J1IEX Capture with Two Bathes

Dear All,
I made an STO for 50 Kgs from A Plant (Supplying Plant) to B Plant (Recieving Plant).
A PLANT
ME21N u2013 Created STO on A Plant and Delivery Plant as B Plant
MB1B with 351 Movement for 2 Batches. 1st batch is for 20 Kgs and 2nd batch is for 30 Kgs
J1IV u2013 Created Excise invoice for two batches.
B PLANT
J1IEX u2013 While capturing the excise invoice based on STO in B Plant System is showing the quantity as 50 Kgs. If I enter the Invoice Number of A Plant then quantity is getting changed as 20 Kgs automatically (i.e. 1st batch Qty). Why it is happening like this and how I have to split two batch numbers in J1IEX.
How can I overcome this problem.
Thanks and regards,
Kumar

Hi Ajeet,
Please refer the below links. You may find some useful information.
part1 and part2 problem in j1iex because of partial cancellation of MIGO
excise duty
Excise Duty
Warm regards,
Murukan Arunachalam

Similar Messages

Excise Invoice is captured with another Po -During MIGO- Only refer Excise

Hi,
I have did a PO with two line item say Material M1 and M2..
step1- We did J1IEX with capture excise invoice option for material M1 and M2.
step 2- We did GR for material M1 only where i have selected my excise tab as Only refer Excise
step 3- Now we are trying to do GR for 2nd line item material M2, where we getting error msge as
*Excise Invoice is captured with another Purchase Order
Message no. 4F278*
I have searched in forum and found related info in the belw links
CIN related error at the time of GRN
GR for Import PO,
where experts are suggesting to apply a note 843490 &994052. seems these notes for older version.. my client version is ECC 6.03
Please let me know if any note available or any other methods to solve my issue (we don't want to put the excise invoice with suffix of * or /1).
regards
Jay
Edited by: Jayakumar Raju A.S on Sep 6, 2010 11:28 AM

Hi,
System takes only single excise invoice in system.
here i suggest wat u can do ( very tricky)
for first goods receipt excise invoice is 123
then u cant give same for other GR it will give an error at this time u can provide excise invoice as (123.).
Means one dot at beginnig or at the end.
Note : Hence forth for same excise invoice u should have only one GR.

J1iex "capture excise duty" not updating Part1

Hi MM masters,
we have configred for capturing excise duty in MIGO and it is working fine. Now case is that when we are selecting "no excise" at MIGO in excise tab and capturing excise at J1IEX "Capture excise Duty" with ref. of Material Doc. it is not updating Part 1.
Pls note that J1ID is maintained for vendor & Materail.
Thanx in advance.
Ajeet

Hi Ajeet,
Please refer the below links. You may find some useful information.
part1 and part2 problem in j1iex because of partial cancellation of MIGO
excise duty
Excise Duty
Warm regards,
Murukan Arunachalam

I want to send 10 bit ADC from PIC via serial communicaton. i send it separetly 8 bit first then the other 2 bit. how to program in labview to capture those two packet then combine it togother

i want to send 10 bit ADC from PIC mCu via serial communicaton.
i send it separetly 8 bit first then the other 2 bit (2 bit --> with zero at 6 bit from LSB).
how to program in labview to capture those two packet and then combine it together
so i have 10 bit in lab view
thank you

Close, but now quite. You need to specify to the VISA Read how many bytes to read, not how many bits. Thus, the input would be 2, not 16. It's also not clear why you're trying to use the "String to Byte Array". The Type Cast will give you a number based on what data type you wired. You're basically telling it how to interpret the string. In this case we're telling it to interpret the string a 16-bit value, so we'll get a 16-bit integer. I know you said you wanted a 10-bit, but you can't have that. You'll get a 16-bit with 6 bits set to zero. Note: I did not completely understand what you said so we may need to change this slightly, but we want to get the communication and reading collection working first.
Also, since you seem to be setting this in a loop you probably want to monitor this or to collect the data. For that you need a shift register. See attached for a modified version of your attempt. You need to set the datatype to I16 or U16 based on whether the value you get from the PIC is signed or unsigned.
Message Edited by smercurio_fc on 05-01-2007 02:28 PM
Attachments:
Read PIC.vi ‏21 KB
Read PIC.png ‏7 KB

How to capture first two digit in a number

Hi,
I have numbers with differeent lenth in a variable How to capture first two digit??
Thanks.

