Importing PNG sequence from After Effects (or anywhere)

From some reason when I'm importing a PNG sequence onto stage, it's loading all of the PNGs into one frame instead of distributing them into their own keyframes like it's supposed to.
I've seen this problem posted before. Anybody have a solution for this?
I've also seen that people have posted that Flash CS3 HATES After Effects PNGs....how bizarre....I'm starting to figure that out.
Any solutions?

Well now it's working. Hmmmm.Thanks Jim.
Well, there's something you can do that accidently stacks them into one frame.....I guess I get one brain-fart per month....and I just used my quota.

Similar Messages

Importing Sequences from After Effects CC 2014 into Premiere

Before the update to cc 2014, I was easily able to import After Effects comps into Premiere using "Import" in Premiere. I would select an AE project to import, and it would ask me which sequences inside that project I wanted to import. Worked perfectly. This was just a couple weeks ago.
NOW, I go to import sequences from an AE project and it only shows ONE sequence out of however many I may have. This has happened twice so far. Quitting & reopening both programs didn't do anything. Has something changed with the update?

Dynamic Link only works between After Effects and Premiere Pro if the applications are of the same version---i.e., both CC 2014 versions.

Importing a PNG sequence from AE to PS timeline issue

Hello Adobe community
I've exported a PNG sequence from After effects so I can stop frame animate over it in Photoshop. When I add the PNG sequence to a Video group in photoshop, it brings each frame in as 120 frames long where I want them to be one frame long each. Is there ether a way of adjusting the duration of multiple clips to make them one frame long ( I know this doesn't work in frame animation mode), or is there anyway of doing this on import? I hope this makes sense and any help would be greatly appreciated.
Thanks for your time

So are you trying to export this aninamtion as a .gif and not a .swf?
Either way I would suggest you re-test a couple of steps in the whole process to see if you can isolate where the problem is.
To start with in PS, are you working on a transparent background? or a white background? must be transparent....
For testing, create a couple of images with a transparent background in PS. Or use just one or two of your layers, save the file, import to Library in Flash, place on your stage, give you Flash doc a non-white color and test. . There should be no border or background around the image...
And if you use wmode of transparent in the html, even the background of the Flash doc will be transparent.
Best wishes,
Adninjastrator

Transparency/Alpha Great Mystery (IMPORTED PNG Sequence)

Ok, this one is going to fall under the "I would LOVE to get an explanation of this one!" category. Just when I thought I knew everything about transparency and alpha channels, etc ...
The problem: I am importing a PNG sequence into After Effects (CS 5.5), however AE refuses to see the Alpha channel contained within the sequence. Now before anyone jumps the gun and says, "But wait, PNG does not really support alpha, it just supports transparency!" Right, something I just learned, and still -- quite honestly -- baffles the heck out of me.
But anyway, another PNG sequence exported from the exact same program, imports into After Effects just fine with an "alpha channel" and all. I double-checked, and there is NOT an option in the program to export the PNG without transparency info.
Importing sample images from each sequence reveals the EXACT SAME THING ... both have transparency, but NEITHER have an alpha-channel per se.
Sooo ...
1) ANY idea why in the heck AE would interpret one's transparency, and not the other?
2) Is there a way to FORCE AE to see the transparency of the one?
3) IF not, is there something out there that will convert the PNG's with transparency to another format (TIF, TGA, PSD) with an alpha? I just don't want to have to re-render the sequences again.
ANY insight into this bizarre-ness would be GREATLY appreciated.
Thanks,
Tim

Ok another follow-up with interesting results ...
1) The second sequence I have that I tried to batch in PS, did not turn out correctly. Investinging with a single frame inside PS revealed that it was not simply adding a selection to the "solid" parts, but actually sections within the solid parts. (To make it clearer, the animation is a zoom out from an open 3D book. Instead of making a selection of the book, it selected the book, and then various things contained on the book. Not sure where it was getting this selection from.
2) In AE, I simply moved those frames in the beginning where there would not be an alpha channel (or need of one) because the book is filling the entire frame. I then imported the remaining frames and it saw the alpha channel with no problem. I then just added the starting frames as a seperate sequence to the begininnig of the timeline, and wallla ... problem solved.
So I can only surmise that the 3D app did not -- oddly enough) output any alpha/transparency info for those first 60-or-so frames where the book filled the entire frame. Thus, AE -- looking at the first frame with no alpha info -- rightfully concluded that there wasn't any, and igores the transparency info.
The other PNG sequences did not start with object(s) filling the entire frame, so alpha info was written to the first frame for those. I can test this theory pretty easily. I could probably, now that I think about it, even just have created a frame 0000 with some alpha info, and then it would have worked (possibly.)
-Tim

