Ho to match this HD export settings in CS6?

Hi,
I was wondering how can my firiend on his CS6 match my Video Pad setting:
http://i.imgur.com/3HcdtcG.jpg
Closes what he found was this:
http://i.imgur.com/7QNwpKK.jpg
TIA

"How big are the monitors your viewers are using?"
It varies. I think the biggest one is 21".
Never heard of MediaInfo. Seems like a handy little tool.
This is what it shows for Video Pad file:
Format                                   : AVI
Format/Info                              : Audio Video Interleave
File size                                : 193 MiB
Duration                                 : 2mn 29s
Overall bit rate                         : 10.8 Mbps
Video
ID                                       : 0
Format                                   : AVC
Format/Info                              : Advanced Video Codec
Format profile                           : [email protected]
Format settings, CABAC                   : Yes
Format settings, ReFrames                : 3 frames
Codec ID                                 : H264
Duration                                 : 2mn 29s
Bit rate                                 : 10.5 Mbps
Width                                    : 1 920 pixels
Height                                   : 1 080 pixels
Display aspect ratio                     : 16:9
Frame rate mode                          : Variable
Frame rate                               : 29.970 fps
Color space                              : YUV
Chroma subsampling                       : 4:2:0
Bit depth                                : 8 bits
Scan type                                : Progressive
Bits/(Pixel*Frame)                       : 0.169
Stream size                              : 187 MiB (97%)
Writing library                          : x264 core 124 r2198 1c97f35
Encoding settings                        : cabac=1 / ref=3 / deblock=1:0:0 / analyse=0x3:0x113 / me=hex / subme=7 / psy=1 / psy_rd=1.00:0.00 / mixed_ref=1 / me_range=16 / chroma_me=1 / trellis=1 / 8x8dct=1 / cqm=0 / deadzone=21,11 / fast_pskip=1 / chroma_qp_offset=-4 / threads=8 / sliced_threads=0 / nr=0 / decimate=1 / interlaced=0 / bluray_compat=0 / constrained_intra=0 / bframes=0 / weightp=2 / keyint=250 / keyint_min=25 / scenecut=40 / intra_refresh=0 / rc=crf / mbtree=0 / crf=23.0 / qcomp=0.60 / qpmin=0 / qpmax=69 / qpstep=4 / ip_ratio=1.40 / aq=1:1.00
"You didn't explain why the users could not see the videos."
I remember that he used MPEG2 at the time and some machines did not had any software installed just WMP and that was a while ago.
So, just for fun if I wanted to match Video Pad settings in CS6 I would chose
somethink like this:
http://i.imgur.com/D3Oqfey.jpg

Similar Messages

CS6 not remembering my export settings

I just updated to CS6 from CS5.5 So far everything seems ok except that CS6 does not remember the format and preset I used to export my projects. It always comes up as AVI/NTSC DV when I go back to export my project even after I have saved it with a different export option.
In CS5.5 it would always remember my last export settings, but CS6 seems to lose that. Do I have something configured wrong?
-Roger Uzun

Hey zamboknee,
Try Resetting Network Settings on the iPhone, go to Settings> General> Reset> Reset Network Settings. The iPod touch may have incorrect network settings saved.
Jason

I'm confused by Export Settings- Match Sequence Settings

I’ve created three sample sequences that are all NTSC 720x480 16.9, but each has a different Fields setting (Lower, Upper, and No Fields). When Exporting (File->Export->Media), the CS5 manual states the following for the Match Sequence Settings feature:
To automatically export a file from a Premiere Pro sequence with settings that exactly match the settings for that sequence, select Match Sequence Settings in the Export Settings dialog box.
I’m confused what it is doing because when selected, it always sets the Field Type to Lower, even when the sequence is set to Upper or No Fields. However, using a Match Source Attributes Preset, when available, the Field Type will indeed match the sequence’s Fields setting. Also, the Match Sequence Settings wasn’t even available when the sequence was set to Lower Fields.
I did read in one of the forums where it was mentioned that checking the Match Sequence Settings will match the sequence's Preview File settings. If this is true, I don’t see where one can set the Field of Preview Files.
If anyone could shed some light on this issue, I’d be most grateful. Thanks.

