Hybrid project

I would like to know can I have an application using ASP.NET, ColdFusion, PHP and Delphi Prism on the server and same application.
If it happens that different developer has different tools.
Your information and help is great appreciated,
Regards,
iccsi,

Hi,
Even i have the same thought as Kabir. Check whether Access control list has been activated and set up for the respective network headers. If yes, please deactivate it or do not maintain any details under the ACL tab that appears in the Network Header.
Best option would be to deactivate the ACL functionality in the respective project profiles in transaction OPSA.
Regards,
Gokul

Similar Messages

Persistence.xml in Hybrid Flex-Java

Hi all,
I've started working on a Hybrid project of Flex-Java using a new setup that is available since Flex Builder 3 Final. It creates 1 project that will hold a flex_src folder, java_src folder and WebContent folder where the compiled files will go to using an internal Eclipse Tomcat server.
Now I want to use persistence.xml for hibernate. But I can't figure out where to place this file inside this project? Is there someone here who does know? Thanks a lot in advance.
Cheers,
Rick

Create a META-INF subdirectory of src and place it in there. This will then be deployed in the resulting WAR file to <appbase>/WEB-INF/classes/META-INF/persistence.xml which is where it needs to end up.

Does anyone else miss Macromedia

For Macromedia, it felt like Flash was a passion and each
release took it forward.
With Adobe in charge each release is MUCH MORE EXPENSIVE that
the last and it seems almost exclusively geared to the developers
and app builders while ignoring the designers.
AS2 left most designers behind and before you knew it we're
onto AS3.
TellTarget worked fine - now I can't write the simplest code
to make a movie clip play without looking
it up on Google.
Is this really progress ?
Flash was very exciting once. Now it feels like just another
geeky tool for coders and nerds which
is inaccessible for designers / animators / artists and
creatives of most types.
I think that's a real shame.
Learning French was hard - learning AS3 - I won't bother.
How many animators are going to learn the massive amount of
useless nonsence contained in Flash these days ?
If you have a version of Flash 5 or MX fire it up and check
out how easy it was to use the Action Script panel - now compare
that to 8 or anything called "CS".
Adobe are actually alienating the very people who should be
drawn to this software by pandering to the developers, code
warriors and geeks. Who, given that the Flash Player is so powerful
now, don't really need Flash as an authoring environment anyway...
Just my two pennys worth.
Grrrrrrr....

