Need to correct tilted camera position - Premiere CS4

Hello there,
Yesterday I filmed an event with a camera up high in a horizontal bar (on a gorilla pod - upside down).
EDITING WITH PREMIERE CS4
I corrected the upside down position with a vertical and horizontal flip.
But now I have problems with tilting. I tried to use the rotating tool to correct the problem, which worked for the tilting, but the movie frame is now tilted with black filling the rest of the screen. I figured I could use the crop tool to eliminate the black waste, but it only crops along the new tilting frame, which doesn't solve my problem.
What I need is to have the rotation as it is, but crop along the original frame (unrotated). Do I make any sense?
I attach two photos to help clarifying my question.
ORIGINAL
ROTATION
Although it's not very apparent since the edges are mostly black, you can see from the projection screen that my frame is now tilted to the right. The rotation is correct, but I need to eliminate the upper, down, left and right edges to make all the frame uniform again.
Any ideas?
By the way... how can I correct barrel distortion?
Thanks,
Goncalo Figueiredo

even if it was MORE off the horizon plane...it wouldnt bother me at all...
all im saying is it doesnt bother me at all....and next time keep it in mind how to level the camera etc...or else make the whole thing smaller on your delivery and crop it, rotate it etc they way you want to correct...
In other words, put your assets into a smaller project so the video is "bigger" than the project frame...now you can rotate etc and not run out of space...

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http://helpx.adobe.com/premiere-pro/kb/cant-capture-dv-hdv-video.html
-and more about Windows http://forums.adobe.com/message/4708997
I have NOT used either, but many say to try these for SD capture http://windv.mourek.cz/ or http://www.exsate.com/products/dvcapture/
I have NOT used it, but many say to try this for HDV capture
-archived at http://www.videohelp.com/tools/HDVSplit
-Click the 1st link under "Download sites:" for the latest version

Premiere CS4 Does Not Correctly Export Quicktime

Hello,
When CS4 initially came out, all of the Quicktime exports were messed up. Now after several patches it still seems that it is not completely correct. I have rendered out of a 3d app sequential images with a white background and an alpha channel. When I import these into Premiere, when the alpha channel is disabled for the clip, it correctly shows a white background in the monitor. But when I export this clip to Quicktime Animation and turn on 32 bit depth, it creates the clip with an alpha channel, but when the alpha channel is disabled on the clip, it renders the background still as black, but with no alpha. It should render it as white. Quicktime Animation clips created this way with other Quicktime exporting software does not do this, and so I believe this is a bug. Where can this be logged?
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It's not a problem with Quicktime, but rather Premiere CS4 because other apps can create the same thing correctly, using the Quicktime Animation codec.
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I need a definitive answer for using Premiere Pro CS4 to work with .m2ts and .mts files

I have a Canon Vixia HF20 and a Sony HDR-XR350V. The Canon gives me .MTS files and the Sony produces .M2TS files. What do I need to do to be able to work with these files in Premiere Pro? I've searched and gotten that I'll need to purchase a codec. But are both file types going to be good with one codec?
Also, what are the steps to getting started? Purchase the codec, load the codec...Will there be any other steps to working with the files in Premiere?
I'm sorry for the basic questions, I'm a photographer! I've never worked with video before, and this is HARD!
Thank you for your help,
Michelle

Hi, Michelle.
I'm nowhere near the authority on this stuff that many of the others are here, but I have Premiere Pro CS4 and I work directly with AVCHD .mts files from my Panasonic camera. I simply browse to the directory where the .mts files are located and drag them into the project. I didn't need to purchase any additional codec, this is natively supported in Premiere CS4.
I can't speak to m2ts files as I don't have any gear that generates them.
One thing you do need to know, however, and this is important. Whether you're running a Mac or a PC, if you're going to work with high def footage such as AVCHD, you're going to need a fairly high performance computer with sufficient RAM, good performing hard drives and a fast CPU.
I tried this on a PC that was fine for my recording studio (audio), fine for professional software development, but choked and stuttered working with HD material. That's not a problem with the Adobe software, it's just the nature of the beast. HD is extremely demanding stuff, so you need top flight gear to work with it. I bought a higher performance PC and now it runs just fine.
Hope this helps,
Chris

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Any estimate/date when the new Premiere CS4 installer to support Red's camera build v20 will be out?
The new Red API is released and just a matter of Adobe integrating. (FCP already has released it!)
many thanks....Dave

Thanks for the quick replies guys.....
I've spoken to the developer at Red who is indicating the release date is dependant on Adobe.
Now whether that suggests acceptance/integration testing (or development) by Adobe, I assume Adobe is on the critical path for the release this plugin...hence question. any further information greatly appreciated.
Dave,
edit: cheers Curt. The v20 plugin deals with noise, particularly in low light tungsten scenes which starves the blue channel of any signal, hence the noise.
Red say 20% of the corrected code in the camera firmware (build v20) and 80% is in their software API which has been since released in other Red products and Final Cut.
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Need help with Premiere CS4 Export...

