Network release for design booking

While releasing network for design booking i am getting following warning message.
Release not possible.
No material components or PRTs exists.
how to fix this problem.

T Code OPJK check your indicators (Material and PRT availability)
Regards
Sreenivas

Similar Messages

Unable to map master page gallery as network drive for migrated sitecollection

Hi all,
I am unable to map the masterpage gallery as network drive for design manager for a migrated site.
This is a windows 2008 server r2 OS. Desktop experience in installed.
I am able to map the master page gallery as network drive for two other site collections which is not migrated.
But for the current migrated sitecollection, it throws the familiar error that it is unable to connect.... I already tried unistalling and reinstalling desktop experience.
Kindly help.

Hi sanjuv,
According to your description, my understanding is that you can't map master page gallery in network drive for certain migrated site collection.
If you can open the master gallery with explorer, it means the master page gallery really exists. I suggest you check if the path is valid in the network drive. You can find the detailed path information with the articles below:
1.On the site for which you are creating a design, start Design Manager. (For example, on the Settings menu, choose Design Manager.)
2.In the numbered list, select Upload Design Files.
3.The Design Manager: Upload Design Files page contains the location of the Master Page Gallery. The location probably ends in /_catalogs/masterpage/. This is the location to which you will map a network drive.
4.Make a note of the location of the Master Page Gallery, or copy it to the Clipboard.
Here is a detailed article for your reference:
Map a network drive to the SharePoint 2013 Master Page Gallery
If the issue still exists , I suggest you can check the link below to troubleshooting the connection error with Network drive. You can try to install the kb of IE10 below to test if it works.
https://support.microsoft.com/kb/2616712/en-au?wa=wsignin1.0
https://support.microsoft.com/kb/2846960
Best Regards
Zhengyu Guo
TechNet Community Support

Why can not you thought of improving the design of power adapters for mac book pro from damage so easily?

why can not you thought of improving the design of power adapters for mac book pro from damage so easily?

I congratulate you. you are very lucky because I hurt my less than two years taking all possible care. and have found that this has happened to many people more

Problem with Hyperlinks - Creating Interactive PDF from an In-design Book

Im working on producing a Interactive PDF from an In-design Book which consists of 9 Indesign Documents.
The problem I am having is with Navigation when I export the pdf
When I export out to 'Interactive' pdf the hyperlinks DONT link to other documents
When I export out to 'print' pdf the hyperlinks DO link to other documents but the buttons to 'Go to next page' no longer work
Cheers,
Jamie

Thanks for the reply. I got the IT to upgrade to 5.5 and it now works. Rather an annoying bug for CS5 though
Cheers,
Jamie

Multiple authors for a Book

In the below example, the book titled 'Collapse of the Dollar' has multiple authors.
create table books
(surrId number(5),
book_id number(7),
isbn number (10),
title varchar2(100) ,
Author varchar2(100)
insert into books values (1, 457, 8478, 'Perilous Power' , 'Noam Chomsky');
insert into books values (2, 458, 2345, 'Macbeth' , 'Shakespeare');
insert into books values (3, 459, 6789, 'Collapse of the Dollar' , 'James Turk');
insert into books values (4, 459, 6789, 'Collapse of the Dollar' , 'John Rubino');
col title format a35
col author format a15
col title format a15
set lines 200
SQL> select * from books;
    SURRID    BOOK_ID       ISBN TITLE                               AUTHOR
         1        457       8478 Perilous Power                      Noam Chomsky
         2        458       2345 Macbeth                             Shakespeare
         3        459       6789 Collapse of the Dollar              James Turk
         4        459       6789 Collapse of the Dollar              John RubinoI need to write a query whiich returns book details but it should identify records (ie. Titles) with multiple authors and return the record with Authors separated with pipe ('|') like (no need of SURRID column )
expected output
      -- no need to retrieve surrogate ID
BOOK_ID       ISBN TITLE                               AUTHOR
      457       8478 Perilous Power                      Noam Chomsky
      458       2345 Macbeth                             Shakespeare
      459       6789 Collapse of the Dollar              James Turk|John Rubino
      Related question on the above Table design (Create table DDL shown above):
A table storing book details can only be designed like above. Right ? I mean, the duplication of records for one book because of multiple authors cannot be avoided. Right ?
One wonders how Amazon has desined its books table :)

