Jagged fonts onscreen and printing. Any advice?

I installed a library of company supplied fonts. I am unable to see any of them in my font list. But my regular fonts are now all jagged onscreen and print that way too!
Any advice?

Click on the flyout top right corner (PSE 10 and before) and bottom up corner (PSE 11 and after) of option bar of text tool and choose "Reset Tool". If it doesn't solve your problem then reset preferences.

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Make payment and print payment advice

Hi Experts,
We want to make payment to Vendors and Need to print Payment Advice and Cheque.
Could you please suggest procedure with T-Code.
Regards

Use T CODE F110 Settings to be done in TCODE FBZP
Regards
Arun
Edited by: Arun R on Dec 11, 2008 7:54 AM

Big transition from PC and Cubase, any advice welcomed to avoid Apple Shock

Hello everyone,
I've been waiting until the new Mac Pros were released before jumping out of the PC plane and into the Mac world, I just want to have as good a parachute as possible so any advice and help is appreciated. My apologies if I'm putting in too many questions, I just didn't want to create a bunch of threads in different areas and some of these questions may have a simple answer.
With that said, here's where I'm at:
I've used Cubase since version 3 and am currently using SE3 through an Echo Layla 24 (PCI card to 1U rack interface) with XP.
Would it be better to tread lightly by purchasing Logic Express and then Studio or just go straight for the Studio version? I have no problems learning a new system and am excited at the prospect of using Logic for everything as I continually read how great it is on the Mac platform. I just want to make sure Logic is able to do everything Cubase (recording audio/midi) and Wavelab (mastering) have done for me for years now.
Also, I'm not sure my Layla 24 will work in these new Mac Pros so if I have to upgrade my interface as well I've been looking at the following options:
MOTU 828mkii (possibly getting a Black Lion Audio mod at some point)
Apogee Duet and then getting a simple USB/MIDI breakout box for the MIDI.
On my current interface, I'm able to keep a drum machine, keyboard, POD Pro, condenser mic, and a MIDI device plugged in simultaneously to 1/4" inputs and MIDI connectors respectively. That's really convenient and the reason I've had my eye on the 828mkii. The only reason I'm considering the Duet is that I've read nothing but the most positive of reviews for this device over anything in the sub $1000 range. Made for Apple, integrates well with Logic, and the sound is beyond unbelievable. If the sound is really that much worth it over the 828mkii even with a BLA mod then I can always get a USB to MIDI cable/box and deal with the constant plugging/unplugging of my 1/4" devices.
In addition, I've recently acquired a Line 6 Toneport UX2 USB interface. Is there any major hiccups using this device with Logic Studio/Express? I like some of the sounds I can get out this little box and simply changing the output channel in the Gearbox software allows me to record a dry signal while monitoring wet.
Lastly, I've seen on the new Mac Pros the option to get the single Quad version for $500 less. That $500 would be handy towards Logic Studio/Express and a new interface device if I had to get one. Would it be possible to get the single Quad Mac Pro and then buy a single processor chip down the road to bring it to the same speed as the Mac Pro default configuration in the Apple store? Would I be voiding any warranties by traveling down that road?
Thank you in advance for your patience and time,
TR