I currently shoot HD video with a Canon Vixia HF S10 digital camcorder (link goes to Canon's site). I shoot at the highest quality available, MXP 24 Mbps (1920x1080). When I bring the video over to my machine, it comes over as an .mts file which is the AVCHD file format (link goes to Wikipedia article on the format). I import these .mts files into Adobe Premiere (CS4). I import them into a AVCHD 1080p30 (29.97) Sequence. I do my editing, adding title screens, music, whatever. The problem comes when I go to export the final product into a usable format. I've tried all different sorts of formats to export to and I can't get any usable results. If I select, for instance, H.264 HDTV 1080p 29.97 High Quality (a preset within Premiere) the video comes out extremely choppy...as in the audio will play and the video will hitch along and be mostly out of sync dropping whole sections of the video as it tries to catch up.
My end goal is to be able to export two versions...a higher quality (maybe burned to a DVD or Blu-Ray) and a lower quality (but still HD) for uploading to YouTube/SmugMug.
Any help or thoughts anyone may have would be greatly appreciated.

Hmm... My CS5/AVCHD 1st Impressions http://forums.adobe.com/thread/652694?tstart=0 includes a link to what I built for CS5
Your computer is going to be a bit slower, but I don't see anything really obvious that would cause the output to be choppy
But... have you considered converting to HDV to see if that edits better for you?
Convert AVCHD to HDV http://forums.adobe.com/thread/390605?tstart=0
or use Cineform Neo Scene http://www.cineform.com/neoscene/
Added... Looking at my notes, I use a different AVCHD setting in CS5... have you tried other AVCHD project settings?

Camtasia Poor Quality in Premiere CS4 Export

I am a PC user. One of my clients uses Mac and Camtasia to screen capture his software program, which I need to integrate into a video I am making for his company. The MP4 Camptasia file he sends me looks good. I bring the file into Premiere to edit it, but when I export it, the clip done with Camtasia has very poor quality, while the footage I shot with my video camera looks great.
Specs:
Camera: HMC40, PH mode 1080/60i (MPEG-4 AVC/H.264 compression).
PC: i7 quad-core 64-bit running Windows 7 Professional 64-bit, 8 GB RAM.
Editor: Premiere CS4 in the Adobe CS4 Master Collection .
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Format: MPEG2
Preset: HDTV 1080p 29.97 High Quality
Multiplexer tab > Bitrate and Buffering Details: Variable
Video Tab > Basic Video Settings > Quality: 5
Field Order > None (progressive)
Profile > Main
Bitrate Settings: Bitrate Encoding: VBR 2Pass
Minimum Bitrate: 4 (default)
Target Bitrate: 15 (default)
Maximum Bitrate: 18.5 (default)
GOP Settings > M Frames: 3 (default)
N Frames: 15 (default)
Output summary: NTSC, 1920X1080, 29.97 drop frame (fps), Progressive, Quality 5.0
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My question about the Camtasia clip:
1) How can I get the Camtasia footage to be as sharp in the export as in the original?
Other questions in general:
2) Are my New Sequence setting in Premiere correct? AVCHD > 1080i > AVCHD 1080i30 (60i) Anamorphic
3) Is my choice to export as MPEG2, HDTV 1080p 29.97 High Quality preset, the best for the footage I shoot?
4) Is my choice to set the Multiplexer tab > Bitrate and Buffering Details at ‘Variable’ the best?
5) Do my Bitrate and GOP settings need adjustment?
6) Should my Export field order be Upper instead of Progressive?

