I didn't think any pulldown was necessary since I was shooting in 24fps. However, when I examined 2 test clips taken through both paths, there was one noticeable difference: the unchecked clip is larger (644.8MB) than the checked (582.8MB). Hmmmm....
Does this mean the footage changes based on if that box is checked or not?
And in my shooting/import scenario, should I check or uncheck that box?
Thank you.

23.98 and 23.98
> I have a few different cameras and some need pulldown and some don't but I've always left it checked under the > assumption that if there's nothing to pulldown it can't/won't and everything has been fine.
good to know. i agree. based on my conversations with the canon xf software folks, they were not entirely sure whether or not to check the box, so it doesn't seem to be a significant impact on the work flow.
thanks all for your input.

Overview and package frames not present in index.html

I launch the Javadoc tool with:
javadoc -sourcepath ..\src\ -d %DIR_JAVADOCS% -author -package -use -version %SOURCES% -classpath %CP%
(where the %XXX% are environment variables properly set).
The problem is that the packages frame and overview frame doesnt appear in the resultant index.html
Also, in thread
http://forum.java.sun.com/thread.jsp?forum=41&thread=72781
Doug Kramer says:
"If you supply package names on the command line, links to their
docs should all appear automatically on the Overview page,
which is named overview-summary.html. The -overview flag
merely allows you to add a description to that page."
So, what I have to do to solve this??

This is one of the most commonly-asked questions
I'll bet you are passing in only one package.
Here's the blurb:
The Javadoc tool will generate either two or three HTML frames, as shown in the
figure below. It creates the minimum necessary number of frames by omitting the
list of packages if there is only one package (or no packages). That is, when you
pass a single package name or source files (*.java) belonging to a single package
as arguments into the javadoc command, it will create only one frame (C) in the
left-hand column -- the list of classes. When you pass into javadoc two or more
package names, it creates a third frame (P) listing all packages, as well as an
overview page (Detail).
              |C| Detail |                  |P| Detail |
              | |        |                  | |        |
              | |        |                  |-|        |
              | |        |                  |C|        |
              | |        |                  | |        |
              | |        |                  | |        |
             javadoc *.java           javadoc java.lang java.awtSource:
http://java.sun.com/j2se/1.4.2/docs/tooldocs/solaris/javadoc.html#htmlframes

How the process starts in XI and which one should start first ?

How the process starts in XI and which one should start first ?

XI flow :
1.File picked by the adapter,at the A.E it converts to XML format.
2.Generate a msg ID for the file and creates XI header to that file using CPA cache. CPA cache will be having the information about all the Control(address) data.
3.Module processor
4.The file goes to send queue by the adapter engine, that file will be picked by the internal XI adapter and the file will be forwarded to the Integration engine.
5.Pipeline steps follow the Integration Engine.
Receiver determination, Interface determination, Msg split, Msg mapping, Logical routing, Receiver aggrement, call adapter
6.The file will go to receive queue, which was taken and forwarded to the adapter engine.

Export frame color shift

I'm trying to do a freeze frame in a sequence (ProRes source) and I've tried every available file format but all come back with a noticeable shift in colors, green is what I really notice, it's just lighter than the source.
A screen-shot of the frame I want from the Program Monitor pasted into Photoshop and saved out as a PNG (set with the Embed Color Profile : Display) yields a perfect result when added back to the timeline in Premiere.
Something wrong with the color space of Exported Frames in Premiere Pro?
I'm using PP CC 2014.2 (8.2.0 (65) Build)

EDIT: this is a revision of the post above that I could not edit.
Interesting.
Even when I tried PNG the color of the greens was visibly brighter.
Here is a side by side comparison of what I am talking about in case anyone would like to see it: Some areas blurred out for privacy, but you can clearly see the greens on the left (Which match the original colors in the PP sequence when I imported that file) are not the same as the greens from the PP Frame Export. The blues seem to be fine. I have not tested reds.
If anyone is willing- I wonder if you could try dropping this image into a comp and then do a PNG frame export (Shift-E) and compare the two on your system? Might be helpful to know if there is a bug that we can reproduce.

Trying to export a video and the frame keeps getting cut

Hello,
I'm trying to export a video and the frame keeps getting cut. I've tried exporting it as a flattened movie through export - QT - "current settings" and through QT conversion, making to sure set the "size" as 720 x 480 ( my sequence presets are as follows: 720 x 480, DVCPRO50) but the default " current size" seems to be set at 640 x 480 and that's how it is exporting it. I must be missing something, I've never had this happen to me before... Any ideas? Maybe I should try trashing the preferences, usually what I do when I'm out of options...Thanks,

I just tested a bunch of stuff and the only way it would export correctly was by choosing "none" in the compression dialog box from the export to qt menu. weird hunh?

HEADING HIDING AND LOWEF FRAME SHOULD SHIFTED TO HEADDING'S PLACE AUTOMATIC

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