Motion blur while editing dvd rip

This problem happens often when editing on premiere elements 11, but NOW I did notice the blur in the finished f4v file. The dvd rip was both VOB and MPEG 2 (tried AVI divix) and plays fine on PC. However, when it gets imported to premiere elements timeline, the source is blurred on fast movements. Wondering what might be a remedy?
Thanks Howard

HMilstein8
What computer operating system is your Premiere Elements 11 running on?
How did you do this "DVD rip"? Did you insert the DVD disc for the DVD-VIDEO on DVD disc into the computer burner tray, open Premiere Elements 11 set manually beforehand for either DV Standard or DV Widescreen, and then use its Add Menu/DVD camera or computer drive)/Video Importer to get the VTS_01_1.VOB into the project?
That should work well. When there are problems with this route, they usually go to audio out of sync, rarely quality. The Command Prompt method is then indicated to merge the indivdual video files (VTS_.....) into one DVD.VOB file for import into Premiere Elements.
ATR Premiere Elements Troubleshooting: PE: DVD-VIDEO/Seamless VOB Ripping
Another consideration might be found in the details of the source files....when your burn to DVD-VIDEO on DVD disc in Premiere Elements, you get DVD-VIDEO format on that disc with an interlaced frame rate and field order lower field first. Because of the way you are currently doing this "DVD rip", Is there any possibility that you are putting VOBs on the Timeline with interlaced video but field order upper field first?
Please review and then supply more information.
Thank you.
ATR

Similar Messages

When I get ready to burn my dvds they tend to be blurred. Even with pictures they do the same thing. When I preview them they blur while playing. But when I stop the video it becomes crystal clear.

When I get ready to burn my dvds they tend to be blurred. Even with pictures they do the same thing. When I preview them they blur while playing. But when I stop the video it becomes crystal clear.

Lamontsplace
Thanks for asking for clarification. Appreciated. I did not see you post 8 until after I posted my post 9.
Important that we define the issue as being related to just preview or to preview and export.
Project Preset....
When you start a new project, a project preset (project settings) need to be set by you or the project. The program
is designed to do that based on the properties of the first video file that you drag to the Timeline. Sometimes the program
does it right, sometimes not. If not, then you set the project preset manually assuring that the description of the project preset
matches your video properties for at least frame size, frame rate, etc. A major function of the project preset is to direct
the program to give you the correct space in the Edit area monitor for editing. If you select a project preset which includes
1920 x 1080 in its description, then the space in the Edit area monitor will reflect that 16:9 format.
If you or the program have set the correct project preset, then, when you drag your video to the Timeline for the first time, there
will be no colored line over its content. That means that you are getting the best possible preview in the monitor. Once you
edit that video, you will get an orange line over it. That is the program telling you that you no longer have the best possible preview
and to get it you Timeline render using the Render button above the Timeline. When that Timeline rendering is complete, the orange
line turns to green. That is the program telling you that you have the best possible preview which will be in effect until you edit the
file again. Then orange to green again.
Right now I would prefer to stay with trying to get your photos to an acceptable preview stage. No matter what the project preset,
these will need Timeline rendering after they are dragged to the Timeline. Several have reported that the use of the DSLR project preset results in sharper images pre and post export. I want to see if any of that can enhance your situation.
Please review and consider and then let me know if I am going in the right direction for the explanations. I will adjust
my instructions/suggestions accordingly.
More later.
Thanks again for the follow up.
ATR

Finished Project DVD picture too sharp? Almost motion blur

I just did a test burn of my first iDVD project and I found that the video had this very crisp motion blur. The footage is of a band performing with lots of strobe lighting and what not. But it is even noticeable when the band members move around the stage with vigor during a close up of them. Anyway, not knowing too much about video makes me wonder if this video were interlaced before being burned if it would make a difference when viewed.
If the benefits of interlacing a video do indeed apply here, how would I go about that with my existing process of : DV file, iMovie, and than iDVD.
THanks!

Basically, what I think the issue is is that I need to interlace the video somehow before burning. Is it not true that deinterlaced videos look the best on progressive scan TV's? cause I dont have one of those. Anyway, there is a nasty motion blur due to the image being too 'crisp' and sharp. Any clearer now? Any one have any advice? thanks!