Hi,
Pete_Sg1 wrote:
I need to write a query whiich returns book details but it should identify records (ie. Titles) with multiple authors and return the record with Authors separated with pipe ('|') like (no need of SURRID column )Get there : {message:id=9360005}
and scroll down to "string aggregation"
Pete_Sg1 wrote:
A table storing book details can only be designed like above. Right ? I mean, the duplication of records for one book because of multiple authors cannot be avoided. Right ? I would have had a table for books, and a separate one for authors, and a 3rd one for their relations :
create table books
book_id integer,
title varchar2(100),
etc...
create table authors
author_id integer,
name varchar2(100),
etc...
create table book_authors
book_id integer,
author_id integer
);You could also have only 2 tables book and authors (with authors table having a fk column to book_id).
It would depends if the author is supposed to remain unique throught different books.
- The 3 tables model would allow a single update on author information to be automatically "propagated" to all book he participed in.
- The 2 tables model would allow to have different information for each participation of the author to different books (but would certainly "duplicate" part of the data about the author)
One can also have even more tables to totally avoid data "duplication".

When the update to support LTE will be released for Claro in the Dominican Republic?

Claro in the Dominican Republic has launched LTE (since yesterday) and proceeded to sell or give the 4G LTE Sim cards so the users can have the service. I went over, got my new sim card and inserted in my Iphone 5 (A1428), and said to my self "I'm good to go". Turns out I wasn't. Unfortunately, I could not get it working. I even moved around the city to see where I could get 4G coverage.
When I called customer service to argue about the lack of coverage and to discuss that this may be a scam from the company. The customer service person told me to go to settings>cellular> to toggle Enable LTE, and I replied that I did not have that option. Then the customer service clerk argued that I did not have an updated Device. My iphone 5 IOS version is 7.1.2.
After doing some research while on the phone with the customer service representative (it was a 45 min long call) I had to agree with him that maybe apple has to "released" or "enabled" the service for this specific carrier, just like it happened in Colombia when the LTE was introduced.
Currently there are 3 companies (Tricom, Orange, and now Claro) offering 4G LTE in the Dominican Republic and None are listed in the 4G LTE availability per device per country according to apple. https://www.apple.com/iphone/LTE/.
So my question is: When the update to support LTE will be released for Claro in the Dominican Republic? (it would be great if an apple employee could get involve in this thread, or escalated it to who can do something about it.)

FelipeV
Let me tell you something: no one is saying go and do something illegal to enable this feature on your phone and no one is reporting any confidential information; the purpose of this thread is to clarify some points:
The LTE Network for Claro DO is real, is functional and is not a Scam
The LTE Network works with compatible devices except iPhones, not by decision of the carrier but the manufacturer.
About that the date that when will be available is not a confirmed date, it's an estimate based on previous releases in other countries and information that I received from inside Claro, not a speculation (find the definition). Of course Claro hasn't confirmed because, like other says, is apple decisions and not their (you don't have to be a genius to figure that out).
Forums are to express yourself freely about a specific topic, and to give your point of view whether you agree or disagree with something, but when you do be polite and do it with respect and not with arrogance as you just did hinting others are stupid and do not know what they are doing. Take an advice from some one with a little bit of experience, you don't know when you will need some help.
Have a good night.

Low budget image proofing for iPhoto book order

Hello!
I want to prepare my photos the best I can for iPhoto book ordering (Christmas present for family).
I have a Dell U2711 attached to a Mac Mini running OS X 10.6.8 and iPhoto '11 9.2.1. and a Canon Selphy CP520 dye sub printer which I thought to use as a precheck of what my JPG sRGB images would look like when printed in a book.
Here's my headache:
If I set up the monitor and calibrate the display profile as suggested in post #1 under this thread then such setup makes me color correct the photos by RADICALLY pushing the midtone slider in the levels adjustments to the left (brightening the picture). Prints that come out of the Selphy under this setup are a perfect match to what I see on the monitor and that is wonderful. However, I hesitate to order a book using such images because they appear far too bright on an iMac for example. (Perhaps I should mention that Google logo in Safari looks like its on steroids in this setup).
On the other hand, if I set up the monitor as it came from factory (PC gamma, standard preset), and use the default DELL U2711 display profile in SystemPreferences, then pictures look relatively ok on screen without any radical color correction. But prints that come out of Selphy with this setup don't match what is on the display, prints are too dark, and again I hesitate to order a book with such images.
Any suggestions?
Thanks.
Mato

