Mixing XDCAM HD 24p and HDV 1080 60i?

How do I mix 24P footage with HDV 60i footage
I have tried dragging the 60i footage onto the 24p time timeline but the HDV looks awful. Should I be converting the 24p footage to 60i then proceeding from there?
I had some luck using compressor, exporting the HDV using HD uncompressed 10 bit 1080 p24, then importing that file into my XDCAM 24p timeline. The HDV picture improves but it is not brilliant.
Perhaps my question is: Is there a way using Cinema Tools or compressor to mix the two formats? Do I have to use a Kona card? And when I export the final project, will the quality of the XDCAM footage be preserved?
thanks if you can help

If you have to mix the footage, you might try adding pulldown to the 24P footage to make it run at 30. I believe Graeme's Standards converter will add pulldown - or Shake. Then you can cut the 30fps footage into a 60i timeline...
As to dealing with HDV native timeline - maybe you should edit in a AIC timeline?
Patrick

Similar Messages

  • Best workflow for HDV 1080/60i/24pA with FCP 5.1.4

    I've spent hours trying to find the answer to this specific problem on the discussion forums as well as the FCP user manuals and I can't find it, please help! I've got a Sony HVR-V1U and I recently recorded several hours of footage at 24pA. I would like to edit the footage in 24p, and preferably in a different codec besides HDV and definitely not in AIC. I don't have any experience with Cinema Tools and I can't seem to get any files directly from FCP to Cinema Tools no matter what I transcode the video to. Also, is there any way to transcode the video to ProRes because it is so much faster to render video in ProRes than in HDV.
    Thanks in advance!

    Removing pulldown is done during capture if you shot 24pa, and in Cinema tools if you shot 24p. However I don't think that camera shoots a version of 24p that works when you remove the pulldown pattern. I could be wrong, but as I recall, the 24fps video that the v1u shoots isn't exactly the same as that shot by say, a DV camera so might not work removing pulldown. Just looked at the specs at Sony on the camera... it does apparently shoot with a 2:3 pulldown, so after you capture, you might try Cinema tools for the removal. Never heard of anyone doing this with HDV though, so it might be pretty problematic.
    That said, you should be able to transcode to ProRes in Compressor, and it should look great. Don't use your computer display to judge the quality of the results though, use an external video monitor. Artifact may show up on the computer's display when it's really not in the video...
    Jerry

  • Unknown whereabouts of Log and Captured HDV 1080 60i footage?

    Final Cut 5.1 user: I am having problem with my Final Cut Pro software after making some adjustments after listen to a Final Cut tutorial on Lynda.com.
    Now, when I Log and capture new footage directly from my camera (Sony HDR FX-1), the footage does not appear in the logging bin, which I created, and I designated as the project's logging Bin. However, the footage is appearing on my Lacie hard drive. In a folder I designated as the project folder.
    Help... I'm shooting a wedding this weekend.
    Thanks!

    First set the correct drive. Final Cut Pro > System Settings. I always just set the drive and do not designate a folder. FCP will take care of that by putting media in a Capture Scratch folder, in a folder named the same as your project. Now, in FCP you should be able to set the correct logging bin.
    --Bob

  • HDV 1080 60i or 50i

    I am editing a project that the person who shoot it doesn´t know if they recorded it at 60i or 50i. Because we are in Spain I supouse they shot it at 50i but Final cut let me capture either way, 50i or 60i. How could I know whether is 50i or 60i? If I already have a sequence in 60i can I recapture it in 50i? I have to mix the audio tomorow!!!! PLEASE HELP ME OUT, THANKS IN ADVANCE

    That would work OK. Be sure that the footage is truly 50i... If it isn't, you're spinning your wheels. Might keep the current media, copy the clips, and just make them offline, but leave the media on the drives so it stays connected to the original clips. That way you'll be able to look at them side by side to see which looks better.
    Jerry

  • Mixing DVC Pro HD and HDV

    Hello, all. I've been reading these discussions for over 3 years now, and I've always found the answers to my questions without posting. Until now.
    I'm working on a what was supposed to be a project shot solely on DVC Pro HD.
    Sequence settings reflect that. Now coming down to the wire and the client has decided to add a bit of b-roll just shot on HDV using a Sony HVR Z1U.
    I'll be capturing via Firewire.
    But what is the best way to mix these two formats in the sequence? Should I capture the HDV natively? As AIC? I've not worked with HDV at all before, and I'm not sure what to expect, though what I've read hasn't been encouraging.
    Final delivery of the video will be on DVD.
    Thanks for any help on this.

