Moving Still Images in Monitor (Pro 7)

I recently re-purchad Premiere Pro 7, and am making a slide show for a friend of the family. I seem to recall being able to grab the still image in the "Monitor" and move/resize the image with the cursor. Now when I try, I don't seem to have any reactivity? Is there a feature or option I need to enable to be able to adjust the image?

Click the Motion effect in the Effects Control window first.

Similar Messages

  • Problem with exporting moving still images

    Hello.
    I would like to create a sequence where the movie is made of still images (photos in .PSD format, reminiscent of a old-fashioned Polaroid photos) with added motion.
    Now the problem is that after rendering and exporting (DV format, both interlaced and progressive) these moving-images somehow bounce or leap on the edges, especially inner white edge. It doesn't matter if I turn on or off the "optimize stills" option.
    I attached short sample but it shows what I mean.
    The file is 1MiB, 5sec, progressive, compressed with XviD with constant quantizer=2, resized to 640x480.
    But all above modifications of exported file do not matter what so ever. It's the same with original export.
    What shoud I do to improve fluency and smoothness of the movie?
    I use Premiere Pro 1.5.

    Hi,
    I'm a newbee...brand new at learning premiere pro cs3....so I should not give you advice but others here are very very good at this stuff. I like the effect of your sample video. When I first looked at it I thought only the bottom edge was slightly jittery, but I can now see that the entire image inside the white border does jump...the jittery-ness is the vertical (not horizontal) movement of the image about 1 or 2 pixels up and down as it is interpolated at certain points in time.  The larger the screensize of the image the more noticeable it is.
    I found this help file about keyframes and animation and interpolation...
    Change transition settings
    In the Timeline panel, click a transition to select it.
    In the Effect Controls panel, adjust settings:
    Edge selectors
    Change the orientation or direction of the transition. Click an Edge selector arrow on the transition’s thumbnail. For example, the Barn Doors transition can be oriented vertically or horizontally. A transition doesn’t have Edge selectors if it has one orientation or if orientation isn’t applicable. 
    Start and End sliders
    Set the percentage of the transition that is complete at the start and end of the transition. Hold down the Shift key to move the start and end sliders together. 
    Show Actual Sources
    Displays the starting and ending frames of the clips. 
    Border Width
    Adjusts the width of the optional border on the transition. The default Border is None. Some transitions do not have borders. 
    Border Color
    Specifies the color of the transition’s border. Double‑click the color swatch or use the eyedropper to choose the color. 
    Reverse
    Plays the transition backward. For example, the Clock Wipe transition plays counterclockwise. 
    Anti‑Aliasing Quality
    Adjusts the smoothness of the transition’s edges. 
    Custom
    Changes settings specific to the transition. Most transitions don’t have custom settings.
    Maybe the anti-aliasing quality adjustment will help?
    I put your sample clip into VirtualDub and tried a filter called "Field Bob" (compensates for field jumping in field- split video by applying bob-deinterlacing techniques). In the filter setting I tried "smooth" for both even and odd fields.  It didn't really help.
    Rod

  • Moving still images to a new location

    I am part way through creating a slide show and I would like to move the image files to a new location on my HDD.  I think there is a Move tool to do this in Premiere Elements 7 without breaking the links and having to reconnect the images however I cannot find the way to do it.
    Can anyone help?
    Doug.

    As Neale points out, the "Where is file ____ ?" message will pop up on the first "missing" file, and then PrE will help you locate the new folder/drive. For all Assets, in the same folder, once you find the first, PrE will then look in that folder and relink to all others in that folder. If you have moved several folders of Assets, you will need to do the Find, for each folder, and PrE will find all Assets in THAT folder. "Rinse and repeat... "
    As a suggestion on how to set up your Project for the next time, I always create what will be my Project's root folder, with the Project's name. Below that, I will create one folder each for: Video, Audio, Music, Stills, Titles ( often use PS to create Titles as PSD files), and then point PrE to locate my Scratch Disks/Media Cache "Same as Project." Though there is a tiny performance hit, by setting that last location, it keeps everything within my Project's file structure. This allows me to Move, or, when done, Delete everything. With the exception of Captures, the Assets in each of those folders is a Copy, and the originals are still safely located on my NAS - just in case.
    Good luck,
    Hunt

  • Importing still images to Premiere Pro CS5

    I have some still digital images in my computer which I want to use for a project for class.
    The problem I find is that when I import the images they are too big and only a portion of shows.
    Apparently the size of the image has to be 720 wide x 480 tall.
    How do I resize it to that scale?
    Please help.