PICKING UP FROM WHERE I LEFT OFF.
// Recap:
> Because cheese is derived from milk, you could
> honestly say that cheese *is* milk -- it's just
> milk that has been cultured, curdled, and pressed.
> But it *is* milk! Because we're so familiar with
> this dairy products, the concept isn't confusing.
In a similar way, movie clips are sprites; they're just
sprites that have a timeline. Ice is water; it's just water of a
particular sort -- water that has been frozen. If you look at the
methods of the MovieClip class (methods are things an object can
do), you'll see a list of features familiar to any long-time Flash
designer: stop(), play(), gotoAndStop(), etc. It's a short list if
the inherited methods are hidden, because the default view only
shows you the things that make movie clips different from sprites.
Look at properties, and you'll see a similar phenomenon:
non-inherited properties include currentFrame, totalFrames,
currentLabel, etc. -- again, timeline-related features, because
movie clips are effectively just sprites with a timeline -- but you
won't see glaringly obvious things like width and height. Don't
movie clips *have* width and height? Of course they do, but width
and height (and other properties) aren't something unique to movie
clips. Only the timeline-related features make a movie clip a movie
clip. To see the other stuff, you have to show inherited properties
(or methods, or events), so click the "Show Inherited Public
Properties" hyperlink.
Doing so reveals numerous other properties, including
familar characteristics like rotation, scaleX, scaleY, x, y, width,
height, and so on. These are, in fact, properties of the MovieClip
class; it's just that they're inherited from other classes up the
family tree. In the same way, cheese *has* calcium; but the only
reason for that is because *milk* has calcium, and cheese
"inherits" that feature from milk.
If you're coding up a movie clip with keyframe code (or even
with a custom class), it really doesn't matter what the movie
clip's heritage is. It doesn't matter, for example, that it's the
Sprite class that introduces the startDrag() and stopDrag() method
... because movie clips *are* sprites, so those methods rightfully
belong to all movie clips. It doesn't matter that the addChild()
method is introduced by the DisplayObjectContainer class, because
movie clips *are* display object containers (because sprites
inherit directly from the DisplayObjectContainer class, and all
movie clips are sprites).
Does that help? AS3:QRG covers inheritance in numerous
chapters, so there's more information to be had in the book, but
I'm also happy to keep rambling here, if it helps.
>> A serious look at not only the new Display List
model,
>> but how it compares in relation to the timeline and
the
>> old AS2 model is crucial.
This is a really good point, and I agree that the display
list concept is essential to successful coding in AS3. AS3:QRG goes
into the display list concept in several chapters, with examples
that include sample files.
>> Do this without using any reference to classes.
I'm curious why this matters? Even in AS2, it's important to
understand the concept of classes, if only because (to me) it helps
with consulting the Help docs. You might not actually write custom
classes of your own -- that's perfectly fine -- but it helps
tremendously to understand how classes inherit from each other, and
that classes define objects. If you're working with a movie clip
symbol, then you're working with an instance of the MovieClip class
(in AS2 or AS3, doesn't matter). Class entries typically have
headings for properties (characteristics of the object), methods
(things the object can do), and events (things the object can react
to).
>> Take a completed AS 2 timeline project and walk us
>> through the conversion, then reuse that project and
walk
>> us through converting it to classes.
AS3:QRG presents a simple particle system in AS2, then
migrates it to AS3. Based on page constraints, we had to keep the
project small. It certainly isn't what you'd call a "timeline
project," but it does address adding particles to the display list.
Here's the thing. If your project is currently *not* based
on custom classes -- that is, it's entirely timeline-based -- then
it's important you don't confuse an AS2-to-AS3 migration with a
timeline-to-class files migration. It's a fallacy to go in assuming
that AS3 necessarily means you're obligated to code up everything
in class files.
If it makes more sense to code your project with class
files, then it makes more sense across the board: you should be
coding with class files whether the language is AS2 *or* AS3. On
the other hand, if it makes more sense to code your project in
keyframes, then do that. In that case, you presumably have enough
visual effects -- the sort that rely on manual timeline animation
-- to merit timeline coding. That isn't a question of what version
of the language to use. (Of course, there are hybrid projects,
which are are often the most challenging.)
The more insight I get into your needs, the more I suspect
you're confusing the move to AS3 with the move toward custom
classes. If your workflow could benefit from custom classes, then
you should already be using them with AS2. Doing so will
necessarily introduce significant changes to your workflow -- e.g.,
no more on() or onClipEvent(), even though AS2 allows it -- but
that isn't a "fault" of AS3. Make sense?
>> Remember, many of us were not using listeners
because
>> they weren?t as good as onClipEvent s for many
things.
Even in AS2, the dot notation equivalents to onClipEvent()
are more powerful than the onClipEvent versions (pp. 15, 16
AS3:QRG, with more info in p. 72 and 118, and additional insight
into event handing elsewhere throughout the book). I wrote up a
blog entry about this awhile back that explains what I see as the
benfits of the new(er) approach, as I see them:
http://www.quip.net/blog/2006/flash/museum-pieces-on-and-onclipevent
Benefits include: 11 button events, versus the previous 8
(this is AS2); 18 movie clip events, versus the previous 9 (again,
AS2); code may be maintained in a single frame, if desired; event
handlers may be assigned, deleted, and changed programmatically.
There's certainly an intuitive benefit to on() and
onClipEvent(), because you know visually what objects you're giving
instructions to (it's the objects you actually select by clicking).
But how many times have you pasted half a dozen lines of code into
two dozen buttons in a timeline? It's tedious, isn't it? And when
it's time to change that code, you have to remember to locate all
two dozen of those buttons, then make sure you update all the code
manually in each button. Or consider how often you've seen
directly-attached onClipEvent(enterFrame) code that needless
repeats its instructions for the duration of the SWF?
>> Be sure to discuss the necessity and strategies for
>> listener removal. Many of us are not used to this
level
>> of control/error checking now required.
There are definitely times that I remove event listeners, in
both AS2 and AS3 -- but there are also times when it's simply not
worth the effort, regardless what language I'm using. If I code up
a button to respond to mouse clicks, I may very well want it to
keep doing that until the user closes the browser. In a case like
that, there's just no need to remove the listener.
If I'm using an enterFrame handler to move around a movie
clip, I'll unhitch the listener when the clip arrives where I want
it to go, in both AS2 and AS3. (In contrast, if I'm using
onClipEvent(), I'll probably rely on reducing to zero the number of
pixels my clip is supposed to travel when it comes to its
destination. Sure, it'll stop traveling, but its onClipEvent
function will continue to trigger 12 or 24 times a second,
depending on framerate, for no good reason.
>> Compiler, errors, and trace.
>>
>> Teach us how to use this. For those of us familiar
with trace,
>> it doesn?t return the information we would expect,
it causes
>> unexpected errors when it never did before.
Help me understand this. Are you saying that trace() (and
probably the Compiler Errors panel) gives you errors that are
harder to understand? If that's what you mean, then I agree that
AS3 is more challenging. Or rather, the error messages and warnings
can be harder to interpret than the ones you get in AS2. For one,
AS3 is considerably more verbose than AS2, so it has the potential
to point out errors more often than AS2; it communicates more. AS3
gives you both runtime errors and compile time errors, which is
more than AS2 does.
AS3:QRG has a chapter on debugging that goes into the
differences among compiler warnings, compiler errors, and runtime
errors, including a (probably too short) list of warnings/errors
likely to be encountered by folks used to AS2 (pp. 231-263). This
topic probably merits several chapters of its own, and I would have
liked to include more in this particular book.
>> Classes:
>>
>> Ok, well I think that the usual examples do a pretty
>> good job of trying to explain the Theory behind
classes
>> and class (object) structure. People get the plane
>> metaphor.
I've never heard of the plane metaphor. I'm curious to hear
it! :)
SPLITTING THE MESSAGE AGAIN. SEE THE NEXT MESSAGE TO
CONCLUDE.

