Is there a feature in Audition CS6 similar to Soundtrack Pro's Conform Projects

Hi All,
I'm new to the forums so I applogize if this is a repeat question, I could not find it during my searchs.  I have a video project that I sent from Premiere to Audition, did my sound mix and sent back to Premiere.  There was then a requested change to change the timing of the video, causing sound timing to change as well.  In Soundtrack I would send the updated sequence to soundtrack, conform projects, and then my filters, effects, and other modifications would be all back in place.  Is there a similar feature or way to accomplish this in the Premiere/Audition workflow?
Thanks!
Mark

Nothing in Acrobat, as emailed forms simply arrive in your regular mail client.
You could create a dedicated mailbox for the form, and set an auto-responder on your mail server - but that's all.

Similar Messages

  • Appcrash with multitrack sessions in Audition CS6 on a MacBook Pro with Windows 7

    This is an issue with multitrack sessions different from 44100 Hz in Audition CS6 (as part of a Premium Suite CS6). While multitrack sessions with  a sampling rate of  44100 Hz works normally (as long as I use clips with 44100 Hz) any other sampling rate causes  an APPCRASH (s. below). Also with the insertion ( in a 44100 Hz multitrack session, of course) of any clip with a sampling rate different from 44100 Hz, the programme crashes in the moment it's going to generate a adapted copy for the multitrack timeline.
    Audition is installed on a MacBook Pro Retina 15" ,Mid 2014, Model 11,3, Intel Core i7 4870HQ 2,5 GHz, 16GB RAM  with  Windows 7 SP1.
    I tried all advices of the Adobe troubleshooting site and some of the community.
    Especially:
    - the simplified mode with user-defined system start
    - deactivated user account control
    - new user account
    - deactivated data execution prevention (DEP)
    Also the use of different audio interfaces affords no effect:
    - build in Cirrus Logic CS4208 with MME drivers
    - Motu UltraLight mk3 hybrid via USB with Asio drivers.
    In spite of an extensive search I can't find any similar case in the net.
    So, please, can you help me?
    Sorry, it's a german version of windows 7:
    Problem signature
    Problemereignisname:    APPCRASH
      Anwendungsname:   Adobe Audition CS6.exe
      Anwendungsversion:    5.0.2.7
      Anwendungszeitstempel:           505806ee
      Fehlermodulname:    StackHash_0a9e
      Fehlermodulversion: 0.0.0.0
      Fehlermodulzeitstempel:           00000000
      Ausnahmecode:        c0000005
      Ausnahmeoffset:       45ef2b00
      Betriebsystemversion:  6.1.7601.2.1.0.256.48
      Gebietsschema-ID:   1031
      Zusatzinformation 1:    0a9e
      Zusatzinformation 2:    0a9e372d3b4ad19135b953a78882e789
      Zusatzinformation 3:    0a9e
      Zusatzinformation 4:    0a9e372d3b4ad19135b953a78882e789