I am confused about how to create a project setting as well as Export setting. I have few videos with width 640 & height 360. Frame rate is 29 FPS. In project setting Frame Size i used 640 by 360 & pixel aspect ration is square pixel (1.0) . after i finish with editing i wanna to export in movie so in export setting i click on Match Sequence then render starts with 50% video quality i wanna to make that 100% but option is disable so what to do?
If I don't click on match Sequence then render will come in default size that is 720x480 . In this video quality comes 100%.
I am totally confuse kindly Help in this case.

Sound has no valid device sound path although exporting device sounds was requested in the export settings. This sound will be ignored.

I have bopped around the forums here for a while now, and while other people seem to have had the same problem as I am having in the past, I come to find that all of the solutions that have worked for others, do not in fact, work for me.
I am running Flash Professional CS6 On an Acer Aspire. 4 Gigs of RAM, 500 Gigs of HD.
The exact problem that I am having is as follows:
I record a sound bit in Audacity, Export the sound as and MP3 File on my main computer Hard Drive.
go to File>Import>Import to Library, I locate the file that I had created, then select it to be imported to my Library.
I then create a new layer in my timeline, Label it as sound, place a new key frame into the timeline layer at the place in the animation that i hope the sound would start, set the audio sync to stream instead of event, then press CTRL+ENTER, which initiates the Test Movie function.
At this time, the "Output" box Pops up and it states,
"Sound has no valid device sound path although exporting device sounds was requested in the export settings. This sound will be ignored."
No sound is played and i cannot, for the life of me, figure out why. I have tried all the troubleshoots that i can find online. I checked the publishing settings and nothing is being Overridden, I've attempted to untick the "export device sounds" option, but it is grayed out and cannot be toggled. I have attempted switching the MP3 format sound clip to a WAV format sound clip. I have attempted to re-recording the sound clip and re-importing the clip to the library. I have checked my computers speakers and everything is in working order and i have even checked to see if other projects sound works.
I pulled up a previous project that i had finished a while back that had loads of sound imported the exact same way and it all works exactly as i expect it too. The sound plays, there is not "Output" box claiming an issue. It seems that the issue, whatever it might be, is stuck to this project itself.
I have even started a new project, imported and placed both the MP3 and the WAV files into the sound layer created, CTRL+ENTER, and it works just fine without problem.
If there is anything that i might have accidentally messed up in this projected that you know about, like settings that may have been changed that would cause such an annoying and seemingly unfixable issue, please let me know. I really do not want to loose this project over such an utterly stupid error.

I've moved your question to the Flash Pro CC forum.

In the latest upgrade for iMovie 11' there is no "export to QuickTime" or other way to set your preferred export settings? can anyone explain how to do this now?

In the latest upgrade for iMovie 10' there is no "export to QuickTime" or other way to set your preferred export settings? can anyone explain how to do this now?

Export to Quicktime file in imoie 10 is explained here:
http://help.apple.com/imovie/mac/10.0/#move6e0cb2ad
Geoff.

HT4913 My IPhone 5 will not recognize that I have an Itunes Match account. When I try to turn the Itunes Match button on in settings I get a mesage saying I am not subscribed to ITunes Match. This does not happen with my Ipad. Any Ideas what to do?

My IPhone 5 will not recognize that I have an Itunes Match account. When I try to turn the Itunes Match button on in settings I get a mesage saying I am not subscribed to ITunes Match. This does not happen with my Ipad. Any Ideas what to do?

