HT1550 What's the best formate to use when coping cd to computer

What's the best formate to use when coping cd to computer

If you will be using your music only in Apple products, choose the  AAC Encoder with  "iTunes Plus" format, which is 256 kbps.
If you will be using your music also in other players, programs, and devices, choose MP3 Encoder at 256 kbps.
Of course, if you have any special requirements, e.g. audiophile-quality equipment, you can vary the above recommendations.
As you know, the above selections are made in the Import Settings dialog in Preferences > General.

Similar Messages

  • What is the best format to use on an external hard drive so I can both back up my Macbook Pro and also put movies on it from another hard drive (PC)?

    I am looking for a solution to whether if it is best to get two hard drives or one that can do two things that I want.
    I am looking for a hard drive format that can both back up my 500GB Macbook Pro but I was also wondering if I could also put movies on it from another hard drive that is PC based. Would partitioning the hard drive work for this? I don't know what are the best formats to use.
    If this is too hard it might just be easier having a separate 500GB hard drive for back up of my Mac and another bigger hard drive for the movies etc (the files are probably bigger than 4GB). Any help would be greatly appreciated as I need to make a decision soon!

    Csound1 wrote:
    Microsoft has not released the official exFAT file system specification, and a restrictive license from Microsoft is required in order to make and distribute exFAT implementations. Microsoft also asserts patents on exFAT which make it impossible to re-implement its functionality in a compatible way without violating a large percentage of them.[13] This renders the implementation, distribution, and use of exFAT as a part of free or open-source operating systems or of commercial software, for which the vendors could not obtain a license from Microsoft, not only technically difficult, but legally impossible in countries that recognize United States software patents.
    Can't help with that, if one is using a Windows machine then they are subjected to their rules and control.
    Limited support outside Windows and Mac OS X operating systems as of 2012, when most consumer electronic devices could only handleFAT12/FAT16/FAT32, rendering exFAT (and flash memory formats using it) impractical as a universal exchange format.
    The OP said they plan to store movies on the external drive.
    Many movies today are well over 4GB in size, thus exFAT has to be used and formatted on the PC, which the Mac can then read.
    Older Windows NT versions up to Windows Vista without Service Pack 1 do not support exFAT.
    Irrelevant, Microsoft provides a free download of exFAT for Windows XP, and Vista shouldn't be running on pre SP1 anyway.
    Some distributions of Linux have begun to include support for exFAT. It is however, only available as a file system in user space, as it's not supported by the kernel.
    Irrelevant, OP is using Windows and OS X, not Linux and if they did Linux can read the files at least and transfer, which is all they care about really.
    Windows Vista is unable to use exFAT drives for ReadyBoost. Windows 7 removes this limitation, enabling ReadyBoost caches larger than 4 GiB.[14]
    Irrelevant, the OP's is intending to use it as transfer drive between Mac's and Windows for movies.
    The standard exFAT implementation only uses a single file allocation table and free space map. FAT file systems instead used alternating tables, as this allowed recovery of the file system if the media was ejected during a write (which occurs frequently in practice with removable media). The optional TexFAT component adds support for additional backup tables and maps, but may not be supported.
    Some relevancy, but only exFAT can handle 4GB+ files between Mac's and PC's, so the need outweighs the possible problem.
    The OP needs to follow the standard Windows practice of "safely removing hardware" before physically disconnecting the external drive. If a write is occurring, it won't allow disconnecting until the write is finished.
    Support for up to 2,796,202 files per subdirectory only.[1][nb 3] Microsoft documents a limit of 65,534 files per sub-directory for their FAT32 implementation, but other operating systems have no special limit for the number of files in a FAT32 directory. FAT32 implementations in other operating systems allow an unlimited number of files up to the number of available clusters (that is, up to 268,304,373 files on volumes without long filenames).[nb 4]
    Not a issue, only in extreme cases of a lot of small files. The OP plans to use it for movies which are usually large and take up a lot of space on the drive.
    IMMO It looks like you just ran off and copied something to argue your point when all the points are basically irrelevant.
    There is only one format that can easily share 4GB sized files between Mac's and PC's without further complications.
    It's ALSO possible to install MacDrive on the PC and format the drive on the Mac HFS+, but I didn't recommend that because I know it's a hassle just like third party NTFS writing software is a hassle on Mac's.
    If you so anti-Microsoft format, then you must know Paragon has to pay a license fee to Microsoft for using the NTFS format.
    At least with exFAT there is no fee to Redmond, at least not yet.

