Interlacing methodology: analog capture, export AVI, DVD authoring?

My question concerns when to interlace and/or deinterlace a video?
The original medium is VHS tape.
The final products will be VHS tape (interlaced) and DVD (progressive).
1. I do an analog capture of a VHS Tape with a Matrox capture card. I assume the new AVI file is interlaced because the tape was interlaced. But maybe I am incorrect.
2A. For the final VHS product, when I export the video to an AVI file, do I need to turn interlacing on or do I need to use the progressive scan option? (If I use the interlacing option, am I doing a double interlace of the video? If I use the progressive scan option, am I preserving the already interlaced video?)
2B. For the final DVD product, when I export the video to an AVI file, do I need to A) use the interlacing option, use the progressive scan option, or C) deinterlace at this point?
3A. For the final VHS product, I merely play the newly exported AVI, and the interlaced video in analog form is outputted from the Matrox capture card and recorded by the VCR. Is that it?
3B. For the final DVD product, I use TMPGEnc (Tsunami MPEG Encoder) to create MPGs prior to authoring the DVD. Do I need to use interlacing or progressive scan options here? See step 2B for previous options performed.
Thank you for your expertise,
John

The source media is interlaced. Leave it that way for all exports.

Similar Messages

How do I export a 720p 30fps video that is suitable for NTSC DVD authoring?

I have some 720p HD videos, but they are 30fps. I want to encode them (using a separate program) to SD MPEG-2 for authoring an NTSC DVD. How do I conform these files to the 29.97fps frame rate needed for DVD authoring? Do I export the video as is @30fps, but set the MPEG-2 encoder to use 29.97fps during the encode? Will that sync cause problems or stuttering? Or do I need to do something else to the video before it can be encoded to MPEG-2?
I am quite new to using HD video, and never had to work with 30fps material before.

What camera did you shoot this on? Also I thought you said all the clips were 720p, the reason I'm asking what camera you shot this stuff is because with several camera's even though they say 720p they are actually recording as 720PsF which will appear to cs4 as interlaced footage. It also appears as interlaced to FCP and also media info and Gspot.
http://provideocoalition.com/index.php/atepper/story/psf8217s_missing_workflow_em_part_1_b enign_psf_versus_malignant_psf/

White lines on movie exported in DVD

ehi guys. I did just a nice movie with the suggestions of some members of this forum but at the end the quality of a 30minutes movie exported in DVD was not so much principally because of some white lines present in some pieces of the movie. These white lines are not clearly detectable, but still they disturb the vision. I guessed that this effect was due to the low ram of my laptop (512MB). is that correct?

It sounds like it *could* be an interlacing issue, especially as it appears on the TV, and not the computer. Chances are that the computer's progressive scan masks this issue, while the TV's internaced display shows it.
Now, are all of the source Clips on the same Timeline the same? Were they all Captured via PE from a miniDV camera, over a Firewire connection, or are the from mixed sources? Having this problem come in during the play of the DVD indicates that it might be some of the source files, but not all of them.
More detail on the Clips would help. In the Project Panel, you can get the properties of each of your source Clips. Listing those would be a good start.
Good luck,
Hunt
[Edit] Antonio,
If it is a Field Reversal interlacing issue, you might get some useful information from this current discussion.

