Log and Transfer feature

Can the Log and Transfer feature be used with Tape-based cameras as well?
Thanks,
Lyman

Log and Transfer is only for file based media.

Similar Messages

A conclusion to ALL the AVCHD/.mts Log and Transfer Final Cut Pro 7 issues

Hey all! Happy 2011!
So this is my first post here and hopefully when this thread concludes with all your help we should be able to help a lot of people and save them the heartache that I have recently had to endure by stating these things in plain English. I have some questions at the end which I think could be answered very easily! Please, no gobbledygook!
It would be great if people in the know can confirm/deny or comment on my points so those that are in a similar position to me can save their time and just get on with it.
1) I have a Panasonic HDC-TM300 and it records in AVCHD/.mts files
2) FCP 7 can deal with AVCHD files via the Log and Transfer feature if you do it straight from the camera or memory card and can convert to ProRes 422 (LT)?
3) Log and Transfer _*DOES NOT WORK*_ if you move the AVCHD/.mts to an external drive without maintaining the folder structure?
4) What is required from the folder structure that makes FCP act this way?
5) Basically I have f*ed it by doing the part 3 above which I think is the most natural thing in the world to do! Im sure that many people have done the same thing as me please correct me if i’m wrong
After a lot of research on the internet I have come up with the following solutions and in brackets my thoughts on them. If anyone has any experience with them please please let me and other people know so I can get on with my life and editing these files.
a) Harass the people that make FCP 7.0 and make sure that the next update solves this stupid/idiotic/ridiculous oversight. (This could take a while but i think we should do it for the sake of future generations)
b) Someone could let us know about a workaround to this that may be the folder structure that FCP needs to be able to do L&T (needs to be simple so that everyone can do it. This would be the best short term solution until part a is completed)
c) Buy one of the converter programs such as ClipWrap, Toast Titanium or Aunsoft mts converter. If so which is the most/ least recommended and why? (Least desirable option due to requirement for extra program so extra faffing and extra cost).
Thanks y’all and keep up the awesome work!!
K*

2) FCP 7 can deal with AVCHD files via the Log and Transfer feature if you do it straight from the camera or memory card and can convert to ProRes 422 (LT)?
Yes.
3) Log and Transfer DOES NOT WORK if you move the AVCHD/.mts to an external drive without maintaining the folder structure?
This is true of ANY tapeless format.
4) What is required from the folder structure that makes FCP act this way?
This is due to the fact that most of them have files in those other folders in that structure that FCP needs to access in order to get all the proper components assembled properly. Sure, there are formats that have folders with nothing in them. Doesn't matter, FCP is designed to look at the full structure and work from that.
5) Basically I have f*ed it by doing the part 3 above which I think is the most natural thing in the world to do!
The most natural thing in the world is to NOT backup everything? Well, that might be the case, since this comes up so darn often. But, it is wrong. The full structure must be maintained. This is true of many tapeless formats and more than just FCP. Avid and Premiere need this for certain tapeless formats too.
a) Harass the people that make FCP 7.0 and make sure that the next update solves this stupid/idiotic/ridiculous oversight.
It isn't an oversight. It is designed like this on purpose. You need to learn how to do things right. You obviously know what that is now...keep the full card structure. So now it is up to you to continue to do things properly. Instead of insisting that an NLE conform the way it works to suit your needs.
b) Someone could let us know about a workaround to this that may be the folder structure that FCP needs to be able to do L&T (needs to be simple so that everyone can do it. This would be the best short term solution until part a is completed)
Easy. Shoot a small bit on another card. Look at the folder structure. Recreate that structure in your backed up footage. Often this will mean making folders with exact names, even if they are empty. But if they have files in them, even small ones, then the first backup you did might not work....because those might be some of the small files FCP needs in order to do the L&T process properly. Always worth trying though.
c) Buy one of the converter programs such as ClipWrap, Toast Titanium or Aunsoft mts converter. If so which is the most/ least recommended and why?
I highly recommend Clipwrap. Mainly because I haven't tried the others. But also because the author is always following the latest formats, and works hard to make sure his software works with them. It solved an importing issue I had with the Sony NXCam camera...within a week of me moaning about the issue.
Want a tutorial to walk you through the tapeless workflow in FCP? I have one. Tapeless Workflow for FCP 7 Tutorial You might know most of this, but watch it for other tips.
Shane