SharmFarm wrote:
Good ev Ning Mario49 firstly I would like to say a great thank you for your attention to trying to help me,,,,, i have looked at the links and will try everything stated first thing…
Hi Mario,,,,
I tried everything in your reply,,, thank you again,, I had done that once before and all was working great,,
I have just now tried the Reinstall via iTunes, about 20 into the download, the iTunes logo on the phone disappeared, and the Apple Logo appeared again,,, I waited until the iTunes stated that the download had finished, and the install was in progress,,,
Nothing happened, still the Apple Logo was visual on the screen, iTunes never recognised the phone which it was on my iTunes account previously,,,
Still just a bunch of lines, maybe 5 or 6 so small writing,, I personally can not read what it is telling me, someone said it reads, incorrect shutdown,,,????????
Please advise,???
I am now at a loss,,, I really became excited when I saw the iTunes icon after putting the phone into restore,,,???
Thank you again
D

Export settings for RealMedia

Hello everybody
I use PR Pro 1.5 and I created a short video (a collection of .avi source files that lasts no longer than 4 mn) that I need to export in various formats :
WMP and RealMedia for the web, and then AVI, QT and MPEG1 for cdroms, Knowing that the video is meant to be seen by a large audience, and that the original avi files properties are as follows : 720*576, audio rate=1024 kbps, 16 bits, PCM and video image rate 25/s, 29200kbps.
I am really new to all the concepts regarding audio and video codecs, time frame, bit rate etc. so I am a bit at a loss with the export settings.
So far, for each of these formats, my guess would be as shown below :
RealMedia for the web : export / adobe media encoder
codec : "RM9 NTSC download "32"," 62", "128" or "256 "? I don’t know which to choose or why. And just because 256 seems familiar, this is what I would select.
a- for the “Band width” I’d pick up the “56 dial-up” settings because of the large audience it is aiming at, ..
b- as for the “band width rate” I can choose between “variable” (average or high quality) or “continuous”, I’d pick “variable (average) because of the diversity of the audience connectivity
c- and then I have to choose the rate values (default values go from 700 max to 200 average), and here I really have no idea,
d- Then I have two drop down menus (for video and audio), first for a voice codec : there aren’t any voice on my video, so I’d pick the lowest value = 5kbps, second for a music codec : there’s a mp3 soundtrack on my video (rate: 200kbps, 2(stereo) and 44KHz), so I’d go for the “176kbps stereo music” selection in the drop down list, but I keep wondering why not “176 kbps audio surrounding”, or maybe it could be a lower or a higher rate.
e- and then again, I have the same two drop down menus (but this time for video only). Basically for the voice codec I’d make the same selection as above for both the voice and music codec.
a-In the video panel, I can decide to change the dimensions of the images. Default is set to 320*340, but my original files are 720*576. So should I change the default settings to match the real dimension of the images ? If I do so, will that increase the weight of my video and as a consequence the duration of download for the internet users ? Maybe I shouldn’t consider this as it should be a streaming video, … then the weight doesn’t really matter, and I can go for the 720*576 resolution. Except I’ve read somewhere that most servers that host videos are not dedicated to streaming, so in the end, the weight does matter for most internet users wishing to watch a video. … Shouldn’t I on the contrary leave the default dimensions as they are ?
b- and the in the next drop down menu I have to choose the video compression : “Real Video 9” or “Real Video 8” or “Real Video G2”. So … So G2 rings a bell somehow related to servers specializing in streaming (maybe I am completely wrong here … sorry). So I’d pick up that one to ensure that my video will be streamed. Then as an afterthought, as the total length of my video lasts no longer than 4 mn, maybe I can afford any of the two other options in the drop down menu. But which one is best ?
Jeez, this is a lot ! I’ll come back later on with my other formats and check if anybody is brave enough to answer !
Thanks in advance anyway
T.

dj paige ... thank you.

Export settings

what are preferable export settings for a sequence from a 1080p 30 hd project in avid?.. apple pro res? h.264? and format settings for dvd studio pro to create an hd dvd? i'm pretty lost on this, thanks!