    I'm afraid you are right. At the worst I'm more than 50% of the audition users on a mac with windows.To solve the problem within a passable time I would like to change to the mac version of audition. But unfortunately it's impossible to use the mac version with a windows licence. And CS6 licences (mac audition) are not longer available (only at a moon rate). 
    Because of the weekend we can pass the time with the latest news of my trouble-shooting.
    The crash is not only within the multitrack session but also within the waveform view: when I try to change the sampling rate (Edit -> Convert Sample Type) the programme crashes with the same problem signature. And here it crashes with all sampling rates , including 44.1k audio files. On the other hand I can play all sampling rates within the waveform view. 
    I compared the logfile from the predecessor of the MacBook , a LG Notebook with windows vista and a working Au CS6 with the current logfile of the Mac: They are identical at the beginning and at the end (termination sequence). But after " Initializing AuScripting"  there is a "DLMS 6.0x39 FileServer startup code: 0" and the listing of a couple of codecs in the Notebook logfile - but not so in the Mac logfile.
    Also the logfile of my workstation with a working Au CS6 shows this "DLMS 6.0x39 FileServer startup code" - line. Because of the two working and one crashing computer this part of the logfile seems to be important ??
    Logfile audition predecessor (Notebook) - detail
    A blank line is only to arrange the logfile more clearly - it doesn't stand for missing lines.
    Ticks = 60014      <4068> <AuLog.DisplaySurface> <5>     Initialize PRM
    Ticks = 60014      <4068> <AuLog.DisplaySurface> <5>     Initialize DS
    Ticks = 60076      <4068> <AuLog.DisplaySurface> <5>     DS Initialize succeeded
    Ticks = 60076      <4068> <AuLog.DisplaySurface> <5> Video Panel is using the Display Surface
    Ticks = 64304      <4068> <AuLog.Startup> <5> Initializing AuScripting
    Ticks = 86191      <3796> <AuLog.Plug-in> <5> DLMS 6.0x39 FileServer startup code: 0
    Ticks = 86191      <3796> <AuLog.Plug-in> <5>     AVI Movie (*.avi)
    Ticks = 86191      <3796> <AuLog.Plug-in> <5>         *.AVI
    Ticks = 86191      <3796> <AuLog.Plug-in> <5>     FLV (*.flv)
    Ticks = 86191      <3796> <AuLog.Plug-in> <5>         *.FLV
    Logfile MacBook Pro - detail
    Ticks = 3510      <3976> <AuLog.Startup> <5> AuUI initialization sequence complete.
    Ticks = 3869      <3976> <AuLog.DisplaySurface> <5>     Initialize PRM
    Ticks = 3869      <3976> <AuLog.DisplaySurface> <5>     Initialize DS
    Ticks = 3900      <3976> <AuLog.DisplaySurface> <5>     DS Initialize succeeded
    Ticks = 3915      <3976> <AuLog.DisplaySurface> <5> Video Panel is using the Display Surface
    Ticks = 4493      <3976> <AuLog.Startup> <5> Initializing AuScripting
    Ticks = 22948      <3976> <AuLog.Plug-in> <5> Loading AMIO plug-in: AmioWav
    Ticks = 22948      <3976> <AuLog.Plug-in> <5> Audition Wave Amio-Plug-In. ID: 60df8553-00c8-4fd7-8a07-6f25e30ab79c
    Ticks = 45958      <3976> <AuLog.Shutdown> <5> AuUI termination sequence started...

  • Multitrack recording in audition cs6 - input hardware question

    I use audition cs6 on win 7 pro for editing and hospital radio production work.  Soon to take delivery of a Sonifex S2 desk for the main studio and have a need to be able to record two seperate stereo outputs from the desk simultaneously (for example, speech tracks and music tracks) for ease in re-editing live broadcasts.
    The desk has parallel analogue, AES/EBU and SPDIF outputs on both the main and audition busses so I could do with some advice on input hardware to give me the two stereo ASIO channels on the pc for recording by audition.  Latency isn't an issue in this case, and if the input hardware uses the digital outputs, the clock can be provided by the desk if necessary.
    This is not a scenario that would be expanded, it is a fixed studio installation so 2 x stereo line inputs are all that will be required.  I just don't know what is suitable hardware.
    Obviously cost is an issue, being a charity.
    Any advice welcomed!
    Christopher

    I use audition cs6 on win 7 pro for editing and hospital radio production work.  Soon to take delivery of a Sonifex S2 desk for the main studio and have a need to be able to record two seperate stereo outputs from the desk simultaneously (for example, speech tracks and music tracks) for ease in re-editing live broadcasts.
    The desk has parallel analogue, AES/EBU and SPDIF outputs on both the main and audition busses so I could do with some advice on input hardware to give me the two stereo ASIO channels on the pc for recording by audition.  Latency isn't an issue in this case, and if the input hardware uses the digital outputs, the clock can be provided by the desk if necessary.
    This is not a scenario that would be expanded, it is a fixed studio installation so 2 x stereo line inputs are all that will be required.  I just don't know what is suitable hardware.
    Obviously cost is an issue, being a charity.
    Any advice welcomed!
    Christopher