First off,
Thanks for all the great replies. Where to begin, where to begin...
I've spent several hours reading as much as possible on the interfaces I previously listed, adding the RME Fireface 400, Audiofire 12, and MOTU Ultralite to the fray. I would imagine each of these devices along with the ones I formerly mentioned probably sound better than the Echo Layla 24. The Layla line (still own a 20, and now the 24) has been good for me in the past and I would like to up the ante, although I do have to keep the total cost in mind as this is a no holds barred full crossover. New Mac Pro, new interface, and new software. As Tom mentioned from having a similar experience, it's years worth of hardware and software invested. In addition to just this change, I'd like to also move my other non-audio programs over as well, namely Photoshop CS2, CorelDraw, Premiere, Quickbooks, and a slew of other work related software. It's a little daunting to say the least. I do think Adobe offers some sort of crossover deal but I have to check further into that. Hopefully other companies offer something like that as well.
Glad to hear there are other Cubase users who've moved over to Logic without much trouble. Depending on how much the new hardware interface is going to cost will most likely be the deciding factor between me getting the Studio version or Express version of Logic. I do like that if you get Express you can simply spend another $300 for the Studio upgrade. That's how it should be. I won't start a Cubase vs Logic thread, as this is just a comment regarding company policy, however I have the Cubase Producer Pack, VST, VST/32, SE3 and other Cubase related boxes sitting on my shelf and with all the money invested there wasn't a decent cost effective upgrade solution for me. I'd be forced to buy Cubase 4 at full price in order for Mac compatibility and that just leaves a bad taste for me. One of the reasons I've been ready to try Logic.
Is there any difference between the Express 8 engine and the Studio engine? I've read that Garageband (included with the operating system) has a similar or same engine. Would it be possible for me to lay down some quick 'idea' or 'spur of the moment' tracks in that Garageband software and then move them into Logic to flesh them all out possibly retaining a track or two from Garageband? Just curious on that one.
One other question regarding the Logic software editing. Most of the tracks I lay down require multiple takes which I simply punch in and out onto multiple tracks. I snip the audio segments accordingly then shift them all onto the same track. I then hop into Wavelab (open at the same time) to process the .WAV files used on said track (usually adding Noise Reduction, other plugins), then hop back over to Cubase which updates the track accordingly. It saves me CPU processing power (although I probably won't have to worry about that with an 8 core system), however, will I be able to easily punch in and out as well as shift the varying pieces of track together from multiple tracks?
Thanks for the UX2 experience, I know on the box it says Mac compatible, I was worried that I'd have to possibly buy a newer piece of gear to run it, ala the Cubase software. (It apparently is compatible with an older version of the Mac OS)
So here's where I'm at as of today:
I've decided to go with the 8 core system so I won't have to worry about any future issues at least for quite a while.
Purchasing Logic Express or Studio is dependent on the cost of the new interface.
The interface options are (in alphabetical order of course):
Apogee Duet and USB MIDI breakout box
Echo Audiofire 12
MOTU 828mk2 (used from eBay, then get a BLA analog mod)
MOTU Ultralite
RME Fireface 400
I can tell you one thing for certain, if I can ever get that money tree out back to grow I'll rarely have any questions at all. HA!
Thanks again for all the responses and helpful advice,
TR

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Hello folks,
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The odd part is we were not getting that error at first - even with data populated. It was only once we started working on getting the fields horizontally and vertically aligned that the error presented itself.
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thanks Mylenium
the font association problem is something recent though, since I used acrobat to print mails directly from my gmail account previously...
it's galling but I installed a free pdf printer which does the job, I needed copies of these mails urgently !
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Hello aZaa4401,
Thank you for using Apple Support Communities.
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Apologies if this has been covered previously, but I'm slightly confused about proofing.
Assume for a moment that I have a correctly calibrated screen. Let's say I've noticed quite a difference between the appearance of my onscreen and printed images. Let's also assume that I have a profile which allows me to soft proof the onscreen image to give me an idea of what it will look like when printed - and that this profile better matches what I'm seeing in my printed images. Shouldn't I, therefore, do all of my image adjustment (colour balance, brightness / contrast etc.) with this profile loaded ? It seems obvious to me, but I haven't seen this specifically mentioned anywhere.
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Paul

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Cheers

Preview and Printing of Chinese Characters in Smartform

Hi everyone!
I have a development that needs to output in Smartform a combination of Chinese and English characters, on an English Logon,
When I debug the form, the Chinese characters are shown in the debug screen, but when it is previewed or printed, it shows garbage. Can anyone help me with this?
Thanks a lot! Points for any helpful answer!