    Correction: I redid the whole thing as I was using the wrong image.  But anyhow, this is the scenario.
    My project requires images close to 720 wide x 480 tall.   My image is 3264 x 2448
    When I resized I couldn't use 720 width as the "constrain proportions" makes the height 540.
    The latter being greater than the 480... so I have selected (with the right image now) 640 width and it automatically inserts a height of 480.
    This is better than the previous dimensions with the wrong image so I guess I might be ok.  What do you think?

  • Moving still images in dropzones

    I just updated to ilife '08 and am a little concerned because in my original idvd i could move photos around when they were in a dropzone or as a backdrop. It seems you cannot do this with 08? Can anyone help because i really need to use this option to customize a dvd theme...

    Welcome to iDVD Discussions.
    I think you have to hold the Command key down while moving. See if there's anything in this:
    iDVD '08 Getting Started PDF

  • Need still image export in QT Pro 7.7 that opens in Photoshop CS6

    Using Quicktime 7.7 Pro I export a still image from an .avi movie file and choose movie to picture. In options, I am given a choice of various formats including jpeg and png.  But, the file extension still says .pct no matter what format option is chosen.
    I discovered today when I upgraded my old photoshop CS3 to CS6 that .pct format is no longer supported in the new version of Photoshop CS6. ( Ouch. )
    How can I export a still image in Quicktime Pro 7.7 so that it is readable in the Photoshop CS6?
    Thanks in advance for any solutions.
    Thomas

    How can I export a still image in Quicktime Pro 7.7 so that it is readable in the Photoshop CS6?
    Basically you can't. As you noted above, the QT 7 Pro option only exports a PCT file (the legacy system image file format) using your choice of compression.
    You could, however, try any of a number of other options:
    1) You can drag the current frame in your QT 7 Pro player to the desktop which should create a single-frame "Movie Clipping" file in the same format as your video video file. This file may or may not open directly in your updated version Photoshop as it does in my older version.
    2) Another possibility would be to use the Command-C keyboard shortcut to copy the current image in the QT 7 Pro player to the clipboard and then open Photoshop and create "New" file in Photoshop using the clipboard image dimensions. When the new empty file window opens, you can use the Command-V shortcut to paste the clipboard image to the window. On my system this creates a default PSD image. The major disadvantage of this approach is that if the original file was encoded anamorphically, then the image is created using the encode dimensions and you have to manually adjust the aspect ratio. (I.e., as opposed to using the work flow described above which recognizes anamorphic files and gives you the option of opening the file automatically in the correct apect.)
    2) If the "Movie Clipping" will not open in your version of Photoshop, then it will open in the free MPEG Streamclip app if you have it installed. This app can then export the video frame as a JPEG, TIFF, or PNG image.
    3) Another option would be to open the AVI video directly in the MPEG Streamclip, locate the frame you want and export the frame directly from the video file to a JPEG, TIFF, or PNG file as described above.
    4) Probably the most used work flow for compatible video is to open the file in the QT X Player, locate the frame you want, use the Command-C shortcut to copy the image to the clipboard as a PNG image which can the be opened from the clipboard in Preview and exported to a desired image file format. Of course, AVI files are frequently "iffy" with QT X depending on the specific video compression format used to create them.
    5) You can also use the Finder image capture option to capture the entire QT 7 Player image (or a portion thereof) as a PNG image (with or without a drop shadow) and then open it Photoshop where you can crop the image before performing whatever you want to do in this app.
    The are probably other options but this should be enough for you play with at this time.

