Low-quality DVD from SD files

I'm new to Premiere Pro CS5, and I'm having difficulty creating a good-quality DVD from my SD footage. It may be because my video is too long (2 hr. 14 min.), but I thought maybe I was doing something wrong.
I've done similar things (DVDs from plays I've recorded, with the same camera) using different software, and the final quality was better. However, for various reasons, the old software isn't working well any more and I'm making the switch to PP.
I've included some technical details below. Any ideas would be greatly appreciated.
Thanks,
Jon
Original footage:
Shot on Panasonic DVX 100B, SD: 720x480 (0.9091), 23.976 fps (24p)
Captured as .avi files using Premiere Pro
Edited in Premiere Pro CS5 64bit (ver.5.0.3)
Total video length: 2h:14m
Sample of .avi footage, original size:
400% magnification:
Dynamic linked to Encore (ver.5.0.0.5)
Added 2 menu screens with a small jpg on each
1st try: Transcoded using Automatic settings
(DVD Transcode in Properties dialog). Quality was awful -- faces very blotchy.
2nd try: Changed DVD Transcode to:
NTSC DV 23.976 Hi-Qual 7Mb VBR 2 pass
Quality didn't improve.
3rd try: Specified a 2-sided DVD to give it more room. (I don't have a 2-sided DVD, but I thought I could burn it onto 2 DVDs). The transcoded file size increased (6.89GB m2v file), but the quality didn't really improve.
Sample of m2v footage, original size:
400% magnification:
It's a 3-act play, and my next thought was to try to do Act 1 as one file, on one DVD, and Acts 2 & 3 (shorter) as a separate project on a 2nd DVD. Blu-Ray isn't an option, unfortunately.
Thanks!

Jeff,
As I just posted, it turns out that Dan's instructions about HC Encoder were the ones that basically got me what I needed. However, I really appreciate your suggestions, and I wanted to post my test results and procedure, in case it's helpful to anyone (or if I need it again).
Regarding your test scenarios, I started on two different sequences: one set up as DV 24P, and the other as DV NTSC. My detailed notes are below -- too much to read, unless you're interested how it all turned out.
Thanks again,
Jon
Test 1: Playing in the Premiere Program Window
A. On DV 24P sequence:
   1. Leave Interpret Footage parameters at current settings. Quality OK
   2. Change just the "Remove 24p DV Pulldown" setting. Quality Terrible
   3. Change just the Field Order setting to Progressive. OK
   4. Change both the Remove and LFF settings. OK, but w/ interlace combing
B. On DV NTSC sequence:
   1. Leave Interpret Footage parameters at current settings. Quite bad
   2. Change just the "Remove 24p DV Pulldown" setting. Worse
   3. Change just the Field Order setting to Progressive. Quite bad
   4. Change both the Remove and LFF settings. Lots of combing
So, after this round, DV 24P sequence was best, either w/ default settings, or making field order progressive.
Test 2: AVI export
Created a split-screen test clip, on DV 24 P sequence, with no change on left, and change of setting from LFF to progressive on right (A1 & A3 above, which were the best after the first round).
Exported to avi files, using:
1. NTSC DV 24P preset, DV (24P Advanced) codec
2. Lagarith codec, progressive
3. Lagarith, LFF
Played avi file on Media Player Classic and Windows Media Player.
Not a lot of discernible difference among the three files.
Test 3: HC Encoder
Created *.avs fils for each of 3 test files (using Dan's directions), plus original avi (captured directly from the camera)
(Note: HC Encoder doesn't like file names with spaces or underscores,apparently.)
1. NTSC: couldn't open
2. Input for encoding OK
3. Input for encoding OK
4. Original avi couldn't be decompressed
So, the lagarith-encoded files work fine with HC Encoder, but I still have interlace combing artifacts - throughout Act 2, and at the curtain call for Sat (when the background is lighter -- is that significant?), and throughout (but not completely) Acts 2 & 3 for Fri (all on one tape). Act 1 either night doesn't appear to have a problem.
Looking at the original captured footage (in MPC and Win Media Player), there is no interlacing problem, so it appears to be an issue with PP.
Previewing the files in PP (before putting them in a sequence), there is no interlacing problem.
When creating a new sequence, I tried: New Sequence, General, Playback Settings button, choose "Repeat Frame (ABBCD)" rather than "Interlaced Frame" (the default).
This sort of fixed the problem -- no more combing, EXCEPT at the curtain call -- the very end of tape 3. The other footage that was combing is now a little softer -- kind of annoying, but I applied an Unsharp Mask filter (default settings), and it helped. (I also tried Auto Color, to see if it would quickly help the color. Not a good move: the color changes sometimes frame by frame, and all black becomes gray static. Obviously, I need to understand what that does next time I try to use it.)
I decided to live with the combing at the end. (It was "good enough" at that point -- not a commercial project.) At least I've learned a lot.
I put the .h2v and .aac files into Encore, created some menus and built it to a folder, to test the files one more time before committing them to plastic. It all looked good. Then, for one more hurdle, Encore didn't like my DVD burner ("unknown error"!) It worked last week! However, I used a different burner, since I had the DVD files already, and it worked fine. Phew!
I'd love to know what the interlace combing at the end was about. My only guess it that it may be because I was using a sort-of-cheapo DV tape, recording over it for the third time. Maybe the tape was a bit stretched or something and the frames got out of synch at the very end. (?) If anyone has ideas, I'd be interested.