function(){return A.apply(null,[this].concat($A(arguments)))}
The frame rate is 1038 X 882
That is a very odd frame size, and one that probably won't work well no matter what workflow you use. You asked:
function(){return A.apply(null,[this].concat($A(arguments)))}
how could he better capture and export to match my workflow?
Have him capture and export to match your desired export frame size for the finished project.
function(){return A.apply(null,[this].concat($A(arguments)))}
How would you suggest I change my workflow to handle the interlaced and progressive issue?
I can't answer that until I know exactly how you intend to deliver your finished video. Any answers to your other questions will also likely depend on your intended delivery format and media.
-Jeff

Premiere CS4 to Encore CS4 Export Quality Problems

I recently purchased a non-linear editing machine with an RTX2 Matrox Card and CS4 Professional. After six or seven projects, I finally noticed that all my imported .avi files exported through Adobe Media Encoder and burned through Encore CS4 are not as crisp, sharp, or look like the original high quality SD footage after the DVD is burned like it always used to look in CS2. ( jumped from CS2 to CS4)
These DVDs were of plays, football, and basketball games. It seems that when the camera shoots a close up, the video looks fine but after you shoot from a distance, there is a considerable difference in the footage. ( alomost blurry) I just caught this and nobody has complained but I watched one of my older DVDs I produced with CS2 and it had no quality loss whatsoever. There is a night and day difference
For the sequences, I am using Matrox SD, NTSC, Standard, 720 x 486 and capturing with firewire through the Matrox card. The raw footage is beautiful. The Video Preview Option is NTSC Standard and the Codec is NTSC Matrox DV/DV Cam.
I can playback a timeline from the Matrox card and burn directly to a DVD burner and the footage is perfect, but when I export, I have chosen Microsoft .avi file, Matrox DV/DV Cam/ MPEG2, and MPEG2DVD.
I have even changed the sequences codec to Matrox MPEG-2 I-Frame and tried exporting using that out of Adobe Media Encoder and am getting the same results.
None of my customers have complained yet, but I definitely do not want to continue producing almost blurry DVDs.
I am using Adobe Premiere CS4 Version 4.1.0 and Encore CS4 Version 4.0.1.048 and Matrox Version 4.1.0.23
Can this problem be related to and eliminated by updating my CS4 Production Suite and my Matrox Software.
I was wondering if anyone had experienced this same issue and what solution they came up with or if anyone knew if the updates would correct this important issue. I just filmed a lengthy play that I have to author through Encore CS4 and I cannot release any more of my productions until this problem is solved. This is a big dollar production and I need some assistance on this matter as soon as possible. Thanks Jimi White

Thanks for taking the time to help me out. I just purchased my non-linear with CS4 Production Suite and the Matrox RTX2. I have several projects that I am working on right now and I was advised by Adobe, Matrox, and my non-linear vendor, 1 Beyond, to finish those projects before performing updates.
I also found out that If I export using the MPEG2 8Mbps, it cleared up the video dramatically. We had to go through a number of export presets in order to find out what worked best in Encore. I am going to try to finish the project now and will advise on the results.
This is a basketball highlight DVD and that's when I noticed the problem. My other productions were photos to music, and non sporting events and I didn't notice any problems with those DVDs ( they actually looked decent. Worst part about it was, I finished the project once and burned 18 DVDs, and then reviewed one of them and found the problem. I have to start over and just eat the DVDs printed and all.
Thanks again, it was nice of you to get back to me.
Jimi

Premiere CS4 - Encoding with AME ridiculously slow

Hello there.
After having read many threads on various forums, I have not come to a single hint as to why AME is encoding any type of video materal extremely slow. I'm sorry if this question has been asked many times on this forum, but maybe someone has come up with a working solution?
My computer specifications are:
Windows Vista 32bit (yes I know, upgrade is needed)
Intel Quad Core Q9000 @ 2 GHz
4 GB RAM
Nvidia GeForce 9700M GT - 512mb
500GB sATA HDD @ 5400 rpm
This is a notebook. I use Premiere CS4 and AME4 with the most current updates (v4.1)
Here is what I usually do:
I export my project media from Premier to AME with the appropriate format and encoder settings, close Premiere and kill all background tasks. My RAM usage is now at around 1.4 GB (out of 3 GB!).
In this case, I'd use the built-in MPEG2 codec with PAL settings (720x576 - 25i - 8Mbit/sec), the source file is in MPEG4 @ 20Mbit and 10 minutes long. I started the encoding process and it was slowing down from 10 minutes initially to a frustrating render time of 60 minutes. Why?
I have used VirtualDub and TMPGEnc, both achieved, compared to AME, incredibly low render times, a bit higher than double realtime. When I use AME the same way, as encoder for an avi file only and not a Premiere project, it is losing by 6-7 times of the other programs render time.
Second scenario:
I have 20 seconds uncompressed avi material (600Mbit/sec) and like to convert it to MPEG4 with AME. MPEG4 settings are at 50Mbit, I-frames only, 50fps and progressive. I started the encoding again and at first, AME was rushing through 1/4th of the progress bar in 5 seconds, and then slowing down to an overall encoding time of 50 (!) minutes and it ended about 52 minutes later.
During this rendering I had the windows resourcemonitor (of the taskmanager) open and checked the access rate to my hard disk. For the entire duration of 50 minutes, AME read between 50 megabyte and 125 megabyte per second on the hard disk. The file itself was less than 2 GB large - what on earth could it read? Also, my RAM usage came close to 2,8 GB but never reached 3 GB or higher.
Does anyone have an idea or is it just that freeware programs are superior to a costly AME?