Log and transfer inevitably crashing FCP

We're editing a couple of music video in FCP 6.0.1.
we shot with an HMC150 so the clips are being uploaded from an SDHC in an AVCHD folder via log and transfer. the first video went relatively fine barring several problems with log and transfer (files not matching thumbnails, files corrupting, FCP crashing) the problems seem to be random and inconsistent, as issues like a misplaced thumbnail or corrupted import could be reopened and fixed so there was no way to tell exactly why each thing was happening. eventually it all subsided and work went smoothly.
went on to finish video number two and after several imports the log and transfer feature has decided to be the death of the project. Choosing log and transfer inevitably leads to an almost instant crash of FCP unless all drives it's reading from are disconnected. reinserting any drive means an instant crash. the drives are not corrupt and function just fine with any and all other programs, even imovie.
why in the world can't i get FCP to stay alive when i open the log and transfer? please help.

Right - I've solved this one. It turned out that I'd recorded some 1080p50 footage. The mere presence of this on the card freaked Log & Transfer. The camera doesn't make it easy by hiding that footage when you're looking at 1080i25 (or whatever "normal" mode is).

Canon T2i log and transfer, file size HUGE

Hi everyone. I need help understanding why my canon t2i files are so large in fcp 7. i've downloaded and modified the script for canon os plugin for tcp, so i can use the log and transfer feature. i have the preferences set to apple 422

This is a question for the Final Cut Studio forum. Your clips are being transcoded to ProRes, which are much larger than the original H.264.

Log and Transfer .MOD, .MOI

Hi,
I have a Canon Legria FS19 which records onto SD Card. When I bring up the SD Card it shows lots of .MOD and .MOI files which are unreadable.
Beacuse iMovie recognises the camera, I have been using it to import the footage and then I export it as a DV Stream to edit into FCP.
But I feel this might have some loss in quality, so my question is: If I upgrade to FCP 6 to get the "Log and Transfer" feature, will it support my camera?
Thanks,

Thank for the help, I had look and the batch function is great! You can tell it to automatically join the clips in MPEG Streamclip!
Most of my work is professional but I brought this camera for home movies because of it's light weight, I think that FCP should support everything.
One last question, is there a guide online showing you how to achieve best compression results with this type of footage?
Thanks very much

Trouble with RED Log and Transfer in FCP6

Hi there,
I am cutting my first RED feature and am having an issue getting all my footage into FCP 6. I decided to go with the RED Quicktime files and am Log and transferring them in as we speak. Most of the footage was able to be dropped right in with no problem what so ever but I am on the last 1TB hard drive and it won't mount the folders to transfer the footage except one. One folder when in fine but the rest won't even mount. I tried importing each .RDC folder in on its own but I get an error:
WARNING
"A008c001_0212LV001.R3D" contains unsupported media or has an invalid directory structure. Please choose a folder whose directory structure matches supported media.
Obviously these files are put together the same way as the other couple hundred files but these ones are giving me trouble. Has anyone else ran into this problem and how do I get the footage in.
By the way I can open the .R3D files in Red alert without any problem
Thanks,
~Jake

A while has passed, unfortunately. I've been working my way through this mess, as well.
When you get the "unsupported media or has an invalid directory structure" message it usually indicates that a catalog-like file is missing. The same now happens with P2 transfer.
Check for an ".rsx" file within the RDC folder. Log and Transfer may not be happy if this file is missing. Sometimes it gets missed when the media is being consolidated across drives.
** What I'm having trouble with now is that Log and Transfer repeatedly fails to load a selected directory --- except on the umpteenth attempt. You know, the one where I'm beyond the point that most normal people are up the Bell Tower sniping at the citizenry.
jPo
Message was edited by: JP Owens

Log and Transfer in FCP7 from Firestore HD100

I recently did the upgrade from FCP6 to FCP7 in order to take advantage of the log and transfer capability for file based media. I have a JVC HD200 camera with a Firestore MR-HD100 drive attached. I have as yet had no luck at all getting FCP7 to recognize a file from the HD100 drive in any configuration.
Am I missing something or will the FCP7 log and transfer application not work with files generated with this drive?