  • Editor here, what's the best format to use for iMovie?

    Hi all.  I edit professionally, using Final Cut among other products.  I haven't touched iMovie since...I can't remember when.
    We have a client who is going to be using some of our footage for a project they will be editing themselves, using some version (unknown at present) of iMovie.
    Assuming their computer is new, and they have a fairly current version of iMovie HD, what's the best format to transcode our original files to?  I could always default to DV anamorphic, but would rather give them HD files.
    Thanks for your help.

    If they have a current Mac and are on iMovie 11 (current) or iMovie 8 or 9, give them Apple Intermediate Codec.
    This works well for HD files.
    Other formats that would work: Motion JPEG-A, Apple Animation Codec, h.264, DV, HDV.
    ProRes 422 will only work in iMovie if your client has Final Cut Pro installed on the same machine (and thus has the necessary components).

  • Fce, what is the best format to use?

    have the home movie on dvd which I am pulling off with either handbrake or streamclip. what setting do I use for the output? the mac guy in my pro lesson mentioned there are many diff mpeg4s...but then wouldn't elaborate because even though it MY HOME MOVIE, that I SHOT MYSELF, and is on dvd, that it is illegal and he can't talk about it since by definition dvd is encoded and that is against the law...and to write my congressman to change the law....yet I don't feel like waiting that long to see if someone can tell me what is the best quality to use.
    also, I am now using my sanyo c6 which puts it onto an sd card, which I can connect via usb2 and bring right in...is that ok quality, or is that also not so hot?
    thanks,
    Dan

    The video & audio on playable DVDs are encoded as MPEG2. It is not DV video, it is MPEG2 video. MPEG2 video is a totally different format from DV and is much more highly compressed than DV.
    To convert a DVD's MPEG2 format to the DV format needed by FCE, you need a tool such as MPEG Streamclip. Streamclip is capable of converting many different video formats to DV however if you need to convert MPEG2 video to DV it relies on QuickTime. The error message you are getting is that your system does not have the QuickTime MPEG2 Playback Component, which you will have to purchase from Apple ($19) if you want to use Streamclip to convert MPEG2 videos to DV.
    DVDxDV and DVDxDV Pro are good products but they are respectively $25 and $80. The Pro version is a better choice than the regular version imho because it has more features and will give your converted files timecode. Not absolutely necessary, but very nice to have. The more video editing you do the more you will appreciate having timecode. Streamclip is free and the QT MPEG2 Playback Component is $19.

  • What is the best format to choose when converting mts files to fit well with iMovie? I am using iCoolsoft for conversions and can pick from almost any kind of formats to convert to. I don't want to get the black frames... what do you advice me to pick?

    I have lots of MTS files stored on an external hard drive that I want to use in my iMovie films. Now, as you know, iMovie doesn't like them. I have bought iCoolsoft for converting my video files into any format I want but now I've got another problem: what format is the best for iMove? Some of the formats I've tried are giving me a black frame around the video clips and some are bigger and other smaller but anyway I don't want them at all! Can anyone recommend what format to convert to to keep the original clip's size and no frames and still be liked by iMovie to be able to import them?
    Much thankful for any kind of support and reply on this one.
    Eva

    The format iMovie uses when you edit video after it's imported is Apple Intermediate Codec, it will have the file ending .mov but internally it's set so the Mac can edit individual frames easier and play them back easier at full speed. If you have the option of saving to QuickTime .mov see if there is a pulldown list of all the different "codecs", that's the style or flavor of compression applied to the video frames. If Apple Intermediate Codec (AIC) appears on that pull-down list choose that as your codec when you save to .mov.

  • What is the best codec to use when importing video into Premiere?

    I have recently aquired Premiere cs6 and want to use the best possible format to edit with. I am going to use footage that I film with a DSLR (5D mark III) so I know the codec will be H.264. My question is: Is H.264 the best codec to use? Or, is there a better codec that Premiere likes to use?
    Thanks!

    >recently aquired Premiere cs6
    Please NOTE that the PPro CS6 screen may look a bit different (I use CS5)
    For CS5 and later, the easy way to insure that your video and your project match
    See 2nd post for picture of NEW ITEM process http://forums.adobe.com/thread/872666
    -and a FAQ on sequence setting http://forums.adobe.com/message/3804341
    And, A tutorial list in message #3 http://forums.adobe.com/message/2276578

  • What is the best format to use for still photos in FCE that will produce the highest resolution?