Hi
check this OSS Note
OSS Note: 776507
Symptom
Documents printed via SAPscript or SmartForms do not print with correct special characters, e.g. ### prints instead of Japanese or Russian characters. What to do?
Other terms
SAPscript, SmartForms, printing, device types, OTF
Reason and Prerequisites
Help required to choose proper fonts in a SAPscript or SmartForm
Solution
When using SAPscript or SmartForms to print (or email or fax) a form from a business application, many factors influence the outcome of the actual text within the form. All these factors must be checked in order to ensure a correct printout:
1) The language version of the form used to produce the printout.
Example: If you want to print a French invoice, you need to have a FR version of your SAPscript or SmartForms invoice form RVINVOICE01. And the application program must specify the corresponding language key (FR) when calling the SAPscript or SmartForms API.
2) The font selections specified in the form (possibly also in a SAPscript style or SmartStyle used in a form).
Example: In a SAPscript form or a SmartStyle you need to specify HELVE if you want to print German text in Helvetica (or similar) font. If you want to print Japanese text, HELVE is not a valid choice but you need to specify a Japanese font like JPMINCHO in your Japanese form.
3) The output character set of the device type
Every printer in transaction SPAD has a "device type" assigned. Device types used by the spooler for printing support only one single specific output character set. All text from the form has to be converted (using SAP's built-in character conversion mechanism) to this output character set.
A character set can typically support either a single language (e.g. Shift-JIS which supports only Japanese) or a set of languages (e.g. ISO 8859-1, which supports Western-European languages). It is possible that a given language (such as German) can be supported by several output character sets, e.g. you may use either ISO 8895-1 (Latin-1) or ISO 8859-2 (Latin-2) to represent German text. This is so because both character sets contain the special characters used in German.
Example: HPLJ4000 is a HP LaserJet device type supporting the ISO 8859-1 (Latin-1) character set. ISO 8859-1 can be used to represent e.g. Dutch, English, French, German, Spanish, Swedish but NOT Russian or Japanese.
As a consequence, it is ok to use HPLJ4000 to print English, German French etc. but not for Japanese or Russian.
4) The set of available printer fonts for a given device type
When formatting a document, SAPscript and SmartForms perform an automatic mapping of the font definitions in the form (e.g. "HELVE 14 point bold") and the available printer fonts of the device type. A replacement printer font is chosen, should the specified font selection not be available in the device type. Now this replacement can be problematic if a language-specific font, such as Chinese CNSONG, is specified in a form and it gets replaced by a font which does not support this language, e.g. COURIER.
To solve this problem, font families in SE73 have language attribute assigned, e.g. some fonts are characterized as being suitable only for certain languages. And when a replacement has to be chosen because the original font from the form is not available in the device type, a replacement font is chosen which has the same language attributes.
If no fonts for the language in question exist in the device type, the resulting font will not be able to print the special characters and you will see "wrong" output characters in the printout.
Note on SAPscript/SmartForms Print Preview:
The OTF Print Preview available in Windows GUI (e.g. from transaction SP01) will sometimes not show the "wrong" characters which appear on the final printout. Here is the reason: since the Print Preview runs in Windows environment, it will use Windows fonts to represent the actual printer fonts. A Windows font typically has more available characters (i.e. covers more character sets) than are actually available in a printer's resident font.
A typical example where the Print Preview will differ from the printout is here: if you have a Chinese PCL5 printer such as CNHPLJ4 and use the Western Latin font COURIER in your document, the print preview will show you Chinese characters if you (by accident) tried to format Chinese characters in COURIER font. This is because Windows will automatically choose a font that can output Chinese characters (which is actually not Courier). But when you print the job on an actual PCL5 printer with resident Western and Chinese fonts, the Courier font will not print any Chinese characters but Western special characters instead, because the printer's resident Courier font does not include Chinese characters.
Rule of thumb: all Asian device types (e.g. CNHPLJ4, JPHPLJ4, JPPOST, KPHPLJ4) support not only Asian fonts but also COURIER, HELVE and TIMES fonts. But these Latin fonts can only be used to print English text, not Chinese/Japanese/Korean characters.
Which fonts are suitable for a given language?
Language(s):            Font family to use in a form:
Latin-1 (Western Europe/Americas) *******
DE,EN,FR,ES,NL,SV       COURIER, HELVE, TIMES
                        (LETGOTH, LNPRINT)
Latin-2 (Central Europe) ****************
PL, CZ                  COURIER, HELVE, TIMES
ISO 8859-4 (Baltic) *********************
ET, LT, LV              COURIER, HELVE, TIMES
ISO 8859-5 (Cyrillic) *******************
BG, RU, SR, UK          COURCYR, HELVCYR, TIMECYR
ISO 8859-7 (Greek) **********************
EL                      COUR_I7, HELV_I7, TIME_I7
ISO 8859-8 (Hebrew) *********************
HE                      COURIER, HELVE, TIMES
ISO 8859-9 (Turkish) ********************
TR                      COURIER, HELVE, TIMES
Simplified Chinese **********************
ZH                      CNHEI, CNKAI, CNSONG
Japanese ********************************
JA                      JPMINCHO, DBMINCHO, DBGOTHIC
Korean **********************************
KP                      KPBATANG, KPDODUM, KPGULIM
                        KPGUNGSE, KPSAMMUL
Traditional Chinese *********************
ZF                      TWDPHEI, TWMING, TWSONG
Thai ************************************
TH                      THANGSAN, THDRAFT, THVIJIT
Arabic (Unicode systems only) ***********
AR                      ANDALE_J
Verify your output by examining the OTF data
When analysing printing problems of this type, be sure to check the OTF data which gets produced by SAPscript or SmartForms. OTF or "Output Text Format" is the intermediate page-description format generated from SAPscript or SmartForms. OTF will contain the final printer font names and character set/language identifiers which help to solve the problem. OTF will even name the form and the language of the form used to create the output.
The easiest way to do this is to create a spool request from your application, run transaction SP01, use menu
Goto->Display Requests->Settings
and choose
Display Mode: Raw
Now display your spool request. If this is a SAPscript or SmartForms spool request, you will see OTF data. Each line represents one OTF command, every command starts with a 2-character cmd identifier and possibly some cmd parameters follow.
Here is an excerpt from a sample OTF file where we highlight the most interesting commands:
//XHPLJ8000    0700 00000000001
IN04EALEXTEST_ZEBRA
IN05%PAGE1
OPDINA4 P 144 240 1683811906000010000100001
IN06%WINDOW2
MT0024401289
CP11000000E
FCHELVE 120 00109XSF100SF101110000067E X
UL +0000000000000
SW00067
CT00000000
ST0453037Dieses SF hat Stil ALEXTEST_ZEBRA mit
The 1st line with the // (Control) command reveals the device type usedto print: HPLJ8000
//XHPLJ8000    0700 00000000001
The 2nd line (IN = Info command) shows the name and (internal 1-char)language key of the form:
IN04EALEXTEST_ZEBRA
In this case it is the English (E = EN) SmartForm ALEXTEST_ZEBRA
The OP-line (OP = Open Page) gives the page format used in the form, it is DINA4 Portrait orientation:
OPDINA4 P 144 240 1683811906000010000100001
The CP (CodePage) cmd shows the SAP system codepage used to code the text and the active language. In our case it is codepage 1100 and language E = EN = English.
CP11000000E
Finally, the FC-cmd (Font Call) lists a printer font selected within SmartForms. Please note that every SmartForm has a designated default SmartStyle under "Form Attributes->Output Options". In addition, every text node can have a SmartStyle attached (which will override the definitions from the default style for the text). In our case the resulting printer font that was selected is HELVE 12.0 pt bold-off, italic-off.
FCHELVE   120 00109XSF100SF101110000067E X
Regards
Anji