No, we DO get the point. We know exactly what you want to do...you just chose a shooting format that doesn't do what you want to do. If you wanted that functionality you should have chosen to shoot on tape, P2, SxS, or SD card. Or used the firestore with a P2 camera and shot using the P2 file structure. You chose a camera that shoots directly to QT and therefore does not have that functionality.
As it is you have to retain all of the original file at full size and archive that.
Because you chose a shooting format in which you have to do that.
I chose the particular format because it offered me a specific set of features that suited my shooting needs.
What are those features that any other of the cameras that shoot to tape, P2, SxS or SD card don't offer?
That doesn't mean that I have to accept that Apple is not doing their job in covering all aspects of the professional film and editing world and making an interface addition that is substandard.
OK, name ONE NLE that would do what you want with the format you chose to shoot? Avid? Nope. Premiere...nope. Vegas? Nope. Edius? Nope. So is EVERYONE out there not doing their job in this case? No. You chose a format that is NOT suited to doing what you wanted to do. That is no ones fault but your own.
Shane

AVCHD Log and Transfer Woes. Please advise.

Folks, I am using the latest version of FInal Cut (7.02) to log and transfer AVCHD content from a Panasonic Lumix GH1. Many clips get imported but many stop with errors ( a stream error as note by a exclamation mark in a red alert icon in the status column) even though they play back in the log and transfer window, VLC, Toast 10.
I've had to resort to using Toast 10 to transcode which is disheartening that it can and FCP can't. Plus it's slow. Another strange thing is that in FCP the number of clips that are successfully transcoded outnumber the number of clips for the same reel in Log and Transfer.
Per some other message board to troubleshoot, I've updated my FxFactory plugin app, uninstalled Perian, deactivated the pulldown feature in Log and Transfer, and changed the AVCHD audio settings to plain stereo. None of these efforts has changed the stream errors I am getting.
I could use some advice on this.

L&T and Lumix GH1 footage needs the file structure in the 'PRIVATE' folder intact.
So don't delete a single thing in there from the computer - if you want to remove clips you must do it from the camera. And when doing back-ups to a harddrive, copy the entire PRIVATE folder and again, don't change anything in there once it's on the harddrive. Then L&T can still access the clips, you don't have to do it from the SDHC card.
And don't include photo captures.

Can't select input output and name media when using MRC1 log and transfer

I am using a MRC1 from the Sony Z5E to film my media. I downloaded the plugin which allows me to log and transfer through FCP 6.0.6. The only problem is that it does not allow me to input/output and name the pieces of each clip that I want. Hence I can only import the whole clip and am wasting time and space with media that I do not want or need. Is there an additional plugin or setting to pick on FCP to get this feature to work?
Rich

Hi xhk, I'm a Kubuntu's user and I've had the same problems. I've been days reading on the Internet about this issue and finally I solve it by following this post from a Spanish tutorial: http://bit.ly/4p3XFq. It worked for me!
Basically it is:
1. Get install the needed packages, i.e: sudo apt-get install ibus ibus-pinyin
2. After installing them, introduce a little code into two files:
2.1.--> type on your konsole: kate /home/$(whoami)/.bashrc
a--> add to the bottom of the opened text:
export GTK_IM_MODULE=ibus
export XMODIFIERS=@im=ibus
export QT_IM_MODULE=ibus
b-->save the changes on the text.
2.2.--> type again on your konsole: kate /home/$(whoami)/.profile
b--> repeat 2.1.a. and 2.1.b
3. Go to main menu - system settings - advance - "autoarranque" (I don't know how it is called in English, "restarting" maybe?) and then "add a programme". Type: ibus-daemon -d, press OK and then rebooth.
It shall be working by then.
Last edited by mxd (2013-07-06 01:42:27)

Is Premiere able to "capture" tapeless footage/P2 (log and transfer)?