Yes - don't try so hard and use your Mac and iPhoto - not a PC
iPhoto is designed as a consumre level program for point and shoot comeras - many people (including me) report excellent results using it that way - load sRGB photos form a digital camera and do minimal processing on them - never do major color adjustments - using iPhoto - preview rthe book -
Before ordering your book preview it using this method - http://support.apple.com/kb/HT1040 - and save the resulting PDF for reference - the delivered book will match it.
and order
Apples comments on this are here
Of the negative comments posted here nearly all of them were from people who spend lots of time and energy adjusting photos trying to second guess the printing process and failing to do so - Apple does have an unconditional sastisfaction guarentee - do it the simple way - less is more in this case
LN

Icc profiles for aperture book printing...

Do the Aperture Book Printing folks provide icc profiles so I can soft-proof the images beforehand?

Please note that monitors provide fairly accurate color when the images are saved in an sRGB color space, however, presses are not as reliable...
Well, Mike, thanks for sharing the info here.
At one point, in Mark's email to you, as mentioned above in his email from Apple, I have to say I am a little surprised about his statement re: monitors provide fairly accurate... when the images saved in an sRGB colour space...
It is very tricky statement where it depends on how we define the term "fairly accurate" in monitors. What we don't know if Mark meant by when monitor has been "properly" set up as profiled and calibrated with high-grade calibration hardware. Unless IF the monitor has been proper profiled and calibrated, then his statement would be correct. But IF not profiled or calibrated at all, I am afraid that his statement is incorrect.
Now these days with newer monitors and newer Apple laptops with better monitor technology, it is still need to be properly profiled and calibrated. It just depends on individual's preference, desire and the purpose of such project whatever someone is working on. While majority of Aperture users' are probably mostly professional photographers or those who are into photography savvy, then colour-managed workflow is a norm. For me, it IS absolute A MUST colour-managed workflow.
Although, I do a heavy post-production workflow on MacPro where I always have my monitors calibrated. I don't typically calibrate my laptop, though. Because sometimes I forgot to turn off the automatic ambient light in System Preference in Display section. It is a little inconvenience in that case. Unless if I am being away on photographic trips far from Canada abroad, then it is a different story. But not always bring my calibration device with me. Too inconvenience to haul it around at the airports etc. So colour-managed workflow is a must with MacPro in my studio.
However, other individuals have their own preference, comfort zone and the purpose of such project. Perhaps their workflow set up differently than yours or mine, that is ok.
But in that email you received from someone at Apple didn't make it clear about that statement about 'fairly accuracy'.
Then something else is something else actually--when Apple guy said presses are not always.... Again, that is why it is important that you get monitor properly profiled and calibrated. Once it is done properly, then it is all good. But remember, you need to re-calibrate monitor once a week or every two weeks or once month. In order to get pretty close to printed output, always a good idea to soft proof. If needed to make slightly conservative adjustments to your satisfaction or level of expectation, the output would be fairly close to what it is appeared in monitor. When I mean "fairly close" in comparing the output to what you are seeing in monitor with these post-production images used in that output, in fairness, I would estimate fairly close in terms of anywhere in range between 92 to 95 percent - that is very fair conservative perspective on how close in the output vs monitor. It is truly, really, truly rare to get the output 100% as obvious and precise as you are seeing in monitor. If that is the case, and if that is true FOR that person achieved this, this probably means takes that person many years to perfect his/her colour-managed workflow for that matter. Never has been that pretty close, but I'd be shocked if I see mine aced right on spot. I'd be lying to you if I get all output perfect as appeared in my monitors. If I did, that would be incorrect statement.
It seems a lot of factors and things to do and things need to require in a thoroughly colour-managed workflow production, it is how it is done. But this can also means save money, effort and time if done properly right from the beginning.
In fairness, I would really wish that guy from Apple should have said a little more obvious and precise with his definition of fairly accuracy with monitors. It doesn't says what kind of monitors he refers to. Low quality, cheap monitors deliver good results? Lot of factors need to be looked at for consideration for yourself.
Of course, as you can tell that colour management topic is pretty heavy, highly technical and everything in deep thinking with world of colours. It takes years for an individual (both pros and non-pro individuals) finally understand what it is all about. Again, technologies evolve rapid for the better in many cases for new monitors, commercial print equips, advanced ink technology, advanced paper production technology... That goes on effortless endless, actually.
Hope some of thoughtfu perspective and experience be of some interest, and it is obvious that this discussion probably will attract some more excitement discussion, the more the better. So that every other Aperture users who have the similar issues, they'll definitely want to come to here... And learn and share.
I also use Blurb too. They are getting better than it was once a couple years ago when Blurb first started. As they add more variety of book sizes, types of paper stock and things like that. This also give someone some flexibility in choosing workflow production using Blurb software or online bookmaking or using PDF to Book service for those who are advanced users that use InDesign layout design app. In that case of PDF to Book, the advanced users would need to download Blurb's preset plug-in to put in InDesign in order to export the PDF output to meet and integrate into Blurb's Preflight Checklist at the time of upload. I use PDF to Book service with InDesign, etc. It is fairly self explanatory and easy to follow steps. Also slightly off topic, but when making Blurb book, to get most out of their product and service with Blurb, in that case, they came up with brilliant resource called Colour Resource Centre designed for making more beautiful books. In that resource centre, it is easy to read and follow.
I would think this probably shed some insights and understanding the basics of colour management, the whole thing all about this, that and the other all together.
I would also want other high-powered hard-core Aperture users share their experience with Aperture Book printing service. I'd be happy to share my experience about making Aperture Book vs. Blurb Book through PDF to Book service. However, I would think the export to PDF from Aperture probably has it's own different setting or slightly different configuration inside the PDF engine on Mac for Blurb book. There has been some discussion about wanting a Aperture Plug In for Blurb Book. blurb has been quiet on it, I take that they probably will not develop a special plug-in for Aperture Users. Sorry if it is a little off topic. But somehow someone in the discussion mention Blurb. so...
Anyhow, hope that helps.