Naming png sequence with specific frame numbers from After Effects

I am currently using Media Encoder 7.2.2.29 and After Effects version 12.2.1, and I am running it on Mac OSX 10.8.2
I am making an animated sequence in After Effects that after exporting I caught a few things I want to change throughout the piece. I had rendered it out as a PNG sequence, so I would like to only replace the frames that need fixing. How can I control the naming convention of the PNG files from Adobe Media Encoder? Say I wanted to render frames 1 - 200, 370 - 400, and 500-600, how could I set up each sequence so it would keep the exact frame number from the composition in its name? Right now I am just keeping track of which beginning and end frames I am using and will use Bridge to batch rename, but I would love to know if there is a way to set this up in the render.
Thanks!

This sounds similar to the problem I'm having when using AME to render frame sequences from AE. The frame numbers aren't treated the same way like when you just render right in AE. No matter where your in and out is, it always starts at zero with me instead of retaining the frame numbers. VERY frustrating and have no clue why the naming conventions are different. Is this what you're talking about?

Importing project from after effects to premiere, plug in effect not available?

Hello all, Im using cs5. When I import a video project to premiere from after effects, i get an error message saying that an effect plugin from after effects is not available in premiere. Specifically the glow effect. I thought that since after effects had the effect that premiere would too. I'm asking for the college i go to as we are not too familiar with this program and we have a sub for the next few weeks, thanks in advanced !

oh sorry, i didnt notice that the post i posted didnt have really any info, the page froze and the page saved my info, i guess i submitted the wrong post. anyways, this whats going on.
I make an after effects cs5 composition which is a .MOV video i took, roughly 1 minute with the glow effect applied to the video. I then import the composition to premiere, premiere then gives me the error that premiere does not have the glow effect and therefore, won't be applied. below is my specs and here is a link to another post of mine that might possibly have something to do with this. after effects cs5 keylight (1.2) crash with dynamic link error?
Model Name: iMac
Model Identifier: iMac13,2
Processor Name: Intel Core i5
Processor Speed: 3.2 GHz
Number of Processors: 1
Total Number of Cores: 4
L2 Cache (per Core): 256 KB
L3 Cache: 6 MB
Memory: 8 GB
Boot ROM Version: IM131.010A.B05
SMC Version (system): 2.11f14
Mac (27-inch, Late 2012)
Processor: 3.2 Ghz Intel Core i5
Memory: 8GB 1600 MHz DDR3
Graphics: NVIDIA GeForce GTX 680MX 2048 MB
OS X YOSEMITE version 10.10.1
after effects cs5
Verison 10.0.0.458
2% used of 8.0 GB
378 Plugins

How to import transparent gifs in after effects cc

I just upgraded form after effects cs5 to cc and one thing i cant understand is why i cant directly import transparent gifs as i could in cs5. I heard that you have to make a png sequence from fireworks but i dont want to go through all of that. I would appreciate if someonecan tell me how to easily import transparent animated gifs into after effects cc as you could in sc5

You can't and that is that. This stuff used Quicktime components and simply too much has changed. You need to work with image sequences exported from Photoshop or whatever other program based on your GIF.
Mylenium

Export sequence to after effects

I'm editing a feature film at this moment, the problem is I have finished all cutting and trimming in to a sequence, then I would like to do color correction with after effects.
Is there anyway I can import all clips in the sequence into after effects ( even though I have to do clip by clip)?..
So far I just see that after effects can only import the original captured clip (from hard disk) not the one from sequence (the one has been marked and trimmed).
Please help, thank you

Not with FCE. You need Final Cut Pro and Automatic Duck.

Exporting layers of audio from After Effects cs6 to Premiere / or Audition? Is this possible?

exporting layers of audio from After Effects cs6 to Premiere / or Audition? Is this possible?
Help - I have an After effects project with multiple layered files and want to copy these to Premiere / Audition. For example I know if you select multiple video files from After Effects these can be pasted straight into Premiere intact - but this does not work with audio. I want to take existing layered audio files from After Effects to Audition / or Premiere but can't copy and paste - is there a simple solution for this?