  • Premiere pro cs 3 still images not displayed correctly

    Hi..I am having a problem
    regarding still images in Premiere pro cs 3 .Once I have my imag
    es on the timeline via automate to sequence the ima
    ges are zoomed way in.I have fit to screen selected and optimize stills
    checked in preferences.Stills are .jpgs .I've had 1
    00s of stills on timeline in previous projects and have not had this problem .
    Any help would be welcomed .
    Thanks,Ray Perry

    Read Photo Scaling for Video
    http://forums.adobe.com/thread/450798?tstart=0

  • Still images in 16:9

    Hello,
    I have do do a couple of short movies for a museum, containing only moved still images (pan and scan, Ken Burns effect, etc.) in 16:9 format.
    The result has to be burned via iDVD to be shown on a 16:9 monitor (PAL).
    How to set up FCE properly.
    And how to get proper output in iDVD?
    Many thanks for your advice in advance.
    Greetings from Germany.
    G4/500 (Dual)   Mac OS X (10.4.5)  

    Thanks a lot for the quick reply.
    Meanwhile, I did research on the topic a little bit and found "Anamorphicizer".
    Will do a test to see if it works.
    Greetings.
    Andreas
    G4/500 (Dual)   Mac OS X (10.4.5)  

  • This is about the still image size changing from what I see on the computer monitor and what the burned DVD shows on the TV

    I have Prem.El 12 and have used PE4 for years.  I have a new PC that runs Win7Pro.  The still images on the computer monitor are within the "safe margins".  The still images after the movie has been burned to a disk are MUCH smaller on the TV screen.  Is this an issue of 16:9 vs 4:3 ratios?  My TV is 4:3.  Can I tell PE12 to make the movie a 4:3?

    retchemteach
    Although I have seen your post of today in my Inbox Email Notifications, that post has not yet appears in this thread. It will probably will sooner or later. But, to keep things moving along....this is a copy of what I am seeing as your message of today in my Indox Email Notifications
    Thank you for your patience in the time it is taking me to get back to you.
    I am still trying to buy some DVD-RW discs and will hopefully do that in a
    bit.  Meanwhile, I have more info for you and some simple (I hope)
    questions.  If you want to insert your answers, that would be fine.
    My camera (for stills and video) is set to the 4:3 ratio.  It is capable of
    being set to a 16:9 ratio if I wanted to do that.  I looked in its TOOLS
    menu and saw this info.
    My TV is definitely a 4:3 TV.  (I measured it with my tape measure and
    divided W/L to get 1.33)  The TV can show a 16:9 movie and just adds the
    black bars on the top and bottom.  Question: What will my old 4:3 movies
    look like on a 16:9 TV whenever we buy one of those?
    It seems to me that I want to set PE12 to the NTSC DV Standard you
    mentioned.
    I do NOT know how to “size your photos so that each has a 4:3 aspect”,
    unless you mean doing that in Photoshop Elements, which I know how to do
    (*see below)
    I had NOT considered that I would need to watch the preset for the
    ‘Publish+Share’ step; so that’s good to know (I copied and pasted your info
    for later use).
    BTW, years ago when I had difficulties with my XP computer working on PE4
    (had only 2 GB RAM), an Adobe tech told me to resize my photos * to have a
    720 pixel width (the height would be automatically adjusted) to lower the
    file size to something my computer could handle without crashing.  (That
    was back in the good ol’ days when Adobe support would actually talk with
    their customers and try to help them in the first month)
    My new computer has 16GB RAM.  Do you think I still need to reduce file
    size?  One does lose some sharpness in the resizing process…..however,
    these videos I’m making are travelogues and are for a fun way to view pics
    and videos of a trip…nothing Earth shattering….and just a hobby to keep me
    off the streets.
    I truly appreciate the time you take to help me (and others).  I was even
    tempted to try to install my old PE4 on my new computer just to be able to
    enjoy my hobby again.
    My reply to the above....
    1. If you camera is giving you 4:3 photos and your Premiere Elements 12/12.1 is running on Windows 7, 8, or 8.1 64 bit, then leave
    the photos as is unless you have a lot of photos and each has pixel dimensions sizes way over 1920 x 1080 pixels that are giving your computer resource issues. If you have to down size them because of computer resources, then copy the photos to a computer desktop folder and also create an empty folder on the computer desktop.
    a. Photoshop Elements Editor, File Menu/Process Multiple Files.
    Process Files form Folder
    Source - browse to and select the computer desktop folder with photos to be resized
    Destination - browse to and select the empty computer desktop folder
    Image Size
                 Check Mark Next To Resize Images
                (no check mark next to Constrain Proportions)
                Type in Width = 1000  (set units for pixels)
                Type in Height = 750 (set unites for pixels)
    File Size
               Check Mark Next to Convert Files To
               Set for JPEG High Quality
    The above should work fine for a NTSC DV Standard project with a burn to DVD disc with preset NTSC_Dolby DVD (4:3 video).
    2. With regard to the TV Set and 16:9 video....when you have the DVD-player attached to the TV, do you have the opportunity to bring up a display of menus with
    controls for Picture and Aspect Ratio? From what you have written so far, it looks like the answer is no. I am not sure how your TV DVD
    player will handle 16:9.
    Best do a mini test run
    1. Project preset set manually to NTSC DV Widescreen (please refer to post 1 link)
    A few photos sized for 1600 x 1200
    In the Premiere Elements project, use the Safety Margins inner rectangle for text placement
    Publish+Share/Disc/DVD disc with preset = NTSC_Widescreen_Dolby DVD.
    See what that looks like on your TV DVD player.
    If you discovered that your current TV DVD player can be set for a 16:9 display, then I have a preferred workflow for
    NTSC DV Widescreen which typically gives best possible results. Hints of things to come.
    Please review and consider. Thanks for the follow ups.
    ATR