Hi! Does anyone know if Premiere Pro CS5 is able to "capture" my P2 files from my Panasonic, without a need to transfer all the raw P2 material from the card to my hard drive? So the thing is, I don't want to edit my P2 footage as they're, but to convert them to either mov, or mp4. PLUS I want to be able to trim and rename my newmade files.
So basically I just need a log and transfer (Finalcut) kind of feature for Premiere.
Now I'll explain you why.
1. Let's say we had a filming where we were to shoot continuously two hours shot. So I have only one clip. About 60GB.
2.I personally need only five seconds of those two hours.
That should be enough reason. I hope you understood my point of view. Please don't ask me how this happened...
Plus more reasons: In our company we need to have all the footage and materials converted as .mov, wmv or mp4 for storaging and documenting everything.
This should be quite a simple problem but,... they always are. If there's no easy solution with Premiere, I hope you can point me a simple, easy program to do this. And working. (Otherwise we have to get some more Finalcuts, log and transfer, and then import our files in Premiere... Quite a hard way to do it)
Thank you
Timo Kankkunen

@native-lovers:
You guys didn't seem to understand that we need to have all the footage storaged as something else than P2-files. Dot.
@shooternz:
Hey thanks for that P2Forge link. That's quite useful. At least it's able to play the video (unlike AME). Plus that it should be able to trim the videos (though I haven't got it working yet). So maybe that'll solve my problems.
@joshtownsend:
Well, maybe I should give Premiere a second change, but I doupt the workflow is going to be quite a slow when having dozens of clips. Would it be something like this?
Premiere + AME workflow:
1. Double click the video from media browser to show it in source window
2. space to play, i to in and o to out.
3. drag to timeline
4. some shortcut to export?
5. paste filename with ending 001 and change the number when needed (I guess Premiere doesn't do it automatically does it?)
(5.5 The first time choose the right preset and output folder.)
6. some shortcut to export with AME (or just clicking the button)
And back to the number one... (AME running on the background)
Has anyone ideas to fasten this up? Like some magical way to jump over numbers 3, 4? And have the automatical numbering?
(Sorry I don't have Premiere with me right now so this came out of my memory).
Maybe that wouldn't be too bad after all (having all the shortcuts...).

Problem with Log and transfer using AVCHD

Hello,
I was wondering if I can get help. I use a Canon Vixia HF S200 and FCP Version 6.0.6
I have produced projects on my MacBook Pro 2.33 Ghz Intel Core 2 using this process before with no problems in the past. This problem just started and I dont know what has changed. When I open the Log and Transfer (LT) window I can see and hear all my video from the AVCHD folder in my harddrive just fine, I can scrub with no prob.... But when I add clip to Queue I get an red circle with exclamation on my status.
I have changed the settings on the preferences to Apple intermediate Codec and the audio to plain stereo.. no luck there, the video still will not transfer to my bin.
I have made sure that the toggle Queue state was the little arrow instead of the paused icon...no luck there either... i got a message that says clip queued transferring but nothing is happening.
I will appreciate your help!
Also I didn't mean to tread jack earlier, please accept my apologies, if anybody saw that...

OK!!!!! This seriously cost me 1 day of my life that I'll never get back!!! lol
So I was able to bring the footage in on to Imovie...Yes, I was that desperate...deadlines do that!
Edited the entire project there...kinda sucked...
Then I had the bright idea that if I was able to bring the videos in to Imovie, on my local HD...than something may be wrong with my scratch disk that I use on FC...its a USB disk, specs =slow.
So I changed the scratch disk and yes "Davi S" for good measure I also deleted the Pref files.
So it working again...here I go editing on FC after I edited the entire project on Imovie...
Thanks for all your help!

Log and Transfer to edit... How do I save to a hard drive?

I have a new Canon XA10, and I use Log and Transfer to download my videos to my computer and edit. How do I save them onto an external hard drive as to not take up so much space on my computer?

