How to add composition to Media Encoder using Script?

On AE CS6 I used to add compositions to render queue using scripts. (jsx). Since Adobe depreciated some encoders scripts can not use those presents. I want to switch to Adobe Encoder and I want to add compositions to its queue using scripts.
Is there a way to tell adobe to add certain composition to Adobe Encoder queue using jsx script?
Is there any scripting guide for Adobe CC?

You will probably have to resort to calling the respective menu command and/ or write your own AME render list. I'm not aware of any specific support or commands for this otherwise, though presumably one might be able to intercept the stuff sent between the programs and build a little helper utility to mimic this functionality....
Mylenium

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    Hello guys!
    First of all congrats about the new features, and the badass look of After Effects. I really enjoy it!
    But I'm really disappointed to see that the h264 render function is gone. That really destroyed my workflow   boom!
    Because I have a lot of jobs for an event hall, where I'm doing very often 360 degrees projection mappings, and the global resolution there is around 26 000 px width. What we usually do, because we're using watchout as playback system and handling all the projectors, is splitting h264 movies to theirs maximum width resolution. The things is that for example for an event we have around 20 - 30 animations, and 1 animation is split in 6 movies.. What we usually did -  we wrote a small script which splits automatically the movie into 6, pre-compose them all, align them all  and renders all the videos with predefined h264 settings. So .... my question now is.. how can I modify my script and set it to send all the pre-composed, resized, aligned, new comps to Adobe Media Encoder and use a predefined h264 render setting? I couldn't find anywhere more info about the scripting bridge between AE and Media Encoder.
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    Marin
    PS: I know that we can use Final Cut Pro or Motion to get more resolution from the h264.. but it's kind of workflow that I used to work.. everything happens in one application.. and no annoying hundred times save as, render as etc

    Hi Marin,
    It's true that it's a pain to handle the encoding of h.264 outside of AE.  You can write a script that calls the app.executeCommand() function and passes in the code that invokes the "Add to Adobe Media Encoder Queue..." found under AE's Composition menu.  The correct, numerical, code for that command is 3800.  So you would just iterate through the comps you wanted and then open them in the main viewer using the .openInView() method which brings them into focus so-to-speak.  Once it's open you can then send the comp to AME with app.executeCommand(3800).  On the AME side, you would have to make a default template for the render output settings you would want.  When your script adds a comp to the AME queue it will take those settings. 
    Now, you could do all that, but have you seen AEmpeg that aescripts posted yesterday?  It allows you to render to 100s of codecs using ffmpeg right from AE.  While it costs some money, at least it will open up the door to a streamlined workflow and a variety of codecs that you might need.
    --Arie

  • Cannot find "Add To Adobe Media Encoder Queue"

    I just started in AE, and I've got a pretty good grasp on it from all the tutorials out there.
    But I hate the native rendering system in AE, I'd rather use Media Encoder like I have been for Premiere Pro.
    In the Adobe Tutorials, it says Comp > Add To Adobe Media...  but I don't have that option even available. I'm using Adobe After Affects CS6. This wasn't removed in CS6 Was it?

    In After Effects CS6, even though the Add To Adobe Media Encoder Queue command isn't present, you can add your composition to AME by other methods. Either use the File > Add command inside AME, or drag and drop your composition from After Effects to AME. Make sure to save your project first.

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    AME announced 10 hours of encoding, but after 5 hours it was only at a third of completion. So I rendered the movie in DNxHD, then encoded in AME : 1 hour for the DNxHD file, and 4 hours for the MPEG2. Much faster!
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    As for the higher encoding time of exporting to AME frome AE, do you have any clue ?
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    If I were you, I would try to solve the problems with AME transcoding your footage. You should bring the issue to the AME forum.  If you're fully committed to not using AME, I recommend using Premiere Pro, not After Effects, for this type of job.
    Regardless of all the above, I agree with Rick: you shouldn't need to transcode 24fps footage to 25fps for playback from DVD. DVD players will do that frame rate translation for you at playback time. But if your footage is not PAL dimensions (720x576), a DVD player won't necessarily convert the frame size, so transcoding at least the frame size is recommended. Bottom line: I would let your DVD authoring software (Encore?) handle the original file; it should do any conversions necessary when you set the DVD format to PAL.

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    The Add To Adobe Media Encoder Queue command is new in After Effects CC; it does not exist in After Effects CS6 or earlier versions. The command is available under both the File > Export and Composition menus. The keyboard shortcut is CTRL+Alt+M (Windows) or CMD+Opt+M (Mac).
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