I have already run that test about 4 hours prior to writing this thread. Now I'm not at this computer, but from top of my head the results were:
Total 180 (about)
Export Avi 38 (not entirely certain, could be up to 10 higher)
Encode MPEG 90 (not entirely certain, could be 20 lower or higher)
Render Time 7 (the only number I recall correctly)
I'm well aware my hard disk isn't fast - but why should VirtualDub be able to encode a 2gb uncompressed avi clip with a duration of 20 seconds to DivX in about a 1/3rd real time/8fps (using 50mbit, i-frames and 50fps and amazing quality) while AME takes 50 minutes (1/200th realtime) for the same file with the integrated MPEG4 encoder?
Now, I know that those are different codecs, yet their data reduction works on a similar base. From my point of view, there's not much that could explain such a high discrepancy of performance on the hardware side, other than AME just does not like my computer configuration. I know my computer is very capable to perform way better than that, just with about any other program but AME, and that is a royal pain.
Unfortunately, I am unable to install a second HDD in this notebook, because it is full. I do know it could perform better using a secondary HDD, but I have also encoded files with Adobe Premiere CS3, and that performed way better than CS4 on the same computer.

Frame duplication during 2vuy (in .avi) import on Premiere CS4

Hello:
I am currently trying to import a complete Premiere CS4 (version 4.2.1) project on my laptop, Windows 7 - 64bit, which doesn't have an AJA Kona 3 card installed. The detailed file specification of the source file is given further below and had been created on a system with AJA's Kona card. The source files are in an AVI wrapper, in OpenDML, with 2vuy and had been created by the AJA Kona card on a different system.
The file gets imported into Premiere, and it displays the correct file length, here of about 56mn 24s. However, I can only access the first few seconds. If I drag the video file to the timeline, I realized that every frame is present for about 2 minutes and 40 seconds, which results in about 18 seconds of the original file length. To explain it in different words - I have the same frame at position 00:00:00, 00:00:01, 00:00:02 until 02:39:24.
The original files can be properly displayed within the windows media player, which utilizes a YCbCr Codec from Drastic Technology Inc. Therefore, I strongly believe that the source files aren't corrupted. What should I do now?
BR
Filmemacher
General
Complete name :
H:\PZ05\116_PZ05\pz05\Captured Video\main 03.avi
Format :
AVI
Format/Info :
Audio Video Interleave
Format profile :
OpenDML
File size :
65.4 GiB
Duration :
56mn 24s
Overall bit rate :
166 Mbps
Video
ID :
0
Format :
2vuy
Codec ID :
2vuy
Duration :
56mn 24s
Bit rate :
2 539 Kbps
Width :
720 pixels
Height :
576 pixels
Display aspect ratio :
5:4
Frame rate :
25.000 fps
Standard :
PAL
Bits/(Pixel*Frame) :
0.245
Stream size :
1.00 GiB (2%)

