Original filename for Smart Objects in CS6

After processing a camera raw image in ACR, I want to open the image in CS6 as a Smart Object.
Then I want to run a java script that depends on the original filename.  Where in the metadata can I find the original filename?
Background:  I have a script that executes very well if the file is opened in CS6 as a regular layer.  However, when I open a file as a Smart Object, the script fails, complaining about an invalid filename.
The problem is associated with my favorite time-saving script and I am very keen to resolve the problem.   :-(
Thank you for your assistance.
BA

rj acton wrote:
After processing a camera raw image in ACR, I want to open the image in CS6 as a Smart Object.
Then I want to run a java script that depends on the original filename.  Where in the metadata can I find the original filename?
Background:  I have a script that executes very well if the file is opened in CS6 as a regular layer.  However, when I open a file as a Smart Object, the script fails, complaining about an invalid filename.
I think the the only reason it works when you open them as a regular layer is because of your work-flow and habits. Try opening it twice as a normal layer an see if it works.
When you open a RAW file through ACR as a normal layer and as a smart object layer there is no backing file associated with the open document yet.   I feel you problem is you script is using something like the document name.   If you look at the title in the image floating window or tab you will see that Photoshop has assigned a name the first time you open it as a normal layer you will see something like filename.cr2 @ 25% (RGB16) the second time you will see filename-2 @ 25% (RGB16) when you open as Object you will see filename as smart object-1 (filename, RGB16). These title will change when you save the document to a image file type the title will change to the associated backing file you just saved.
I you look at Photoshop File info you can see all the image metadata and you can find the RAWFileName you want here a text file I wrote using a  Photoshop script
It is enev in small jpef file saved from raw conversions if you don't strip mete data
<x:xmpmeta xmlns:x="adobe:ns:meta/" x:xmptk="Adobe XMP Core 5.3-c011 66.145661, 2012/02/06-14:56:27        ">
   <rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#">
      <rdf:Description rdf:about=""
            xmlns:xmp="http://ns.adobe.com/xap/1.0/">
         <xmp:ModifyDate>2010-08-16T22:47:35-04:00</xmp:ModifyDate>
         <xmp:CreateDate>2009-04-25T15:20:46</xmp:CreateDate>
         <xmp:Rating>0</xmp:Rating>
         <xmp:MetadataDate>2010-08-16T22:47:35-04:00</xmp:MetadataDate>
         <xmp:CreatorTool>Adobe Photoshop CS5 Windows</xmp:CreatorTool>
      </rdf:Description>
      <rdf:Description rdf:about=""
            xmlns:dc="http://purl.org/dc/elements/1.1/">
         <dc:format>image/jpeg</dc:format>
         <dc:creator>
            <rdf:Seq>
               <rdf:li>McAssey</rdf:li>
            </rdf:Seq>
         </dc:creator>
      </rdf:Description>
      <rdf:Description rdf:about=""
            xmlns:aux="http://ns.adobe.com/exif/1.0/aux/">
         <aux:SerialNumber>237498</aux:SerialNumber>
         <aux:LensInfo>300/1 300/1 0/0 0/0</aux:LensInfo>
         <aux:Lens>300.0 mm</aux:Lens>
         <aux:LensID>142</aux:LensID>
         <aux:ImageNumber>48302</aux:ImageNumber>
         <aux:FlashCompensation>0/1</aux:FlashCompensation>
         <aux:OwnerName>McAssey</aux:OwnerName>
         <aux:Firmware>1.2.3</aux:Firmware>
      </rdf:Description>
      <rdf:Description rdf:about=""
            xmlns:crs="http://ns.adobe.com/camera-raw-settings/1.0/">
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               <rdf:li>192, 202</rdf:li>
               <rdf:li>255, 255</rdf:li>
            </rdf:Seq>
         </crs:ToneCurve>
      </rdf:Description>
      <rdf:Description rdf:about=""
            xmlns:photoshop="http://ns.adobe.com/photoshop/1.0/">
         <photoshop:DateCreated>2009-04-25T15:20:46</photoshop:DateCreated>
         <photoshop:LegacyIPTCDigest>C919DE8C578CC777664AB2BCEBAFE2ED</photoshop:LegacyIPTCDigest>
         <photoshop:ColorMode>3</photoshop:ColorMode>
         <photoshop:ICCProfile>sRGB IEC61966-2.1</photoshop:ICCProfile>
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    Message was edited by: JJMack
    So to me it look like CS5 and CS6 transform work basiclly the same.  There seems to have been some behavior changes made to CS6 I can not seem to put my finger on as well as the addition of the interpolation method in the option bar. I can't put my finger on it so it may be the same in CS5 and CS6.
    It may have to do with the bazar behavior of Free Transform  and Transform Again not being available on smart object layers if no free transform to a normal layer has been done in this Photoshop session  but are available if one was done in any doument. And thet you can start to do a transform on the smart object layer and see the Transform handle but then start using transform Again shortcut Ctrl+Shift+T and watch the old transform being done perhaps rotating some virtual anchor point and not around the acnchor point bing displayed in the Transform bounding box and control points.
    Message was edited by: JJMack
    Over in the Adobe Feedback site several issues were posted with CS6 Transform one was marked "Not a problem" by Adobe. One was marked "Solved" by Adobe and the others have no Adobe markings the may on not be a problem
    So I beleive there is a bug but I do not think it originated in CS6 the bazar things I see happing also seem to be in CS5.