Mirror, Cast Shadow,(Motion) Blur, Extrude Layer Styles

Layer styles are useful because of their parametric and their non-destructive natures.
I'd like to suggest new layer styles, of commonly used effects, that would help to automate lenghty tasks.
Mirror would create a reflection of the layer that fades with distance, it is commonly used in the products pictures of a famous computer /music player/phone manufacturer, and is even available as a word art in Powerpoint! Another common name for that effect is "wet floor".
Proposed settings would be to be able to select the direction (bottom by default), the angle of the reflection, the starting point of the reflection (so that the object/layer can appear to be floating in the air above the reflecting surface), the distance/curve of the fade, maybe an option to desaturate, lighten/darken, and/or blur with distance) There could also be an option to increase/decrease the width of the reflection. An additional eye candy would be to be able to distort the shadow with a map, for effects like waves, but we are way over in the cliché mode...
Cast Shadow would be very similar to the mirror effect, and would simulate the shadow casted by a light placed behind the object/layer. It would use most of the controls found on the Mirror layer style, or it would be available when one desaturates the mirror effect.
Motion Blur would create the effect of a displacement of the layer. It should be able to create the lenght of the blur, a start fade (so that the whole object/layer is not blurred, but only part of it). The fade could have two settings: flat or parametric. Flat would blur based on a gradient, while parametric would fade the blur according to a fixed distance to the edges of the layer. It would be very useful to be able to create a path that the blur would follow, but I'm not sure about the best interface: on image, or in a dedicated widget.
Blur would be a simple blurring routine, that would alleviate the need to create smart objects, and use smart filters.
Extrude could be the equivalent of creating step and repeat copies of a layer/object. It would create nudged copies of the layer simulating a third axis.
Controls would be: angle, distance, fade, where the copies become desaturated, blurred, and/or would have lower opacities.
I hope that other users will chime in with proposed refinements, or additional (useful and feasible) layer styles they'd like to see.

I like these Pierre.
Also
Noise - at the moment its possible to use Pattern Overlay and generate patterns to put grain texture and noise into layers. But a layer style with the correct parameters, grain size, blur, intensity, saturation (Saturation applies to the saturation of the noise not the image), would be useful.
This brings me back to feature request made about a year or so ago, that it woud be possible to sample overall image 'noise'or 'grain' and to apply this to areas. It would use image analysis tecniques, although Im not sure yet what these would be - to create an 'average' grain structure for the existing image (probably the base layer but this could be redefined). This would mean that any bad retouching (blurring or image softening) could be more easily salvaged, and would also mean that its easy to do much more destructive editing, more freely on an image than before, without the worry of banding on output.
If I think of any others I'll post them

How do I select an image with motion blur so that I can put it onto a different background ?

How do I overlay a image with motion blur on a white background (like the first image) onto a different background (to look like the second image)? any help would be greatly appreciated, many thanks ,ed
Message was edited by: motoredd

I’m afraid you may have bitten off more than you might want to chew.
The resulting pixels of an in-camera-blur combine information about the color/brightness of back- and foreground (edit: the result of surface properties and lighting conditions) with motion (basically transparency for this task) in such a way that it seems exceedingly difficult (maybe even improssible) to isolate the foreground in a »pure« form.
One may get a halfway decent mask (as the backgound is at least almost uniform and brighter than the foreground elements) but you may have to manually decontaminate the transparent areas, otherwise the masked object in front of a dark background would have a bright edge.

Imported video has "motion-blur" artifacts, but original is fine.

Hi,
I've just purchased a Samsung SMX-F30 standard-def camcorder. I've shot a few clips and decided to test its compatibility with iMovie. iMovie recognised the camcorder with no problems and imported all my clips without any hassle. However, when I play the clips in iMovie if the clip has any motion, say an arm or hand being waved or head moving, then the image blurs in a way I can only describe as "interlace staggering". That is, alternate lines in the fram shift position left and right alternately. This is really annoying as you can imagine!
A few details about my setup other than the machine details below:
Clips recorded in 4:3
iMovie defaults when importing
iMovie version is 8.0.2 (I think)
iMovie imports to an external firewire 500GB hard drive
Clips not analysed for stabilisation after import
Camera records in "H.264/AVC Format" according to the manual
Recording at approx 5Mbps
Camera was using built-in electronic anti-shake
I hope someone can suggest a few things to try as I've just returned to movie making after owning a Mini-DV based camcorder 10 years ago!
Thanks
Stuart