    Hello,
    Can anyone recommend the best suggested format for photo stills in FCE that will provide the highest resolution and best quality output, to be broadcasted on a Standard Definition television network?
    Thanks,
    Susan Kayne

    Personally, I prefer uncompressed TIFF or PNG.  But many times it won't matter ... you'll be dropping the images into an SD Sequence, so they will lose resolution on output.
    -DH

  • Video Project Across Continents - What's the Best Format to Use?

    Hello
    We're going to be undertaking a project shortly where US students shoot half the script and UK students shoot the other half. In terms of editing these rushes together I was considering shooting in HDV 1080i50 then re-compressing into Apple Pro Res. Will I encounter problems when the US send me their rushes or vice versa?
    Is there another way of doing this?

    +I hear it can sometimes produce stutter in footage. Is this correct?+
    There is an altogether different motion quality to progressive footage versus interlaced. If you are used to looking at video footage shot at 50i, and then watch video footage shot at 25p, you are likely to notice the difference and yes, you may perceive that difference as being a kind of stutter ... but its not really, its just not what you're used to. That said, when you watch high end dramatic productions on the BBC then you are probably seeing something that was originally shot on film or video at 24p or 25p.
    Just don't go out of your way to give people a reason to notice changes in temporal quality ... don't ever intercut interlaced and progressive in the same edit.

  • Adobe v. Apple - Flash v. H.264 - what's the best format for web?

    So the iPad doesn't support flash.  I guess that means that if I upload my projects as flv's or f4v's and use a flash player then the apple obsessed people won't be able to watch my videos
    http://tech.fortune.cnn.com/2010/05/02/apple-vs-adobe-is-flash-dying/
    Personally, I don't really care if flash lives or dies.  I just want to be able to publish videos that anyone can watch in a player that anyone can use without having to download a plugin.  SO, what is the best format to use?
    To date, I've been shooting my footage in HD 1920x1080i, saving my PE projects as MPEG2 HD 1080i, and then converting to f4v's.  Now I'm wondering if I should be saving them using the H.264 preset instead and then presumably some lower quality settings for the web file?  And if so, what kind of end user player should I be looking for?
    Help anyone?

    Well, unfortunately Flash was the universal format, and then Steve Jobs decided that he did not like Adobe. As most browsers on Earth were FLV playback enabled and if not, were only a quick, free download away. Now, it seems that Apple's devices will only work with flavors of MOV. One can still download and install Apple's QT Player (though several recent versions did not work well with Adobe programs - Steve Jobs sabotage?).
    Instead of coming together on universal formats/CODEC's, it seems that many wish to fragment the market to support just their products. One is at the mercy of these hardware and software companies. Producers probably should now do several versions of everything, if they wish to cover all bases. Someone will have to download and install something.
    Good luck,
    Hunt

  • What Is The Best Setting To Use To Import Music?Please Help.

    Hi, All
    I have got an 80GB Apple Video iPod And I am still trying to figure out how to work it as I am new to using iPods.
    What is the best setting to use to import CD Music and Music from the Internet to iTunes?? as I would like to listen to the highest quality there is on iTunes and my 80GB Apple Video iPod.
    The settings are: ACC Encoder, AIFF Encoder, Apple Lossless Encoder, MP3 Encoder, WAV Encoder. If you have not got them to hand.
    Many Thanks For Reading This And Replying To It, Much Appreciated!!
    I Hope You All Have a VERY Merry New Year!!
    Kind Regards, Rocky Robin

    There really is no BEST setting. The "best" setting is the one that sounds the best to you.
    Having said that, you also asked what setting provides the highest quality audio. In that case, you need to use a lossless format, such as AIFF, WAV, or Apple Lossless. MP3 and AAC are both compressed formats, and will not provide as good of an audio quality as a lossless format.
    My personal preference would be Apple Lossless, but any of the lossless formats will produce an almost identical quality to the CD track.
    Keep in mind, the files will be quite large.

  • What is the best format

    what is the best format  for z2,  insted of factory rest 
    format like you format your computer 
    Solved!
    Go to Solution.

