No stereo, only mono

I have just bought a Soundblaster X-fi Go Pro. It won't record in stereo in my laptop using win. 8.1
I have downloaded the win 8.1 drivers for it.
It will only record in Mono, on both channels. It is connected to the Master Out of my mixer, which I know is sending out stereo because I can hear it on my mixer headphones and connected speakers.
I have been told that my laptop needs to recognise the soundcard as a soundcard and not as a microphone. I cannot see how to do this anywhere. I might have to take the new soundcard back to the shop.

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I'm deaf in one ear and need a stereo-to-mono earbud so I can use my iPod and iPhone. It is not good being able to hear only one channel. Can Apple consider making such a thing for those of use who need such a thing?

I'm deaf in one ear and need a stereo-to-mono earbud so I can use my iPod and iPhone. It is not good being able to hear only one channel. Can Apple consider making such a thing for those of use who need such a thing?

bassvid wrote:
Thanks...now I need to do something about the iPod.
I'm not sure which version iPod you have, but I just checked my iPod nano (current generation) and it also has a Mono Audio setting in Settings>General>Accessibility.

How can I switch my output audio from stereo to mono?

Hey,
I can only hear out of one ear and I would like to be able to listen to the other half of my music on my headphones, how can I switch my audio from stereo to mono?
Thanks!
Zach

http://www.radioshack.com/product/index.jsp?productId=2102690
http://www.scansound.com/index.php/stereo-to-mono-adapter.html
Or you could buy a mono/one ear headset. http://www.beso.com/2699431644/detail

Stereo-to-mono glitch when match-framing

While searching for an answer I found a posting from ChiaMac dated Nov. 15, 2005 which describes the same problem I am experiencing. I have pasted the post below. Does anyone have an answer ?
Hi,
Three different editing systems, all running OS 10.3.9 and FCP 4.5 -- an iBook G4, PowerMac G5, and PowerMac G4.
Quite often, when match-framing in the timeline to bring up a clip in the viewer, the viewer will show dual mono audio, whereas the source clip has stereo audio. Then, when I try to cut that viewer clip into the timeline, in this sequence or another, it will be dual mono. Quite irritating.
It is quite replicable. Not all clips will produce the stereo-mono result, but it is replicable with the same clips over and over.
The "linked selection" has no effect on the process, no one has pressed command-L by mistake, and all audio settings on each of the systems are set to capture and output in stereo.
Is this a known FCP 4.5 HD glitch? I haven't seen it listed anywhere when I've searched for it. Any ideas, suggestions...?

>When converting a file from stereo to mono, Audition severely suppresses the amplitude of the entire file. This happens when using both the Convert Sample Rate method, as well as exporting a file from multi-track.
>It gets weirder: files that were recorded quite a while back will process this conversion just fine, but newer ones will not. All files are recorded in 16-bit 44100 stereo and saved as a Windows PCM wav file - so as far as I can tell there is no difference and I'm simply confounded.
Generally when this happens, it means that there isn't that much stereo (ie, difference between the two channels) in the file anyway, and one of these two channels is inverted - so that what happens when you combine them is that the 'mono' parts then cancel out, rather than add together, and all that's left is the difference - which looks pretty much like what you've got.
To test this, the thing to do is to select one channel only in EV, and invert its polarity (Effects>Invert). If you now get more like the waveform you were expecting when you convert to mono, then you've found the cause. But not necessarily the reason for it...

Split Stereo into Mono in Prelude

Hi All,
I'm just trying the CS6 demos out, basically as I'd like to transition from FCP here at University. I run 4 edit rooms, and I really love the idea of a seperate program for ingesting when teaching students the basic concepts. I also enjoy the rough cut making, which to my mind would be great for getting the students to concentrate on that side of things first, before getting bogged down in full video editing.
As I was playing through today, I noticed that the material when recorded onto the camera stereo file, can't be split in prelude. On import to premier, if a rough cut, the clip has to be taken out of the sequence, then the tracks split to mono, then put back in the sequence. This effectively makes the rough cutting a bit useless in many ways, unless just being used as a reference for the video editor.
I realise this is partly a premier issue, but as a newbie to the CS software perhaps I am missing something? If material on a sequence could be split to mono at the click of a button this would be fine but it seems in premier it needs to be done at the clip level.