I was going to say to set up your scratch disk, but you are using FCPX, and this is the FCS forum... I don't know how the other program functions so you'll want to post in the correct forum.
https://discussions.apple.com/community/professional_applications/final_cut_pro_ x

Working with AVCHD: Log and Transfer FAQs

Disclaimer: Apple does not necessarily endorse any suggestions, solutions, or third-party software products that may be mentioned in the topic below. Apple encourages you to first seek a solution at Apple Support. The following links are provided as is, with no guarantee of the effectiveness or reliability of the information. Apple does not guarantee that these links will be maintained or functional at any given time. Use the information below at your own discretion.
Working with AVCHD: Log and Transfer FAQs
Log and Transfer was introduced to the product chain in Final Cut Express 4, and is the program's process for ingesting files in the AVCHD format utilizing MPEG-4 AVC/H.264 video coding and either Dolby AC-3 or uncompressed linear PCM audio coding. The most frequently observed problems relating to the Log and Transfer process are generally quite easily addressed.
What should I know before attempting to ingest my footage?
The following facts regarding the Log and Transfer process were adapted from the [Apple Knowledge Base article|http://support.apple.com/kb/TA24840?viewlocale=en_US] on transferring AVCHD in Final Cut Pro 6.0.1 but still hold true for the current version of FCE:
AVCHD support is available only on Intel-based Macintosh computers.
AVCHD camcorders typically connect to computers via USB 2.0, not FireWire.
DVD-based AVCHD camcorders are not supported in Mac OS X 10.4 or earlier.
Standard definition video recorded with AVCHD camcorders cannot be accessed in the Log and Transfer window. SD and HD clips should not be mixed on the same HDD.
Preview of AVCHD video in the Log and Transfer window is limited to 1x forward playback. Scrubbing the playhead does not update the video in the Preview area until you stop scrubbing.
When you choose to transfer AVCHD audio in the Logging area, audio is automatically mixed down to stereo.
AVCHD footage is not ingested natively but is transcoded to the Apple Intermediate Codec.
Apple Intermediate Codec files are significantly larger than the original AVCHD files. FCE does not estimate the size of a transcoded AVCHD file before ingesting, so it is possible to exceed the available space on your capture disk during transfer. Before ingesting, keep in mind that the disk space required is about ten times greater than the size of the native AVCHD file.
Which specific formats can be ingested by Log and Transfer?
Only AVCHD footage can be ingested through the Log and Transfer process. Other formats and variants such as AVCHD Lite are not supported. All video should be recorded in a frame size of either 1440x1080 or 1920x1080 and a frame rate of 25 or 29.97 frames per second. Audio recorded on AVCHD camcorders is generally at a rate of 48kHz. If your camera shoots in a format that does not comply with one of these setups then it is most likely not supported by the application and is not guaranteed to work correctly.
Which Easy Setup preset should I select before ingesting my footage?
It is extremely important to select the preset that matches your media before you attempt to ingest via Log and Transfer. There is only one Easy Setup preset that matches the frame size and rate of your footage. If you intend to ingest AVCHD clips through Log and Transfer you will first need to select one of the following presets:
AVCHD-Apple Intermediate Codec 1440x1080i50
AVCHD-Apple Intermediate Codec 1440x1080i60
AVCHD-Apple Intermediate Codec 1920x1080i50
AVCHD-Apple Intermediate Codec 1920x1080i60