Photoshop Elements 9.0.2 patch released for MAC users

A patch has been released for Photoshop Elements 9 to fix some import from iPhoto issues.
The patch can be downloaded from http://www.adobe.com/support/downloads/detail.jsp?ftpID=4918 link.
One should be able to import media from iPhoto'011 after the patch has been applied. The application hang issue should also not come while importing a large iPhoto'09 catalog into Organizer.
The patch can also be applied from Adobe Application Manager via Help>Updates.
The patch has also fixed an issue for MAC Leopard. More details about this issue can be read through @ http://kb2.adobe.com/cps/885/cpsid_88567.html.
Thanks,
~V

List of major issues resolved in this update.
1. 2299340 : Commands drop down in the designers do not work and numbering building blocks
in Para designer do not get populated if FM is launched afresh and the designers are present in
the workspace.
2. 2307931 : FrameMaker crashes on inserting any file of a type other than the type defined for
the column in a reltable.
3. 2300993 : FrameMaker crashes while opening a file with view->options set as "Facing Pages"

What are the username, password and connect string for Designer 6.1.1?

So that we may better diagnose DOWNLOAD problems, please provide the following information.
- Server name
- Filename
Oracle designer6.1.1
- Date/Time
- Browser + Version
IE 6.0
- O/S + Version
Win 98
- Error Msg
ORA-12154:TNS:could not resolve service name.
RME-00220:Fail to connect to repository
These error messages were shown after I entered system, manager and internal, respectively.