F110 - program RFFOAVIS_FPAYM email and print at the same time

Hello all,
we are using program RFFOAVIS_FPAYM program for print and email paymnet advice. but the current scenario at a time only one process is woking email or print payment advice. but the user want to get the print and email adivce at the same time, but current only one thing is working.
kidly advice how to get email and print payment advice at the same time.
Thanks in Advance.
Abhilash

I Have the same problem
Any help is welcome

Printing payment advice in F110

Hi all,
I configured F110 in such a way that NO payment medium is created, so what it does now is that it selects my vendor line items and automatically clears them. For all cleared vendors I want to generate a payment advice. Again, without the need for a payment medium to be created.
What I have already done:
- In OBVU (payment methods in cpy code) I set "Always pyt advice"
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- In OBVU (payming cpy codes) I entered my payment advice form
When I run F110 it works fine including the clearing, but NO payment advices are generated. When I execute RFFOAVIS it say "no record selected".
My questions:
1) It is generally possible to use F110 WITHOUT generating a payment medium/using an RFFOxxxx program and print an advice ONLY?
2) The description of RFFOAVIS is that it prints advices for accounts with a 0 BALANCE, is this the correct program at all for printing "nomal" payment advices?
3) Anyone an idea why else no advices are generated?
Thanks!
Rene

Hi,
Yes, it is possible to send payment advices notes with payment media program with out payment media.
In payment method for country you have to assign payment media program. Payment advice form should be assigned for your paying company code in FBZP.
In report variant for your payment media program under print control Select u2018print payment advice notesu2019 only.
Thanks!
Raju

Macbook Pro OSX 10.8 and Epson WF 7525 will no longer print. It did until quite recently . Now I get Filter failed and RastertoescpII when i try to print ( test sheets ok) . Have tried to to uninstall and reinstall but nothing. Any advice, please.