Hi thanks Dave for responding - yes that could work as a 'workaround' - I was hoping there would be a way I can keep the existing independent audio layers and corresponding audio levels from After Effects- in the same way I can copy and paste video files from After Effects to Premiere - rather than exporting a flattened AIFF /WAV from After Effects.
This would then allow me a lot more control working on the final edit - especially as currently a lot of the audio layers overlap. It does seem there is no simple solution for this, so otherwise I can do what you suggest - and 'stagger all the audio files' in sequence so they do not overlap on the timeline and then when I import the flattened exported AIFF file into Audition/ Premeire / I then can cut it up again and recreate the overlaps. Was hoping there might be a simple copy + paste method or other 'export method' but I guess this is simply not possible. It would save me about 7 hours of work, but not the end of the world I guess
One final point - some of the audio clips are .mp3s but the majority are WAVS, hopefully this should not create any issues on the export.
thanks again for your help, if you or anyone has any other solution pls let me know
Best
Alex

How to Render a TIFF image sequence with After Effects or Premiere

So I shot a timelapse in RAW using my D5200. Developed the images, imported into after effects to make a composition at 1080p 24fps, the clip is 15 seconds long. Then I rendered the clips a few ways and none of them are what I want:
I used the H.264 first, its just pixelated and blocky, doesn't retain a smooth resolution. H.264 output an MP4 that was 6.5 MB.
Then I tried lossless and it output an AVI which is awesome resolution but the file is 2 gigs! Not even VLC media player will play it smoothly without buffering.
Last I tried H.264 BluRay which output an M4V file which is 45 MB and I can't get it to play.
So now I'm here asking you all what the way to go is. When I download films, I will aim for a 1-2 gig 720p or 1080p file on roughly 2hr films. The resolution is great, the audio is great and the file like I said is only 1.5gigs average. So what are the rendering settings I should be using to get a file like this? Should I be importing it into Premiere Pro first or what?
-Thanks
Bruno
For Reference, here was my workflow:
I generally followed an Adorama Rich Harrington Time-Lapse youtube video on workflow which was:
Developed the Raw files in Camera Raw
Used the Image Processor to create the Tif files
Imported into After Effects as a TIF sequence
Interpreted the sequence as 24fps
Changed the Composition settings to 1080p 24fps
Then did the rendering as detailed above

1. You don't need to export your TIFF sequence so as to import it into After Effects, you can import RAW image sequence into After Effects directly. Camera RAW will start automatically on importing. What is more, you will be able to change your Camera RAW settings at any time you want inside your AE project: in Project panel select your RAW image sequence, right-click, choose Interpret Footage -> Main... In the dialog box click More Options... button (at bottom left), and Camera RAW opens.
2. Do NOT export to H.264 out of After Effects directly. If you need to export your composition to H.264, export it out of Adobe Media Encoder. Start from HDTV preset. If your goal is to upload your media file on e.g. YouTube, done. If you want to play it back on your computer, but your mediaplayer can't playback it in real time, start to decrease bitrate settings. Keep in mind that modern AVCHD cameras shoot with 28 Mbps, first AVCHD camcorders were shooting with 17 Mbps, YouTube preset in Adobe Media Encoder sets bitrate to 10 Mbps, Vimeo preset - to 8 Mbps.
Choose VBR, 2 Pass so as to benefit from better quality out of smaller file size.
See this The Video Road blogpost on Understanding Colour Processing and benefits of Render at Maximum Depth option.
3. If you're planning to use your After Effects composition in Premiere Pro project, you can use Adobe Dynamic Link. If your After Effects composition is quite complex, render a Digital Intermediate out of After Effects and import it into Premiere Pro. See this discissuon in AE Forum on some production codecs comparison.
P.S. See also this FAQ: What are the best export settings? entry.

Exporting from After Effects (field dominance issues?)

Hi all,
I created a FCP DV/NTSC sequence with field dominance set to none (I'm working with still images, this improves the quality a lot). I then export that sequence as a quicktime movie file and import that movie file into After Effects.
The problem is after I'm done working in After Effects, I can't export a quicktime file without it looking really poor quality. When exporting, I preserve all the original FCP sequence settings, except the field dominance settings(doesn't seem to be an option in After Effects for this?).
So pretty much I am trying to get a sharp picture when exporting in After Effects, so I can take it back into FCP. Please assist.

Your workflow is quite limited by the DV NTSC sequence. If your sequence is all stills, you are not necessarily tied to that setting at all. Do you need to output to a VTR via FireWire ultimately? What is your final output?
A better sequence choice might be DV50. You would export a QT movie, current settings. You don't actually export from After Effects. You render by adding your comp to the Render Queue. Good render settings would be DV50 (this would not require rendering in FCP), Animation, or perhaps ProRes 422 HQ if you have access to it. You would choose not to render fields.
If it's all stills, it would be better yet to simply start in After Effects.