  • Very used to Soundtrack Pro (on Mac) at school but New to Audition On PC Trying to get Soundtrack Pro workplace

    Hello Everyone This is my first post to the forums because I really need a hand
    In my school we use Soundtrack Pro on our iMacs and I have become very used to it
    Since I have my own windows PC I decided to pick up Audition CS6 to use for sound design at home
    The only problem is I would like to find a way to set up Audition to have the layout (or workplace) of Soundtrack Pro
    I have searched through countless pages to find a way to Import a workplace that looks similar to soundtrack pro's layout and have had no luck
    Is there a way that someone might be able to have a download link to the soundtrack pro workplace to use in Audition CS6? I know I won't be able to get every tab but the closest works as well
    If there is a download to the workplace file where would I put the properties file on PC? I noticed that you can do this on a mac as seen here (Soundtrack Pro?)
    If there is anyone out there who could help I would greatly appreciate it

    if I understand what you're asking for, I don't know that there's any predefined workspace layouts that closely mirror the default layout of Soundtrack Pro, but it shouldn't be too difficult to recreate.  You can drag and drop any panel in Audition, resize it, group them, or hide them altogether.  You can save a layout as a new workspace, or if you completely mess it up, revert to the default layout for your original workspace.  As you drag panels around and hover over existing panels, you'll see different purple "hot-zones" appear. These provide guidance on where the dragged panel will be placed if you release the mouse button.  Hot-zones on the left, right, top, or bottom of a panel will position the dragged panel along side at that position and both will be visible.  Dropping in the center or in the panel tab area at the top will "stack" the panels into a group so whichever tab is clicked will be the visible panel.

  • Talk Over - or similar - in Adobe Audition CS6

    Hi,
    I´m a new user of Adobe Audition CS6. In the past, I used to edit with Cool Edit PRO, the "grandfather"...
    I have a question. I want to MIX 2 o more tracks, but I want to do this automatically. Is it possible?
    In some mixer, the mic input use a "filter" call 'Talk Over'. Are there something similar in Adobe Audition Cs6? How can I do it? Some help, please.
    Thanks & sorry about my poor english
    Best Regards.

    You need to use Side Chaining in order to duck the music under the voice over. See the help file on how to use the Side Chain.
    http://blogs.adobe.com/insidesound/2012/04/adobe-audition-cs6-effects-vst3-side-chains-and -more.html
    Also there is a quick tutorial here:
    http://infiniteskills.com/blog/2012/07/adobe-audition-cs6-tutorial-how-to-use-side-chain/

  • Audition CS6's "special-mastering" feature

    Audition CS6's "special-mastering" feature is no longer working--how can I restore this?

    I don't know why this would be, but the only option you have is to uninstall and reinstall Audition to correct whatever's screwed up.

  • Audition CS6 - Replacing Clips

    Hello all.  I'm using Audition CS6 to create a stereo mix for a feature film.  I inserted the picture-locked video for sync/reference, then added all of the dialogue, SFX and score tracks.  I went through and chopped up each track into clips, ready to rock. 
    I'm using a third-party application (RX3) for noise reduction, and I'm trying to edit individual clips offline so I can apply the noise reduction/spectral repair/etc then bring the fixed clip back into Audition.  Unfortunately, the plug-in version doesn't work very well so editing the audio in the standalone version is what yields the best results.  The problem I'm running into is that when I bring the clips back into Audition, there doesn't seem to be a way to line up the new clip with the original.  If snapping is enabled, it rarely lines up exactly, which means my dialogue will be out of sync.  If I turn off snapping and try to do it manually, Audition automatically inserts crossfades between the two clips.  Here's my workflow:
    Select clip within Audition
    Right-click>Convert to Unique Copy
    Double-click the clip to open in Waveform Editor
    Double-click to Select All
    Right-click>Save Selection As
    Open the newly saved file in RX3, apply fixes, then save.
    Drag new version of file into Audition, on top of original clip.
    Sometimes it lines up perfectly without crossfades; usually it doesn't.
    It's a ridiculously tedious process, but I can't for the life of me find a "Replace Clip" option, whereas I could simply select the original clip in the Audition multitrack timeline, use a replace function, point to the fixed audio file, and done.  That feature would eliminate all of the sync/crossfade problems I'm having, but I haven't figured out how to do it.
    (Yes, I'm aware that Audition comes with its own noise reduction tools, but truth be told, I've found RX3 to be easier and more effective.)
    Any tips on how I can export a single clip out of Audition, fix it offline, then bring the fixed version back into Audition to replace the original clip while keeping everything in sync??