TS1702 [AutoCAD WS] dwg email attachment won't open (dwg file appear as blue box with questionmark in it)

Hello everybody!
I'm having problems with my AutoCAD WS app. I can't open dwg files wich are sent to me as email attacment. The file just appears as blue box with question mark in it.
I have no problems when i recieve photos with email or .doc or pdf. They all appear and open as they should but only .dwg files have the issue.
I have tried multiple times to insall and uninstall directly from phone and trough PC itunes and still no luck.
Phone is iPhone 4 with 5.0.1
Best wishes
Andres

DoubleCAD XT: Including this in a Free .DWG viewer category is almost insulting it, as it is a full fledged 2D Drafting tool like AutoCAD LT. It is completely free. It can indeed open your .DWG files, and you can also edit them. It can also import Google Skethup files, and do a lot more. Read more about this fantastic software here.
Autodesk DWG TrueView: This is a free DWG viewer from Autodesk. It is not just a DWG viewer, but also a CAD file conversion software for translating any AutoCAD design application or AutoCAD-based drawing file for compatibility.
Autodesk Design Review: This also comes from the house of Autodesk. It is an integrated, all-digital way to view, print, mark up, and compare versions of 2D and 3D drawings, maps, and models—without the original design-creation software.
eDrawings Viewer: This comes from house of SolidWorks. eDrawings Viewer allows convenient viewing of native AutoCAD files (DWG and DXFT) and native SolidWorks parts, assemblies, and drawings.
Bentley View: Bentley View is a free DWG, DGN and CAD File Viewer. It’s the best tool for projects that require a powerful viewing, measuring, and printing application for MicroStation, AutoCAD, or hybrid projects.
Varicad Viewer: Varicad Viewer is a scaled-down version of VariCAD. It can open STEP (3D), DWG (2D), DXF (2D), Varicad, and IGES (2D) files.
Free DWG Viewer: This free DWG viewer can view and measure DWG, DXF, and DWF files. It has XRef support to view layers & block attributes.
pls try one of the above..as an alternate solution ,if none of them are able to open it ...then pls let me know

Mac PPC vs Intel?

Just a quick inquiry to anyone who may have done hybrid
projects lately.
I develop on Windows and only have an Intel Mac Mini for
testing. In fact, everyone I know (
all 2 of them) with a Mac has an Intel machine and not a PPC
version. We are only concerned with OSX 10.3 and higher due to the
fact that one Xtra has that as a minimum requirement, so I only
need to know about that target. Even the city libraries and schools
all are running Windows it seems.
Our project runs properly, thus far, on Windows (all 32 &
64 bit bit flavours, including Vista) and it also runs on Intel
OSX.
My question is whether or not there would be any reason it
would not function on PPC?
All the Xtras we use are either native to Director MX 2004 or
are xtras that have been around since before the Intel platform
existed for Apple.
The 3rd party apps we are using are : BuddyAPI, OSControl,
INM Vizion DB, and Webviewer Xtra
As I said, we have no issues on the Intel side of the
equation, so I just want some assurance that the app should work on
PPC as well since it has to be sent off for duplication soon and I
seem to have nowhere available to test it.

I have not seen any issues with PPC Macs not working when
their
counterpart Intel do work. In fact, the Intel Macs are having
to run
all the PPC code under Rosetta, so you should find in almost
every
instance that the PPCs will run the same programs faster.
Especially if
you use 3d.

Creating a project in Flex Builder for the Hybrid Store sample Application

Hi all,
How to create a project in Flexbuilder for the hybrid store
sample application.
I downloaded the source code of hybridstore application,
Now i have to create a project for it to run that application
in my system,
will you please tell me how to create a project for this
sample.
I have also read the readme.html file. but i could not follow
exactly what they are saying.
what i did is, I unzipped the source code into a folder
hybridstore.
I opened the flexbuilder : File -- new -- flexproject ( i
have selected) then i have given name to my file (hybridstore) ,
and set the path to the hybridstore folder where the source code
exists.
but it as created hybridstore.mxml file also.
it is not working.
will you please till me how to create project for this
application.
I have created project for other samples like restaurent
finder, dashboard. they are working fine.
I got problem with this sample only.
Thanks in advance
Regards
Avanthika

Hi,
thanks for your reply,
I have tried to open using file import, but still it is not
working.
in the readme file for this application , contains how to
Creating a project in Flex Builder for the Hybrid Store
application:
Name your default application catalog.mxml.
Prevent Flex Builder from generating an HTML wrapper: select
Project > Properties. Select the Flex Compiler page, deselect
the Generate HTML wrapper file option .
Create a Run configuration for your project but deselect the
Use defaults option and instead assign the Run setting to the
hybridstore.html in your project's bin directory.
To enable debugging of the Hybrid Store application you must
create a copy of hybridstore.html. Open it in an editor (you can
right-click on the file and select Open With > Text Editor).
Find the line that says "src", "catalog" and change it to "src",
"catalog-debug". Assign the Debug setting to this new HTML file.
As i am new to flex , i could not know how to do this.
please help me how to do this.
regards
Avanthika