My Personal Workflow for DVD Authoring in Encore

This is being posted, due to requests for workflow recs. from a few other threads. It is separate from those threads, but I will try to link to his post in those.
The DVD Specs. are quite strict on what is allowed, and in what exact form, in a DVD to be compliant with the standards set forth. However, there are some differences, other than image sizes, between NTSC and PAL. Depending on where you are, and where your DVD will be played, these can, and will, be different. Rather than type out a list of the specifications, Ill point you to: http://www.dvd-replica.com/DVD/dvdprimer-1.php for some reading and references.
That said, Adobe Encore can handle, on Import, more formats and sizes, than are allowed, by the DVD specs. In most cases, it will fit the Assets to DVD, but not in all cases. Also, some Assets are more likely to work, without problems, than are others. Rather than list all of the file formats, etc., that Encore can work with, Im only going to list a potential workflow, that has been known to work, with the least effort, for me. My suggestion is that if you have Assets that are different, you look into getting them into perfect compliance, BEFORE you bring them into Encore. This allows Encore to do, what it does best, create DVD Spec. DVDs for play on a television set through a set-top player, or on a computer through a DVD software player. This article will not address a lot of other possible inclusions, such as ROM content, interactive DVD, multiple Audio Tracks, Closed Captioning, or Subtitles. It also assumes that one is burning to a DVD and not to Blu-ray Disc, or another medium.
Most of the thoughts here come from a few sources, the prime one being Jeff Bellunes book, The Focal Easy Guide to Adobe Encore DVD 2.0, by Focal Press, ISBN 0-240-52004-1. Other sources are Adobe Press Classroom in a Book for Encore, and various articles and discussions from the Adobe User-to-User Forums, for Encore and Premiere Pro.*
There are many possible ways to acquire Assets (the actual Audio and Video files that you will use), and I will not cover all of these, nor will I go into great detail on preparing your Assets for Encore, other than to say that its best to Export from your Non-Linear Editor (NLE), or convert with third-party programs, your Assets so that they are most likely to work in Encore. Your choice of NLE, or conversion program is totally up to you. There are freeware, shareware and commercial ware programs for all of this. Reading the various Adobe forums and other video production forums, plus a healthy dose of Google, should yield a whole toolbox of utilities. No one utility, from $50,000 authoring programs to freeware file converters can do it all. Like a good mechanic, you need the best tools for the exact job. Also, there are other DVD authoring programs, and some are less strict, than is Encore, about what they will and will not accept. Your final DVD may play perfectly, or it may not. Encore tries to assure that you will get perfect playback on as many different machines, as is possible.
Ill step you through my personal workflow, but you have to understand that this is not the ONLY way to do it. You also must realize that your exact needs might dictate that you do it otherwise. All Im giving you, is what has worked for me in hundreds of successful DVD Projects. It is based on trial-and-error, a lot of help from the regulars in the Adobe forums, Jeff Bellunes book and other resources. How you adapt this to your personal workflow, or your particular Project is up to you.
[Go to Page 2 for the rest]