Hi,
We can achieve that using the following methods:
DATA : loc_1 type string,
loc_2(2) type c.
loc_1 = '123423428340923990'.
loc_2 = loc_1+0(2).
Here you will get only the first two digits.
You can use move statement also.
MOVE LOC_1(2) TO loc_2.
If you are having mixed string with characters and digits mixed together i.e. like this 'test01test03sample01'.
You can so that using this method.
data : lv_length type I.
loc_1 = 'test01test03sample0'.
LV_LENGTH = STRLEN( loc_1 ).
DO LV_LENGTH TIMES.
*&-- Read from first string validing the numeric fields and move your first two digits to the required variable --&*
ENDDO.
Hope it will be useful.
Regards,
Sakthi
Edited by: Sakthi Saravanan C on Oct 8, 2010 6:45 PM

Capture from Two Tables and Apply in one Table

Hi All,
Is it possible to capture from two tables (master and child table) and apply in one table?
For example,
1. DEPT and EMP tables in source database with relation
DEPT table structure is like DEPT_ID, DEPT_NAME, LOC_NAME
EMP table structure is like EMP_ID, EMP_NAME, EMP_DOJ, EMP_SAL, DEPT_ID
2. EMP_DEPT_STAGING in destination database
EMP_DEPT_STAGING table structure is like EMP_ID, EMP_NAME, EMP_DOJ, EMP_SAL, DEPT_ID. DEPT_NAME, LOC_NAME
if there is any update in DEPT table, EMP_DEPT_STAGING should get populated with Department and its employee details. Similarly, if there is any update in EMP table EMP_DEPT_STAGING table should get populated with Employee details and along with department detail.
Is it possible to accomplish this? If yes, could you please provide me some examples?
Thanks & Regards
Thiyagu
Edited by: mt**** on Sep 4, 2011 11:22 PM

like this
INSERT @PlantNew (PlantID, PlantName, PlantDirExists, PlantAssistantDirID, PlantDirID)
SELECT p.PlantID,
p.PlantName,
CASE WHEN pd.PlantID IS NULL THEN 0 ELSE 1 END,
PlantAssistantDirID,
PlantDirID
FROM @Plant p
LEFT JOIN (SELECT PlantID,
MAX(CASE WHEN Assistant = 1 THEN PlantDirectorID END) AS PlantAssistantDirID,
MAX(CASE WHEN Assistant = 0 THEN PlantDirectorID END) AS PlantDirID
@PlantDirector
GROUP BY PlantID)pd
ON pd.PlantID = p.PlantID
Please Mark This As Answer if it helps to solve the issue Visakh ---------------------------- http://visakhm.blogspot.com/ https://www.facebook.com/VmBlogs
You're missing a FROM
insert into @PlantNew
SELECT p.PlantID,
p.PlantName,
CASE WHEN pd.PlantID IS NULL THEN 0 ELSE 1 END,
PlantAssistantDirID,
PlantDirID
FROM @Plant p
LEFT JOIN (SELECT PlantID,
MAX(CASE WHEN Assistant = 1 THEN PlantDirectorID END) AS PlantAssistantDirID,
MAX(CASE WHEN Assistant = 0 THEN PlantDirectorID END) AS PlantDirID
from @PlantDirector
GROUP BY PlantID)pd
ON pd.PlantID = p.PlantID

Tethered Capture with 3.4.1 x64 and D7000

Hello everybody,
I am starting this discussion about issues with Tethered Capture with LR 3.4.1 and Nikon D7000.
I tested the Capture on 3 different PCs: a Windows 7 Ultimate 32bit and two Windows 7 Ultimate 64bit.
I can properly do capture with the 32bit version of LR, even thought I am no longer able to browse the files on the SD card after a shooting session with Tether. I suppose this has something to do with exclusive access priority, but this is actually not the big problem I am encountering.
On Windows 7 x64 machines, it appears LR 64bit is not able to do Tethered Capture as in the capture window I only see "No camera detected".
I did a search on the Internet and I found just a few examples of this issue with apparently no explanation or solutions, but I think this is a general problem as it happens on two different Windows 7 x64 installations, but not on the 32bit one.
My D7000 already has the latest firmware installed and I already tried different USB cables to be sure this is not a hardware malfunction.
I am now really lost to this problem and I do not know how to proceed in troubleshooting or solving it.
Anybody can help?
Thanks a lot and have a nice day
Luca

Did I miss something?
Yes, the link to troubleshooting!
http://kb2.adobe.com/cps/894/cpsid_89486.html

Working with two cams

I have shots from two cams which I am preparing to capture into Adobe Premiere.
I know there's a way to work with two cams-monitoring, but is it the case when capturing ?
I am capturing via Firewire. My card has more than one slot - so guess I can plug-in two cams at same time. But can I A/B between the two cams prior to capture (record) into Adobe ?
Or is the multiple cam into Adobe only for ''already captured'' shots ?
Thanks,
Rob

You need to capture the data streams separately (not simultaneously)

Can I capture with Final Cut Pro and edit in Premiere Pro?