Making Effective Use of the Hybrid Cloud: Real-World Examples

May 2015
Explore
The Buzz from Microsoft Ignite 2015
NetApp was in full force at the recent Microsoft Ignite show in Chicago, and it was clear that NetApp's approach to hybrid cloud and Data Fabric resonated with the crowd. NetApp solutions such as NetApp Private Storage for Cloud are solving real customer problems.
Hot topics at the NetApp booth included:
OnCommand® Shift. A revolutionary technology that allows you to move virtual machines back and forth between VMware and Hyper-V environments in minutes.
Azure Site Recovery to NetApp Private Storage. Replicate on-premises SAN-based applications to NPS for disaster recovery in the Azure cloud.
Check out the following blogs for more perspectives:
Microsoft Ignite Sparks More Innovation from NetApp
ASR Now Supports NetApp Private Storage for Microsoft Azure
Four Ways Disaster Recovery is Simplified with Storage Management Standards
Introducing OnCommand Shift
SHIFT VMs between Hypervisors
Infront Consulting + NetApp = Success
Richard Treadway
Senior Director of Cloud Marketing, NetApp
Tom Shields
Senior Manager, Cloud Service Provider Solution Marketing, NetApp
Enterprises are increasingly turning to cloud to drive agility and closely align IT resources to business needs. New or short-term projects and unexpected spikes in demand can be satisfied quickly and elastically with cloud resources, spurring more creativity and productivity while reducing the waste associated with over- or under-provisioning.
Figure 1) Cloud lets you closely align resources to demand.
Source: NetApp, 2015
While the benefits are attractive for many workloads, customer input suggests that even more can be achieved by moving beyond cloud silos and better managing data across cloud and on-premises infrastructure, with the ability to move data between clouds as needs and prices change. Hybrid cloud models are emerging where data can flow fluidly to the right location at the right time to optimize business outcomes while providing enhanced control and stewardship.
These models fall into two general categories based on data location. In the first, data moves as needed between on-premises data centers and the cloud. In the second, data is located strategically near, but not in, the cloud.
Let's look at what some customers are doing with hybrid cloud in the real world, their goals, and the outcomes.
Data in the Cloud
At NetApp, we see a variety of hybrid cloud deployments sharing data between on-premises data centers and the cloud, providing greater control and flexibility. These deployments utilize both cloud service providers (CSPs) and hyperscale public clouds such as Amazon Web Services (AWS).
Use Case 1: Partners with Verizon for Software as a Service Colocation and integrated Disaster Recovery in the Cloud
For financial services company BlackLine, availability, security, and compliance with financial standards is paramount. But with the company growing at 50% per year, and periodic throughput and capacity bursts of up to 20 times baseline, the company knew it couldn't sustain its business model with on-premises IT alone.
Stringent requirements often lead to innovation. BlackLine deployed its private cloud infrastructure at a Verizon colocation facility. The Verizon location gives them a data center that is purpose-built for security and compliance. It enables the company to retain full control over sensitive data while delivering the network speed and reliability it needs. The colocation facility gives Blackline access to Verizon cloud services with maximum bandwidth and minimum latency. The company currently uses Verizon Cloud for disaster recovery and backup. Verizon cloud services are built on NetApp® technology, so they work seamlessly with BlackLine's existing NetApp storage.
To learn more about BlackLine's hybrid cloud deployment, read the executive summary and technical case study, or watch this customer video.
Use Case 2: Private, Nonprofit University Eliminates Tape with Cloud Integrated Storage
A private university was just beginning its cloud initiative and wanted to eliminate tape—and offsite tape storage. The university had been using Data Domain as a backup target in its environment, but capacity and expense had become a significant issue, and it didn't provide a backup-to-cloud option.
The director of Backup turned to a NetApp SteelStore cloud-integrated storage appliance to address the university's needs. A proof of concept showed that SteelStore™ was perfect. The on-site appliance has built-in disk capacity to store the most recent backups so that the majority of restores still happen locally. Data is also replicated to AWS, providing cheap and deep storage for long-term retention. SteelStore features deduplication, compression, and encryption, so it efficiently uses both storage capacity (both in the appliance and in the cloud) and network bandwidth. Encryption keys are managed on-premises, ensuring that data in the cloud is secure.
The university is already adding a second SteelStore appliance to support another location, and—recognizing which way the wind is blowing—the director of Backup has become the director of Backup and Cloud.
Use Case 3: Consumer Finance Company Chooses Cloud ONTAP to Move Data Back On-Premises
A leading provider of online payment services needed a way to move data generated by customer applications running in AWS to its on-premises data warehouse. NetApp Cloud ONTAP® running in AWS proved to be the least expensive way to accomplish this.
Cloud ONTAP provides the full suite of NetApp enterprise data management tools for use with Amazon Elastic Block Storage, including storage efficiency, replication, and integrated data protection. Cloud ONTAP makes it simple to efficiently replicate the data from AWS to NetApp FAS storage in the company's own data centers. The company can now use existing extract, transform and load (ETL) tools for its data warehouse and run analytics on data generated in AWS.
Regular replication not only facilitates analytics, it also ensures that a copy of important data is stored on-premises, protecting data from possible cloud outages. Read the success story to learn more.
Data Near the Cloud
For many organizations, deploying data near the hyperscale public cloud is a great choice because they can retain physical control of their data while taking advantage of elastic cloud compute resources on an as-needed basis. This hybrid cloud architecture can deliver better IOPS performance than native public cloud storage services, enterprise-class data management, and flexible access to multiple public cloud providers without moving data. Read the recent white paper from the Enterprise Strategy Group, “NetApp Multi-cloud Private Storage: Take Charge of Your Cloud Data,” to learn more about this approach.
Use Case 1: Municipality Opts for Hybrid Cloud with NetApp Private Storage for AWS