Export a reference or self-contained QT of your sequence so that your export will match your sequence settings. The SC QT will be very large and a reference will suffice for what you need to do. Avoid H264 for anything related to DVD unless you have to author on a PC.
Since HD-DVD is no longer a viable option you will only be able to create a SD DVD in DSP.
You could create a Blu-Ray(if you have a burner) with compressor using the same above workflow.
If your show is less than 20 minutes you could also burn a red-laser(regular DVD) HD disk that will play in Blu-Ray players(not on a PC). There are tutorials from Ken Stone regarding this. Some will argue that you can fit more than 20 min on a Red laser BR but for HQ compression I personally do not recommend it.

Sony HDR CX550v export settings Premiere Pro CS5

I would like to know, what are the best "Export Settings" in premiere CS5 when rendering for Blu-ray?
I shoot everything in the highest quality HD setting. I assume I should export it as Progressive Scan, but should I? Or, should I just check "Match Sequence Settings"? Or, should I select a format with a preset that has "Match Source Attributes"?
I've found the best DVD settings are "MPEG2 DVD" with a preset "Match Source Attributes" and then customizing it by selecting the Field Order "None (Progressive)". This looks amazing for DVD quality, esp. on my Sony Blu-ray player that claims to upconvert DVD to some quasi HD deal. It almost feels like HD.
For DVD I've tried customizing by increasing bit rate, and all kinds of stuff. It just made it horrible, it took about 4 to 8 times longer to render, and wasted a perfectly otherwise fine verbatim lightscribe DVD-R....
Anyways, would like to know without the labor of trial and error, how to best tackle the HD side if anyone knows. Thanks!

Some links I saved about Encore Files & Formats http://forums.adobe.com/message/1901666
http://help.adobe.com/en_US/encore/cs/using/WS5C9E1CF8-B5BC-436f-89D3-61DDC02A2C47a.html
-and http://forums.adobe.com/thread/622722

FCE Export settings for Web content

I'm about to help a friend make a how-to video for the web. I have not shot it yet and I've never made anything for the web before so I wanted to verify the correct settings before I start. I will be shooting with a Canon HV30 in HD 30 fps. What easy setup and export settings will allow the footage to retain quality when exporting / uploading to the web? Do I need a separate compressor? Thanks.

The Easy Setup should always match the format of the footage you shot, as should the Sequence setting. The Canon shoots HDV, so [you need to read this first|http://documentation.apple.com/en/finalcutpro/professionalformatsandworkf lows/#chapter=2%26section=0].
With the correct settings make the best quality master file that the material will allow. This file can then be used for a variety of delivery formats, should you choose to show it in places other than on the web.
To make your web video, use a H264 web preset in Compressor. If you need to deliver a Flash file for the web, rename the H264 movie's file extension to .flv -in most cases it will work fine.

Correct FCE export settings for full HD on XBOX 360?

Hey everyone! Help!!!
I just bought an excellent Sony HDR-XR500V camera, which has a large sensor and shoots at a marvelous full 1080 resolution. Directly from my camera into the Bravia TV, it looks amazing.
I want to be able to watch the video file through my Xbox 360, but have no idea what export settings to use in FCE. I've been experimenting with Mpeg4 settings, but am fuzzy on the kbps.... I think my camera is capable of shooting 6.2 mbps... so what should I put?
I also thought of just exporting to Quicktime Movie and then converting to WMV on my PC, but Quicktime on my PC is unable to play the Quicktime Exported Movie that FCE produced. Does that make sense? I don't see a way to convert it.
Anyway, any thoughts would be helpful!
Thanks!
Marcus

The Easy Setup should always match the format of the footage you shot, as should the Sequence setting. The Canon shoots HDV, so [you need to read this first|http://documentation.apple.com/en/finalcutpro/professionalformatsandworkf lows/#chapter=2%26section=0].
With the correct settings make the best quality master file that the material will allow. This file can then be used for a variety of delivery formats, should you choose to show it in places other than on the web.
To make your web video, use a H264 web preset in Compressor. If you need to deliver a Flash file for the web, rename the H264 movie's file extension to .flv -in most cases it will work fine.