    @AymanLinux
    Those are your options
    1. PCC or Bridge as suggested by @Phy
    or
    2. using MyXperia/Android device manager to delete everything on your phone. 
    "I'd rather be hated for who I am, than loved for who I am not." Kurt Cobain (1967-1994)

  • What is the best settings to use in the export manager when exporting from Aperture 3.5 to Photoshop cc.  tiff? psd? 16bit? dpi?

    What are the best settings to use in the export manager when exporting from Aperture 3.5 to Photoshop cc for editing? 
    Should I use tiff or psd?
    8bit or 16bit?
    How many dpi?

    That will depend on the photometric resolution of your originals. For jpegs it would be a waste of space to convert them to a higher resolution than 8bit, but if your images actually have already more than 8bit, you will want to preserve this quality. Then he 16bit format will help to prevent color clipping.
    Both tiff and psd will preserve the lossless workflow. With Photoshop as external editor I would use he psd format for better support of layers and transparency, e.g., when you want to create watermark files.
    The dpi will only matter, when you export the file for printing.

  • The BEST format to use with iDVD is .DV video from QT Pro ?

    The BEST format to use with iDVD is .DV video from QT Pro ?
    Hi Jon
    If you remember my video (640x480) NTSC in iMovie Project.
    Someone told me that exporting movie to DV video QT from iMovie share option, for burning in iDVD, is the best quality possible.
    Is this true ?
    If so what are the parameters ? Again is for seeing in a widescreen TV

    Someone told me that exporting movie to DV video QT from iMovie share option, for burning in iDVD, is the best quality possible.... Is this true ?
    As usual, this is really a matter of individual opinion. I personally prefer the Apple Intermediate Codec (AIC). It is newer codec specifically designed for use as an "intermediate" editing compression format. It is slightly more efficient than DV-25 (18-20 Mbps for audio + video vs. 28.5 Mbps) and is less restrictive (i.e.,the user has more control over certain settings). On the other hand, the very nature of having a highly standardized (few user option) compression format does appeal to many users since there are fewer things the user can mess up.
    If so what are the parameters ? Again is for seeing in a widescreen TV
    Bit rate, frame rate, and encoding dimensions are part of the standard and do not have user parameters as such other than selecting the NTSC or PAL standard. With regard to the aspect ratio, you simply select which you want to use—4:3 or 16:9. However, as I've previously mentioned, it is possible to distort your output by either entering the wrong aspect or to actually "lose" the embedded flag/value in some work flows. (I.e., a 4:3 aspect movie displayed at 16:9 makes the people an objects appear short and fat while encoding a 16:9 aspect movie as 4:3 will make them look tall and skinny.) Movies should always be encoded in their original aspect ratio since any modern digital TV will allow the user to disport—i.e., force a 4:3 file to fully fill a 16:9 display screen. In fact, some will even allow you to spread the distortion evenly across your screen or to the spread it proportionally. (On my set these features are called "H-Fill" and "Justify" respectively.) If you were to use the AIC video compression format rather than DV, then you would have to manually enter the display dimensions for the "standard" and/or "definition" format you are targeting.

  • What is the best format for a image with transparency?

    If I create an image in PhotoShop with Transparency, what is the best format and size to save it in for it to work in FCE?

    Did that link help you?
    Thanks Tom.
    The link helped.
    FCE kept crashing when I put the image on the time line and I figured out that it probably had to do with the size of the image that I was using. It was 4656x3400 and CMYK.
    Once I reduced it and changed to RGB it worked.
    Love your new book!

  • What is the best format for a master?

    Hi,
    I am about to send my master for replication. Can anybody tell me what is the best format I should save my songs into? I want to avoid any complains that my CD is not "compatible" with someone's CD player.
    Also, any pointers on how to burn my master CD (slowest speed, etc.) to get the best sound quality I can get from Logic Pro?
    As always, thank you sooo much. :>
    Anya

    Hi,
    Your master should be dithered (assuming you started off in 24bit) to 16bit and 44.1 - which is cd quality. Whether it is in aiff. or wav before you burn to CD is not an issue.
    As for the CD itself - use Waveburner to burn the master disk as this burns it to red book compliant quality. In regards to the speed - i tend to burn cd's at 4x as a sound guy friend a fw years ago informed me this would reduce the possibility of errors on a burned cd. If you want to be sure burn it slower even!
    The most important thing is to bounce your tracks down to 44.1 and use Logic's dithering options when making the tracks 16bit too.
    Hope that helps,
    Rounik

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