  • Vector smart objects still looking for older version of Illustrator

    When we try to open smart objects from withing Photoshop CC, they're looking for Illustrator CS6. On machines where Illustrator CS6 is uninstalled we get errors. All the file associations in Bridge are correctly set. Is there a way to change the file associations for smart objects?
    Thanks,
    -Onur

    Editing smart objectrs uses the system wide associations, not the ones from Bridge, so you need to adjust that for the *.ai file type.
    Mylenium

  • Photoshop CS6 Scaling issues: Vector/Raster smart objects

    My team and I have noticed some strange issues when affecting the overall interpolation of a .psd via scaling, cropping, or canvas resize.
    Test:
    Original .psd is even x even overall pixel dimensions.
    Original vector and raster smart object assets are all proportionally scaled with width x height percentages equal.
    Preferences: "Snap vector tools and transforms to pixel grid" is turned off
    Resize .psd via Image > Image Size palette.
    Scale styles, constrain proportions selected.
    Every interpolation style tested.
    Resize the .psd to 50%
    Result: All smart objects (both types) no longer are proportionately scaled. Usually off by a minor amount under 1/10th of a percent.
    Some objects' center point shift a half pixel to the right or left.
    This also occurs if we use the crop tool or resize the canvas.
    Is this a known bug and if so, is there:
    1) any setting to truly lock proportions?
    2) any resolution being pursued currently?
    Though the shift and the disproproptions seem minor, the overall quality of items such as icons, hairlines, and other things that should be more crisp become far more degraded in CS6 vs CS5.
    We have over 100 users and need to evaluate if we should drop back down to CS5, where we weren't having any of these issues, as our work demands a lot of precision, so you can see why this is worrisome.
    Thanks!

    I'm not going to say anything about the abysmal rendering of Vector Smart Objects in CS6 because it'll be beating a dead horse but I can explain the issues you see with measurements after scaling.
    The slightly disproportionate scaling and half-pixel shift of the centre is unavoidable when it happens because the resulting Smart Object/Vector Smart Object must measure an integer number of pixels in height and width and be perfectly aligned to the document pixel grid. That's true in CS5 and CS6.
    Say a SO/VSO originally measures 102 x 103 pixels and you scale it by 50%. The Options bar may say the result is 51 x 51.5 px but the result will really be 51 x 52 px, and therefore the new height will really be 50.49% of the old height.
    The original SO/VSO is an even number of pixels wide and an odd number of pixels high, therefore its centre will be halfway down a pixel. The 50%-scaled SO/VSO is an odd number of pixels wide and an even number of pixels high, therefore its centre will be halfway across a pixel.

  • Smart Object Not Opening in Camera RAW in CS6

    I've converted a JPEG to a Smart Object in CS6.  When I double-click on the Smart Object icon in the Layer, it opens as a separate JPEG file.  What do I need to do to get it to open in Camera RAW as Russel Brown does in this video?

    R_Kelly wrote:
    JJMack might have been referring to the script and video that is on the script page i linked to.
    I did not know about the script. I just knew that ACR can only work on Camera RAw Files and convert the camera sensor RAW data into RGB Images and use setting other then ones set into the camera,  ACR can also process Jpeg and Tiff files however Camers Sensor RAW data for thes images nolonger exists in the file. So ACR can not work on the images as well as it can when it has access to the Camera RAW data. 
    I was somewhat wrong about not being able to edit normal layers in ACR this script sort of makes that posible. What it does is save information about the layers transparenct and layer mask save out the layer as a temp Tiff file and place it back in as a smart object and restor the best it can any layer mask and transparency.  You preferences must be set to open Tiff in ACR. While I was somewhat wrong I was bassicly right. The script turns the layer into a Temp Tiff file and places it back in the document as a smart object layer the embedded object is a Tiff file.  The temp Tiff file is nolonger needed for the smart object layer has a copy of it in its embedded object.

  • Mass change original system for objects

    Is there a way to change the original systems for multiple objects at once?
    So instead of changing them one by one, can the original system for objects be changed for multiple objects at once?
    Kind regards,
    Ben

    I've checked with the Basis team, but they couldn't help me further.
    For the moment we'll leave the objects like they are and Overwrite the originals when transporting.
    Kind regards and thanks,
    Ben

  • Does Extract for PSD support smart objects?

    I have spent some time exploring Extract for PSD and so far it it fantastic. I can really see this being useful when passing on my PSDs to my developers.
    One feature that I would love to see would be support for smart objects. I use smart objects a ton in my web designs. For example when I create the footer I will make it a smart object so that it stays consistent throughout all my layer comps. currently in Extract for PSD all smart objects seem to be flattened.  It would be great if my devs could click into the smart objects and access the content within.