Since it appears that Premiere has issues with capture - at least for me but as I see it for others as well - and that I can capture with iMovie, can I consider using Final Cut Pro for capture - then cross to Adobe Premiere and the suite for editing, finalizing ? Or is there a problem to copy the shots/files from one program to the other (would they remain identified clearly so I could just import shots into Premiere afterward ?)
Thanks
Rob

Hi Rob,
When you capture HDV in FCP it creates a specific Apple HDV codec. This is a codec that is only available if FCP, Motion or Compressor is installed.
The two workarounds would be to use Premiere Pro on the Mac with one of the above mentioned apps installed on the same system or convert to a codec that can be read in Premiere.
Best,
Peter Garaway
Adobe
Premiere pro

Does iMovie 08 work with two external devices?

Does iMovie 08 work with two external devices without causing latency. I need to capture the video through an external USB webcam and the audio through a Digital Recording box through firewire.

YES and there are multiple postings here with complete information
Also visit:
http://www.dvinfo.net/conf/forumdisplay.php?f=156
A Users Group with answers to al your questions.

Report with two ALV grids and a header

Hi experts,
I have a report with two ALV grids in the same screen, each one in a separated container. The information displays it correctly. The report has been implemented by using OO Programming.
My real trouble is in the header. It must have a logo, a title with a specific font and other information.
I'll attach a capture of my need:
[Report with two ALV grids and a header|http://picasaweb.google.com/lh/photo/AcQD49QPmm-0L_jL2iMedA?feat=directlink]
Then, I want to set up the header you can see, with logo, a font with specific features. Obviously, the header you see has taken from another report. But is the same idea.
I've tried with a third container, using the CL_GUI_CONTAINER and CL_GUI_CONTAINER classes, but it doesn't work.
Any idea? Would welcome any help you can provide.
Thanks in advance,
Jorge Rojas

Hi, Jorge.
Should the header be a"attached" to any of the ALV? Or it should be carried alone?
If first applies, you've given the solution yourself: put the info & logo in first ALV's header and invoke it from the proper method.
You could use CL_GUI_DOCKING_CONTAINER CLASS to divide screen in several containers and then, in the upper one, I would create another one docking container to divide the screen into two: the written info could be performed with an HTML viewer class and the logo with a CL_GUI_PICTURE element.
Cheers.

Strange Problem capturing with Apple Intermediate Codec

We have the following problem:
We capture with a blackmagic decklink studio card (but I could reproduce the same problem using a MacBook Pro and the internal camera) with a MacPro and CS4. When capturing a live video feed (1280x720) with the apple intermediate codec (set to 29.97fps or to 59.94fps) everything seems to work just fine. But the resulting videoclips happen to be exactly ONE half of the total capture time. So if we capture in Premiere for about 1 our the clip is only 30 minutes long. If we capture for 10 sec., the clip will be 5 sec. long. It's not that the captured clips play with double the framerate. Half of the actual footage is missing.
Any suggestions?
By the way: we live in a PAL50Hz country, but our video signal that needs to be recorded comes in as a 60hz signal.