    If you don't have too much of the HDV, transcode it to DVCPRO HD would probably be easiest.

  • Converting HDV 1080/60i to ???1080 at 30p?

    I just cut a music video, HDV 1080i 29.97 fps. The first application for it is the web. I'd like to output it as 29.97 fps 'progressive' with the highest quality possible. I believe Compressor is the way to go ... but I'm not quite sure what the best settings should be, and what final codec should I export to.
    I'm actually going to use DV Kitchen to do all the web versions, once I have a master. But I have the sneaking suspicion (I've inquired on their forum, waiting for a response) that DV Kitchen doesn't yet handle ProRes ... thus my question about what codec I might export to.
    All ears,
    Ben

    Ben,
    Check out this link:
    http://vimeo.com/forums/topic:3671
    http://vimeo.com/help/compression
    You might find some helpful information there, even if you are not uploading to Vimeo, the tutorials are very useful for uploading to any site which handles HD videos.

  • MacBook Pro Quicktime and HDV

    I have my new 2.0ghz MacBook Pro. When I try to open HDV 1080 60i video in quicktime, I get is a white screen and a prompt to download third party plug ins. The audio plays back fine. On my G4 I can open and play the 1080i video fine. Also there is no support to export or playback HDV video of any kind in quicktime pro version 7.04 , in fact there is no HDV at all. I intalled Final Cut 5 on the new MacBook Pro fine even though it's "not supported yet" The HDV video opens fine there although play back is not great. I'm upset that Macintosh sent me my new $3000 computer without the ability to play back the video's that I have edited. So I bring my new computer to clients but have to play back the demo footage on my 3 year old G4. THATS LAME!!! Any Help>>?
    Thanks
    Greg
    MacBook Pro 2.0ghz   Mac OS X (10.4.5)  

    Ahh, another new version of an Apple codec.
    Dear Apple,
    Please submit your codecs to yourself using the following form:
    http://developer.apple.com/quicktime/qtcdform.html
    So that they are *at least listed as existing at all* when opening media created with Apple codecs for which no component is installed, and then being directed to:
    http://www.apple.com/quicktime/resources/components.html
    Which currently lists zero Apple codecs.

  • Mixing XDCAM and HDV?? Outputting to SD DVD...

    Hi
    Earlier this year we shot a documentary on a Sony PDW-F350L HD XDCam (great camera, stunning footage - 35Mbps). Working in FCP has been fine.
    We're doing a follow up and budget and logistics dictate that we sadly can't use 350s again (where we're going, carrying 2 Z1s for example is going to be a lot easier). We're also on a fairly steep learning curve (being relatively new to FCP, Compressor etc).
    So I'm looking at options. We know that there are significant differences between say a Z1 and a 350 but from my research so far and from some relatively simple testing mixing Z1 footage (native) and 350 footage on FCP, at least editing on the timeline doesn't seem like it's going to present any problems (although thoughts on that welcome).
    The issue seems to be outputting. In the first instance we'll be outputting to SD DVD. Yes, that old gem...
    Searching round various forums, it seems this problem (HDV - SD) is fairly universal. Solutions seem to range from not working in Native HDV (suggestions vary on the format to ingest in - AIC etc); outputting to different formats first (eg DVCPro HD) and then to MPEG-2; outputting the timeline to tape (DV), re-importing; using some thing like a Matrox MXO to output and others...
    We're aware of the shortcoming of HDV and the compressed nature of the format and our expectations, given our kit are realistic. I've even tried putting some PD150 footage on the timeline but that's just not going to cut it.
    So, I've got to put a kit list together by next week and wondered if anyone had any thoughts on:
    1) Mixing XDCAM and HDV on the timeline and any gotchas we should watch out for.
    but more importantly
    2) Any suggested routes I can look at to get some reasonable output with these two formats on the timeline - particularly HDV (don't think we'll have time to look at the Matrox route right now).
    Many thanks in advance for any thoughts.
    Cheers