  • Still images exported to DVD look deinterlaced and flicker on TV monitor

    Hi,
    I have tried tried almost everything and I still have issues with the still images exported to DVD as sequencefrom FCP 7.0 by using Compressor are deinterlaced and flicker on TV monitor. Please help remove the annoying flicker.
    My FCP Timeline Sequence settings match the image resolution:
    Frame Size: 1024 x 682 (double of 720 x 480 standard DVD res)
    Pixel Aspect Ratio: Square
    Field Dominance: None
    Compressor: Photo JPG (also tried, DVCPRO-NTSC)
    I cropped the original images in Photoshop to the 1024 x 682 and saved as tiffs. They still look deinterlaced in FCP timeline and exported to DVD on my iMac computer monitor.
    Final output of DVD will be on this monitor:
    Specifications:
    Ikegami
    Model: VCM-2101
    Resolution: 450 TV Lines (Horizontal)
    Should I crop the images to 450 horizontal pixels or the double of that 900?
    How can I match the sequence or the images settings to avoid the flicker and deinterlaced look on that monitor? I am not able to test the image by having the monitor next to computer.
    Compressor:
    I used custom DVD settings in Compressor for 90 min best quality DVD. Tried the Porgressive and "Same as Source" in Output field.
    In "Crop to" and "Padding" I set for preserve source aspect ratio and letterbox area of source.
    I followed the advices from below and I still did not resolve the problem. Please is there anythign else I can try?
    Thanks a lot..
    Re: Poor Quality Stills
    Dec 19, 2006 4:08 PM (in response to Steve Braker)
    Things to try (In increasing order of image degradation)
    - (in FCP) field order>none
    - (in FCP or Photoshop) reduce whites by 10% - reduces overly bright areas
    - (in FCP) flicker filter - minimum
    - (in Photoshop) motion blur>vertical> .2 - .5 pixels - blurs vertically only
    - (In FCP or Photoshop) Gaussian blur> .2 - .5 pixels -blurs both horizontally as well as vertically
    - (in FCP or Photoshop) deinterlace - throws away half the image and is generally not appropriate on scanned images

    Dear Russ,
    Thank you very much. Yes, there is something else in the sequence, old documentary, 768 x 570 (no field dominance, 25fps, Apple ProRes 422) but the images are more imporant.
    make a progressive sequence with  square pixels. (I am partial to 720P, 1080 should work – or 540). Choose Pro Res 422
    Do you mean that I should make a sequence in FCP with these settings? If yes, how can I set a "progressive" sequence? I dont see a setting for output field in FCP sequence settings, lnly in customizing Compressor output DVD format.
    Also: "720P, 1080 should work – or 540" are you talking about Frame size? If so, to set in Compressor or in FCP?
    If you have interlaced material, then de-interlace before you bring it in. If you don't have interlaced clips, don't de-interlace.
    The images are not interlaced after  I crop them, apply motion blur filter in Photoshop but look interlaced in FCP timeline after I import them and even to the same as photos sequence in FCP timeline.
    Please help and thank you for your comments.