Thanks for the quick replies. I'm impressed with the responsiveness.
Regarding mono tracks in my "one man shop" workflow:
Frequently, I use the 2 discrete channels that my Sony PMW-EX3 records for different inputs. For instance, when recording an important interview, a lavaliere mic on one channel and a shotgun mic on the other channel of the same camera. Those are 2 distinctly different sources that I can work with that give me redundancy if something breaks or has an unacceptable rustle in it.
The applications of this discrete channel thought process are many. Perhaps I have 2 talking subjects that I need audio for, but need to control them independently in post production. It makes my life much easier to have them each on a mono track. Perhaps I want a concert board mix on one channel, and the live audience heard on the other. The combinations are endless.
Forcing the combination of 2 audio channels into stereo effectively cuts the audio resources of my camera in half unless I split the stereo back out to dual mono.
Also, Why would I want to combine these channels into stereo, only to split them out again for editing? I want them in post production to be as close to the original, unmolested recording as I can get. That allows me to have maximum control over them in post. it's the same reason I wouldn't record the sources with reverb, or some other effect "baked in" to my recording. I may not want it later, but at that point, it's too late.
If I expect to have a stereo output, it seems to me that the best place to add that is in Audition, or similar. That way, I can shape it the way I want for the desired stereo effect.
Combining to stereo also creates a potential computer resource issue. If I have to double a stereo track and pan one to the left, and one to the right in order to re mix them in post, I am effectively playing back 4 channels of audio data only to throw away 2 of them in the pan settings.
Plus, it just needlessly complicates my already complicated workflow. I mean, let's face it. "Easy to use" is a relative term. Professional level video editing programs are inherently complex.
I'm willing to change my workflow if there's a better way to do it, but for what I do, a mono audio workflow seems FAR superior to a stereo workflow.
Again, I really appreciate the reply.
Todd

Stereo or Mono? Which? And why?

Once again I'm starting a new thread to explain some general audio principles that newbies have trouble with.
There's an issue here that's a bit difficult to explain--the difference between "stereo" and "mono".
You have two ears, so you hear "stereo". Your ears send a left signal and right signal to your brain. Your brain processes the difference between the two signals and gives you a sense of direction. You can figure out where the sound you are hearing is coming from.
Originally, recording technology only permitted mono recording. One microphone, and one speaker to play it back. When you listen to recordings made before about 1962, you are listening to a mono recording. If you have a modern stereo and you are playing back a recording from before 1962, you are getting signals out of your left and right speaker, but the signals are identical. You are just getting mono out of two speakers.
Originally "stereo" meant placing two microphones on something--one to represent what the left ear would hear, and one to represent what the right ear would hear.
However, when you take one microphone and plug it into a recording device, you can only record a mono track. Your recording device might permit you to record what you think is stereo, but in reality you are only recording two identical mono tracks.
A guitar also has a plug that comes out of it that sends a mono signal.
Nowadays we create fake stereo inside the recording device by means of what we call a digital reverb or digital delay. This device takes a mono input (such as from a single microphone or from a single guitar cord) and simulates the sound as if it were playing in a much larger room, with positional information included--placing something in a simulated position in the stereo field and creating a simulated left stereo channel and a simulated right stereo channel.
So if you record one input, and put no effects on it, you get mono. If you run it through a stereo reverb or a stereo delay, you get simulated stereo.
If you put an acoustic guitar in a large, reverberant room, and set up two microphones, one on the left side of the room and one on the right side of the room, and record the two mono mike signals to a stereo track on your digital recorder, then you get real live stereo.
When you play a software instrument in GarageBand, it records it as a stereo signal. What you are usually getting is in fact a monophonic sample that is processed through a stereo reverb, simulating stereo. In some cases, it may actually be a digitally sampled musical instrument that was sampled in stereo, with two microphones, like the example of the guitar in the reverberant room that I mentioned above. Software instruments of drum kits and acoustic pianos are examples of instruments that are usually sampled as real or artificial stereo to begin with.
Beginners think "stereo" is the right way to record, and "mono" is not. But this has nothing to do with the right way to record, and has nothing to do with wheter it's a high quality recording. If you are recording through only one microphone, or only one guitar cord, this is mono, and that's right.

Good points, Wheat. And when you record from several sources, and combine them and mix them, panning things to "set the stage" you get a stereo mix, of mono recordings. SI, the final result is stereo, not necessarily each individual piece of the recording. Of course, a drum kit can be recorded in stereo, as well as some keyboards that are actually stereo. But most things you hear on CDs are a compilation of mono tracks, panned to create the stereo image you hear.

Is iMac line in, stereo or mono

I'm hooking up my microKORG keybard to my iMac via the line in. I'm curious as to if the line in is stereo or mono.
TIA!
Wayne

It is stereo with a separate left and right. So, if you want both channels, then use a stereo cable.
They do make Mini-Stereo cables that have both left and right channels, so make sure that you get one of those. And, make sure that the device you are recording from outputs both left and right.
If you use a mono cable, you'll only hear audio through 1 speaker / channel.
Unless you specifically use a mono cable that hits both the left and right connectors on the jack.