Hello Filmemacher,
AJA has a QuickTime Codec out for the Format you need. The Codec is free and the File can be played/exported through QuickTime (Pro Version only). Another Solution is the Drastic Codec Suite that has all the AJA/Kona, DVS, Optibase Codecs plus the normal ones from Windows (IYUV, I420, UYVY, YUY2, YVYU) in one Codec. The download Link has been updated with the new Versions on the Drastic Website. The Drastic Codec works for AVI in Windows and MOV for QuickTime for encoding and decoding Films. I use them myself for a long Time now without any Problems.
Please note: There are some Links to old Versions of the Drastic/Optibase Codecs in the Internet, mainly in Eastern Countrys. Stay away from them because of many Virus alerts and unstable outdated Versions.
Best regards, Mickey
Here is the Link to Download the new Version 3.4 with Vista/7/8 64 Bit Support:
http://www.drastictech.com/download_codec.html
Other Platforms supported: Windows 9x/SE/ME/NT/2K/XP/Vista/7 (all 32 Bit)
QuickTime for Windows 4/5/6/7 and Later (32 Bit)

How to import youtube video into premiere cs4

I installed adobe premiere cs4 and was really astonished by the fact that it's not possible to import a video downloaded from YouTube, but it is needed to convert it firstly. This application is weight about 3GB on my hard disk and now I must search for a plugin to import a video from YT.
It would be perfectly if i could download a video directly into premiere, and also upload finished file up to youtube.
The only result of my search is a paid plugin named moyea-importer - USD 70, but it seems it works only with earlier versions of premiere, before cs4.
Is there any free plugin for this task. Or any similar solution.
If not - in which format should I download youtube video, in which format should I convert it (what is the best converter for that) to make it editable in premiere.
Working on win xp sp3.
Thanks.

Also, CS4 has a different forum http://forums.adobe.com/community/premiere/premierepro_previous?view=all
Maybe a MOD will come along and move this discussion to the correct forum
As Mark says, CS4 is old... and CS5 and later were complete rewrites of the source code, to be 64bit instead of 32bit, so internal operations are not the same

Premiere cs4 not running in Windows 7

I recently started editing some AVChd files pulled off of my Sony hd cam on Premiere cs3 using Windows XP pro. I quickly realized that the HD files were not supported by CS3 and therefore upgraded to CS4 with significant lag. Not knowing much about anything, I thought that some more ram would solve my lag problems. So I invested in 4 more gigs and Windows 7, so now I have the capabilities of the full 5 gig. However, after re-installing cs4 on Windows 7, I am now unable to edit my hd files at all. The program loads fine, the videos are there but the lag and freezing is impossible to work with. I only have a single core processor I bought five or so years ago b/c at the time the newest Pro Tools I was using was not compatible with the dual core. I am in desperate need of help since like I said - I am a moron when it comes to setting up computers. I'm not sure if this is a Windows 7 issue or something else. Please help! I am sick and tired of throwing my money away with no results!
My PC's specs:
Model : Intel(R) Pentium(R) 4 CPU 3.40GHz
Speed : 3.41GHz
Total Memory : 5GB DIMM DDR2
Mainboard : Asus P5WD2-Premium
Model : ASUS 82955X Memory Controller Hub
Windows 7 x64

A P4 is simply too slow to edit AVCHD... you need an i7
My CS5/AVCHD 1st Impressions http://forums.adobe.com/thread/652694?tstart=0 includes a link to the computer I built... since the GTX 285 is no longer sold, I would now go with a GTX 460 or whatever is the current "best bang for the buck" - AND I would buy 4Gig-by-3Sticks memory to be able to expand from 12Gig to 24Gig if needed
For my home hobbyist, family movies (which means that I am not trying to recreate Star Wars with video effects or many layers) AVCHD editing is "as smooth as spreading warm butter on hot toast" (also the MP4 video from wife's Flip camera)
My 3 hard drives are configured as... (WD = Western Digital)
1 - 320G WD Win7 64bit Pro and all program installs
2 - 320G WD Win7 swap file and video project files
3 - 1T WD all video files... input & output files
Search Microsoft to find out how to redirect your Windows swap file
http://search.microsoft.com/search.aspx?mkt=en-US&setlang=en-US
Trying to use only ONE Hard Drive for Video Editing
You are a music conductor, with a baton that you use to point to various parts of the orchestra... this is like Windows pointing to various parts of the hard drive to do Windows housekeeping or to load program segments for various functions
Now, at the same time and with the same hand... while still using the baton to conduct the orchestra... pick up a bow and play a fiddle... this would be doing something with your video file at the same time as all the other work
You as a person cannot do both at the same time with the same hand
A computer is a LITTLE better, in that it can switch from one kind of task to another very quickly... but not quickly enough for EASY video editing
You need AT LEAST two hard drives (separate drives, never a partition http://forums.adobe.com/thread/650708?tstart=0 for more) with Windows (or Mac OS) and software on your boot drive, and video files on a 2nd drive so the boot drive is not slowed down by trying to do everything
I find that the three drives I use work very well for me, for editing AVCHD video... some people use a 4th drive, so video INPUT files are on drive three and all OUTPUT files are on drive four... I only bought a mid-tower case instead of a full tower case (my bad... but had to fit in the space available on my office desk!) so I use the three drives that will fit
Depending on your exact hardware (motherboard brand & model AND USB2 enclosure brand & model AND external hard drive brand & model) AND the type of video file, you may... or may NOT... be able to use an external USB2 hard drive for video editing
Steve Grisetti in the Premiere Elements forum http://forums.adobe.com/thread/856208?tstart=0 and Jim Simon in the Premiere Pro forum http://forums.adobe.com/thread/856433?tstart=0 use USB externals for editing
A USB3 hard drive connected to a motherboard with USB3 is supposed to be fast enough for video editing (I don't have such, so don't know) but eSata DOES have a fast enough data transfer for video editing... I have not used this eSata Dock... for reference only, YMMV and all the usual disclaimers
http://www.amazon.com/Thermaltake-BlacX-eSATA-Docking-Station/dp/B001A4HAFS/ref=cm_cmu_pg_ t