Hi YungJen Chen,
There is no general username, password and connect string for
Designer 6i Release 4.1.1.
First, you install the client tools using the Installer. See also the
Designer Installation Guide, Chapter 1, 'Client Side installation'.
Second, you install the repository into an existing database, using
the Designer Installation Guide, Chapter 2, 'Server-side installation,
migration and upgrade'.
The Installation Guide provides step by step instructions on what
users you need to create for various purposes. Any database users
you may need to use such as System or Sys will use the password
given when you installed the database, or whatever passowrd you
changed it to since.
The Installation Guide is available as part of the download, or from
your Windows Start Menu once the Designer client tools are installed
or from the Designer Documentation page here on OTN.
Hope this helps. Regards,
Dominic Battiston
Designer/JDeveloper Product Management

Differences between 7 and 8 for long books

I am considering FM 7 and 8 for producing a long book. The issue with 8 is that it requires SP2 on XP, and I can't put that on my writing system.
So that would favour 7 unless its features are noticably lacking compared to 8. Here are the book requirements, please read carefully --
* There are 4 parallel columns spread across 2 facing pages -- each column has its own text, layout, font and size, different from texts in other columns.
* All 4 columns in the spread (2 on even pages, 2 on odd pages) must retain their positions on the spread, no matter which page of the book you turn to.
* There is absolutely no left to right wrapping of columns in a parallel column layout. This means all columns flow down - even to even, and odd to odd.
* This page flow must be automatic -- I am simply NOT going to draw frames for all pages and manually link them across a 400 page book, it is absurd.
I need to know which one of 7 or 8 supports automatic wrapping of 2 columns on even pages to the next even page, and the two columns on the right odd pages to the next odd page (if you don't understand this requisite column flow, please leave it for other to reply who do -- thank you). If both FM 7 and 8 are more or less the same, that would be very helpful information too. Please give compative capabilities as it relates to parallel book columns.
BTW, another really crucial feature is being able to manually set a FIXED line height in each column -- not in point size, like InDesign does (that does not work for precise alignment) -- I should be able to specify the line height in each column in decimals of an inch. Which one can do this?
Your help on these specific questions is much appreciated. Please no discussion of FM 9. I will not be getting that version. Thanks

ScratchyBoy wrote:
Mike --
That weird work-around is indecipherable to me (column less than a character width??) -- would you care to explain it in the context of this thread?
I noticed that Arnis has already explained the reason for using a tiny frame in each thread to carry the flow across pages where you don't want to display that content.
The reason Jay posted that is because he was on my question in InDesign, realized the serious failing of InDesign to handle a 2-page spread of parallel columns, and obviously wanted to see if FM could do it. He did a book in FM with only 2 columns, hence the "entrenched" concept of even-to-odd page flow worked fine for him.
You know, I have personally read 100+ books with 4 parallel texts like I am describing, and I am sure there are thousands of ones I haven't read with a similar layout. It takes scarcely 2 seconds to realize, looking at the 2 page spread, that even page columns MUST wrap to even page columns, and odd to odd. It's not an "unusual, special" request, it is a NECESSARY REQUIREMENT of 4 parallel columns spread across facing pages. Surely you can see that? But it seems that Adobe developers either never read any scholarly texts, or they just don't understand parallel texts -- period.
Have you contacted the folks who created the books you're referring to, to learn what tools they used for the books? Just seeing the final print version, or even the PDF, can't reveal the underlying construction.
Maybe the truth came out in that thread. Framemaker, as it was originally conceived by the original developers, DID allow correct page flow for parallel columns -- but once Adobe got it, they killed that ability, dumbing it down to InDesign's level, which cannot do it. Peter so much as admitted to that fact on that thread, that somewhere in the versions, this feature was killed. Which confirms the above paragraph.
Winfried Ring responded to my question about the feature not working in later FrameMaker releases, in that other thread, that the technique still works in later FrameMaker releases. The key, Winfried pointed out, is to begin the document with one body page, regardless of whether it's a single-page or facing-page layout. This keeps FrameMaker from getting confused about where the flows should go on the new pages it creates as any of the flows grows to the point that it creates a new page.
I think you're trying to imagine how these techniques will work, rather than trying them out hands-on. I've done that myself; it's a good learning style for some things, but in this particular case, you need the empirical experience of seeing how the software's built-in mechanisms behave. Until and unless you do it and gain the experience, you can't imagine, project, empathize, conjure, or visualize how these things work. You do have a clear vision of what you want for the end result, however.
In FrameMaker, as in InDesign, as in PageMaker, as in QuarkXpress, you draw text frames on document pages, or on master pages, using a text frame tool. It's named differently in each application.
The tools are for users to apply their vision and creativity, so if you need a certain kind of layout, you need to lay it out yourself. If your particular layout were common, there would very likely be at least one template for available in each professional publishing tool's community.
Why should I even consider FM 9 ?? Adobe wants $1000 bucks for it -- they brag on its "improved features for book production". What a laugh! They can't even conceive of scholarly comparative books across a HUGE gamut of subject areas -- so why should I consider it ?? I'd love for someone to tell me: "YES !! I am proud to announce that FrameMaker can do this natively out of the box !! " But I don't see it coming, do you?
Professional tools cost huge money to develop. If you use them professionally, your work should bring in the revenue to pay for the tools.
As has been said by many posters on many threads in regards to most software, especially the professional tools, it's very unlikely that you'll find a legitimate copy of a past version for sale. The older the version, the less likely there will be a legit copy on some dealer's shelf that pops up, and is put on eBay for a song. It's illegal to sell old versions that one uses to upgrade to a new version. You'll not be able to register the license; in recent versions of Adobe products, you won't be able to use the software at all after the trial period expires, without a valid license.
Using a license cracking tool is also illegal.
It sounds as if your hardware and Windows version limitations are constraining your software choices. It's a tough set of choices.
Oh, BTW, here's a link to a PDF of a FrameMaker example of what I think you're talking about:
http://dl.dropbox.com/u/363247/fm%207X7%204-parallel%20flows%20across%20same-side%20pages. recover.pdf
EDIT:
In the PDF, the small fragments of text are the "pass-through" threaded frames that Arnis described. They're larger than a single character, so you can see the text flow through; in real use, they should be teensy.
/EDIT
It's trickier in InDesign because it's built-in ability to create new pages as stories grow is trick to accomplish the same behavior. The In-Tools plugin that was mentioned can do this.
If you're persnickety about typographic control, InDesign is the better tool. FrameMaker isn't a slouch, it's just that InDesign's been bred for the task.
Regarding lining up the text across columns, InDesign and FrameMaker both can control baseline alignment. You'll need to try out both tools to decide which works the way you need.
HTH
Regards,
Peter
Peter Gold
KnowHow ProServices