  • Still image sizes in Premiere Pro CS5.5

    I've been looking for quite a while on Adobe's help pages, these forums, and also the PDF manual, but can't find the info I'm looking for.
    I'm moving from Final Cut Studio to the Adobe suite of video production for various reasons. I've purchased (though not yet received) the Production Premium upgrade. I have a new project I'm starting, and want to correctly size my images for Premiere Pro. For instance, Final Cut Studio has this handy chart:
    The video sequence frame size
    If you are using this format                               is                    Use graphics with this frame size
    CCIR 601 NTSC 4:3                                  720 x 486                             720 x 547
    CCIR 601 NTSC 16:9 anamorphic               720 x 486                             853 x 486
    DV NTSC 4:3                                            720 x 480                             720 x 540
    DV NTSC 16:9 anamorphic                        720 x 480                              853 x 480
    CCIR 601/DV PAL 4:3                               720 x 576                              768 x 576
    CCIR 601/DV PAL 16:9 anamorphic            720 x 576                             1024 x 576
    720p HD                                                  1280 x 720                            1280 x 720
    1080i or 1080p HD                                   1920 x 1080                          1920 x 1080
    So for a standard 4:3 DV NTSC video, I make my still images 720 x 540 pixels. 16:9 anamorphic, 853 x 480.
    For whatever reason, this type of information is completely missing in the manuals for CS5.5. I did however find this information related to Premiere Pro 4:
    4:3 DV (NTSC) or ATSC SD—create and save the square-pixel file at 720x534.
    4:3 D1 (NTSC)—create and save the square-pixel file at 720x534.
    4:3 DV or D1 (PAL)—create and save the file at 788x576.
    16:9 DV (NTSC)—create and save the file at 864x480.
    16:9 D1 (NTSC)—create and save the file at 872x486.
    16:9 DV or D1 (PAL)—create and save the file at 1050x576.
    16:9 1080i HD—create and save the file at 1920x1080.
    16:9 720p HD—create and save the file at 1280x720.
    So did this apply to CS5.5 as well? Meaning if I'm creating a standard 4:3 DV NTSC video, my still images should be 720 x 534, and 16:9 anamorphic 864 x 480? Not quite sure what the distinction is between DV and D1, other than the anamorphic sizes are different.
    I also know these are different from Final Cut Studio. In Apple's manuals, they come right out and say the pixel sizes FCS uses for stills are different from most video editing software. So I'm not surprised to see 720 x 534 for for 4:3 NTSC in Premiere Pro rather than Apple's size of 720 x 540.
    Thanks.

    The list is valid if you save the file in square pixels.
    However, I believe there is an easier way if one has
    Photoshop.
    In Photosohop, you can change the image pixel
    aspect ratio directly.  The drop down for that parameter lists common video formats.
    Change the PAR first (e.g., 1.33)  and then, using the crop tool set for the frame dimensions, e.g., 1440 x 1080.  Save the file.  Premiere will recognize the image format.  There's no reason to keep track of what the square pixel frame size is.
    You can create Photoshop Actions to somewaht automate this process.

  • Still images don't show in source monitor

    Hi,
    Running CS5.5 on a Mac Pro, all updated, latest software.  Using a Black Magic Decklink card for output.
    My problem is I can't see any still images when I load them into the source monitor.  They don't show up when I preview them from the media browser and they don't show up when I import them and load them into the source monitor... Just a black screen.
    I can edit them to the timeline and when I double click on them they load into the source monitor!  But they don't load normally from the project window.
    They are jpegs, but I've tried with png as well...
    Thanks
    Ben Kupfer

    They are way too big. One is maybe ok but several.
    Make the dimension at least half the size, then they probably have no trouble showing up.