    You are right that we don't expose this right now. We do have plans to do this in the future soon!

  • Open as "Smart Object" from ACR to PS questions.

    I have 2 questions associated with opening from ACR as a Smart Object in Photoshop. I'm using CS4.
    1. Is there a way to retrieve the original filename (complete with path) using a script or a setting somewhere to do this? I'm currently using Bridge Talk to ask Bridge what the active folder is then adding that to the document's .name property and taking off the " as Smart Object-1" part. Then I add a .psd extension to it and then I have to save it to retain that name unless there's an answer to #2 below.
    2. Is there a way to change the Document's name as described above from "Filename as Smart Object-1" to "Filename.psd" without actually saving it?
    It seems to me there would be a simple way that I might be overlooking here.
    Thanks
    Mike

    Sorry, I guess I need to explain better.
    I wrote a script to do this, but here is this portion of the workflow:
    1. Open CR2 file in ACR and make adjustments.
    2. Open as Smart Object in PS.
    3. Script Events Manager activates this script on Document Open, checks to see if it was opened as a Smart Object. We'll assume it did.
    4. The script asks me if I want to make another layer. I pick yes. The script copies the SO layer, sets an inverted mask, and opens to edit settings in ACR again.
    5. I adjust the settings for that layer in ACR and click OK.
    The script will keep looping between 4 and 5 as long as I pick YES.
    This gives me more local control of areas. If I want to bring out eyes a bit, I can up contrast, saturation, sharpness, brightness, exposure, or whatever looks best for the eyes in ACR, then unmask the eyes as much as I want on that layer in Photoshop. There is more data to pull from in the RAW file vs trying to do the same thing within Photoshop.
    Opening as a regular image file then converting to a SO doesn't give me the same control. I would have to reopen the file separately, make the adjustments in ACR, open to PS then copy that document and paste as a new layer in the original.
    Duplicating the document might work also, but I can also just save as .psd at that point since I'd have to know the path name by then anyway. I'll give that a try, though, and see if it might work better. The only catch with the save part is it slows me down waiting for it to write the file and if I have 5+ SO layers, it takes awhile. Once I unmask where I want, I flatten to a rasterized layer and continue.
    Thanks

  • RAW as Smart Objects - Lock Edge Pixel Opacity During Resize

    I'm a professional fine art printer.  I prepare images for large format printing, often starting from the original RAW files.  Since the feature to open RAW files as Smart Objects in Camera Raw was introduced, I've been doing that, as it allows me to go back into the Raw file at anytime and re-tweak as I layer.  I love this option and it is totally indispensable to my workflow.
    HOWEVER, I find a serious flaw when resizing the image for final print, or even when resizing for web-output.  If I do any interpolation (pixel resizing) up or down, the edge pixels are not locked in place, and treated as if they are a floating object, therefore the edge pixels usually show up at a lower opacity, (see attached image).  This KILLS my workflow!  It means I have to completely flatten my work and then resize, loosing all my groovy layers and the ability to go back into Camera Raw and make final tweaks while I make test prints and final decisions with the client by my side.
    Even worse, when I apply the final print sharpening and flatten the file to send out, the edge transparency issue is compounded, and the sharpening adds an ugly halo around the whole image, BLAH!
    What I need is a way for Smart Objects with the exact same pixel dimensions as the file to lock their edge pixels at the current opacity when resizing.  In other words, I need Photoshop to treat the Smart Object as a true Background Layer for certain purposes, while still being able to go back into Camera Raw as I like.  I notice the ability to lock transparency is gone on Smart Objects, which I'm sure is necessary for compositing, but not for what I'm doing at all.
    Is there anyway this can be done in the current CS5 or 5.5 (haven't upgraded yet) that I'm simply missing?  Can anyone from Adobe confirm that this is something you'll look into for me?
    Thanks so much, absolutely loving Adobe products these days, you guys rock!
    Best,
    -B

    I'm not going to say anything about the abysmal rendering of Vector Smart Objects in CS6 because it'll be beating a dead horse but I can explain the issues you see with measurements after scaling.
    The slightly disproportionate scaling and half-pixel shift of the centre is unavoidable when it happens because the resulting Smart Object/Vector Smart Object must measure an integer number of pixels in height and width and be perfectly aligned to the document pixel grid. That's true in CS5 and CS6.
    Say a SO/VSO originally measures 102 x 103 pixels and you scale it by 50%. The Options bar may say the result is 51 x 51.5 px but the result will really be 51 x 52 px, and therefore the new height will really be 50.49% of the old height.
    The original SO/VSO is an even number of pixels wide and an odd number of pixels high, therefore its centre will be halfway down a pixel. The 50%-scaled SO/VSO is an odd number of pixels wide and an even number of pixels high, therefore its centre will be halfway across a pixel.

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