    Had I known Audition didn't support such a feature, I too would've done the offline editing first.  I'm also a Sony Vegas user, and it has such a wonderfully intuitive interface.  I can select a clip in the Vegas timeline, send it to any application I designate in the options, save it in the offline app after making changes, and bam.  Vegas automatically creates a new take of the processed clip.  I had just assumed that Audition would have a similar feature.
    The only problem is that, for whatever reason, Vegas shows clipped waveforms (and the tracks also clip on the meter), even though the source audio is NOT clipped.  (Pulling the same tracks into Premiere Pro, Audition, Sonar X2 results in normal, unclipped waveforms, no meter clipping.)  It is truly puzzling and frustrating, because although I spent several hours chopping the source audio tracks into clips within Audition, I'm thinking the best route is to do what you suggested and process the clips first, then bring them back into Audition for the rest of the mixing process.  But since I don't want to bring a 90-minute track into RX3, using the nice Vegas interface to process individual clips would be the best route, but then I'm dealing with clipped audio that isn't really clipped.
    Ugh!

  • Error exporting Premiere CS6 sequence to edit in Audition CS6

    Hi there!
    I've been trying to export a sequence from Premiere CS6 to edit in Audition CS6 through "edit>edit in Adobe Audition>sequence". However, I keep receiving the following error message:
    Premiere Pro has encountered an error.
    [../../Src/Sequence/TrackItem.cpp-171]
    When I hit continue the rendering doesn't move forward and I have to cancel the process.
    Does anyone has a clue what could be wrong???
    Thanks a lot!

    This is a link to something similar
    right click dynamic link to audition broken (premiere cc 2014)

  • Audition CS6 CD Tracks

    I was wondering if anyone knows how to get CD track markers to convert to CD tracks in Audition CS6. For years I've used Audition 3 and was able to put CD track markers into an audio file in Edit view, and then right click on the file, select "Insert into CD List" and have a complete list show up in the CD view. From there I could select "Write CD" and create a disc.
    Now, with Audition CS6 I'm able to put in the CD track markers, and can even see them in the markers list as CD track markers, but when I go to the CD Editor view only the entire audio file appears. So I was wondering how I get the markers to appear in the CD Editor view in the same way they would show up in the CD view in Audition 3. I'm hoping someone has an answer to this as I haven't been able to find anything about it in the help files or on these forums. Thanks.