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unclemano wrote
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Message was edited by: sycosingo

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Thx so much for your help.. it's really appreciated. This is by far the best result quality wise, (but I really am a perfectionist and personally are still not overall happy with the final product) but if my client is happy.. then I will continue down this track for this job.
ie Create TIFF;'s>Quicktime PRO>iMovie (transistions)>iDvd
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Message was edited by: sycosingo

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The problem:
When I print from my MBPR with OS X Yosemite, I have barely any options. I can't select the print quality, I can't select the type of photo paper, I basically miss every single option necessary to make good photo prints. As a result, the photos come out granular and of low quality.
When I print from my Windows machine, I can setup my print properties. E.G. paper type (thick, photo matte, photo glossy, etc.), print quality (normal, photo, etc.) and what not. When I set the properties to 'photo' the prints come out amazing.
I don't want to send back the printer, just because OS X is lacking in functionality. Is there anything I can do? Or am I stuck with eithre Windows, or changing printer?
Thanks in advance for your help.
Yours,
Danny

Your initial post was very clear. My response to you was based on your statement of...
When I print from my MBPR with OS X Yosemite, I have barely any options. I can't select the print quality, I can't select the type of photo paper,
My recommendation of contacting the manufacturer and/or reading the user manual still stands if repairing permissions does not work. On some printer/scanners not all of the printer options work in Yosemite. Reason why you need to confirm directly from the manufacturer if the user manual does not state so.
kahjot has already provided you w/repairing permissions instructions.

Can premiere elements make quality DVDs from photos?

Can you make excellent quality DVD's from photos using Premiere Elements 10 using a Mac?"

You should not have any issues.
If you are using only Still Images, here are the tips:
Set up your Project as either NTSC, or PAL DVD, in either Widescreen 16:9, or Standard 4:3. For most current still cameras, the Widescreen 16:9 would be the more likely candidate, but also consider the TV's, that your viewers will likely have. If there are a ton of older, 4:3 CRT TV's in that mix, then consider them.
Scale all of your Still Images to about the Frame Size of your Project, so ~ 720 x 480 for NTSC. See this ARTICLE.
Import those into the Project.
Drag those to the Timeline, and edit, as required.
Add any Scene Selection Markers.
When edited, go to Create Menus, and choose either a Wide, or Standard (depends on which you chose) Menu Set, then adjust, as is required.
When authored, Burn to Disc.
Remember, your Still Images are probably much higher resolution, than DVD, so do not expect HD quality material. However, if you/your viewers have an up-rezzing DVD, or BD player, properly hooked up, the resultant DVD will look spectacular.
Good luck,
Hunt

Low-quality DVD from SD files

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