[Page 2]
To start, plan your Project from beginning to the finished product in this case, a DVD that can play on a TV, or on a computer, that is compliant with the DVD specs. I usually have edited all of my Video and Audio Assets, using Adobe Premiere Pro (PP), and Adobe Audition (AA). Any still Assets have usually come from Adobe Photoshop (PS), whether they are Menus, or Graphics of some sort. This allows me great flexibility in the creation and Export of my Assets. In a parallel universe, one might have a client, who hands them Assets, that have to be manipulated. One then has to find the right tools to get the Assets into a format that will work.
I plan each Project, and usually draw out a flowchart (not unlike the Flowchart Panel in Encore) in Adobe Illustrator (AI). This gives me the layout and navigation of the DVD, and lists all of my Assets, showing all of the links from Menus to Assets, often by way of Playlists, or Chapter Playlists. From this flowchart, I then create a list of all of my Assets, noting what form they are in, and also which ones will, or might, need some additional work.
Next, I gather these Assets from their location on my systems hard drive (HDD). There, I have built a folder hierarchy that differentiates the Assets type, Still, Menu, Music, Audio (associated with the Video) and Video. All are below my main Projects folder. As I have created these Assets, I have control over their form and format. All of my Video is an elemental stream (Video only no Audio, not muxed) in the DV-AVI format. All of my Audio is an elemental stream (Audio only no Video, not muxed) in the AC3 (Dolby Digital) format and is usually DD 5.1 Surround Sound. All of my Music (for Menus, etc.) is in AC3 format. All of my Menus are PSDs, and are either built FROM the template Menus in Encore, adapted for my needs, or are constructed in PS using the exact same conventions as the template Menus in Encore.
I have created a template Project in Encore, that has my normal structure in place. It is empty, except for a Bin structure, which lists my Assets: Video, Timelines, Audio, Music, Menus, etc.. This template has been saved from Encore (remember, its otherwise empty), and I Open it in Encore, and immediately Save_As, to my Project folder, with that Projects name. I use Save_As for two reasons, it leaves my template Project untouched and then locates my Project in the proper folder and is still in Encore on my screen. If I were to use Save_As_a_Copy, Id then have to Exit and Open that copy. My way automatically gets me to where I need to be, with my new Project (named appropriately) open in Encore. Im ready to get started.
With my Assets list in hand, I Import these into the pre-made Bins. First, I Import my Videos, as Timelines into my Timelines Bin. This brings in my DV-AVI Video files and creates a Timeline for each. When done, I split out the Video, into the Video Bin leaving the Timelines alone in the Timelines Bin. If I have any Video for my Motion Menus, I Import, as Asset, into the Video Bin, along with the Videos that were used to automatically create my Timelines. Next, I Import, as Asset, my Audio AC3 files into the Audio Bin. Same for Menus, as Menus, into my Menus Bin. Music AC3's are Imported as an Asset into the Music Bin. Should there be any Stills, that are not Menus (highly unlikely), they are Imported into a Stills Bin. Now its time for some drag-n-drop. Each Timeline has its Video on it, and I go to the Audio Bin, and drag the appropriate Audio file to its respective Timeline. Because I edited and Exported these files as elemental streams (non-multiplexed, or muxed), I know that they are EXACTLY the same Duration. Now, I set the appropriate Poster Frame for each Chapter/Timeline. To step back a bit here, I need to point out that I always edit my movies in PP, my NLE of choice, and keep each Chapter on its own Sequence. I Export each Sequence as a separate file (one Audio and one Video). I almost never use Chapter Markers, as each Chapter will be a separate set of Audio and Video files, and will have it own Timeline in Encore. The only times that I use Chapter Markers, is when I need some additional navigation within a Timeline, but that is not often. This is just how I edit. I will not cover other methods, but there are books and articles that discuss other ways. None is right vs wrong. They are just different, and this one is mine.
From my Flowchart Panel, I know if I will have a Video (with Audio) lead-in as my First Play. I also know exactly what my Menu structure will be. Most of my Projects have a Main Menu with sub-Menus for Scene selection, or other features navigation. I also know how many Playlists I will need, and create these. There is usually a Play All Playlist, as my Chapters are all on a separate Timeline. I seldom use a Chapter Playlist (similar name, but different than a Playlist). These are all stored in my Playlist Bin. Now, I can now start Linking my Assets.
In PS, I will have named my Buttons to correspond to the names of my Chapters (remember mine will be each on a separate Timeline, which have also been named appropriately). I leave the Button numbering, which is different than a Buttons name, in the same hierarchal order, #1 is the lowest on the Button Layer Set palette, with higher numbers in ascending order. Because my Buttons are already named, Ill take each Menu into the Menu Monitor and do a Ctrl-a (Select all) and makes sure that Sync Button Name is unchecked in the Menu Properties Panel. I do this for all of my Menu Buttons - heck, I have already spent the time in PS to create the proper Text Layer, and have changed the Buttons names to what I want them to be, why mess that up now.
With the Buttons, in all of my Menus and sub-Menus named appropriately, I can look in the Flowchart Panel and know exactly where I need to Link. One could almost do this blindfolded. Its here that I make sure that the End Actions get me exactly where I wish to go. Also, by using Playlists for things like Play All, I can set the End Action there.
Last, I address my Menus, regarding Motion. About half of my Menus have some form of animated Background. These are always non-muxed DV-AVIs (stored in the Video Bin). Almost all of my Menus will have Audio, in the form of an AC3 (stored in the Audio Bin).
Everything has been Linked, all End Actions have been set, nothing is left in the Orphanage, and it is time to Check Project. Oh, if I do have animations on my Menus, Ill Render Motion Menus and Preview them. I always leave all functions checked in Check Project and run it. I note any warnings, or errors, and go about fixing these. Ninety percent of the time, I only get the occasional warning, and it will be about End Actions. As these are only warnings, I note them to make sure that, in Preview, things function as I wish. There are almost never any errors, but if there are, I begin fixing them. Note: the Check Project function really only checks the navigation, as per the DVD specs. It does not check that your Assets are compliant. Since mine are, before they are Imported, this is never a problem.
Now, I Preview, and Preview, and Preview. Normally, I am able to leave Button Routing to Automatically Route Buttons, so I seldom have to worry about that. Also, since I either built my Menus FROM the Encore Menu Templates, or created them PER the Encore Menu Templates, I seldom have any Button overlaps.
[Go to Page 3]