Question about stereo vs. mono tracks. (Very basic, but appreciate help)

I’m still a little confused about Stereo Vs. Mono tracks when recording in Logic. (This might sound stupid, but I’m still getting confused by this stuff.)
When first recording a track, do you guys usually do it in mono or stereo?
Secondly, I’m still confused about the benefits or stereo tracks. Why not just record mono and then pan a track left or right when mixing? I’m just not getting the concept of stereo recording. I know these are very basic questions, but I’ve read numerous books and I’m still a little in the dark on this. Thanks for the help!

Most of the things I record are done on mono tracks. Each piece of a kit goes to its own channel, then I pan things accordingly later (Overhead L & R, etc.).
You only need to record in stereo if you actually have a source that is stereo, i.e. a keyboard with stereo fx and L&R outputs, but even then I usually just set up two mono tracks, one for L and one for R. I would do a similar thing if I was using a stereo pair to mic something.
You can always make a mono track stereo later as well using a variety of plug-ins.

Knowledge if Mixer can play stereo or mono

Hi, is there a possibility to get to know if a mixer can play stereo streams or only mono streams?

The playback capabilities are going to be defined by whether or not you can get a SourceDataLine to support the format you're wanting to play.
Construct a DataLine.Info object to query if a SourceDataLine is available to play the given format, and ask the mixer if it supports a line of that type...
DataLine.Info myInfo = new DataLine.Info(SourceDataLine.class, targetFormat);
boolean playable = mixer.isLineSupported(myInfo);

Stereo vs mono in garage band?

This may sound like a dumb question, I thought I knew about stereo vs mono all my life, but I don't. Even though I have been a full time professional musician all my life.
I just conected my new firepod to garage band 3. It works great.
1. But I am finding I can select channels 1&2 stereo, 3&4, 5&6, etc. However it won't let me activate the red record button on 2, 4, 6, etc since it tells me it's all ready chosen.
2. I understand I can simultaneously record 4 stereo tracks or 8 mono tracks
(5 and 10 if you include the line in on the back)
My problem is that the mics are mono. ( I don't have sereo mics) So when I select stereo am I really getting stereo? If not, can I record in mono and select stereo afterwards? Or duplicate the mono track and pan one slightly left or right. I know that is not true stereo but I can't really say why.
example problem: Upright piano with two mics, one near the bass end one near the high to middle. Does this need to take up 4 of my firepon inputs to have them be stereo? Can 1 mic be channel 1 and the other be channel 2?
Currently It won't let me unless they are selected as mono tracks.
Will someone please enlighten me?
thanks
Powerbook G4 Mac OS X (10.3.9)

You only use the stereo settings for a stereo source. Your mics are not stereo, therefore you should select MONO. You will then get a track that you can pan anywhere in the stereo spectrum you like, which is what you really want. Once you are done recording several tracks, and mix them, panning them where you like them, the "mix" will be stereo. Your "tracks" should always be mono, unless you have something like a stereo keyboard.

X-Fi Titanium only Mono output through Line-Out

Hi,
I have a problem with my x-fi titanium card. Since yesterday the output of the line-out is only mono. So the sound is always the same for right an left channel. I tried this in the mixer menue where you can test each channel if there is sound.
I already re-installed the newest drivers and changed PCI-E slot on my motherboard. The strange thing is in audio creation mode of the mixer I can see different amplitude for left and right channel of the output while testing.
After testing this whole thing I assume the amplifier of the card is broken and giving out the same signal to both channels.
Anymore suggestions?
regards,
Mik

are you using a mono cable with the card? Your card could very well be outputting stereo, and if you use a mono cable, you will end up with 1 channel sound.
Have you checked your mixer to make sure that you do not have the balance slider set to the left or right?

Switching from stereo to mono...

is there a way i can switch from stereo to mono for recording volcals in garageband?if so...how??thanx much

In the Track Info window where you select your instrument or preset, you can also select the channel through which you record - either one channel (mono) or two (stereo). Set it to one channel.

Stereo to mono

how do I switch from stereo to mono in FCP?

also make sure you do not have "Downmix" enabled ... it is toggled On/Off by using the Downmix button in the Audio Mixer window, it looks like a bowtie, and sits just above the Master fader.

How can I convert my iTunes media from stereo to mono?

Just a sound preference I would like to have. Lets keep it simple. (iTunes 10.6.1)

http://www.radioshack.com/product/index.jsp?productId=2102690
http://www.scansound.com/index.php/stereo-to-mono-adapter.html
Or you could buy a mono/one ear headset. http://www.beso.com/2699431644/detail

How to view 'stereo' vs 'mono' in GarageBand 10.0.2?

How to view 'stereo' vs 'mono' in GarageBand 10.0.2?
Thanks

Tjed wrote:
Could that have something to do with why I got no sound out of the external monitors (speaker)?
it's possible, if for instance the track was set to channel 1 (mono) and you were sending a signal on channel 2 (or any other channel your interface might offer), but you may want to start a new thread with this issue providing all background info for it

No stereo, only mono

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