Hi,
Well I did some googling...and I would bet that the problem is the 50hz vs 60hz...
Unfortunately most if not all info I got that even BRUSHES on this subject with the sort of material you're dealing with is the opposite....where they are in 60cycle land with pal stuff....rather than in pal land dealing with 60hz ...
This is a lot of misc stuff but if you get a little bit of info from various posts and make some notes you might be able to get an idea how to solve the problem...
In particular I was looking at how frames are flagged and new frames are created later ...( toward very end of these posts - the last four or so )
Also noted some timecode reading that was "doubled"....so if your deck thought you had a specific length and then it read the timecode doubled, it would be your problem in a nutshell... have you checked the last frame you captured and compare that timecode to the overall length ??
anyway, here is a TON of stuff to breeze through...good luck...
THIS IS EDIUS RELATED..so keep in mind re: specific presets etc
Steve Sherrick
03-03-2008, 11:14 AM
Hi chaps,
Can I just confirm that the SDI/HDMI outputs are only live in build 14? I'm on 13 and going SDI - HDLINK - DELL24" gives me nothing. I'm in PAL land so have tried switching between 50hz and 59hz in camera.
So do I need build 14 or is it something else?
Cheers
Jeff Brown
#708
I'm in NTSC land but that same setup gives me picture just fine. Which Dell model is it? Is everything set up right from the camera side?
Jeff Brown
03-04-2008, 12:42 PM
Hi Steve,
I believe so. Set to Preview in th viewfinder settings, plugged in on preview mini sdi, cam set to 50hz..
Anything I'm missing?
Cheers
To counter this, the AJ-HD1400 offers two modes specifically for this called '25(SD)' and '25(HD)'. They output the 25fps signal with new timecode on a 50Hz carrier (only over SDI/Analogue the Firewire doesn't work in that mode).
It only works with 25fps material too, any other 'offspeed' rate has to be dealt with separately with the deck operating in 59/60 mode.
When operating in either of these 25 modes, the deck generates new 25fps timecode from the tape (although our tests have indicated that it is frame accurate of multiple playback passes).
Basically, Varicam, while a very nice idea, has only ever been properly designed to work in a 60Hz environment. It is pretty much a nightmare in 50Hz environments.
I think I may have found the cause of the problem.
For some reason when I started my project it had a Device Control profile set to 720p50 (rather than the 1080i50 that the deck is operating in).
What this seems to have done is double the frame number on any clip it encountered. So if I took a clip with in marked at 01:02:40:22 and dropped it in the Log and Capture tool the In Point that FCP decided to look for was 01:02:40:44 (which isn't going to exist on a 25fps timecode obviously).
Since you are using Pal
Go :
Generic OHCI HD 50hz -> 960x720 25p over 60p
Because if I am right you can't do Pal over 60hz but you can do PAL over 60P at 50hz.
( but I could be wrong)
But the other problem is that you are using an ntsc profile to capture pal recorded footage.
50 hz 960x720 over 60P yields a frame rate of 25 progressive
60 hz 960x720 59.94p yields a frame rate of 59.94 progressive which is far from your original footage . Mostly used for countries using natively ntsc
Neither myself, nor Ricksta (I don't think) are using NTSC-rate profiles.
The Preset setting I've been testing with is:
Generic OHCI HD 50Hz 960x720 25p over 60p
Indeed, I've just tried what Rick mentioned, and with the deck in 59.94Hz operating frequency, I can capture with all three 720p 59/60 input settings. This is technically wrong however, as the tape has been recorded at 60Hz. But like I said before, until Rick hears from the big geeks at Panasonic about this, I don't know what the real outcome of that difference in frequency is.
I've also tried a 50p over 60p project setting (as 720p50 is what I will be editing with in Avid) - but, predictably, this works but gives me double-speed footage. Which, while amusing, isn't a lot of help for me
A large part of the problem I'm facing here is to do with the Varicam format. It will record any framerate from 1-60fps. It has to operate and a system-frequency of 59.94Hz or 60Hz. That is what Rick and I are referring to. The limitation I face is that the Varicam format is not widely supported for PAL-based rates (25/50) as it requires communication with a deck operating in an NTSC-based system frequency (either 60Hz or 59.94Hz). This difference (between project/timeline framerates, and deck operating frequencies) is enough to ensure that IEEE1394/Firewire/OHCI capture is not possible in these modes in Final Cut Pro, Avid (any version) or any other NLE I have found.
We realise that the framerate and frequency we're working in has to be 50-based, and we're not making any mistakes in that respect.
So far Edius is the only NLE on the market, that I have been able to find, that supports Firewire capture from 60Hz DVCPro HD material in a 50Hz based framerate.
When you have captured the file in that project select a clip in the bin press alt+enter go to video info and tell me what the framerate is .
In a 50p over 60p project, when I capture footage shot 25p over 60 with the 'Constant Rate' capture profile I get a clip in the bin that is 50fps, but that plays at doubletime - which is what I'd expect.
I can change the framerate in the properties to 50fps, and it plays at the correct rate, but I'm not happy with the way to refactors the timing in that mode. It seems to create interpolated frames to fill the gaps, which provide an unusual appearance that I don't really like.
At present if I capture into 25p over 60p project, then import the resulting 25p footage into Avid, Avid doubles up the frames to produce 50fps material.
Some clarification here. The Varicam does indeed record at a constant 60fps. If the frame rate is set to 25fps for example it simply flags the active frames. This flag is carried in the vertical interval data. The reason for this system, is as suggested, it is very difficult to vary the speed of tape in a helical scan recording system. With the advent of solid state recording that Panasonic introduced in the AG-HVX200 it is now possible of course to only record the active (native) frames and this would be called 25pn for example.
Originally with the Varicam you used to use a device called a Frame Rate Converter. This box contained a hard drive with HD-SDI I/O. It would recognize the active "flagged" frames in the incoming signal and buffer them through the hard drive and then play them out at the correct frame rate.
More recently NLE's such as Avid, FCP and Edius have incorporated this flagged frame recognition and perform the extraction automatically. Thus when I tested a 25fps Varicam ingest on a 25 Frame timeline I am getting realtime playback. If I had recorded at 50fps and I placed that on a 25 frame timeline I would have very smooth half speed. Also the newer DVCPRO HD decks such as the AJ-HD1700 and AJ-HD1400 have the ability to decode "on-speed" frame rates such as 30fps, 25fps and 24fps.
The issue that Dylan is facing is that the NLE's will not accept a firewire input at 60Hz, they only accept it at 59.94, this is a .001 frequency difference and should be negligible. The other alternative is to ingest via HD-SDI via a Black Magic or AJA Kona card etc. These boards also support the variable frame rate function.
I hope that this helps clear things up a little.
Rick Haywood
Manager Broadcast & Display Systems
Panasonic New Zealand Ltd.
Further to what Rick is saying... The issues with most NLEs for PAL users is the disparity between the 59.94/60Hz operating frequency of the deck and the 50Hz based framerates the applications are working with in PAL framerates.
As for the constant 60fps - it is indeed recording 60 images per second to a tape, but as I said before, only a certain number are unique - only the flagged frames. In 25fps, the camera samples the sensor 25 times a second and records that frame to tape. Essentially you get frame 1 recorded for 2 frames, frame 2 recorded for the next three frames, frame 3 recorded for 2 frames, etc... The first frame with each unique image is 'flagged'. To rebuild the recorded framerate, only the flagged images are captured.
The big bonus of Edius for me here is that it can capture the PAL framerates from the 59.94Hz deck over Firewire directly. Something that Avid and FCP are unable to do.