What is the best frame rate to shoot/edit with for export to DVD?

Hello, I am going to shoot some instructional martial arts videos that need to be exported to DVD. I haven't exported to DVD since 2005. I am curious what the best frame rate is to shoot with and edit in Premiere to export to DVD. I've read conflicting information online. Some forums say that you can edit in whatever frame rate you want as long as the output is SD, 30i, which seems outdated to me.
I'm shooting on the GH2, so my options are 1080 24p (which has terrible strobiness compared to other cameras at 24p), 1080 60i, 720 60p, and apparently there is an HBR firmware update that allows 1080 30p. I want the motion to be as unstroby as possible, without being too soft. My friend's camera can shoot 1080 60p and I'm considering buying the G6, which also shoots 1080 60p. But I've read online that 60p to DVD looks choppy.
Any advice would be greatly appreciated. Thank you very much.
Jeremy

Thank you Jim. I do have one more question with regards to your advice:
I am putting the new firmware on my GH2 today, so I will be able to capture 1080/30p as opposed to only 1080/60i to edit in the 30p timeline. Is there a reason you would prefer 60i over true 30p at the same res? I've had problems with interlacing in the past never quite going away and getting funky when doing slow motion and other effects.

Still images exported to DVD look deinterlaced and flicker on TV monitor

Hi,
I have tried tried almost everything and I still have issues with the still images exported to DVD as sequencefrom FCP 7.0 by using Compressor are deinterlaced and flicker on TV monitor. Please help remove the annoying flicker.
My FCP Timeline Sequence settings match the image resolution:
Frame Size: 1024 x 682 (double of 720 x 480 standard DVD res)
Pixel Aspect Ratio: Square
Field Dominance: None
Compressor: Photo JPG (also tried, DVCPRO-NTSC)
I cropped the original images in Photoshop to the 1024 x 682 and saved as tiffs. They still look deinterlaced in FCP timeline and exported to DVD on my iMac computer monitor.
Final output of DVD will be on this monitor:
Specifications:
Ikegami
Model: VCM-2101
Resolution: 450 TV Lines (Horizontal)
Should I crop the images to 450 horizontal pixels or the double of that 900?
How can I match the sequence or the images settings to avoid the flicker and deinterlaced look on that monitor? I am not able to test the image by having the monitor next to computer.
Compressor:
I used custom DVD settings in Compressor for 90 min best quality DVD. Tried the Porgressive and "Same as Source" in Output field.
In "Crop to" and "Padding" I set for preserve source aspect ratio and letterbox area of source.
I followed the advices from below and I still did not resolve the problem. Please is there anythign else I can try?
Thanks a lot..
Re: Poor Quality Stills
Dec 19, 2006 4:08 PM (in response to Steve Braker)
Things to try (In increasing order of image degradation)
- (in FCP) field order>none
- (in FCP or Photoshop) reduce whites by 10% - reduces overly bright areas
- (in FCP) flicker filter - minimum
- (in Photoshop) motion blur>vertical> .2 - .5 pixels - blurs vertically only
- (In FCP or Photoshop) Gaussian blur> .2 - .5 pixels -blurs both horizontally as well as vertically
- (in FCP or Photoshop) deinterlace - throws away half the image and is generally not appropriate on scanned images