  • Why can't I see still images in the playback monitor when editing a video?

    Why can't I see still images in the playback monitor when editing a video? I have rendered the images in the project.  I checked my system to make sure it meets all the requirements for the software, no problem there.  When I "share" the project and save it as an MPEG, the images show up in WMP just fine.  But I need to be able to see what I'm doing to the stills while I am editing.  Help!

    Gordon
    Many thanks for the reply with the details.
    But, the key is missing...what version of Premiere Elements are you using? Are you using Premiere Elements 10?
    I hope not in this case, but if you are, we will tell you what needs to be done. The following is a copy/paste of the Announcement
    at the top of this forum about the Premiere Elements 10/NVIDIA GeForce issue.
    Premiere Elements 10 NVIDIA Video Card Driver Roll Back
    If you are a Premiere Elements 10 user whose Windows computer uses a NVIDIA GeForce video card and you are experiencing
    Premiere Elements 10 display and/or unexplained program behavior, then your first line of troubleshooting needs to be rolling
    back the video card driver version instead of assuring that it is up to date.
    Since October 2013 to the present, there have been a growing number of reports about display and unexplained workflow
    glitches specific to the Premiere Elements 10 user whose Windows computer has a NVIDIA GeForce video card. If this applies
    to you, then the “user to user” remedy is to roll back the NVIDIA GeForce video card driver as far as is necessary to get rid of
    the problems. The typical driver roll back has gone back as far as March – July 2013 in order to get a working Premiere
    Elements 10. Neither NVIDIA nor Adobe has taken any corrective action in this regard to date, and none is expected moving forward.
    Since October 2013, the following thread has tried to keep up with the Premiere Elements 10 NVIDIA reports
    http://forums.adobe.com/thread/1317675
    Older NVIDIA GeForce drivers can be found
    http://www.nvidia.com/Download/Find.aspx?lang=en-us
    A February 2014 overview of the situation as well as how to use the older NVIDIA GeForce drivers for the driver roll back
    can be found
    http://atr935.blogspot.com/2014/02/pe10-nvidia-video-card-roll-back.html
    Looking forward to your reply.
    Thank you.
    ATR

  • Premiere Pro CS5 won't import still images correctly

    I've about had it with this pile of ****.
    Brand new install of Premiere Pro CS5. When attempting to import still images, random images will show up as other images. i.e. in Windows, I'll have the following:
    one.jpg (shows up at one.jpg)
    two.jpg (shows up at two.jpg)
    three.jpg (shows up at three.jpg)
    Once I import them into PPro, I get this:
    one.jpg (shows up at one.jpg)
    two.jpg (shows up at two.jpg)
    three.jpg (shows up at one.jpg) <-----
    In other words, three.jpg is named three.jpg in PPro, but when I bring it into a sequence, or view it, it displays the image from one.jpg
    I've tried clearing the media cache, renaming the images, moving them to different directories/drives. Any suggestions? Or should I just get my money back ffs. Thanks for any help.
    -Eric

    You've stumbled onto a bug.
    Here's the interim fix.
    Imported Image Links Problem
    And here

  • I plugged my macbook pro into an external monitor, then unplugged it later and now it is stuck with black borders on top and bottom and zoomed out like it is still on the monitor. How do I fix it?

    I started using my external monitor with my macbook pro and as soon as I plug it in it to the monitor it adjusts the screen by zooming out a bit and creating about 3/4 of an inch black borders on the top and bottom of the screen. But these dont show up on the monitor so I assumed it was fine. But when I took it off the monitor, the borders were still there like it was still on the monitor. Any hellp? Its starting to mess with my eyes haha.

    Hi aefulcher,
    It sounds like you had the external display set to mirror the internal display so the resolution(s) were changed to match each other.
    OS X: How to use multiple displays with your Mac in Mountain Lion and earlier
    http://support.apple.com/kb/ht5019
    Check if the current resolution matches your screen's natiive resolution.
    Thank you for visiting Apple Support Communities.
    Nubz

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