Getting 16bit video into Premiere CS4

Bear with me, as I'm sure I am a super noob. I went and did a bad thing...I think. I told a non-profit that I would make a video for them to sell for charity. The video is going to be a combo of video, stills, etc and I went ahead and shot all videos with my Nikon D90 camera. Settings were apparently set to standard and then I went out and picked up Premiere CS4 to take the video to the next level. I come to find out the video was taken in 16bit NTSC format and the program wants a minimum of 32. Is there anything I can do to get the videos I have into the Premiere workspace to create my video? Is it possible to up-convert? I've read about converting to TIF files, but I am going to need the audio off the video as well. I have to think there is a way around this somehow.
If you have any input whatsoever, it would be greatly appreciated. I'm behind schedule as it is and this is only setting me back further. Really hoping there is a quick fix out there. *crosses fingers*

I'm not even seeing MJPEG as an option when I start a new project. Does that mean I do not have a proper CODEC installed?
How does MPEG Streamclip stack up against the two you mentioned?
Thanks again!

What's hardware should upgrade for Using Premiere CS4 to editing (AVCHD)m2ts file?

What's hardware or software should upgrade for Using Premiere CS4 to editing (AVCHD)m2ts file?
1st question: when i try to do editing by using Premiere CS4 AVCHD sequence timeline, the edting monitor seems not smooth (like wearing goggles) & delay, and when i use AME to encode m2ts file (which not yet edit) to AVI file (about 1 hour), it take 2h 13min to finish, is it normal?
2nd question: i use mpeg2 HD 1440 file to do eding, the edting monitor also not very smooth but better than using m2ts file, after editing done, i try to encode these mpeg2 HD 1440 file (which edited about long 1 hr) to a New file mpeg2 1440 X 1080i HQ or even mpeg2 Pal DV HQ file, the encoding was not runthe encoding after wait for half an hour. How many hours it take usually????
3rd question: i use m2ts file video file to export as a Bitmap, 1 frame 1 picture bitmap, it take long time too, about 1 or 2min to finish encoding, if i export more than 1 picture, it take even more time, i have experienced it, 3 or 4 pictures need about 10 or 15 min to finish encoding. i used to using mpeg2 HD 1440 file (which edited file) to export frame as picture, it not run the encoding at all. WHY ????
i'm new in Premiere CS4,so i got many question about Premiere CS4, usually i use Premiere Pro 1.5 version
my computer is: Intel (R) Core (TM) 2 Duo CPU
                         E7400 @ 2.80 GHz
                         2.80 GHz, 2.00 GB RAM
                         Graphic Card: ATI Radeon X1650 series
                        2 Hard Disks in my computer (C Drive is 300 GB (not sata) , D Drive is 500 GB sata)
4th Question: Premiere CS5 & Premiere CS4 which one is better ???
5th Question: What's different ATI Radeon and NVIDIA Card, which is better, which u suggest to. What is different Graphic Card and Video Card ?? Should i install HD Video Card ????