The IT budgets of many local governments are stretched tight, making it difficult to keep up with the growing expectations of citizens. One small municipality found itself in this exact situation, with aging infrastructure and a data center that not only was nearing capacity, but was also located in a flood plain.
Rather than continue to invest in its own data center infrastructure, the municipality chose a hybrid cloud using NetApp Private Storage (NPS) for AWS. Because NPS stores personal, identifiable information and data that's subject to strict privacy laws, the municipality needed to retain control of its data. NPS does just that, while opening the door to better citizen services, improving availability and data protection, and saving $250,000 in taxpayer dollars. Read the success story to find out more.
Use Case 2: IT Consulting Firm Expands Business Model with NetApp Private Storage for Azure
A Japanese IT consulting firm specializing in SAP recognized the hybrid cloud as a way to expand its service offerings and grow revenue. By choosing NetApp Private Storage for Microsoft Azure, the firm can now offer a cloud service with greater flexibility and control over data versus services that store data in the cloud.
The new service is being rolled out first to support the development work of the firm's internal systems integration engineering teams, and will later provide SAP development and testing, and disaster recovery services for mid-market customers in financial services, retail, and pharmaceutical industries.
Use Case 3: Financial Services Leader Partners with NetApp for Major Cloud Initiative
In the heavily regulated financial services industry, the journey to cloud must be orchestrated to address security, data privacy, and compliance. A leading Australian company recognized that cloud would enable new business opportunities and convert capital expenditures to monthly operating costs. However, with nine million customers, the company must know exactly where its data is stored. Using native cloud storage is not an option for certain data, and regulations require that the company maintain a tertiary copy of data and retain the ability to restore data under any circumstances. The company also needed to vacate one of its disaster-recovery data centers by the end of 2014.
To address these requirements, the company opted for NetApp Private Storage for Cloud. The firm placed NetApp storage systems in two separate locations: an Equinix cloud access facility and a Global Switch colocation facility both located in Sydney. This satisfies the requirement for three copies of critical data and allows them to take advantage of AWS EC2 compute instances as needed, with the option to use Microsoft Azure or IBM SoftLayer as an alternative to AWS without migrating data. For performance, the company extended its corporate network to the two facilities.
The firm vacated the data center on schedule, a multimillion-dollar cost avoidance. Cloud services are being rolled out in three phases. In the first phase, NPS will provide disaster recovery for the company's 12,000 virtual desktops. In phase two, NPS will provide disaster recover for enterprise-wide applications. In the final phase, the company will move all enterprise applications to NPS and AWS. NPS gives the company a proven methodology for moving production workloads to the cloud, enabling it to offer new services faster. Because the on-premises storage is the same as the cloud storage, making application architecture changes will also be faster and easier than it would be with other options. Read the success story to learn more.
NetApp on NetApp: nCloud
When NetApp IT needed to provide cloud services to its internal customers, the team naturally turned to NetApp hybrid cloud solutions, with a Data Fabric joining the pieces. The result is nCloud, a self-service portal that gives NetApp employees fast access to hybrid cloud resources. nCloud is architected using NetApp Private Storage for AWS, FlexPod®, clustered Data ONTAP and other NetApp technologies. NetApp IT has documented details of its efforts to help other companies on the path to hybrid cloud. Check out the following links to lean more:
Hybrid Cloud: Changing How We Deliver IT Services [blog and video]
NetApp IT Approach to NetApp Private Storage and Amazon Web Services in Enterprise IT Environment [white paper]
NetApp Reaches New Heights with Cloud [infographic]
Cloud Decision Framework [slideshare]
Hybrid Cloud Decision Framework [infographic]
See other NetApp on NetApp resources.
Data Fabric: NetApp Services for Hybrid Cloud
As the examples in this article demonstrate, NetApp is developing solutions to help organizations of all sizes move beyond cloud silos and unlock the power of hybrid cloud. A Data Fabric enabled by NetApp helps you more easily move and manage data in and near the cloud; it's the common thread that makes the uses cases in this article possible. Read Realize the Full Potential of Cloud with the Data Fabric to learn more about the Data Fabric and the NetApp technologies that make it possible.
Richard Treadway is responsible for NetApp Hybrid Cloud solutions including SteelStore, Cloud ONTAP, NetApp Private Storage, StorageGRID Webscale, and OnCommand Insight. He has held executive roles in marketing and engineering at KnowNow, AvantGo, and BEA Systems, where he led efforts in developing the BEA WebLogic Portal.
Tom Shields leads the Cloud Service Provider Solution Marketing group at NetApp, working with alliance partners and open source communities to design integrated solution stacks for CSPs. Tom designed and launched the marketing elements of the storage industry's first Cloud Service Provider Partner Program—growing it to 275 partners with a portfolio of more than 400 NetApp-based services.
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Dave:
"David Scarani" <[email protected]> wrote in message
news:3ecfc046$[email protected]..
>
I was looking for some real world "Best Practices" of deploying J2EEapplications
into a Production Weblogic Environment.
We are new at deploying applications to J2EE application servers and arecurrently
debating 2 methods.
1) Store all configuration (application as well as Domain configuration)in properties
files and Use Ant to rebuild the domain everytime the application isdeployed.
I am just a WLS engineer, not a customer, so my opinions have in some
regards little relative weight. However I think you'll get more mileage out
of the fact that once you have created your config.xml, checking it into src
control, versioning it. I would imagine that application changes are more
frequent than server/domain configuration so it seems a little heavy weight
to regenerate the entire configuration everytime an application is
deployed/redeployed. Either way you should check out the wlconfig ant task.
Cheers
mbg
2) Have a production domain built one time, configured as required andalways
up and available, then use Ant to deploy only the J2EE application intothe existing,
running production domain.
I would be interested in hearing how people are doing this in theirproduction
environments and any pros and cons of one way over the other.
Thanks.
Dave Scarani