Dear Russ,
Thank you very much. Yes, there is something else in the sequence, old documentary, 768 x 570 (no field dominance, 25fps, Apple ProRes 422) but the images are more imporant.
make a progressive sequence with square pixels. (I am partial to 720P, 1080 should work – or 540). Choose Pro Res 422
Do you mean that I should make a sequence in FCP with these settings? If yes, how can I set a "progressive" sequence? I dont see a setting for output field in FCP sequence settings, lnly in customizing Compressor output DVD format.
Also: "720P, 1080 should work – or 540" are you talking about Frame size? If so, to set in Compressor or in FCP?
If you have interlaced material, then de-interlace before you bring it in. If you don't have interlaced clips, don't de-interlace.
The images are not interlaced after I crop them, apply motion blur filter in Photoshop but look interlaced in FCP timeline after I import them and even to the same as photos sequence in FCP timeline.
Please help and thank you for your comments.

First Video Export to DVD Question

Hi - I have my first ever video export from Premiere to a DVD and I'm a little nervous about it. My footage will be shot with the Panasonic ACHD (I think that's the model as I don't have the camera with me here) and the camera is set for 1280 x 720 at 24 FPS.
I was looking through the export settings in Premiere CS4 and found the MPEG-DVD and MPEG Blue Ray settings. When I select MPEG-DVD, I notice that two vertical bars are in each end of the output; when I select MPEG Blue Ray, there's a setting in there that makes those bars go away and the picture fits the dimensions perfectly, so it looks like I can use those settings.
My question is - after I export this file, how do I actually get it on the DVD disk? Should I export it like above and then use Adobe Encore to burn the disk? Or is there some other method?
Any help is appreciated. Thanks.

Your original file is HiDef, a DVD is Standard Def at 720x480 so you will see a difference from original to DVD
You may not use BluRay files on a DVD... see above
You use PPro for editing, Encore for authoring... reading below
The individual CS5 pages also have links to the CS4 user guide pages
CS5 User Guides - online and PDF (right click PDF link to save PDF to your hard drive)
http://blogs.adobe.com/premiereprotraining/2010/08/help-documents-for-creative-suite-5-pdf -and-html.html
Here Tutorials
http://forums.adobe.com/thread/913334
http://forums.adobe.com/thread/845731?tstart=0
-and http://forums.adobe.com/message/3234794
A "crash course" http://forums.adobe.com/thread/761834?tstart=0
A Video Primer for Premiere http://forums.adobe.com/thread/498251?tstart=0
Premiere Tutorials http://forums.adobe.com/thread/424009
CS5 Premiere Pro Tutorials http://forums.adobe.com/message/2738611
And http://blogs.adobe.com/premiereprotraining/2010/06/video_tutorials_didacticiels_t.html
And http://blogs.adobe.com/premiereprotraining/2010/06/how_to_search_for_premiere_pro.html
CS5 Tutorials http://bellunevideo.com/tutlist.php
PPro Wiki http://premierepro.wikia.com/wiki/Adobe_Premiere_Pro_Wiki
Tutorial http://www.tutorialized.com/tutorials/Premiere/1
Tutorial http://www.dvxuser.com/V6/forumdisplay.php?f=21
Tutorial HD to SD w/CS4 http://bellunevideo.com/tutorials/CS4_HD2SD/CS4_HD2SD.html
Premiere Pro Wiki http://premierepro.wikia.com/wiki/Main_Page
Exporting to DVD http://help.adobe.com/en_US/premierepro/cs/using/WS3E252E59-6BE5-4668-A12E-4ED0348C3FDBa.h tml
And http://help.adobe.com/en_US/premierepro/cs/using/WSCDE15B03-1236-483f-BBD4-263E77B445B9.ht ml
Color correction http://forums.adobe.com/thread/892861?tstart=0
Photo Scaling for Video http://forums.adobe.com/thread/450798?tstart=0
-Too Large = Crash http://forums.adobe.com/thread/879967?tstart=0
After Effects Tutorials http://www.videocopilot.net/
Authoring http://www.videocopilot.net/tutorials/dvd_authoring/
Encore Tutorial http://www.precomposed.com/blog/2009/05/encore-tutorial/
And more Encore http://library.creativecow.net/articles/devis_andrew/
Surround Sound http://forums.adobe.com/thread/517372