His book gives specific directions and more info on AVCHD with frame rates and bits...so definately buy the book. Your question: It kinda depends on your set up. Many people need to import into imovie 9 just so they can get an editable copy of the footage. So then you make your way over to the events folder and import the events into another program for turning it into progressive and de-interlacing it. You have to becareful because you will have duplicate footage.
He goes into details on how to do this. I have a different workflow because i import on a different machine using imovie6 since i am working with tapes. Then i convert it before i import it again into imovie. My DV footage doesn't get motion blur though so i am only doing this workflow to ensure no quality loss.

Motion blur options?

Hello!
I'm working on a new project. Footage is being recorded from a game at 300 fps (then resampled to 30). I'd like to achieve the same motion blur as for footage take with a normal camera. I tried a few things but I'd like to see if there are some other options:
Plain frame blending from framerate resampling from 300 to 30.
Reel Smart Motion Blur plug-in without frame blend switch on. Looks pretty decent at first sight and renders reasonably fast. But under closer inspection it shows a lot of incorrect interpolation at a lot of elements.
Reel Smart Motion Blur plug-in with frame blending switch on. Similar to the previous example.
CC Force Motion Blur plug-in with interpolation switch on. Produces a great result at a cost of really long render times. Also i have no idea where to set the shutter phase (native shutter and interpolating dont work together?).
Are there any other options?
Thanks a bunch.

Hey guys,
its been a while and Im playing around with motion blur of high fps footage again.
I've tried the effect CC Wide Time which blends a designated number of frames before and after the current frame.
I have footage recorded at 1000 fps. In comparison frame mix would blend 40 frames into a single frame (1000 fps to 25 fps) which would represent a shutter angle of 180° (i believe). That doesn't look smooth enough in my mind, so in CC Wide Time i set the values to 80 frames total (39 ahead, 40 behind, 1 current just to be accurate ), which represents the shutter angle of 360° with a phase of -180°.
Now the problem is that i would like to time remap the clip. After a precomp i time stretch the clip to obtain the real life time scale - 1000 fps to 25 fps, with the motion blur i describe above. If i enable time remap and start playing with slowmotion the intensity of motion blur intesity (blurred frames) stays the same, which isnt right. A way to fix that would be to use a linear 40 -> 0 frames blended corresponding to the velocity achieved by timeremaping, but i cant seem to find a way to use clip velocity in expressions.
I could use timewarp and use speed value instead of time remap, but that seems like a pain especially when i think of applying ease to the keyframes.
To think all of this could be avoided if CC Force Motion Blur would offer shutter phase.
Any thoughts on the issue?
Thanks!

MOTION BLUR & LIP SYNC PROBLEM

This problem is with encoding in CS5.
Using Encore to make a DVD I had to Transcode all my assets because of the "end of file" error
on doing this I had 7 clips out of 18 with either motion blur (may be jitter) and audio out of sync with the video but not on all of them.
Then I re encoded my originals in Prem Pro using different settings but still the same problem.
Your help would be appreciated
johnacs5

Hi Jim & sellador,
As I am from England all my work is PAL 25 fps
This particular clip has the worst blur or jitter quite painful to watch. Oddly enough plays fine on the time line or viewer but not in WMP or DVD on computer or television (this must tell us something)
I have now done over 20 different outputs the best being de interlace no blur but the quality suffered.
Right some info:
Material, Original clip as shown in adobe properties: mpeg - 25fps Aspect 4:3 1.094 pixel
720 x 576 - Upper field first - average bit rate 871kb/s - Audio 48k
Sequence settings: DV PAL upper field first - 25fps - 1.094 pixel - Audio 48k
Export settings: MPEG2 - Custom - 720 x 576 - pixel 1.094 - upper field first
Profile Main - level Main. - Max render Quality - 6.5 - 8.5 mb/s
Gop 3 & 12
johnacs5

Motion Blur

I have created a dvd (to be played on a TV) as I was viewing it a few of the clips had motion blur. What cause this? How do I fix this problem? Does it stem all the way back to how I imported it into Final cut express or exported it?