Workflow WS400012 Release for payment (frame)

Hi, I need to know if the WS400012 Release for payment (frame) is trigger when a invoice is register to
I need to know if workflow to shoot when a logistic invoice is registered from the MIRO transaction, since a book entry is registered (type RE),
I tested and single an the workflow to shoot with financial transactions (FB01, FB60), although I formed in the payment liberation the type of document RE.
Regards
Dayana

Hi,
Just go through the following links
1. http://help.sap.com/saphelp_nw04s/helpdata/en/fb/135d89457311d189440000e829fbbd/content.htm
2.http://aiokeh.wdf.sap.corp:1080/SAPIKS2/contentShow.sap_SCLASS=IWB_STRUCT&_SLOIO=9B4460FF454711D189430000E829FBBD&TMP_IWB_TASK=DISPLAY&RELEASE=647&LANGUAGE=EN&_SEQNUM=104&_LOIO=84CB8D3880B8E060E10000009B38F842&_CLASS=IWB_EXTHLP
<b>Reward Points if Useful</b>

DHCP Failover, one DHCP Server Partners Supnet is deactivated, Clients losing network connectivity for 3 sec. after renewing they IP Adress

Hello,
currently we are using two W2K12R2 DHCP server configured in "load balance Mode". On DHCP1 the IP-scope with failover partnership to DHCP2 is deactivated. DHCP2 is working fine. Now we register that 50 percent of our clients (W2K8R2 application
server) losing the network connectivity for 3 sec. after rereleasing they IP-Address. On DHCP2 servers eventlog we receive a lot of
BINDING ACK reject events 20291 and 20292 for these IP addresses entries.
These 3 sec. of loosing they Network connectivity is our big Problem because the Client application (W2K8R2 application server) cannot handle these timeout. It looks like a
DISCOVER-OFFER-REQUEST-NAK cycle that are described here:
http://blogs.technet.com/b/teamdhcp/archive/2014/02/26/dhcp-failover-patch-to-address-a-reservation-issue-and-another-issue-related-to-failover-partner-not-accepting-state-transition-from-bad-address-gt-active-has-been-released.aspx#pi47623=2
there is a solution to prevent the 3 sec network failure?
Rgds