Poor DVD Quality when exporting to DVD

I have an HD timeline with XDCam footage 1080i. I have been trying to export to DVD and everytime I export I get poor quality video. The image shows distortion and pixelation. My client is not very happy with the final product and I'm just running out of asnwers. I have tried exporting using Dynamic Link, Media Encoder and I get exactly the same result. I have tried exporting the first 15 min with same results. Jagged edges, etc.
I just upgraded to CS5 from CS4 hoping to resolve the problem and I get the same result. I only have the problem while exporting to DVD in MPEG format. Blu-Ray format works great.
Any help is greatly appreciated.

Hi Ann
    Here are the specs of my PC.
     Dell Workstation T7500
     12Gb RAM
     Quad Core Xeon E5520 2.27 CPUs
     Vista 64Bit OS
     Terrabytes and Terrabytes of RAID storage. Too many to mention.
I can edit HD content in real time and works great the only issue I'm having at this point is just Encoding HD to SD. The encoding is normally done fairly fast, except for HD wich takes almost a whole day to encode when delivered in HD. Right now is taking longer because I'm trying to go from interlaced to progressive I guess.
Question regarding your settings.
My settings are different than yours on:
     Quality = 5
     Field Order = Lower (Could this be the problem?)
Thanks

Poor video Quality when exporting to DVD

I cant seem to get a clear video. I am downloading from DV from a canon and the quality is sentational.
When on the time line averything is brilliant. When rendereing everything is still ok.
When exporting to DVD it goes pear shaped. I have tried dozens of different variations with the same results.
I am in AUstralia and am using PAL.
I get motion blur and what appears to be very poor quality result after exporting.
Help... I dont have much hair left.
Premier Pro Tragic

@Harm,
"Pear-shaped" (or sometimes "fruit-shaped") is a euphemism meaning that the effort has gone awry; it was a mess.
@John,
Export to DVD is a PPro 2.0 function; in CS3 it is now Export to Encore. Is that what you meant?
First thing is to check the field orders of your source material and of your export settings. Don't invert them, and don't deinterlace interlaced footage.
Perhaps a short list of the settings you have tried (and why you chose those settings) would help us help you.
-Jeff

How do i export to dvd

I have created a film in imovie but am stuck where to go next. I have only used idvd before and that was with help.
Any help appreciated about how to export to dvd, and what app to use.
Also, any info on how to do dvd arwork on disc?
Thank you in advance of ideas.

Jane,
If the intended delivery is DVD-Video, whether burned to a disc, or to a folder for later burning to disc. Encore is what you want to use.
As Harm points out, you can Export to either a DV-AVI Type II (can be muxed, bur elemental streams are a fail-safe), or to DVD-compliant MPEG-2 (here I would use elemental streams) and then Imported into Encore (or Linked to Encore via Adobe DL).
In Encore, if you use the DV-AVI Type II files, it will do the calculations for you automatically, or semi-automatically, if you choose. With the MPEG-2, you do the calculations beforehand and make those settings adjustments. This is done via the bit-rate calculator that Harm linked to, or similar.
When you mention "target file size," exactly what are you shooting for here? If it's just fitting to a DVD-5 disc, then Encore will take care of that. If it's something else, please let us know.
Good luck,
Hunt

Capturing TIVO on DVD

I have a new MacBook Pro and want to capture my TIVO content on my MBP, then make DVDs of it. I spoke with TIVO support and they suggested I go wireless with the TIVO using a TiVo Wireless G USB Network Adapter and pick it up with the MBP. I would then need to convert the TIVO files to MPEG2 or MPEG4 to put onto the DVD for future use.
1). Will the TIVO wireless adapter make the TIVO content available to pull into my MBP?
2). What software will I use to convert to MPEG? Sonic video conversion software was suggested by TIVO, but looking at Sonic websites I only see Windows apps, and so far no Mac software for the TIVO-MPEG conversion.
Thanks for any help you can give me.
MacBook Pro Mac OS X (10.4.3)