When you say "motion blur" is this what you mean? http://support.apple.com/kb/TA22228
You should also look at iDVD 7.0: Burned DVD has interlacing, pixelation, or image quality issues http://support.apple.com/kb/HT4078

Motion Blur caused by Shutter Speed 50?!

Hi All,
I'm a GH2 user. Shoot in 50i-50ss-5.6f. I realized that is an effect such like "Motion Blur" which caused by the low shutter speed as I mentioned (50ss). Search around some forum, it is quite common. In fact, it looks not really comfortable to me! How do you solve this issue or perhaps reducing/smoothen the motion blur issue?
Picture like focus clear & sharp while talent do not move to left or right. Once his/her head move to left or right, there is motion blur after it. In fact, facused while talent did not move his/her head then.
Thanks!

David,
Thanks for the prompt reply and confirmation.
Perhaps, 1/50 producing slow shutter speed result--motion blur? It just like a man walk from left to right in front of my cam, and the man will be blur in motion during the recording. It'll only stay focused while the man stop and stand still. Double up the shutter speed will helps this? like 1/100? Might need your opinion.
Some friends ask me "are you shooting a speedy subject?". Not really that speed or fast. Just like what i've mention above, perhaps just walking...turn around...hand up...those might blur in 1/50 shutter speed with fully Continuos Focus Function.
I'm just curious, how could those GH2 friends shooting a Dance Genre Music of MV? They are dancing, moving fast enough...but, surprise, MV is just sharp and stay focused on every person! What do you say?
Is those below's MV consider pretty smooth? Can you tell what's the shutter speed on those? Continuos Focus + Manual Focus in use?
Thanks for now and hear from you soon! Apprciate to your precious time to answer
http://www.youtube.com/watch?v=i9KJEbCRPI0&feature=related
http://www.youtube.com/watch?v=5VNlsRk5FoM
http://www.youtube.com/watch?v=vZ9YW4RfdiU
http://www.youtube.com/watch?v=3FmSHWnlgSw&feature=related

Image motion blur effect

Hi,
Anyone know how to acheive these motion blur effects,
like in this site. When you
click on an image it zooms up in a blur? (in the site click one of
the images behind the sketch book.
Thanks....

lostinscript wrote:
> Hi,
>
> Anyone know how to acheive these motion blur effects,
>
http://www.jguevarra.com/ .
When you click on an image it zooms up in a blur?
> (in the site click one of the images behind the sketch
book.
Before flash 8 we would use two images, blur and regular.
Blur can be very low quality so it's small in KBs and you
can't
see the quality while tweening. Tho in that particular site
you can actually see how low quality it is as the tween
happens
too slow. So, we would place blur image made in photoshop for
zoom
animation, and jump to frame with clean sharp one once the
tween
is done.
Flash has has BLUR filter. You can convert your image into
movie clip
and apply the filter to it.
Best Regards
Urami
!!!!!!! Merry Christmas !!!!!!!
Happy New Year
<urami>
If you want to mail me - DO NOT LAUGH AT MY ADDRESS
</urami>

Dvd::rip using only 1 instead of 4 cores

Hello, fellow Archers!
I've installed dvd::rip today and started transcoding my DVD's... And I saw a problem: It only uses one core at a time. The processor (I guess that it's not the program, which does that) is swapping the core being used every few seconds, but I can only see one core being pushed to it's 100%. Can I (and - if so - how to do that) set it up to use all 4 cores? It should speed up the process.
I'm using it's default programs (mplayer, xine, etc.), although I'm using mplayer-vaapi. Is that the cause? Should I swap to default mplayer? Or maybe it's related to my system settings? Does it install all the programs to support 4 cores by default, or should I set something up?
Cheers!
TurekPolski
Last edited by turekpolski (2012-02-22 23:00:33)

Have you tried HandBrake?