Rh10 - HTML Help - linking to pdf shows when generate CHM and 'view results' but not when double-click on CHM in project folder or in product help

I have several PDFs in Baggage Files that are linked to topics in the Table of Contents. When I generate the CHM file and 'View Results' I am able to pull up/access the PDFs with no problem. When I go into the project folder and just double-click on the CHM file, I cannot pull up/access any of the PDFs nor can I access them in the product help. Any ideas? Is a setting "off" somewhere in my project?
I am using RoboHelp 10.
Thanks!

eeddings wrote:
Thanks for the idea, but I can't switch the project to WebHelp. This .chm project consists of a master project with 18 slave projects and a slew of remote jumps. I'd have to recreate all of the remote jumps if I switch to WebHelp.
Hopefully Adobe can fix this issue.
Well, first off, even though it would be WebHelp, it would be inside a CHM container. So for all intents and purposes it would be a CHM file. But having said that, I'm not sure there is a way to merge these hybrid types of CHM files.
If your statement about Adobe fixing the issue is meaning that they can either remove the Print icon from the CHM Viewer, I wouldn't hold my breath because as I said, that's in Microsoft's lap and they haven't updated the CHM viewer in a long while. Doubtful they ever will.
The only hope would then be for Adobe to update the code used for the Mini TOC. The only way that will happen is if enough folks submit this as a bug via the following link:
http://www.adobe.com/go/wish
Until that would happen, your likely best bet is to simply avoid using the Mini-TOC feature or just insert a warning that if the topic is printed, it will cause issues. Or, you could use bookmarks and links to establish your own verision of a "Mini-TOC"
Cheers... Rick

Error -65581 when using 9146 in hybrid mode

I have a 9146 cRIO Expansion Chassis and I have FPGA code that uses two modules and I'd like to use the scan engine to read the other two modules (ie hybrid mode). When I try to read scan engine module data, I get error -65581:
"CompactRIO: (Hex 0xFFFEFFD3) The bitfile currently running on the CompactRIO chassis is not configured to support using the RIO Scan Interface in this slot. In the LabVIEW Project window, move the module in the slot from under the FPGA target item to under the chassis item, then recompile the bitfile."
I recompiled my FPGA code and redeployed everything but it did not make a difference.
Here is a snapshot of my lvproj file:
I get the error (-65581) whether I read "Analog In" or "PV Read" IO variables.
Note that my scan engine looks OK from Distributed System Manager:
I can confirm the FPGA code is running (am blinking the FPGA LED in my FPGA code and can see it blink). Also, if I switch from "FPGA" to "Scan Engine" mode, I can get the AI Readings to read without an error.
I'm using the software below on my RIO:
Thanks in advance!

Upgraded to cRIO 2013SP1 and still have the exact same errors. Once I deploy in FPGA mode, the scan engine modules do not update their IO variables (in Distributed System Manager the variable status says "connecting" instead of displaying the current value. Do you have any other suggestions?
Is Hybrid mode supported on cRIO 9146 (which is an Expansion Chassis)?

Director Project incompatible with 10.4.3

I ran into a strange incompatibility today when checking a
director project on OS X 10.4.3. The icon for the OS X version of
the projector was incorrect, and when you went to launch it, you
were given the "could not find classic Mac OS" error. But if you
try the CD on OS X 10.3.9, the file's icon is correct and the the
projector opens correctly.
I believe the projector was generated on Director running on
the Mac as there are seperate OS X and Classic versions, as well as
a Windows version (The projector is running off a hybrid CD).
This does not seem to follow the problems discussed on
Macromedia's site with regards to Tiger compatibility - I'm
wondering if this may be a 10.4.3 specific issue?
Please excuse the lack of some technical details, as I was
not involved in the creation of this projector file, and I'm trying
to find some answers while we track down the original creator for
my client!
Many Thanks for Any Help!

I am having an identical problem.
I have an identical set up (powerbook G4 667mhz).
My problem also appeared when I updated to 10.4.3 and ITunes 6.0.1.
I can no longer play CDs on computer, nor can I copy song files to my desk top from an audio cd. When copying a file from a store-bought audio cd in the finder, I get the error message "finder cannot complete operation because some data in <song title> could not be read or written (error code -36)"
I hope somebody can figure out a fix.

