"Mark a good take while recording" Command

I can't figure out what this is supposed to do for me . . .
When I use this command, the current take is used in the comp (as always) but only until the point I hit the command any following comped material is cleared - then the comp becomes "on-the-fly" comp, which I don't understand. How is this useful?
Then if I "move comp to new track" (not the "on-the-fly comp") this "on-the-fly comp" disappears from the comp list, but if I use "Export comp to new track" the "on-the-fly comp" is not deleted . . .
Does anyone understand what this is all about?
Thanks,
James

Make sure you are using a cardioid pattern mic facing away from the hi hat while recording. I'm sure you knew that already. Like I said, drummers should be willing to compromise when trying to get a good sound.
Like another poster said, mic the bottom - that is where the majority of the "snare" sound is from. Take a foam coffee cup and put the head of the mic through it - it'll help limit the polar pattern of the mic further to reduce bleed from the hi hat.
When you mic the top and the bottom, reverse the phase of the bottom mic (or top, depending) and that may help cancel out some of the hi hat sound, as well as possibly give you a tighter snare sound. However, this does not always work - flip the phase, then flip it back and see how each one sounds.
After you record it, gate the snare, or pick the best sounding snare hits and use them appropriately to replace snare hits overrun by bleed. This is where pro tools Strip Silence plugin is exceptionally useful. . . I don't think Logic has this function though. Hope this helped.

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