CS4 Motion Blur---Something is wrong

I tried to rerender a CS3 project today in CS4 and found that the sequence (mostly moving type) no longer rendered correctly---some of the type was strangely shaky and too blurry (even while not moving) and other layers had no blur.
Opened the same project in CS3 and rendered the SAME sequence without these issues.
Anyone have any ideas?
Thanks,
Lance Moody

Hi again and thanks,
The comp here does not contain nested comps--just text layers (which are what you see in the example). When you mention the resolution drop down, are you referring to the preview window resolution? This shouldn't affect renders.
Some are 3D.
Also I am using best settings for render.
To be clear there are two problems I see after render:
1. The weird blurry low-rez text on some layers.
2. The loss of motion blur on others (even though MB is checked on for layer and comp).
Additionally after opening other comps, I notice that certain layers are no longer positioned correctly in 3D space.
This is distressing because sure as hell in a year or two someone will want to revise these spots and there are so many things wrong with them that this would not be trivial. I suppose I can keep CS3 on my machine--god knows unpaid updates for CS products are hard to come by. This is FOR SURE a bug.
lance

Glitch nightmare! DVD ripped to MPEG STREAMCLIP to FCP HD to DVD Studio Pro

Hi. Dealing with a very frustrating DVD-to-FCP-to-DVD glitch for months now, finally thought I should tap the knowledge base for help. I'm pretty uneducated about this stuff!
We're doing a favor for an area actor. She wants a DVD reel of her performances.
She gave us selection of some movies she's been in. They are all on DVD; this was the only format she could get the films in.
I figured, we'll rip the DVDs with Mac the Ripper, put the resultant TS files through MPEG streamclip, edit them in FCP and then whip up a DVD.
But on the resultant DVD, the picture is, intermittently, REALLY jumpy when the DVD is viewed on the TV set. It's fine when viewed on the G5's DVD player, but once you put it into the commercial DVD player and watch it on the television set, it's really glitch-heavy, which presumably won't impress anyone she's sending her reel to.
What might we be doing wrong?
MPEGStreamclip has a ton of output options. It's mind-boggling. But I presume there's a disagreement happening there between the MPEGStreamclip export options, the FCP sequence A/V settings, and/or the preferences in DVD Studio Pro.
I've tried different Streamclip options, tried to synchronize the field dominance on all 3 applications, tried a ton of things and still have not hit on the magical pre-set combination that will make this work.
Any ideas or knowledge about this would be hugely appreciated.
Thanks!!!

This could be a pulldown removal problem. What were your sequence settings? Is this 60i or 24p. DVD's are usually 60i. If the material originated in 24p then burned to a 60i dvd ripped, and then edited in 24p and then burned to 60i again you can see how this could cause problems. Do you have to render when you drop in the timeline? There are so many questions.

Possible to edit DVD created with iDVD, redux?

Created a DVD using iMovie then iDVD and burned. Didn't save original setup in iDVD. Would like to edit DVD and re-save as new DVD. Is this possible?

As Bengt says, you need to rip the content from the DVD disk to a new iMovie and then create a new iDVD project and burn a new disk from that. You can use Handbrake, MPEG Streamclip or Ripit to extract the video file from your DVD disk. Here are directions for doing so that I took from a post by AppleMan(Thanks, AM):
+I have found I get the best results when I use MPEG Streamclip (which is free). You also have to install the Apple QuickTime MPEG2 Playback Component which costs about $20. Once you install the QuickTime MPEG2 Playback Component, you don't have to interact with it, but MPEG Streamclip needs it.+
+Insert your DVD in your drive. If DVD player runs automatically, shut it down. You should see your DVD as an icon on the desktop. Open it in a finder winder. You should see a folder which has VOB files.+
+Open MPEG Streamclip and drag these VOB files into Streamclip. If it offers to fix timecode breaks, say yes. You can do the VOB files one by one if you want to deal with shorter clips. Or, you can drag all the VOB files at once and create one long clip, or use streamclip to separate them into smaller clips.+
+In Streamclip, select File/Export using Quicktime and choose Apple Intermediate Codec. You may want to check "Deinterlace" in this step. Try deinterlacing and see if you like it. It depends on your final target media as to whether this will help.+
+Now you should have MOV files in Apple Intermediate Codec which can be imported into iMovie.+

Motion blur while editing dvd rip

Similar Messages

Maybe you are looking for