    Thanks Andy, Michael
    That's good input. From an editing point of view we seem to be ok. Although, Michael, I take your point and that's a good suggestion.
    The main problem is the workflow to create a decent SD DVD without the artefacts caused by compression/motion etc in HDV (and to some extent XDCAM).
    Have read the prores whitepaper at
    http://images.apple.com/finalcutstudio/resources/whitepapers/L342568A_ProResWP.pdf
    And looked a little more into understanding GOP structures and it seems that ProRes will help in terms of editing.
    The white paper seems to suggest that converting to ProRes, because it uses I frame–only encoding "Ensures consistent quality in every frame and no artifacts from complex motion. "
    We'll try some tests but, does anyone know if this is true?
    But it also seems that deinterlacing may solve some of the horrendous vertical edge rippling we're getting on the HDV footage when outputting to SD DVD - although if I'm honest I'm not sure how we achive that with our current setting.

  • Converting an XDCAM 1080/60i 35 VBR timeline to SD 16:9 quicktime

    I've created a project in an XDCAM 1080/60i 35VBR timeline. I'd like to export a
    standard definition 16 x 9 quicktime out of it for presentation purposes to people without
    the facility to play XDCAM discs.
    I know I can do this with FCP and/or Compressor, but I'm not sure how.
    Can somebody tell me precisely how to go about this?
    Thanks for any assistance.

    If you don't have the money to pay for a high quality hardware based standards conversion then you can use a slow (but still good quality) software conversion method ... try Apple's own Compressor application which is part of your Final Cut Studio suite
    Or if you prefer to stay within FCP then you might want to have a look at Graeme Nattress's excellent Standards Conversion plugin set:
    http://www.nattress.com/Products/standardsconversion/standardsconversion.htm
    By the way, if you go with the former then don't waste your time staying in the XDCAM codec, instead you'd be better targeting Apple ProRes 422 as your edit intermediate codec for the converted clips. Similarly, if you prefer to stay in FCP and need to to do a timeline based conversion using the Nattress plugins then you would likely do well to set your sequence format to Apple ProRes 422 rather than native XDCAM HD.
    Cheers
    Andy

  • Sony HDV 1080 24P

    I have FCP v5.1.4 and I'm about to buy a Sony HDV camera that can record in 1080 24p. I'm not sure which codec to use when editing, because I want to use 24p and edit in 24p, but I've heard that there are problems that may arise when editing in 24p. Is it possible to capture the video in DVCPro HD and edit that way without a problem?
      Mac OS X (10.4.9)  

    I capture using the Apple Intermediate code. There've been several threads about this. Do a search and you'll find a lot of information.

  • Ripping dvd and importing it into an hd 1080 60i project

    So ive recieved a dvd and im trying to use handbrake to rip it and import it into my hd 1080 60i project. Ive tried doing either an avi or mpg4 files with different frame rates but still nothing. Any suggestions would be appreciated.

    If you're trying to import it into FCE, it needs to be DV/(HDV), not AVI or MPEG4. Try using MPEG Streamclip + the QT MPEG2 Playback Component. Handbrake isn't going to get you where you need to go.

  • 1080 60i 1080 25/24p Whats required?

    I currently have a large amount of footage that is 1080 60i that i need to convert into 1080 25 or 24p for the 'film look'. Does FCProHD allow you to do this? If so whats best and quickest way of doing it as i have a large amount of footage and time is a factor? If not can anyone point me in the right direction for alternative software? Many thanks:-)

    Take a look at Graeme Nattress's Standards Conversion Filters.
    Not sure if they will do exactly what you want, but if you have any questions, Graeme is usually pretty quick to reply to an e-mail.
    good luck.
    x

  • Reverse Telecine DVCProHD 1080/60i 24p Problems!