Help with sequence and export settings

hi
need to edit some clips made with camtasia using the tech smith codec
first i convert clips to dvd using stoki converter
then when i start prem cs4 i not sure which settings to use in the "new sequence" window under the editing mode drop down
also not sure of the settings at export settings under the format drop down
need to maintain the best quality
thanks

For the answer to "what Sequence Preset?" you will want to match your Imported footage 100%, even if that means choosing the Desktop Preset, and then customizing all aspects of it, to match.
For the Export, start with "how do I intend to deliver this material?" That will give you the basic settings, and then you can tweak those to suit. How do you plan to deliver the material?
Good luck,
Hunt
PS - this ARTICLE might prove useful.

Best image EXPORT settings for best quality

What should i have my export settings at when exporting to a jump drive to give to clients for web and printing use???
When i see my images uploaded on Facebook for example, the qulity looks poor which worries me that when printing the quality will be poor as well. Am i missing something in the setting for exporting? What is the proper way to export for the best quality image? HELP!
My settings now under Aperture>Presets>Image Export:
JPG Original size
300 dpi

t_hall10 wrote:
The information provided was helpful, but did not completely answer my question...
Are there specific settings with-in Aperture I can set for exporting so that clients have the ability to print as wanted and post on the web as wanted whithout losing any major amount of photo quality?
No, not for one size fits all.
I do appreciate this may be a frustrating answer, but non-the-less, that's how it is.
t_hall10 wrote:
Should I be gving 2 folders of pictures, one for web use and one for printing use? If I were to do that, what should the exporting setting be set for both folders?
Maybe, it's your choice.
Let's go through the settings.
The only real quality setting is for JPG compression. 12 is virtually no (lossless) compression but gives huge file sizes which may breach a websites limits.
A 16MP images on quality 12 will be about 22MB. 11 brings it down to 8MB and 10 down to 7MB. You'd be very hard pressed to see the difference between a 12 and a 10. But if you want to feel you are giving the best quality without the extreme file size, go for 11.
The the vast majority of web sites, like facebook, will either resize uploaded images and/or re-compress them. They may also crop them to a different aspect ratio to fit their browser software.
Many report the best size for upload to facebook, for small images is 960 pixels on the long side. For large images it's 2048. For different websites it may be different. It is discussed on many photography sites and blogs. You will find some promoting the 960 / 2048, and others with their own preferences. Here's a good one which also shows you many ways FB will mess with the images:
http://havecamerawilltravel.com/photographer/images-photos-facebook-sizes-dimens ions-types
The safest colour space is sRGB (Mac profile: sRGB IEC61966-2.1) as it will more often be right than wrong. You should preview your images on screen with this profile to get a feel for how it will look and avoid unexpected colour shifts in your files. Ideally your screen should be calibrated so you know what you are giving them is accurate.
To understand the printing issue, try this exercise:
If you have a printer installed on your Mac, it probably also installed some printer profiles. In Aperture, look at one of your nicer vibrant images. From the view menu turn on 'Onscreen Proofing' and then from the 'Proofing Profile' sub menu, select one of your printer profiles and look at how the onscreen image changes. Repeat with each of the printing profiles and see how the image changes each time.
This is only a fraction of the colour shifts that will be occuring after you give your file to someone and they print it on their own uncalibrated system with their uncalibrated printer.
Many photographers don't offer full size images to their clients. They will usually give them smaller versions for their own use, which may include small size printing.
They will either do the main printing themself on their own calibrated printer, or work with a print shop, and may have installed calibrated profiles on their system for the shops printing equipment so they can use onscreen proofing to gauge what the pictures will look like when printed on that equipment.
But if you are just giving a file to someone, you lose all control of how they will print it. Even experienced photographers and computer users can struggle to make the prints match close to what they look like on screen.
Most often photos will appear too dark, or the colours look wrong, or it lacks sharpness. There are some settings on the export presets for gamma and blackpoint compensation. Gamma will brighten the image for when it's printing too dark, and blackpoint will try to stop the shadows turning black (within the chosen colour space). But as you don't know in advance whether the images are going to print too dark, or the shadows are turning black, you can't really set these for a one-size fits all scenario.
So there are not many settings to help you here.
You are actually moving into the realm of defining your product. You could, for example, ask the client which site they intend to publish the photos on, research that site and produce files optimized specifically for that site.
You also need to decide what size (resolution) files to give them for printing and whether you are happy giving away your full size images.
These choices will lead you to a number of a different files sizes as 'your product', all should be in sRGB colour space, and all with quality 10 or 11. For any client's who know how to make use of a wider clour space like Adobe RGB for printing, they will probably ask you up front to supply the print versions as such.
Next, for each size and usage, you now need to sharpen these images.
This is because sharpeing is best applied to images that have been resized to their intended output size and should be sharpened in accordance with how they will be viewed. Images displayed on computer screen generally need less sharpening than those that will be printed. Depening on the printer, the images may need some oversharpening in the file, in order to appear crisp and sharp in the print. As you won't be controlling the printing process you should probably avoid oversharpening. The bottom line is, if people are taking on the task of their own printing, they'll need to figure out what they are doing to get good results, or use a commercial printer.
Andy

