Highest Quality DVD Encoding for 29.97 and 24p DVX Footage

I want to make sure that in both FCP and in Compressor that I am setup to have the best possible quality SD DVD.
I have edited footage that is both in 29.97 and 24p from a DVX100a in Final Cut Pro 6.04. My sequence settings are:
720x480 -NTSC DV 3:2
Pixel Aspect: NTSC
Field Dominance: Lower (Even)
Editing Timebase: 29.97
Compressor: DV/DVCPRO - NTSC
Quality: 100
Video processing and render settings are on the highest setting.
I am done editing and want to encode to SD DVD using Compressor. My settings are:
Video Format TAB - Untouched (NTSC, 29.97, 4x3, Field - Bottom First)
Frame Controls TAB -
Resize - Best
Output - Progressive
Deinterlace - Best
Adaptive Details - Not Checked
Anti Alias - 0
Details Level - 0
Rate Conversion - Fast
Set Duration 100%
Are these settings correct? When I brought the mpeg2 into DVD Studio Pro and put it into a track, it said that it was 720x480i. Shouldn't it be 720x480p? I am a bit confused. Any help would be appreciated.
Thanks!

Look, you really need to wrap your head around 24p, 30p, 24pA and 30i.
Interlace is not an ugly issue. It is a benefit. Interlacing normal on broadcast television. Your TV scans down and back up for each frame... alternating lines. When you shoot 24p on the DVX it puts it to tape where for every 3 frames of progressive it combines FOUR frames to give you TWO additional combined (interlaced) frames. So.. there are 6 sets of 5 frames per 1 second giving you 30 frames per second. If you take those 3 progressive frames by themselves 3x6 is 24 frames per second.
You OBVIOUSLY want to final out to 29.97 or 30 fps so you'll need those extra 2x6 frames to get you to 30!! If you wanted to final out to 29.97 AND you wanted progressive frames for EVERY frame you should have shot 30p mode.
Now... when are they ugly? When you are standing still on a frame. When are they unnecessary? When you plan to show them on a computer or progressive monitor. Remember, even when shooting progressive and playing it on a TV you will STILL have the TV doing interlaced scans... the only difference is the down scan is taken from the same point in time as the up scan.
Plus... you don't capture TO a sequence... you capture the video and edit it IN a sequence. You can still capture the footage in 24p at 29.97 and remove those 2x6 extra frames and edit in a 23.98 sequence.
Do some reading. It will only help.
CaptM

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