Hi Steffen,
Have you applied KB2919355 in the server?
If issue persists, please check the detailed information about the event. It will tell us why does the server send the NAK.
Best Regards.
Steven Lee Please remember to mark the replies as answers if they help and unmark them if they provide no help. If you have feedback for TechNet Support, contact [email protected]

Best networking model for a java network application

Hi all,
I am in need of a decision regards the network technology used for a CRM.
I am thinking about JAX-RPC to build network model for the system.I'll concider functianality details after deciding the network model.
Which'll be better?.JAX-RPC?.i did'nt used it before.How good is that technology for a client-server CRM which need frequent remote method calls?.
What about using servlets?.
My requirement is i'll make XML documents from client and send to the server and server parse the XML file then make necessory method calls and return another XML data to the client.
I cant use a database server for network functioning.Because the application should run in internet also.So installing a client-server database and only writing client application will not work.
My application should work equally in internet and local network.
So which technology can i implement for better results?.
What about servlets?.
Servlets can take inputs as web forms.But can servlets work with XML inputs with a swing client(no browser)?.
What'll be the best technology without EJB?.Becoz only Tomcat can be used for deployment.
Plz anyone suggest a good opinion.
What'll the best for me?.

Many thanks for your efforts,but i already know all what you hav said.Then you should be in fine shape for starting this project.
But what i need is good insights.You hav told me that
"start the project and you'll get" .OK.But after doing
a lot of projects,Onething i know is getting as much
insights towards a project will help always.Because
there maybe issues that we dont concider or some
better patterns.I can't help you based on what you've posted so far. You're talking about gathering good requirements and doing a detailed analysis and design. That's not what this forum is for. You should be doing that with your customers and teammates.
And i'll be using JDOM.Coz it's quite easy.Very good.
But some more insights??.
I need insights in areas like,
When XML file reach to controller servlet,It should
dispatch the XML file to many javabean classes
according to it's purpose.Do you spot anything
there?.I don't know what those Bean classes will be doing with the XML, so it's hard to say.
If you're looking to create an XML message broker, where clients send XML requests to be dispatched and then get the response back, you might be talking about an asynchronous application with JMS and queues. That's very different from a servlet, but then I don't know much about what you're really trying to do.
In either case, whether you use a queue or a servlet, you'll have to think about how you'll go about routing a message. You'll have to figure out how to recognize and associate a particular XML message with the right Java Bean or destination.
any suggestiens for creating XML files?.Sometimes you just have to bite the bullet and create them. No magic here.
I already thank to you for ur opinions.But plz take care on these small issues also if u done such
apps.Lets learn more together so we can make applications very very fast with good insights in
small deeper areas.I don't mean to be rude, but I can't do any detailed analysis and design with you. That's up to you, your customer, and your teammates.

Realistic system requirements for Design Premium on MAC

Hi,
Can anyone give me some realistic system requirements for CS4 Design Premium? I am just about ripping my hair out with having to reboot several times a day because i'm running out of memory on my PC and am thinking about switching to MAC.
I am currently running a PC well above the recommended specs for Design Premium CS4 and it looks as though I will have to upgrade anyway. Designer friends tell me their MACs never require rebooting (but again i guess it depends on the MAC specs).
My questions are:
* If i buy a MAC, what would I need to buy to comfortably run Design Premium CS4 without any crashes?
* reading some of the other discussion threads in this forum it seems some products don't work/aren't supported by MAC? Of the Design Premium products which ones would I have issues with?
* Does anyone know what the deal is with switching the software licensing from Windows to Mac? (I heard you can only switch if you are upgrading which would mean I would have to wait until CS5 is released.)
Advice would be appreciated!!
Cheers,
Karen

Thanks Michael,
I do use a few of the programs at once: Bridge + Photoshop + Illustrator + Indesign (actually, have learnt cannot run all of these at once but would love to!);
Dreamweaver + Fireworks (Fireworks constantly causes me headaches where files become locked and cannot be saved - all due to shortage of memory)
Usually run virus software - full scan weekly, so am pretty sure my system is clean.
Great idea about disabling Virus software - will ensure I unplug from modem first!! I will give that a go.
Cheers,
Karen

Network release for design booking

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