I don't think a core-2 will work very well with AVCHD... you need at least an Intel i7 920... or whatever is current
My CS5/AVCHD 1st Impressions http://forums.adobe.com/thread/652694?tstart=0 includes a link to the computer I built... since the GTX 285 is no longer sold, I would now go with a GTX 460 or whatever is the current "best bang for the buck" - AND I would buy 4Gig-by-3Sticks memory to be able to expand from 12Gig to 24Gig if needed
For my home hobbyist, family movies (which means that I am not trying to recreate Star Wars with video effects or many layers) AVCHD editing is "as smooth as spreading warm butter on hot toast" (also the MP4 video from wife's Flip camera)
My 3 hard drives are configured as...
1 - 320G WD Win7 and all programs
2 - 320G WD Win7 swap file and PPro projects
3 - 1T WD all video files... read and write

Best Video Card for non 3d/compositing work in Premiere CS4?

Hi all, I'm looking to optimize my system where I can to speed up the editing process. I edit 1080p footage from the Canon 5D MKII (h.264 MOV files)using half-res h.264 proxies, but CS4 seems to hang a lot in the timeline view and clips just disappear and instead show green. I'm switching to half-res MPEG-2 (.m2v) proxies now and so far that problem seems to have gone away (still testing), but when timeline display quality is at "High Quality" (vs. automatic) there's still some chop during slow pans (not seen with "Automatic" or "Draft Quality").
Anyway, I'm looking for the weakest point in my system and suspect the video card. My system is an 2.66 i7 processor, 6GB 1333 ram, 1x160GB sata II HD (OS/Apps), 3x1TB SATA II RAID 0 (paging file, data), and an $80 ATI 4650 512 MB video card running Vista 64.
So all that said, what's the best general graphics card for editing HD video in Premiere CS4? I don't care about 3d or compositing at this stage, just basic editing of unrendered (timeline playback) HD video, maybe sometimes 1-3 HD layers, some basic color correction effects (b+w, contrast, etc), dissolves, text overlay, some clip speed manipulation.
Many seem to recommend the Nvidia quadro cards, but I haven't found any information to suggest they help with anything other than 3D/compositing, which I don't need (and therefore don't need to pay the premium).
There's also the Nvidia CX card, but it's main feature is touted as encoding h.264, whereas I could care less about that and ideally need decoding of h.264 in the timeline to be better. I haven't seen any great reviews on this card of heard of average user testimonials, probably because it's $2k and it mainly marketed as "zoom more fluidly in photoshop, export h.264 4x faster", which seem like minor issues vs. "better realtime playback of HD video".
I sort of rambled, but if any informed CS4 users can help answer the question regarding the best video card for general CS4 editing use (not 3d/compositing stuff) I'd love to get more insight.

So in Media Encoder CS4, I tried encoding one of the clips that plays back the least smooth in the Premiere timeline (a slow pan across intricate patterns on a sand dune in death valley) to the following:
Format: P2 Movie, Preset: DVCPRO HD 720P 30
(this was the only format in media encoder that mentions DVCPRO HD)
I noticed when trying to customize the setting, that there is no 30 fps option, just 23.976, 29.97, and 59.94. I just went with 29.97 as that was the closest to the 30 fps of the source MK II footage. The width and height were also unajustable at 960x720 for the DVCPRO HD format.
Playing the output in the timeline view of Premiere was comparable in smoothness to the m2v file. I looked at my resource monitor during playback looking for bottlenecks, and the CPU does seem to spike at 100% initially when playing this clip back. I reverted to the m2v version and also saw the same CPU spike. I also reverted back to the down-res'd mp4 version, same spike. Moving display quality down to draft does allow for smooth playback here.
So I guess there's something about this clip that is CPU intensive to play back in the timeline in any of these formats. The original 1080p version plays back perfectly in both quicktime and VLC player.
Anyway, for now I think I'm content with using the m2v proxies as a big chunk of the clips are fairly smooth, and using a reduced quality display mode for clips that don't play as smoothly is accpeptable for now. At least so far I'm not seeing the hanging/video not displaying (and instead showing a green screen) that I was with the mp4 proxies.
If anyone has any other suggestions as to how to get smoother timeline playback for these proxies (or the original h.264 .MOV files), however, whether it be a hardware upgrade (e.g. better video card) or a different proxy codec, I'd love to hear them and give it a shot.

Need to correct tilted camera position - Premiere CS4

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