    Ty Ford wrote:
    Steve,
    Spoken like a faithful but beleaguered obstructionist but not helpful for the users in the long run.
    Don't understand what you're talking about - but there again, I don't think you do either...
    You've proposed a 'solution' that could probably make things worse, not better and you're calling me an obstructionist? You want help and explanations? Okay, here are some:
    There are fundamental problems here. The first problem is that the documentation about CD writing is at best sparse, and at worst downright confusing. And the second problem stems from this - it doesn't appear to be made clear anywhere that you can't burn a CD direct from multitrack view without mixing it down first. Nor does it explain why this is, but I can explain the roots of it.
    The background is quite straightforward, really. When you play back a multitrack mix, you're playing a bunch of files into a mixer and streaming the result direct to your sound device. Chances are you're working in 32-bit as well. What you haven't got at that point is a real 16-bit stereo 44.1k file for each track, and without this you can't get any CD writer to work (you need the file so that things like buffer under-run protection can function). Now whilst I suppose that it would be possible to persuade Audition to work all this detail out for you in the background, and produce these files, working out their durations from the timeline markers - which is what it will do with 32-bit not 44.1k files in Edit view - the devs appear to have taken the view that doing this from unmixed-down files is a jump too far, and not what people would want to do anyway.
    From the above, I can only conclude that this isn't true, and that people do want to do this. And it raises a number of issues. What's fundamentally going on here isn't just a layout issue - the command structure is there, yes - but to make the CD-writing commands work, the devs have to decide how much work they are prepared to do in the background for you. But this is in part constrained by another issue, which is that Audition has now got to conform to an Adobe 'institutionalised' layout, and work in a very similar way to programs like Premiere. This puts different types of menus, with different options on them, in different places, and because this is audio, a video-style layout isn't intuitive for CD production, no.
    To be fair, CD writing is probably the biggest victim of this, and it does need some further consideration, I think. As does Adobe's policy on providing help files and manuals. I understand that there are significant cost implications to this though, and 'minimalism' is helping to keep the product costs down.
    The bottom line though, is that every time a new Audition version has come out over the last few iterations, fundamental things have been changed, and sometimes not for the better. But if you don't do this, then you can't innovate the product. Your feeling that things have been 'tacked on' isn't a correct way of looking at it at all - far from it, in fact. With CS5.5 a new shell was built, and the intention has been to add things to this - and it's still happening. Some things work better than others, and at present CD writing is one that needs some careful thought, apparently.
    Also, to clear up one other thing that isn't clear in the above posts, no you don't need to include a marker at the start and end of a file if you don't want those sections of it to be turned into ranges. But if you want to include them and turn them into ranges, then you do - and it's always been like that, whatever version you've had.

  • CS6 Production Premium revealed.  Audition CS6 Details.