Best export settings for Canon cameras: Key Frame Distance confusion

Good evening! I have the Canon SX230 camera (for easy understanding, you could consider it as 5D Mark) and Premiere Pro CS5.5, and what I need is to export my project with the best similar to the source quality, as lossless as it possible (but not like absolute lossless oversized AVI's...) To my happiness, there are not so many export settings, but I am very puzzled with "Set Key Frame Distance" point. Okay, basically I understand what GOP is, what I don't understand is what value I should choose for the best result, if my сamera does videos with M=1/N=12? I'm choosing "1" Key Frame Distance, like all frames are I-frames, saving the original sequence, because you don't want to convert original I-frames to P-frames, so it's better to make them I-/P-/B-frames all like I-frames? Am I right at this point, is that wise, and will it be the best reasonable option, matching original M=1/N=12? Or is it not worth it? And will it fundamentally affect the file size? I really need your help on this, worked on this project for three months and really don't want to screw up all:) Thank you very much!
sample of my sourse files:
and this is my export settings, which I think is the best of the best, but please correct me if I'm wrong:

Oh dear Ann, unfortunately it is not possible.
For some unbelievable reason it is okay to mux H.264 with Dolby, but forbidden to mux H.264 with PCM. That has absolutley no sense. Anyway, that's not a problem, mkvtoolnix does a perfect job. Really need PCM stereo audio for that project. And H.264 is the best codec for Full HD project out there, MPEG is too old...

Best Export settings for 1080i60, HDV

Hello,
I'm about to start exporting a episodic TV show that I've been working on for a long time. This has been my export settings that I've used in the past.
VIDEO:
MPEG-4
File Format: MP4
H.264
Data Rate: 9000 -- Optimized for: Streaming
1280x720 HD (should I do 1920x1080?)
Frame rate: 30
Key Frame: Every: 24 Frames (is this correct?)
VIDEO OPTIONS: Encodiing: BEST QUALITY
AUDIO:
Data Rate: 320
Output Sample Rate: 48
Encoding Quality: Best
This will be streamed on BLIP.TV, and Youtube.
Any advice on how to improve these settings?

Keyframing should be set to Automatic. You can also set Data Rate to Automatic and get good results. The data rate you have is a bit high, though, for Internet video. You can come WAY down from that. But I'd just set it to Automatic. Be sure Frame Reordering is checked. Frame rate should match your original file.
Audio can be ACC 16kHz at 32 bit data rate and still sound good.
I'd just go with the H.264 codec, though. Here's what I do, you can't go wrong, and once that Droplet is done, you're home free!
http://slfcpug.ning.com/video/1975320:Video:4903

Ho to match this HD export settings in CS6?

Similar Messages

Maybe you are looking for