1). Will the TIVO wireless adapter make the TIVO
content available to pull into my MBP?
Take note that you don't need to buy the TIVO brand wireless adapter. Many (cheaper) devices work. Don't waste your money by throwing it at Tivo, they don't deserve your money.
2). What software will I use to convert to MPEG?
Sonic video conversion software was suggested by
TIVO, but looking at Sonic websites I only see
Windows apps, and so far no Mac software for the
TIVO-MPEG conversion.
None. Mac does not support *.tivo files. Tivo to go was supposed to be released Mid 2006, but Tivo yet again, disappointed Mac users. It is questionable as to what the hold up is, but I'd say it's not happening anytime soon.
You can access downloads of your tivo box via its IP address, the Now Playing 2.0 widget, or via Tivo To Go on a Windows PC.
Unfortunately the only way you will be able to watch or convert a *.tivo file is on a PC using various applications. Something called "Direct Show Dump" can transfer *.tivo to a mpeg file.
It is very time consuming to go from Tivo --> PC --> Conversion --> Transfer to Mac. A 1 hour show can take up to 6-8 hours due to the size, and due to the fact that regardless of the wireless adapter, tivo transfers files VERY slowly. it takes about 3-4 hours to transfer a 750 GB show (generally 30-45 minute show).
As of right now, I am extremely disappointed with the lack of Mac compatibility with Tivo. It's funny because in many diagrams authorized with Tivo, they show it being used with a Powerbook.
I don't think it's worth your time. You may want to investigate other options like using EyeTV and saving your TV shows that way.
The only EASY option to Capture Tivo on DVD is to buy a Tivo Box with a DVD burner on it. That is the only fast way to capture stuff on a DVD and easily transfer it to a Mac
sorry for the bad news

DVD Authoring: How to Make a Menu/Home/Splash Screen

I searched for "DVD menu" and "DVD authoring" but came up empty for what I am trying to do.
I am a newbie to InDesign (CS3), using mostly Premiere Pro. I am a teacher at a High School and for our 4th quarter project we are making a Senior year video. Anyway, one of the groups have the task of designing the cover art, liner notes, DV-disc cover, as well as the menu screens for the DVD itself.
I clearly see that InDesign has some nice templates for most of this stuff, but is this the proper software to be using to create a menu screen to load the chapters, view additional content and things of that sort?
Thanks for the guidance. I'm looking forward to this project but want to make sure I understand the general process first. I'm a quick learner but want to make sure I am studying the right software this weekend!

InDesign is excellent for the printed material, but almost wholly useless for DVD menus. At best, you could create some graphic backgrounds by exporting the layout to JPEG - and that might be an approach to make your printed materials and menus match - but it has no features for creating or editing the menus themselves.
What you want is a DVD authoring tool. There are quite a few around, most of which have flexible titling and menuing functions. Some very limited packages only work with a canned menu; others have some support for user-created menus and titles; others are full-function design and layout tools for those purposes.
I find that Adobe Encore handles most of my needs, but you may be looking for a less expensive alternative. (Encore is about $200 with an academic license, if I remember rightly.)
A general web search for "DVD Authoring" should turn up a selection of tools in all price ranges and with a spectrum of capabilities.

Newbie Question - DVD Authoring

I am brand new to the Mac and DVD authoring, but so far love it and won't go back to a PC!!!
I have approx. 150+ 8mm/Hi8/Digital 8 tapes to edit and create DVDs from. Do I need to keep the original analog or digital tapes for future projects?
The real question is, in the future, can I take a completed iDVD disc and extract video/audio from it to create a new project or do I need to have the original 8mm tape?
If I can extract from an iDVD disc, how?
Thanks!
Tim
PS. Sorry if this is a simple question!
iMac Mac OS X (10.4.10)

The real question is, in the future, can I take a completed iDVD disc and extract video/audio from it to create a new project or do I need to have the original 8mm tape?
Yes you can with an app like:
http://www.dvdxdv.com/NewFolderLookSite/Products/DVDxDV.products.htm
but it will lose significant quality. Best to hold on to all source footage /mini dv and hi8 tapes.
Keep the original tapes or move your iMovie to mini dv tape and keep those for future edits. But you will likely lose your chapter markers. Or save your iDVD's in the form of a disc image to an ext. FW HD (less desireable due to the fact you cannot make future edits unless you opt for the above mentioned app).