Text from After Effects Project doesn't look sharp in FCP

I created a text sequence in after effects. Its rendered MOV looks crisp and clear but when I import it into FCP, the text looks jagged and the colors are less saturated. I also tried using the Media Manager to recompress the clip but it just doesn't have the sheen that the AE export does.
Why?

For one...
Shane's Stock Answer #2: Blurry playback
ONLY JUDGE THE QUALITY OF YOUR MATERIAL ON AN EXTERNAL BROADCAST MONITOR, OR AT LEAST A TV.
The Canvas shows you what happens after the codec you are working with has been applied. The Viewer shows you the material in its native format.
1. Disable overlays on the Canvas.
2. Make sure you've rendered everything (no green bars at the top of the timeline).
Video playback requires large amounts of data and many computations. In order to maintain frame rate and be viewable at a normal size, only about one-fourth of the DV data is used in displaying the movie to the screen. However, the DV footage is still at full quality, and is best viewed thru a TV or broadcast monitor routed thru your camera or deck.
Then for two, what settings did you export this from in AE? And what are your sequence settings in FCP? If you are working with a DV timeline, then your titles will inherit the DV 5:1 4:1:1 compression, and that doesn't treat text very well at all.
Shane

Help importing PNG sequence

So I believe I have successfully accomplished importing PNG
sequences before more than once. However, this time around, I'm
losing my mind. I just successfully rendered a PNG sequence out of
Adobe After Effects CS3, roughly 130 images, and I'm attempting to
import all of them as a sequence to FlashCS3. However, when I do
this, every image is duplicated with a graphic, and the graphics
are about 50x larger than the original PNG size. I cannot figure
out what I am doing wrong, I've never come across this problem. If
anyone has any advice, please let me know; it will be greatly
appreciated.
I also wanted to know how to move the position of images or
movie clips on multiple key frames at one time. If that makes
sense. As this PNG sequence for example.... If I don't like the
position of the sequence, I have to manually click each key frame,
and move the selected position... any help.
Thank you
Austin
[email protected]

Please disregard this post... I have found a solution. Thanks
for taking the time to read this post.

Problems importing PNG sequence

So I believe I have successfully accomplished importing PNG
sequences before more than once. However, this time around, I'm
losing my mind. I just successfully rendered a PNG sequence out of
Adobe After Effects CS3, roughly 130 images, and I'm attempting to
import all of them as a sequence to FlashCS3. However, when I do
this, every image is duplicated with a graphic, and the graphics
are about 50x larger than the original PNG size. I cannot figure
out what I am doing wrong, I've never come across this problem. If
anyone has any advice, please let me know; it will be greatly
appreciated.
I also wanted to know how to move the position of images or
movie clips on multiple key frames at one time. If that makes
sense. As this PNG sequence for example.... If I don't like the
position of the sequence, I have to manually click each key frame,
and move the selected position... any help.
Thank you
Austin
[email protected]

your first problem here is likely that the images you've
rendered are not set to 72dpi, standard screen resolution. Flash
will automatically render the image at a size related to 72, eg. if
your images are higher res they will be shown larger to compensate.
the second issue can be resolved by using the 'edit multiple
frames' button and selecting all items in the timeline you wish to
move, including multiple layers and frames. to do so, turn on
'onion skinning' place the playhead in the first frame you wish to
move, extend the handle to the last frame you wish to move - then
turn on the edit multiple frames button (third option in the
timeline toolbar) - then select all of the layers and frames you
wish to move in the timeline - now all the items on the stage
should be shown as selected, you can now click and drag the items
all together or use the arrow keys to nudge the images to a new
position.

Import animated model in after effects

Hello guys.I was wandering if there is a way to import a 3d model that was animated in programs like 3ds max an so.I mean not just rotation and possition but animated some part of the object also.e.g if it is a humman then he have to have animated hands.Thanks in advance and if there is something that u didnt understand , feel free to ask plsease.

I already have some pretty good 3D applications that can output OBJ and DXF amongst others (also FBX). Do I really need to buy Zaxwerks JUST to import my OBJ into After Effects CS6? In previous versions I could export an OBJ to Photoshop Extended and then import that as a 3D layer into AE (I just saw a tutorial on it) But I just learned that that functionality has been removed from AE CS6. So what do I do now to get a 3D model into AE as a 3D layer? I don't necessarily want to render everything from the 3D application as stills. I would like to try to use AE's cameras so that I can integrate other AE layers with my 3D objects.
Or should I just stick to the old guns and do everything in the 3D application and render as stills?

Importing PNG sequence from After Effects (or anywhere)

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