    Good news, everyone!
    I'm very excited to share the news that Production Premium CS6 will be revealed at NAB next week, but even better, I get to share details about Audition CS6 with everyone right away.  More detailed information about some of the new features will be released on the Audition Inside Sound blog this week, but I'l be happy to discuss specifics about the new features on this message thread.
    Here's a quick list of the new features and functionality:
    Audition CS6 Highlights:
    Real-time and rendered clip stretching in multi-track - including new “varispeed” mode
    Clip Grouping – Including suspend, trimming, & stretching of groups
    VST3 support (Mac and Win) and more effects
    New pitch correction/manipulation tools
    Automatic speech alignment tool
    Red Book Audio CD burning
    Hardware controllers support - Including native Avid EUCON and Mackie MCU support
    Write/Touch/Latch automation modes
    Media browser with file preview
    Session Templates and Enhancements
    Expanded file format support (Native, libsndfile, DLMS)
    Audition CS6 Complete List of New Features:
    Multitrack
    Session templates
    Automatic speech alignment
    Clip grouping
    Suspend mode
    Focus clip actions
    Trim/fade grouped clips
    Time aligned stretching of groups
    Clip spotting – Manual entry of clip start or end time
    Clip stretching - Real-time and rendered mode using iZotope Radius
    Vari-speed clip stretching
    Metronome Track
    Skip selection play mode
    Save all open files with session preference
    Select all clips from playhead to end of track
    Sum to mono per track
    Bounce selected track
    Reveal clip in files panel
    Trim to selection
    Send clip to back
    Preference to play/hide overlapped clips
    Mixer enhancements
    Snap volume and pan envelopes at 0dB
    Drag and drop file marker range to multitrack (as clip)
    Waveform (Editor)
    Multiple clipboards
    Skip selection play mode
    Open append
    Subclip marker support (Premiere and Prelude)
    Improvements to spectral spot Healing (Limit selection to x- or y- axis)
    Pitch display
    Effects
    VST3
    Side Chain support
    Improved plug-in scanning engine
    New channel map per effect – Control over effect input and output channel routing
    Save and apply Effect Racks as a favorite
    New/Added effects:
    Automatic Pitch Correction
    Manual Pitch Correction with new spectral pitch view mode
    Generate Tones
    Doppler Shifter
    Notch Filter
    Graphic Phase Shifter
    Gain / Fade Envelopes
    General
    Media Browser
    Preview in Media Browser and files panel
    Search/filter in Media Browser and files panel
    Display markers for all files in markers panel
    Access and open order fields in files panel (sorting)
    Keyboard shortcuts (shortcut editor enhancements, copy to clipboard)
    Adobe Graphics Manager Implementation to improve UI drawing
    DLMS Integration to support additional video and audio file format import/open
    OpenGL display for video including improved video display for improved performance
    New spectral display preferences
    Support for additional framerates (23.976, 59.94 ndf/df)
    Machine-specific device preferences (optional common audio hardware settings for all users)
    Import most preferences from CS5.5
    Pinch-to-zoom, rotate to scrub Mac touchpad support (Mac only)
    Improved properties panel UI layout
    Broadcast Specific
    ITU Loudness – Normalize files (batch) to ITU-BS.1770-2 (R128), view loudness level diagnostics
    Native MPEG1-Layer 2 audio (MP2) import and export
    Enhanced CART timer and metadata support
    Control Surface/Automation
    Mackie MCU, native Avid EUCON, other controller support
    Recordable track automation (Full Write, Touch, Latch support with undo)
    Format support
    MPEG4, HD Video, and additional audio import (via DLMS)
    Native MPEG1-Layer2 (MP2) audio import and export
    Native APE, FLAC, OGG export and import
    libsndfile export – export most formats supported by libsndfile
    CD Import metadata support (via FreeDB)
    Enhanced RAW format support
    Output
    Red Book CD Burning (via CD layout)
    Quick burn single-file, CD-TEXT)
    Advanced mixdown – Mixdown tracks, busses and/or master as seperate files
    Save All Audio As batch process
    Save Copies of Associated Files – Collect/archive all files in a session
    Save open file references in session (“remember” all open files with the session)
    Advanced session export – Including ability to convert sample rate of session and associated files
    Preferred asset importer saved with session files
    edited to include additional features.

    MIDI Sequencing and VSTi support is not available in Audition CS6.  There was a lot of primary feature development this cycle, and I would not have wanted to make the compromises to a MIDI environment that would have been necessary to squeeze it in this cycle.
    MIDI composition support remains in our feature backlog and is considered for each release, but there are several reasons it doesn't typically bubble up higher in priority.  Audition and Cool Edit always shined as audio editing tools, and this has always been the focus of the team with MIDI support sort of an afterthought, but never our core competency.  With Audition 3, we built a basic MIDI Sequencer with VSTi support, but ran into some implementation speed bumps when plugging it into the existing playback engine that resulted in a less-than-great experience in my opinion.  It functioned, but I've never felt it held up to the other areas of Audition in terms of usability and simplicity.
    I know there are those on the team - myself included - that would love to develop a full MIDI environment, and while it's never been a highly-demanded feature, I know plenty of users would like a basic composition workflow in Audition as well.  If we tackle this, I would hope we can take the time and resources to design a very competent interface that you enjoy using, and not just build something as a check mark on a feature list.  We can start a separate thread on this, perhaps in the Feature Request forum, and discuss in detail what sort of functionality and tools you would like to see in Audition to support MIDI and virtual instruments.