If these four options do not appear under your Easy Setup list then you probably need to run Software Update and update to FCE 4.0.1. DO NOT cycle through the available presets until you find one that works - there is only one preset that matches your media and it should be evident which one to choose by the way it is named. Select the AVCHD preset that mentions your frame size and frame rate (i50 presets support both 50i and 25p frame rates; similarly, i60 presets support both 60i and 29.97p frame rates). If you do cycle through many options in the hope of selecting the correct one through guess-and-check you will probably have corrupted your preference file and need to [trash your preferences|http://support.apple.com/kb/TS2611] before continuing.
Why don't my clips appear when I open the Log and Transfer window?
Make sure your camcorder records AVCHD in a format supported by FCE4. It should be connected to one of your computer's USB ports (never connect it to an external hard drive or other external device such as your keyboard or a USB hub), powered on, and set to video playback mode.
If the camcorder +does not+ mount on your Desktop your USB port or cable may be malfunctioning. Try plugging it in to another port or using a different USB cable to see if it makes a difference.
If the camcorder does mount on your Desktop but the clips do not appear in the Log and Transfer window you will need to point the program to the directory that contains your media.
First, click the Add Folder button in the upper left of the Log and Transfer window. The button looks like this:
Then, you will need to navigate to the root directory in which your media is stored. Most camcorders call this folder "PRIVATE" or "AVCHD" and it should be located at the very top level of the camcorder when mounted. If your camcorder records to a valid AVCHD directory structure then your clips should load after the Add Folder process is completed.
I would like to keep a working backup of my original clips so that I can delete them off the camcorder's internal memory. How should I do this?
There are two main ways to keep a backup of your clips. The first is to ingest every clip on your camcorder through the Log and Transfer process, and store the Apple Intermediate Codec files the application creates in an easily accessible place such as an external FireWire drive. The advantage of this method is that you have the ability to open back up old editing projects, reconnect the media as necessary, and keep going as if you'd never left. However, due to the large amount of space AIC takes up (usually somewhere in the vicinity of 41-50GB an hour when transcoded from AVCHD), this is not always feasible.
Another often preferable approach is to copy over the root directory in which your clips are stored (usually named "PRIVATE" or "AVCHD") from the camcorder to your computer or an external drive. As long as you maintain the original file structure, you will be able to ingest your clips again at a later date using the "Add Folder" process detailed above to navigate to their new location.
My clips appear, but when I attempt to ingest a red exclamation point appears and the window displays the message "Error: No Data"
This is one of the most common problems that users experience when trying to ingest their media through the Log and Transfer process. Luckily, it also has one of the easiest solutions.
In the Log and Transfer window, click on the gear icon in the top right and select "Preferences" in the contextual menu that appears.
Make sure the video is set to transcode to the Apple Intermediate Codec and the audio is set to Plain Stereo.
After doing so, hit OK and try to ingest again.
I am experiencing a problem that is not covered in this tip or the solutions here do not work.
The best thing to do at this point would be to trash your preferences and start a new topic in the [FCE Forum|http://discussions.apple.com/forum.jspa?forumID=936&start=0] with a detailed description of your problem. Check out the user tip on [Basic Troubleshooting in Final Cut Express|http://discussions.apple.com/thread.jspa?threadID=2662419] for more information.
This is the 1st version of this tip. It was submitted on December 03, 2010 by skalicki`.
Do you want to provide feedback on this User Contributed Tip or contribute your own? If you have achieved Level 2 status, visit the User Tips Library Contributions forum for more information.