Question ?
Macbook Pro OSX 10.8 and Epson WF 7525 will no longer print.
It did until quite recently . However now I get filter failed and RastertoescpII and pages of items when i try to print .
Print head test sheets/head cleaning etc ok .
Have tried to to uninstall and reinstall but nothing.
Any advice, please?.
ps
The printer deos not show up on Epsons site but i think I have the software from Apple.
Not an ideal situation.

Try a reset > OS X Mountain Lion: Reset the printing system

TS3899 Suddenly my font is enlarged when I print any emails. I've adjusted text size and that doesn't fix

Suddenly my font is enlarged when I print any emails. I've adjusted "text size" that doesn't fix, seems to be for display only ?

Reset the page zoom on pages that cause problems: <b>View > Zoom > Reset</b> (Ctrl+0 (zero); Cmd+0 on Mac)
See http://kb.mozillazine.org/Zoom_text_of_web_pages
Your plugins list shows outdated plugin(s) with known security and stability risks.
* Shockwave Flash 10.0 r45
* Next Generation Java Plug-in 1.6.0_17 for Mozilla browsers
Update the [[Java]] plugin to the latest version.
*http://java.sun.com/javase/downloads/index.jsp (Java Platform: Download JRE)
Update the [[Flash]] plugin to the latest version.
*http://www.adobe.com/software/flash/about/

Printer not printing AND Matching Screen colors to Print colors. Any advice is apreciated!!

Hello - I have 2 questions regarding printing to an Epson and also regarding the monitor colors Not matching the print colors working from Photoshop CS4 on a Mac with a Maverick [ 10.9.3 ] OS. My issues are Not about my own printers or software. I have been tutoring a friend via phone in Photoshop; he has CS4 and is working on Mac OS 10.9.3.
1- We found that he could print nearly fine [ nearly accurate colors ] from Lightroom on his computer, version 5.4. But when he tries to print from Photoshop he cannot make a print. There is clear communication between the computer and the printer, as, when he sent the file to print, the printer [ an Epson 3880 ] responded by automatically changing to Photo Black from Matte. Then, it opens the rollers as if to print, but, it them stops and the menu [ on the Printer ] says 'Ready.' The paper is 4x6” Moab Lasal paper 300gsm. This issue of Not printing is only with this Moab Lasal luster paper, for which he Does have the IIC profile, and we always make sure ‘Photoshop manages colors,’ not the printer. To address the issue of the printer Not printing at all using a non-Epson brand paper, we have tried seemingly everything from deleting and re-adding the printer from the Library / Printers, resetting everything [ printer computer software etc ], trying different settings in the Printer window and the Print Settings window. Including changing the media profile, platen gap, etc.
2- My other and more important question is – after we Do get a print, we cannot match the monitor color to the print. [ We havE been able to get a print using Epson brand paper. Which is odd because we have the ICC profiles for both papers ]. To address the color matching issue, he has told me he calibrated the monitor with a Spyder, and here are a few other variables that I can relay that may or may not be affecting his color-issues:
He iS viewing his prints in a dayliglht-rated lighting environment
The monitor is an iMac glossy finish monitor, not an anti-glare
We tried working and printing from both an 8-bit and also a 16-bit color-space and also 16-bit printing
The color shift is slightly but noticeably toward Magenta.
His printer is Not calibrated
Please let me know what else we can do, any known glitches that may be an issue with his older version of CS, any tips you can suggest.
Thanks very much!

I don't have that printer and I'm not on Mac, so someone else has to step in there. Generally a green/magenta cast indicates none/double printer color management. But then I don't know what you mean by "slight".
The Spyders aren't the most consistent and reliable calibrators out there. I had a Spyder 3 sensor that I just threw away because it gave a distinct red cast (I have several other calibrators, so there was no doubt). Another potential problem is that with most calibrators you can only adjust the white point along the blue/yellow Kelvin scale, but not on the green/magenta scale. This is often necessary to get a good white point color. In this case you need to use the monitor's OSD controls, and if possible the "pre-calibration" function in the calibrator to measure and monitor it - if that function exists. And I don't know if this is possible with an iMac.
This is basically a question of getting the white point right, both on the blue/yellow and the green/magenta axis (and luminance of course). The goal is to get a visual match to paper white on screen. With the white point properly set, neutral color balance relates to that, and the rest more or less follows by itself. (In addition you should set the proper black point/contrast for full control, but that's not the issue here).

Jagged fonts onscreen and printing. Any advice?

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