  • How to import markers from soundbooth cs5 into audition cs6

    Hello, a series VO wav files were  recorded in SB CS5 and markers where then added .
    On opening them in Audition CS6 for multitrack editing all markers are missing.
    Then in SB XML files of markers where exported for each file but there is no way Audition will open them, with a warning of corrupted or unsupported format.
    So, how can one get either wavs (with markers) orxml markers  into audition cs6 that where created in SB?

    evan.fotis wrote:
    How is it, that Adobe uses these xml marker format which AE & PP will recognize (cause they were meant for the suite) but not AU!.. especially now that SB is dumped and AU is supposed to be its successor even though they coexisted previously.
    Difficult with integration issues... part of the problem is that, of course, Audition wasn't integrated into the suite when SB was its audio editor - and as such didn't require to be suite-compatible.
    Because I don't ever run into these problems - simply because I don't do video - I don't have all of the answers. I do have a question though; if you open your SB file in CS6 Premiere, do you have the same problem with the markers? IOW, can you use the new version as a converter, since I believe that it's possible to transfer markers back and forth (isn't it???) between Premiere and Audition in the new version. Or is that screwed as well?
    So this yields the question, what format markers will AU recognize and import? any workaround that does not invovle manually adding them in AU? perhaps renaming to txt or something that AU will understand?
    Probably the best person to answer this is Suite Spot, because he's the one that has done all the development work on AATranslator, and has probably forgotten more about this than the rest of us know! What I'm pretty sure of though is that SB doesn't feature in the converter.
    http://www.aatranslator.com.au/

  • WHY is Adobe Audition CS6 crashing??

    What can I do to stop CS6 from crashing?
    I've owed CS6 on a Macbook Pro, for 1 year and purchased it from Adobe and downloaded via internet. It has been fine up until April.
    I usually use it to edit audio projects and now recently for film projects.
    But using it recently its had a lot of problems;
    - I've only been able to use it for up to 30 mins before the rainbow of death takes control and slows everything down.
    Then it eventually crashes after a long wait.
    whats going on? Is there a way through this? Possibly I need to update the software? HELP!

    Joanne Feather wrote:
    - I've only been able to use it for up to 30 mins before the rainbow of death takes control and slows everything down.
    Interesting description of an Apple OS - I've thought similarly of them for years!
    If it's only slowing down, then something else that the OS is controlling has taken over, by the sound of it. But if you have an actual crash (IOW Audition disappears in a flash - poof! all gone...), then it will create a crash report. If you look in the FAQs you'll find out how to access  this and send it to the devs. They will tell you what's wrong - they're pretty good at that.

  • Experiencing Strange Distortion or Artifacts in Audition CS6 Playback

    Hello,
    I am on the 30 day trial for Audition CS6.  I immediately noticed something strange while working with the program.  I do occasional stock sound effects and typically work in Audion CS3 with no problems at all. 
    Here is an example of what I am expeeriencing. 
    I loaded a WAV file of a human heartbeat into edit view and when it plays back, there is some distortion, almost similar to the sound of high level compression in the higher frequencies of the playback, or perhaps similar to what a phaser might do, but without the sweeping.  It will do this in both edit and multitrack views. 
    Interestingly, when playing back the WAV file on the original recording device, Audition CS3 or even just Windows Media Player, this distortion is not there.  It is only when played back in Audition CS6 that I can clearly hear this.  Additionally, when the audio is exported from CS6 as a WAV, Mp3, etc the distortion is not present. 
    I have a fairly typical higher-end PC. Windows 7 64bit, 12 GB ram, Intel corei7 3.4 ghz.  Integrated Realtek 5.1 souund with updated drivers.  Audio Hardware settings in Autiion set to MME, inputs and outputs set to the sound card appropriately. 
    I've thumbed through all of the prefs and can't seem to locate the cause of this problem. I guess the most interesting aspect of this is it seems to be isolated to Audition CS6, as I can not reproduce the issue in any other sound application. Any tips would be appreciated.  Really want to upgrade, but would like to see if there is a fix for this.
    Thanks!

    This sounds remarkably like the symptoms of the Microsoft-acknowledged resampling problem in W7. You need to make sure that your sound device sample rate is set to the same sample rate that Audition is using, otherwise the OS will resample the output. Since it's M$ resampling, it's absolute crap, and adds all sorts of artefacts. There's nothing wrong with Audition CS6's output at all - that's been thoroughly tested - unlike W7, it would seem. Why just CS6? I think that this relates to the relationship between the software and the sound device, and what gets reset or not, although somebody with more direct experience of the problem could probably comment more authoritatively about that. I don't know, because I don't use any version of W7.