Disclaimer: Apple does not necessarily endorse any suggestions, solutions, or third-party software products that may be mentioned in the topic below. Apple encourages you to first seek a solution at Apple Support. The following links are provided as is, with no guarantee of the effectiveness or reliability of the information. Apple does not guarantee that these links will be maintained or functional at any given time. Use the information below at your own discretion.
Working with AVCHD: Log and Transfer FAQs
Log and Transfer was introduced to the product chain in Final Cut Express 4, and is the program's process for ingesting files in the AVCHD format utilizing MPEG-4 AVC/H.264 video coding and either Dolby AC-3 or uncompressed linear PCM audio coding. The most frequently observed problems relating to the Log and Transfer process are generally quite easily addressed.
What should I know before attempting to ingest my footage?
The following facts regarding the Log and Transfer process were adapted from the [Apple Knowledge Base article|http://support.apple.com/kb/TA24840?viewlocale=en_US] on transferring AVCHD in Final Cut Pro 6.0.1 but still hold true for the current version of FCE:
AVCHD support is available only on Intel-based Macintosh computers.
AVCHD camcorders typically connect to computers via USB 2.0, not FireWire.
DVD-based AVCHD camcorders are not supported in Mac OS X 10.4 or earlier.
Standard definition video recorded with AVCHD camcorders cannot be accessed in the Log and Transfer window. SD and HD clips should not be mixed on the same HDD.
Preview of AVCHD video in the Log and Transfer window is limited to 1x forward playback. Scrubbing the playhead does not update the video in the Preview area until you stop scrubbing.
When you choose to transfer AVCHD audio in the Logging area, audio is automatically mixed down to stereo.
AVCHD footage is not ingested natively but is transcoded to the Apple Intermediate Codec.
Apple Intermediate Codec files are significantly larger than the original AVCHD files. FCE does not estimate the size of a transcoded AVCHD file before ingesting, so it is possible to exceed the available space on your capture disk during transfer. Before ingesting, keep in mind that the disk space required is about ten times greater than the size of the native AVCHD file.
Which specific formats can be ingested by Log and Transfer?
Only AVCHD footage can be ingested through the Log and Transfer process. Other formats and variants such as AVCHD Lite are not supported. All video should be recorded in a frame size of either 1440x1080 or 1920x1080 and a frame rate of 25 or 29.97 frames per second. Audio recorded on AVCHD camcorders is generally at a rate of 48kHz. If your camera shoots in a format that does not comply with one of these setups then it is most likely not supported by the application and is not guaranteed to work correctly.
Which Easy Setup preset should I select before ingesting my footage?
It is extremely important to select the preset that matches your media before you attempt to ingest via Log and Transfer. There is only one Easy Setup preset that matches the frame size and rate of your footage. If you intend to ingest AVCHD clips through Log and Transfer you will first need to select one of the following presets:
AVCHD-Apple Intermediate Codec 1440x1080i50
AVCHD-Apple Intermediate Codec 1440x1080i60
AVCHD-Apple Intermediate Codec 1920x1080i50
AVCHD-Apple Intermediate Codec 1920x1080i60
If these four options do not appear under your Easy Setup list then you probably need to run Software Update and update to FCE 4.0.1. DO NOT cycle through the available presets until you find one that works - there is only one preset that matches your media and it should be evident which one to choose by the way it is named. Select the AVCHD preset that mentions your frame size and frame rate (i50 presets support both 50i and 25p frame rates; similarly, i60 presets support both 60i and 29.97p frame rates). If you do cycle through many options in the hope of selecting the correct one through guess-and-check you will probably have corrupted your preference file and need to [trash your preferences|http://support.apple.com/kb/TS2611] before continuing.
Why don't my clips appear when I open the Log and Transfer window?
Make sure your camcorder records AVCHD in a format supported by FCE4. It should be connected to one of your computer's USB ports (never connect it to an external hard drive or other external device such as your keyboard or a USB hub), powered on, and set to video playback mode.
If the camcorder +does not+ mount on your Desktop your USB port or cable may be malfunctioning. Try plugging it in to another port or using a different USB cable to see if it makes a difference.
If the camcorder does mount on your Desktop but the clips do not appear in the Log and Transfer window you will need to point the program to the directory that contains your media.
First, click the Add Folder button in the upper left of the Log and Transfer window. The button looks like this:
Then, you will need to navigate to the root directory in which your media is stored. Most camcorders call this folder "PRIVATE" or "AVCHD" and it should be located at the very top level of the camcorder when mounted. If your camcorder records to a valid AVCHD directory structure then your clips should load after the Add Folder process is completed.
I would like to keep a working backup of my original clips so that I can delete them off the camcorder's internal memory. How should I do this?
There are two main ways to keep a backup of your clips. The first is to ingest every clip on your camcorder through the Log and Transfer process, and store the Apple Intermediate Codec files the application creates in an easily accessible place such as an external FireWire drive. The advantage of this method is that you have the ability to open back up old editing projects, reconnect the media as necessary, and keep going as if you'd never left. However, due to the large amount of space AIC takes up (usually somewhere in the vicinity of 41-50GB an hour when transcoded from AVCHD), this is not always feasible.
Another often preferable approach is to copy over the root directory in which your clips are stored (usually named "PRIVATE" or "AVCHD") from the camcorder to your computer or an external drive. As long as you maintain the original file structure, you will be able to ingest your clips again at a later date using the "Add Folder" process detailed above to navigate to their new location.
My clips appear, but when I attempt to ingest a red exclamation point appears and the window displays the message "Error: No Data"
This is one of the most common problems that users experience when trying to ingest their media through the Log and Transfer process. Luckily, it also has one of the easiest solutions.
In the Log and Transfer window, click on the gear icon in the top right and select "Preferences" in the contextual menu that appears.
Make sure the video is set to transcode to the Apple Intermediate Codec and the audio is set to Plain Stereo.
After doing so, hit OK and try to ingest again.
I am experiencing a problem that is not covered in this tip or the solutions here do not work.
The best thing to do at this point would be to trash your preferences and start a new topic in the [FCE Forum|http://discussions.apple.com/forum.jspa?forumID=936&start=0] with a detailed description of your problem. Check out the user tip on [Basic Troubleshooting in Final Cut Express|http://discussions.apple.com/thread.jspa?threadID=2662419] for more information.
This is the 1st version of this tip. It was submitted on December 03, 2010 by skalicki`.
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I need to know best way to edit MXF files, with least rendering, is that converting the MXF or Log and Transfer? the end product is dvd, but I have lots and lots of these projects to do.