    Heres what happened.
    1. Captured DVCProHD 1080/60i footage shot in 24P.
    2. Edited footage in 29.97 rate.
    3. Realized Pulldown was never removed.
    4. Selected the bin with all original media, and then selected "tools" menu and "Remove advanced pulldown"
    5. FCP6 batch processed for a while. clip by clip.
    6. after process was finished a few clips per bin are offline.
    7. FCP will not "reconnect" these offline clips.
    8. FCP will not import these clips when accessed through the finder (drag and drop to the bin).
    What happened? I need to reimport these clips. I would appreciate any and all help.
    Heres more info...
    1. the clips that processed properly show 23.98 when getting "item properties>format"
    2. offline clips open/play in Quicktime.
    3. when importing offline clips, FCP gives incompatible/unsupported error.
    4. in finder duplicating and renaming offline clip doesnt work.
    5. exporting offline clip to another DVCProHD clip doesnt work.
    thank you for reading.

    Wish I could help, but can only post that I too am having problems with progressive footage.
    Heres what happened for me.
    1. Captured DVCProHD 1080/60P footage shot in 24P.
    2. Edited footage in 59.94 rate.
    3. Realized Pulldown was never removed.
    4. Selected original media, and then selected "tools" menu and "Remove advanced pulldown"
    5. Got error stating footage not DVCProHD (which it is).
    6. Tried DVCPro frame rate converter > 23.98 (tried all variables)
    7. At the end of processing clips I get the incompatible/unsupported error.
    Did you try the frame rate converter? This option seems great with the ref video option.

  • I record with a sony ax2000 and use the 1080 60i setting. what should i edit with when using adobe premiere ele 10

    I record with a sony ax2000 and use the 1080 60i setting. what settings should I edit with when using adobe premiere elements 10?

    smannino
    You have duplicate threads on this issue related to project preset suggestion for your 1080 60i video.
    I have responded to your question in the other thread
    if i record with a sony ax2000 using 1080 60 i what is the best editing setting to use with elements 10?
    Please reply in that other thread.
    Thank you.
    ATR

  • FCP Settings and timeline settings shooting HD 1080 60i?...

    Hello Group,
    Can anyone help out with the correct settings in the FCP timeline, and in FCP 7 for optimal editing shooting with a Panasonic AG-HMC40 AVCCAM in 1080 60i.  Just got the new camcorder which shoots on the SDHC cards in HD. I'm trying over and over to find the best settings but can't seem to get it just right. 
    Thanks very much for any suggestions, so much appreciated!

    But first you need to bring the clips into fcp using log and transfer (I assume it's like the hmc-150).  I'm pretty sure that on the hmc-150 there are certain formats that the camera will shoot that you cannot edit in fcp.  Check the manual.

Maybe you are looking for

  • Configure DHCP to add non domain computers to DNS

    Hi We would like to add non domain computers automaticallly to DNS through our DHCP server. The reason is that we actally use Linux and our Linux admins would like the machines automatically to DNS when receiving a IP. I assumed that it was just a ma

  • Which 10.5.3 update to install

    Hi, There's a 420MB update and a 536MB combo update. Can someone advise what's the difference and which one I should install? Oh, BTW there's also a 198MB from Software Update. Under what circumstances are is each of these to be installed? Thanks. Ro

  • Unable to activate the DSO in PM Business Content

    I am trying to activate the Business Content for PM (Plant Maintenance). I was able to activate the cubes without any problem. But when I tried activating the DSO 0PM_DS01, the activation is failing while activating the DSO with the message. "You are

  • How much extra disk space should I have?

    Hello! So lately I have been having some disk space issues! I was wondering how many extra MB I should have free on my macbook that is 1 GB i believe! Thank you!

  • Error while installing Oracle SQLNet32 7.3.4

    Hi All, I am Ravi Shankar, Programmer. i have one query while installing the Oracle SQLNet32 7.3.4. When i install the setup file of Oracle SQLNet32 7.3.4, i am getting the below Error message. Can anyone help on this. Error 1309. Error reading from