Opening CC project file on second machine fails

Hello!
I believe I´ve read most or all of the matching topics here but I am still stuck, so here´s my situation.
On my primary Workstation I´ve created a project of medium complexity (150GB, approx. 200 files, 5 sequences).
Here everything is working just fine.
On my laptop I also installed Adobe CC. I copied the whole projects' folder from workstation 1 onto my external HDD and connected it to my laptop.
Opening and cutting works fine here too.
Now, when I save and take the project (project file only) back to workstation 1, here Premiere Pro CC fails to load it up.
The loading bar proceeds to about 75% and then freezes. If I give it some time (10-15 minutes) it finally finishes loading, but Premiere isn't showing any reaction to mouse or keyboard, there are no panels at all visible. Basically it is crashed, allthough that´s not being indicated by the task manager.
I´ve tried all the tips from in here as well as the "usual stuff":
Saving a new project file, nothing.
Deleting preview files, then saving a new file, nothing.
Importing the project into AE and exporting a new project (on my laptop), nope.
Deleting all dynamic linked comps from the old project, saving then taking it to laptop 1, opening and saving it again, taking it back to the workstation, no.
Completely deleting everything Adobe on my workstation 1 and re-installing CC, "great" experience, but to no avail.
I also followed the solution of the similar problem on another thread here in the forums, with unzipping the xml and deleting certain lines of code and so forth, still nothing.
Then I went ahead and installed CC on my second laptop (not at all to be considered a workstation). Here the projects saved on laptop 1 opened just fine (asking for media files of course...).
EDIT:
I forgot to mention that a new and blank project from the laptops opens just fine on the workstation...
So I have to consider that something's wrong with my primary workstation. Right?
Any ideas, anyone?
It´s a fresh installation of Windows 8.1 with 24GB of Ram, GeForce GTX 570, i7 950, WD drives only, Windows on a seperate hybrid disk...
All CC installations are up to date.
Any help would be greatly appreciated as my deadline is on monday...
Thanks!

Try assigning the same drive letter to the laptop's external drive that you have assigned to the media drive on your workstation. That way, any project saved on the laptop will have the same absolute media file references that the workstation has.
NB: If Task Manager still thinks that Pr is responding by showing you that it's using memory and CPU cycles, then Pr probably hasn't crashed. It's just busy and taking its sweet time about whatever it's doing. (Emphasis on "probably")
You mentioned deleting preview files, but you didn't say anything about cleaning your media cache. Try that. A good cleaning of your user and Windows temporary files might help. You should also run chkdsk on your workstation's drives to help you diagnose whether or not hard drive failure is imminent.
Cheers,
Jeff

2 project settings questions

Hello again
Still experimenting with PrE8 trial version. This is my first experience with a video editor so learning all from scratch. I have a couple of questions regarding the project setting you need to chose when you create a new project. I understand these settings define the "working" enviroment for the editing process - in other words the resolution and all the other characteristics (format, frame rate, etc) that the project will use
1) I have a camera that´s 1920x1080 30p (progressive) , the GoPro HD. When I look in the new project presets, all 1920 x 1080 presets available seem to be specifically designed for interlaced video. This is indicated by the names of the presets, and by their descriptions as well. There is only 1 progressive preset, of a lower resolution (720p)
Nevertheless, I tried using the HD 1080i preset, loaded some 1920x1080 progressive mp4 files, and apparently it works perfectly well. In fact when I go to edit>project settings>general window, the project attributes indicate progressive video !!!
Is there really any difference (or specific requirement) in a project preset for interlaced vs progressive video? ( I am beginning to suspect that there is really no difference, and that the coding ( i vs p) does not really form part of the project settings, and that the project will take both forms of input media)
any thoughts on this?
2) The GoPro has a non-standard resolution mode, HD with 4:3 aspect ratio : 1280x960 30p
There is no project setting preset that will match this, how can I create one myself ?
The PrE help says this is possible, but I can't find how. ( Edit>project settings will not let me change the resolution)
from the help
If your source footage requires a custom project preset, you can create one. The procedure for creating a preset differs if you’re changing settings for an open project versus establishing settings for a new project. Presets you create can be applied to new projects, and if you want to back up or distribute preset files, you can find them in the Settings subfolder of the Adobe Premiere Elements folder on your hard disk.
http://help.adobe.com/en_US/PremiereElements/8.0/Win/Using/WS09e4b3c48f3a79fc19b622510385d 4355c-7fde.html
Again thanks so much for your time and your help , much appreciated.
Gonza

Unfortunately you will not be able to use the video from those "sports" camcorders directly in Premiere Elements. It's just not compatible with the program.
http://forums.adobe.com/thread/415317?tstart=0
As you can see from this FAQ, there are three options for converting the video:
1) Convert it a DV-AVI using MPEG Streamclip. It's a free program, but the DV-AVI it outputs will not be hi-def. It will be standard video, but it will be editable in Premiere Elements.
2) Convert it to a standard def DV-AVI using Quicktime Pro, a $29 download from Apple.com,and edit in Premiere Elements.
3) Use Quicktime Pro to do your editing. The video will remain a high-def MP4.
The best solution, of course, is if the camcorder itself comes with its own editing software. That's software you KNOW will work with the camcorder's footage.
But, short of that, you'll need to use one of the hybrid solutions above. But you will not be able to edit the footage directly in Premiere Elements. Sorry.

Is it possible to simulate EtherCAT devices in a project?