Capture with QT import to Final Cut ?

Capturing video from DVCAM deck with Quicktime 7 is a breeze- speedy and efficient - however trying to import the clips into Final Cut brings error messages ( frame rate etc ). Only way is to re export the moviefrom QT then re import into Final Cut taking valuable export time and negating the reason for doing this in the first place. Anyone any answers ? Also why is QT capturing with a variable frame rate ( not locked ? ) and can ANY application read these "captured" movies or are they just QT dependent ?
Interested in any comments/solutions/workrounds?
Thanks

I tested it and Device Native with a DV feed gives an MOV with a DV/DVCPRO - NTSC, 28 megabit track. It also stores a sound track which is PCM 16 bit 48KHz track. That's with a Hollywood Bridge converter.
With an HDV camera doing HDV/DV, the track is the same type, but how the picture looks depends on the camera setting. It can either be letterboxed or anamorphic. Curiously the bit rate is different for the two, with letterbox being the usual 28 megabits, but the anamorphic is 21 megabits.
In any case, QuickTime Player does an awesome job of recording native DV. However, sure enough FCP complains saying that it's a unknown file type. iMovie brings it in but has to convert it first.
I'll ask the authorities about this...
iMac G5 1.8 GHz Mac OS X (10.4.5)

Capturing with QuickTime Pro?

I have much problems with capturing in FCE: missing frames, out of sync audio, one cassette ok - the second with problems.
Now I capture with QuickTime Pro and import in FCE.
Is this procedure ok?

Excuse me, I forgot: several miniDV cassettes from two different cameras. The camera I use for capturing is yet another (Medion MD 9090) camera.
With iMovie there is no problem to capture but I have learned this is not the right way.
With QuickTime Pro there is also no problem, so I use it now.
Can there any problems using QTP for capturing instead of using FCE?

Can i shoot tethered with two cameras?

I've read that I can shoot tethered with two cameras in Adobe Photoshop Lightroom. When I tether them to my iMac 27", one will work. Then I switch cameras in the "shooting module" to the other body (both bodies are Nikon D800) and then it freezes up. Do they need to be named differently? Is that even possible. Your help is greatly appreciated.

Canon supports two camera attachment for tethering.
Nikon does not.
Tethered camera support in Lightroom
Notes on Nikon cameras
For all Nikon cameras:
If you trigger the shutter with the tether bar capture button, the image must finish downloading before another photo can be captured. Triggering a capture with the shutter release button on the camera does not have this limitation.
Images do not save to the compact flash card. They are only downloaded to the computer.
Only one Nikon camera can be attached at a time.

J1IEX Capture with Two Bathes

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