Premier Elements 3 crashes when 'Burn' button clicked or 'Export to DVD' selected

After compiling a slide show in Premier Elements ( including rendering, previewing, saving) and I then try to either “Burn” or “Export to DVD” the programme immediately shows “Adobe Premier Elements.exe application error. The instruction at 0X0000000 reference memory 0X0000000. The memory could not be read.” OK or Cancel immediately shuts the program down and can’t be re-opened until the computer is re-started. On shut down a second message is displayed “The instruction at 0x00f96cb7 reference memory at 0x00000000. The memory could not be read. OK to terminate.’ I have replaced the RAM. I have repaired the programme many times with my original disc. I have uninstalled and reinstalled the programme many times. I have uninstalled Nero in case of a conflict. These fixing attempts seemed to have stopped message 2 appearing and the programme can now be restarted after it crashes without having to reboot. I have not been able to cure message 1, it crashes completely at any attempt to ‘burn’ a DVD or ‘export to a DVD’. I can use Windows to burn other discs without problems. I have previously burnt many other slideshow DVD’s without problem.
I cannot find anything similar to this fault in PE forums.
Hope to find some help.

Rosemary,
Trying to remember the full article, I do not think that I used too much "jargon," but in case that I did, I'll give you a quick distillation. You might want to still read on, as much more will be covered in that article.
When one starts a Project and then does a Save, a file is written to the location that the user chose. That file is [Project Name].prel. That file uses a computer language called XML. In the article, I show and example of a little bit of that language. That file ONLY contains a series of lines that link to the location of all Imported Asset files - the AV files, the still images, etc.. Those links are to where the various files were located on one's computer, when they did the Save. Next, there are a series of instructions for PrE to work with those linked Assets. These might be along the lines of "cut Shot_01.AVI at 00;00;30;00 and then again at 00;00;45;00," or "apply the Gaussian Blur Effect to Shot_02.AVI." Things like that. PrE is what is called a non-destructive NLE (Non Linear Editor) program, in that it never directly does anything to your original Assets, but only to the info gathered from them though those links. Your files are untouched, unless you were to do an Export/Share to that location, with the exact same name.
The .prel file only has some programming language inside. It is basically a database of links and instructions - not one Asset. It is not until a user does an Export, or Share (those terms basically mean the same thing, but in later versions, some of the old Export functions are now only under the Share tab), that any playable file is generated from PrE. Until then, there is nothing to play, only to Open in PrE (so long as the linked Assets still exist).
I hope that this makes sense. Many users are under the mistaken impression that Save will yield a playable file, or that one can play a .prel file. That is not the case, as explained above. This question has come up often enough, that I did the article to point out the differences, and give some tips on how to really get what one wishes.
After you read through the article, please do not hesitate to post any questions. What I want is something that is useful to all, regardless of their level of computer expertise, or their knowledge and familiarity with PrE, or any other NLE program.
Just let me know,
Hunt

CS4 DVD Authoring

Most of my PrPro editing has been done for website video, but now I am needing to do some DVD authoring. I am not totally inexperienced with this, having done some home movies that way, but this project is too important to cut corners, and will be scrutinized by some VIPs.
So what I need to know is, what is the best encoding method and parameters to select when the end product is a DVD? Media Encoder has so many selections and so many parameters, it's hard to know which is the best. Ideally, it should be the best quality, but also burn reliably. By that I mean, no hidden surprises that will cause Encore to crash without so much as a clue as to what caused it (as has happened so many times).
Thanks!

Use one of the MPEG2-DVD presets in the export options. You should be fine.

Interlacing methodology: analog capture, export AVI, DVD authoring?

Similar Messages

Maybe you are looking for