  • Where is Sound Remover in my Audition CS6

    Having recently downloaded Audition from Creative Cloud, I was looking on Adobe TV at some of the new features including "Sound Remover." When I wanted to try out the effect, neither "Learn Sound Model" or "Sound Remover" showed in the Noise Reduction effects. The only options showing are the familiar ones from CS5.5. Can anyone help?

    Photostage wrote:
    Having called Adobe Support on Friday I was told that there is no difference between CS6 and CC, so hence my confusion. While talking to the member of the support team I did get the feeling that he wasn't very sure about things and I wasn't totally convinced that he knew what he was talking about.
    Like Bob says, pretty obviously he didn't, and probably still doesn't. Audition CS6 is a finished, finalised product and it's available as a part of the CC package deal. The next version of Audition - with a name that looks initially confusing - is available on June 17th.
    I think I know why it's like that (although Durin will have to confirm or refute this). The new Audition isn't intended to be a 'version' release as such, which can't, because of the ridiculous Sarbanes/Oxley legislation, be enhanced. Instead, Adobe haven't 'sold' it as a version but licenced it as a piece of software that becomes progressively enhanced - updates are allowable under this model. Because it isn't sold, it's not affected in the same way under the legislation.
    So what I suspect we have here is a fancy piece of Adobe footwork (which they know full well is hacking off a lot of people) to get around a piece of legislation that was introduced as a knee-jerk reaction to Enron, etc. As a result of the speed of introduction, the implications of it weren't really thought through, hence the easy loophole in it. What Adobe (and Micro$oft, only more subtly) have realised as a consequence is that they have what they think is a win-win scenario; circumventing the legislation, and keeping a continuous revenue stream.
    So it's called Audition CC (Continuous Confusion?). If you want to know where you're up to with it version-wise, I suspect that the build numbers will be all there is to go on. But hey, the shareholders will be happy, so that's alright then...
    I should add though that this is only a comment on the commercial situation. What you are going to get with the new version is a damn good product - which in some ways is likely to make the commercial aspects of this even more frustrating for a lot of people. Ho Hum.

  • Audition CS6 - "An error was encountered: Not enough memory to perform operation"

    When I try to export my entire session using the "Multitrack Mixdown" I get this error message: "An error was encountered: Not enough memory to perform operation"
    To give context:
    • Audition CS6
    • All other applications are closed
    • 26 audio tracks
    • Approx. 22 seconds long in total
    • Average of 2 effects per track
    • I've reinstalled the program twice now
    My computer:
    • iMac (2010)
    • 3.4GHz Intel Core i7
    • 16 GB 1333 MHz DDr3
    • Flash and HDD storage (which are not full)
    • OSX 10.8.2
    If anyone can offer any advice, that would be great!
    I have to get this done by this Monday (May 6, 2013).
    So I really hope Audition won't fail me, since it has always been successul until now (which is why I'm stumped).

    'Not enough memory' hasn't got anything to do with your HD, but the amount of RAM available to Audition at the time it needs it. All DAWs, to work efficiently and successfully, need most of the machine to be free from running other apps. The reason for this is simple; If another app trys to hog a machine that's running a process in real time, it inevitably hiccups the machine. And if this other app has reserved RAM addresses for its own use, they aren't available until it's stopped.
    Typical nasties involve anti-virus software, and the machine doing things like repeatedly polling a wireless connection, but there are plenty more, and this applies equally to Macs and PCs.
    So the 'update' you need to rectify most of these problems is one you have to carry out yourself. Audio editing is a bit of an oddball from this POV - you invariably need a very lightly loaded machine for it to be reliably successful. The machine I use as a DAW doesn't do anything else at all; all unnecessary services are stopped whilst it's in this mode, and the physical spec of it is similar to yours - except it's a PC running W7-64Pro.

Maybe you are looking for