Given a project topology like this:
Windows PC Host <-> cRIO-9024 <-> NI-9114 backplane <-> NI-9144 EtherCAT #1 <-> NI-9144 EtherCAT #2 run in hybrid scan mode
During development is it possible to tell the project to run without EtherCAT #2 being physically connected, using virtual/simulated IO in place of it?
Just trying it, when I try to switch from Configuration to Active mode, I get an error saying that "the slave device cannot be found".
I often find myself thinking that the project explorer needs a good way to "comment out" various pieces of the project without having to resort to "Remove From Project".

Hi WNM,
Unfortunately, it is not possible to run the project without the ethercat slave device connected. That does sound like a very useful suggestion though! I recommend that you post to the NI Idea Exchange with your ideas for this. http://forums.ni.com/t5/NI-Idea-Exchange/ct-p/ideas
Regards,
Dayna P.
Applications Engineer
National Instruments

Setting project default file locations and a few random interface questions

I apologize for the randomness of this post, but it seemed better than spamming a bunch of different posts in a short period of time. I've been using Premiere Elements 9 for about 6 months now and there are a few little things that I'd like to tweak.
I'd like to change the default file save location for a project. I've got different projects in different folders and it seems like I should be able to set a default save location for each project. All I've ever been able to find in the help is how to set the scratch folder, which is different.
I'd like to change the default encoding preset for a project. For example, I have a custom preset for mp4 under the mobile phone category. It would be nice to have that be the default whenever I pick the mobile phone category.
With birthdays and concerts and plays and all that stuff I have about 50 videos and a couple hundred large photos already. Every time Premiere loads, it takes a few extra seconds to load up all of the thumbnails. I hide all the videos and pictures on the Organize tab and save the project, but it never sticks. Is this just impossible?
Finally, every so often, the end-of-clip marker acts funny. I don't know what the proper name for it is, but it is the thing under the mouse cursor in the picture below. It used to automatically move on the time line as I added or deleted clips. Somehow I clicked a button and it no longer does that. After a week or so of not working, it goes back to automatically adjusting as I add and delete clips from the timeline and then it will break again. Ideas?
Also in the timeline, I now have this huge gap of nothingness on top of video 1, see picture. My ocd says that Video1 and Audio 1 should be at the very top and the gap should be on the bottom. Ideas?
Thanks,
Bob

I kind of wish you'd have spread these questions out over a couple of posts so that we could answer each thoroughly. If I answer all of them in depth in a single post, this answer would be the size of one of my books! (which, by the way, contain many of the answers to these questions.)
1. The default save location for your videos should be the last place you've saved your video to. So that should happen automatically. Although in my books I recommend that, whenever you start a new project, you create a new folder for it. This is good housekeeping and a good way to keep your tmp and render files in the same place on your drive, which has a number of advantages.
2. You can't create a custom project preset. The only presets available are the ones Adobe provides. And, although they are pretty extensive, some non-traditional formats (like video from some mobile phones) are not well supported. You may be able to get it to work -- but it's usually a hybrid solution and, personally, if you plan to use your phone's video as your main video source, I'd recommend you look at another video editing program. Premiere Elements doesn't do the hybrid stuff well. It's ideally suited for video from traditional camcorders.
3. The thumbnails you see when the program loads are not in your current project. At least not until you import them into your Project panel. That Media panel is merely a preview to what's in your Organizer catalog. As I explain in my book, it's usually best to ignore this panel until you really learn your way around the basics of this program. It's very confusing. Fortunately, it adds very little load time to the program itself -- regardless of how much time it seems to add.
4. The thing in the illustration is the Work Area Bar. It's used to isolate a segment of your timeline for rendering, etc. Usually, it will shrink and grow as you add and remove video from your timeline. Unfortunately, there's a bug in version 9 and, if you manually change it once during a project, you'll have to manually change it for the rest of the time you work on the project. But, if you drag each end of the Work Area Bar to cover your entire timeline of videos, your project shouldn't misbehave.
5. The "gap of nothingness" on your timeline is just room for you to add more audio and video tracks if you'd like to. It's a good thing to have! BTW, as I'm sure you know (and my books, once again, explain) you can toggle the tracks on your timeline so that they display as either compressed (as in your illustration) or wide open, which allows you to see your clips and control audio and video levels. Once again, this is a very good thing!
Happy moviemaking.

Autorun on Macs from CD-Rom and Hybrid question

Hello all,
I just got comissioned to design and develop a small
flash-based CD-Rom project. The client is interested in having the
CD-Rom presentation auto start/run when placed in the cd-rom drive.
I know how to do this for a pc, but how would I accomplish this for
a mac?
1) Is it possible to do? I thought I read somewhere that Max
OS X disabled autorun for CD's.
2) Are there differences (if it can be done) between PowerPC
Macs and Intel-based Macs?
3) If I publish a swf file (and burn) it from a PowerPC base
mac running OS X will it work on an Intel based one?
Thanks in advance for any help and/or direction.
- Mr. Moo

It's been a while since we did a cross-platform autorun (it
was right about the time that OsX first released).
If I remember correctly we used NorthCode's SWF Studio for
the PC side, and a seperate Flash Projector for the Mac side.
We had to write a small piece of applescript to perform
essentially the same function that the autorun.inf file on Windows
handles.
The autorun function was dependant on the user having
Quicktime and recent carbonlib installed.
We used a product called MacImage to build hybrid mac/iso
cd-images that could then be burned from Windows PC.
Sorry I can't give any more up-to-date specifics, but maybe
some of that will be mildly helpful.

Hybrid project

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