I am about to comence my Edit, and was told of Mpeg Streamclip, however this doesn't seem to work with my Canon XF305 Clips, the reason I was told to use it was so I wouldn't have to Render in Final Cut Pro all the time.. I do have the Canon Disc with the Plug in Utility and the update from their site.
Is it best to Convert these MXF files first and import them into FCP or use 'Log and Transfer', so far I am unable to do either!!
The projects on the timeline will have introduction .Movs already on it as a Template to re-use again and again with the new Footage ( MXF Files ) to be added and edited with transitions etc..This process is repeated again and again but with different MXF clips each time.
I am looking for the quickest and best way for workflow as there are 80 or more projects to do, each with 10 or so clips to be added to the timeline and Exported for DVD...Will I have to then Compress to fit onto DVD's??
I know Streamclip is an Mepeg 2 app but I thought the Canon XF305 Shot as mpeg2....
Is Log and Transfer my only Option?
Basically I need to know the quickest for Render purposes, and of course, the best way so the files aren't so huge etc etc.
Please, any suggestions would be greatly received....

We only work with PR422 files in FC7. We use Shane's workflow with all 5D & MXF footage.
Make your life easier and stick to the ProRes family for your footage and edit sequences. Avoid H264 & convert any you have to ProRes.
Unless you are considering Blu-Ray the only way to deliver video on a DVD is to convert it to SD.
Depending on the length of your show you can make a Blu-Ray in Compressor but you have very limited authoring options when compared to DVD Studio Pro.
Compressor can also convert your HD to SD mpg-2 & Ac3 files. The best results usually come from setting the frame controls in the mpg-2 setting of Compressor to best. Depending on the the length of the show and your Qmaster settings this can take quite a while.
I personally find Compressor's HD to SD DVD conversion varies. Sometimes it is wonderful and sometimes not so much. I prefer the following as it is usually is faster and very consistent.
Export a quicktime movie (not QT conversion) of your final sequence
Import the exported HD file back into FC.
Create a SD 16x9 sequence and then drop in the recently exported HD seq and render. Rendering the sequence basically has FC doing the HD to SD conversion. Export the SD sequence and then convert to mpg-2 & ac3 in Compressor. While this does take time I still find it faster than Compressor with Qmaster utilizing all cores.
Another option is using jobs in Compressor
http://pixelcorps.cachefly.net/macbreak-154-540p-h264.mov
In this workflow you would have Compressor convert the HD file to SD and then through jobs convert the SD file to mpg2 & Ac3.
In theory the jobs version could be faster (based on a number of variables- length, Qmaster, etc) but I haven't had time to compare the two.

Log and Transfer w/ Sony HVX - problems

I loaded the log and transfer window with all the footage and added it to queue. Once it was finished transferring every clip shot at 59.94 had a "half-circle" icon next to it, meaning some frames were not captured. Every clip is short about 16 frames.
But the stuff shot at 23.98 all came in fine and with the "full circle" icon.
Anyone seen this before?

I have resolved the issue. Let me explain what happened.
My 59.94 footage was being transfered to FCP as 23.98. Also, in the log and transfer window my clips had a "half-circle" next to them instead of the usual "full circle". The cause of this was in Preferences, the Remove Advance Pulldown and Duplicate Frames option was checked. After unchecking it, I retransfered the clips perfectly fine.

Log and Transfer feature

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